[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:genre\u002Fmovie\u002Flist:{\"language\":\"fr-FR\"}":3,"tmdb:genre\u002Ftv\u002Flist:{\"language\":\"fr-FR\"}":62,"tmdb:person\u002F3776:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":96},{"genres":4},[5,8,11,14,17,20,23,26,29,32,35,38,41,44,47,50,53,56,59],{"id":6,"name":7},28,"Action",{"id":9,"name":10},12,"Aventure",{"id":12,"name":13},16,"Animation",{"id":15,"name":16},35,"Comédie",{"id":18,"name":19},80,"Crime",{"id":21,"name":22},99,"Documentaire",{"id":24,"name":25},18,"Drame",{"id":27,"name":28},10751,"Familial",{"id":30,"name":31},14,"Fantastique",{"id":33,"name":34},36,"Histoire",{"id":36,"name":37},27,"Horreur",{"id":39,"name":40},10402,"Musique",{"id":42,"name":43},9648,"Mystère",{"id":45,"name":46},10749,"Romance",{"id":48,"name":49},878,"Science-Fiction",{"id":51,"name":52},10770,"Téléfilm",{"id":54,"name":55},53,"Thriller",{"id":57,"name":58},10752,"Guerre",{"id":60,"name":61},37,"Western",{"genres":63},[64,67,68,69,70,71,72,73,76,77,80,83,86,89,92,95],{"id":65,"name":66},10759,"Action & Adventure",{"id":12,"name":13},{"id":15,"name":16},{"id":18,"name":19},{"id":21,"name":22},{"id":24,"name":25},{"id":27,"name":28},{"id":74,"name":75},10762,"Kids",{"id":42,"name":43},{"id":78,"name":79},10763,"News",{"id":81,"name":82},10764,"Reality",{"id":84,"name":85},10765,"Science-Fiction & Fantastique",{"id":87,"name":88},10766,"Soap",{"id":90,"name":91},10767,"Talk",{"id":93,"name":94},10768,"War & Politics",{"id":60,"name":61},{"adult":97,"also_known_as":98,"biography":109,"birthday":110,"deathday":111,"gender":112,"homepage":113,"id":114,"imdb_id":115,"known_for_department":116,"name":117,"place_of_birth":118,"popularity":119,"profile_path":120,"combined_credits":121,"images":3958},false,[99,100,101,102,103,104,105,106,107,108],"Jean Luc Godard","J.-L. Godard","JL Godard","JeanLuc Cinéma Godard","Monsieur Godard","JLG","Hans Lucas","장 뤽 고다르","장-뤽 고다르","جان لوك جودار","Jean-Luc Godard est un cinéaste franco-suisse né le 3 décembre 1930 à Paris et mort le 13 septembre 2022 à Rolle (canton de Vaud).\n\nAuteur complet de ses films, il en est fréquemment à la fois le réalisateur, le scénariste, le dialoguiste, et il en maîtrise le montage. Il y apparaît occasionnellement, parfois dans un petit rôle, parfois non comme acteur mais comme sujet intervenant. Producteur et écrivain, il est aussi critique de cinéma et théoricien du cinéma.\n\nComme Éric Rohmer, François Truffaut, Claude Chabrol, Jacques Rivette, Jean-Luc Godard commence sa carrière dans les années 1950 comme critique de cinéma. Il écrit notamment dans La Gazette du cinéma, les Cahiers du cinéma et Arts. Parallèlement à cette activité, il tourne des courts métrages en 16 mm: Opération Béton (1954), un documentaire sur la construction du barrage de la Grande-Dixence en Suisse, Une femme coquette (1955), inspiré de Guy de Maupassant et réalisé sans budget, Tous les garçons s'appellent Patrick, un marivaudage écrit avec Éric Rohmer, Une histoire d'eau (1958), qu'il monte à partir d'images filmées par François Truffaut, et enfin Charlotte et son jules (1958).\n\nEn 1959, il passe au long métrage avec la réalisation d'À bout de souffle. Le film rencontre un grand succès et devient un des films fondateurs de la Nouvelle Vague. Au cours des années 1960, il multiplie les projets et réalise plusieurs films par an. En 1960, il tourne ainsi Le Petit Soldat, un film sur la guerre d'Algérie, et Une femme est une femme, un film hommage à la comédie musicale. Il réalise ensuite Vivre sa vie (1962), un film sur une jeune femme qui se prostitue, Les Carabiniers (1963), un nouveau film sur la guerre, et Le Mépris (1963), sur l'univers du cinéma. Il poursuit en 1964 avec Bande à part et Une femme mariée. En 1965, il réalise Alphaville, une étrange aventure de Lemmy Caution, film de science-fiction, puis Pierrot le Fou, un road movie où nombre de spécialistes voient son chef-d'œuvre. Il réalise ensuite Masculin féminin (1966), un film sur la jeunesse, Made in USA (1966), Deux ou trois choses que je sais d'elle (1967), dans lequel il traite à nouveau du thème de la prostitution, La Chinoise (1967) et Week-end (1967).\n\nGodard est alors devenu un cinéaste de première importance, et un personnage de premier plan du monde artistique et de l'intelligentsia. En 1968, les événements de mai, pressentis par certains de ses films antérieurs, sont l'occasion de la rupture avec le système du cinéma. Godard se radicalise politiquement, et se marginalise. Il tente avec Jean-Pierre Gorin de faire un cinéma politique et signe ses films sous le pseudonyme collectif de «groupe Dziga Vertov». Durant cette période ses films sont peu diffusés. À partir de 1974, il expérimente la vidéo avec sa compagne Anne-Marie Miéville, travaille pour la télévision et s'éloigne du cinéma.