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(FILMAFFINITY)",1.1662,"\u002FeiMCb4qnOvbIdKjW91S1pdAuSl9.jpg","2004-10-12",113,{"adult":97,"backdrop_path":200,"genre_ids":201,"id":202,"title":203,"original_language":107,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":97,"video":97,"vote_average":208,"vote_count":209,"media_type":187},"\u002FxfC6hsmcsnf2MY1iXDs56gJNfQZ.jpg",[21],191720,"Jodorowsky's Dune","En 1974, el director chileno-francés Alejandro Jodorowsky se embarcó en el quijotesco proyecto de adaptar la influyente novela «Dune» (1969), de Frank Herbert, a la gran pantalla. 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La imagen de un tren llegando a una estación, pasando muy cerca de la cámara mientras reduce la velocidad, se convirtió rápidamente en una escena absolutamente icónica de esa curiosidad de reciente invención llamada \"cinematógrafo\".",1.3266,"\u002Fy3A15HpugKsPjVyxKa9POLTEX6B.jpg","1896-06-30",564,{"adult":97,"backdrop_path":531,"genre_ids":532,"id":533,"title":534,"original_language":452,"original_title":534,"overview":103,"popularity":535,"poster_path":536,"release_date":537,"softcore":97,"video":97,"vote_average":276,"vote_count":538},"\u002FibuCLXXgEwFWoAYVxXFPXmVbS4W.jpg",[21],6628,"Gegenschuss - Aufbruch der Filmemacher",0.5335,"\u002F5SgxvBezvOTTU1gLYLXwD5MMkcF.jpg","2008-02-14",3,{"adult":97,"backdrop_path":540,"genre_ids":541,"id":542,"title":543,"original_language":330,"original_title":543,"overview":544,"popularity":545,"poster_path":546,"release_date":547,"softcore":97,"video":97,"vote_average":299,"vote_count":456},"\u002FvZxcF3NUMNWbYAFt0ltRFZdKqkX.jpg",[21],647197,"Zombies en el cañaveral: el documental","Tucumán, Argentina, 1965. Tres años antes de que se estrenara «La noche de los muertos vivientes», de George A. Romero, el director Ofelio Linares Montt rodó «Zombis en el cañaveral», que resultó ser tanto una película de terror como una declaración política. Fue un éxito en EE. UU., pero no pudo exhibirse en Argentina debido a la dictadura de Juan Carlos Onganía, y finalmente se perdió. El escritor e investigador Luciano Saracino se embarca en la búsqueda de los orígenes de esta obra maldita.",0.5098,"\u002F1NvpmzjHrLrzCzLWjxOKPVeBXg5.jpg","2019-11-08",{"adult":97,"backdrop_path":549,"genre_ids":550,"id":551,"title":552,"original_language":107,"original_title":552,"overview":553,"popularity":554,"poster_path":555,"release_date":556,"softcore":97,"video":97,"vote_average":557,"vote_count":558},"\u002FzzAuxUpfZDEspL33N3KlOCWxOLH.jpg",[21,39],7944,"Shine a Light","Martin Scorsese y los Rolling Stones se unen en 'Shine A Light', una mirada a los Rolling Stones.' Scorsese filmó a los Stones durante un período de dos días en el íntimo Beacon Theatre de la ciudad de Nueva York en el otoño de 2006. Los directores de fotografía capturan la energía cruda de la legendaria banda.",1.3864,"\u002FrMVrNWWaO3xAWZHFUbeamWPzVAC.jpg","2008-04-04",6.8,188,{"adult":97,"backdrop_path":560,"genre_ids":561,"id":562,"title":563,"original_language":412,"original_title":564,"overview":565,"popularity":566,"poster_path":567,"release_date":568,"softcore":97,"video":97,"vote_average":569,"vote_count":570},"\u002Fow5fF4tsBgdQVJb93T2gbYYrZo8.jpg",[21],469151,"Magnum cinema","Le cinéma dans l'oeil de Magnum","La película cuenta la historia del encuentro íntimo y sin precedentes entre los fotoperiodistas de la Agencia Magnum y el mundo del cine. La confrontación de dos mundos aparentemente opuestos: la ficción y la realidad. Durante 70 años sus caminos se cruzaron: una familia de fotógrafos, entre ellos los nombres más importantes de la fotografía, y una familia de actores y cineastas que ayudaron a escribir la historia del cine, desde John Huston hasta Marilyn Monroe, Orson Welles, Kate Winslet y Sean Penn.",0.7031,"\u002FpgNBOIaIaNlFZxCGZURDpIrYAtX.jpg","2017-09-02",7.7,6,{"adult":97,"backdrop_path":99,"genre_ids":572,"id":573,"title":574,"original_language":107,"original_title":574,"overview":103,"popularity":575,"poster_path":99,"release_date":576,"softcore":97,"video":97,"vote_average":126,"vote_count":127},[21],851619,"Enfant Terrible: A Conversation with Patty McCormack",0.2721,"2004-01-01",{"adult":97,"backdrop_path":578,"genre_ids":579,"id":580,"title":581,"original_language":412,"original_title":581,"overview":103,"popularity":582,"poster_path":583,"release_date":584,"softcore":97,"video":97,"vote_average":100,"vote_count":100},"\u002F59nOapuyfhNFSkj7lx4b1RDf7hX.jpg",[21],469931,"Ciné regards: Tess: Roman Polanski",0.6945,"\u002F3nDGmrW569kB5yPu0yh77U58U5j.jpg","1979-09-01",1001,20001,{"results":588},[589],{"iso_3166_1":106,"release_dates":590},[591],{"certification":103,"descriptors":592,"iso_639_1":103,"note":593,"release_date":594,"type":456},[],"Vimeo","2020-03-27T00:00:00.000Z",{"imdb_id":99,"wikidata_id":99,"facebook_id":99,"instagram_id":99,"twitter_id":99},{"backdrops":597,"logos":602,"posters":603},[598],{"aspect_ratio":599,"height":600,"iso_3166_1":99,"iso_639_1":99,"file_path":98,"vote_average":100,"vote_count":100,"width":601},1.778,1080,1920,[],[604,609,611,613],{"aspect_ratio":605,"height":606,"iso_3166_1":99,"iso_639_1":99,"file_path":111,"vote_average":607,"vote_count":127,"width":608},0.667,975,3.334,650,{"aspect_ratio":605,"height":606,"iso_3166_1":99,"iso_639_1":99,"file_path":610,"vote_average":100,"vote_count":100,"width":608},"\u002FiMYpLmNPRHZO8QL3j5l6z4pmNxo.jpg",{"aspect_ratio":605,"height":606,"iso_3166_1":99,"iso_639_1":99,"file_path":612,"vote_average":100,"vote_count":100,"width":608},"\u002FttPEDugdm7EzWcTtVstHc5M1XyX.jpg",{"aspect_ratio":605,"height":606,"iso_3166_1":99,"iso_639_1":99,"file_path":614,"vote_average":100,"vote_count":100,"width":608},"\u002FlG49rvhaG0uFuISGvsxajae5Ex1.jpg",{"keywords":616},[617,620,623],{"id":618,"name":619},6026,"cinema on cinema",{"id":621,"name":622},886,"movie business",{"id":624,"name":625},185241,"film editor",{"results":627},{}]