\n\nIl revient au cinéma au tournant des années 1980 avec Sauve qui peut (la vie). Avec la «trilogie du sublime» dédiée à l'esthétique classiciste qui réunit Passion (1982), Prénom Carmen (1983) et Je vous salue, Marie (1984), il retrouve la place centrale qu'il avait occupée au cours des années 1960. ...\n\nSource: Article \"Jean-Luc Godard\" de Wikipédia en français, soumis à la licence CC-BY-SA.","1930-12-03","2022-09-13",2,null,3776,"nm0000419","Directing","Jean-Luc Godard","Paris, France",1.5754,"\u002FzP5EDY5MstfkdBmPXNCj8Y6v5KR.jpg",{"cast":122,"crew":2358},[123,139,153,165,177,190,201,209,218,225,238,251,265,276,289,300,313,323,332,342,355,365,379,388,400,408,418,428,439,448,455,462,471,484,497,506,517,529,537,548,559,569,580,589,598,610,619,631,642,653,662,670,680,689,697,707,715,723,731,741,752,760,768,776,786,797,808,821,828,839,851,859,868,879,891,903,913,922,930,941,953,962,974,983,995,1006,1015,1027,1037,1048,1056,1063,1072,1079,1086,1096,1107,1117,1124,1136,1147,1156,1165,1174,1183,1193,1207,1216,1225,1235,1245,1256,1264,1278,1290,1299,1311,1318,1326,1336,1346,1354,1364,1376,1387,1398,1407,1416,1425,1436,1444,1456,1466,1477,1487,1496,1506,1515,1523,1531,1540,1549,1559,1569,1577,1585,1593,1602,1613,1622,1633,1644,1652,1664,1674,1686,1694,1701,1709,1718,1730,1738,1747,1757,1769,1780,1788,1796,1807,1815,1824,1833,1841,1849,1859,1867,1876,1883,1890,1901,1911,1920,1929,1938,1948,1957,1965,1974,1983,1991,1999,2009,2017,2027,2036,2046,2056,2067,2076,2084,2093,2103,2114,2123,2131,2140,2150,2160,2168,2176,2186,2195,2207,2216,2230,2239,2250,2260,2271,2282,2293,2305,2317,2329,2339,2350],{"adult":97,"backdrop_path":124,"genre_ids":125,"id":126,"title":127,"original_language":128,"original_title":127,"overview":129,"popularity":130,"poster_path":131,"release_date":132,"softcore":97,"video":97,"vote_average":133,"vote_count":134,"character":135,"credit_id":136,"order":137,"media_type":138},"\u002F3CPo0qqDm2nGUS276iDyNbEWhKQ.jpg",[24,45],266,"Le Mépris","fr","Le scénariste Paul Javal mène une vie heureuse avec sa femme Camille. Un jour, le célèbre producteur américain Jeremy Prokosch lui propose de travailler à une adaptation de l’Odyssée, réalisée par Fritz Lang à Cinecittà. Le couple se rend alors sur les lieux du tournage et rencontre l’équipe. Prokosch fait bientôt des avances à Camille sous les yeux de Paul. Cette tentative de séduction va sonner le glas de leur couple…",2.5815,"\u002FtEHgoG7I8lltEbHldTWnhnjvlTs.jpg","1963-10-29",7.031,1016,"Lang's Assistant Director","52fe422fc3a36847f800a8dd",6,"movie",{"adult":97,"backdrop_path":140,"genre_ids":141,"id":142,"title":143,"original_language":128,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":97,"video":97,"vote_average":148,"vote_count":149,"character":150,"credit_id":151,"order":152,"media_type":138},"\u002F4WGuyWf1f94CsEeVIIqDKGw5rmO.jpg",[24,18,45],269,"À bout de souffle","À Marseille, Michel Poiccard, un jeune voyou, vole une voiture et tue le motard qui le poursuivait. À Paris, il retrouve, sur les Champs-Élysées, Patricia, une jeune américaine qui vend le « New York Herald Tribune ». Il propose à Patricia de le suivre en Italie…",4.5792,"\u002FiqnXXdyVKPuMngJDuHLYQGq60AN.jpg","1960-03-16",7.478,2122,"The Snitch","52fe4230c3a36847f800aa99",10,{"adult":97,"backdrop_path":154,"genre_ids":155,"id":156,"title":157,"original_language":128,"original_title":157,"overview":158,"popularity":159,"poster_path":160,"release_date":161,"softcore":97,"video":97,"vote_average":162,"vote_count":9,"character":163,"credit_id":164,"order":137,"media_type":138},"\u002F1rcdBRT7G50obmpfwOgenH9IrH2.jpg",[21],474791,"Belmondo, le magnifique","Avec ses 74 films et ses 160 millions d’entrées cumulées en France, Jean-Paul Belmondo a été la plus grande star du cinéma français. Les films d’auteur et les films populaires. Belmondo d’un côté, Bébel de l’autre... Révélé dans « À bout de souffle » de Jean-Luc Godard, Bébel a vite fait le grand écart entre cinéma d'auteur et œuvres populaires. Dès ses débuts, il n'aime pas être catalogué et recherche avant tout une liberté de ton et de mouvement. Riche en archives inédites, ce film documentaire révèle un Belmondo, exubérant et blagueur sur les tournages. Ancien boxeur et sportif dans l'âme, il refuse de se faire doubler pour les cascades, ce qui l'amènera aux plus folles acrobaties. Peu à peu, un Belmondo bondissant, intrépide et gouailleur inventé par Philippe de Broca, va prendre le dessus. L’acteur va frayer avec le commercial, au point de faire de son nom un logo.",0.456,"\u002Fo9NcWqNso6mfcNbvbCeqWxcvsrc.jpg","2017-09-03",7.3,"Self (archive footage)","6139948de323f30029efb360",{"adult":97,"backdrop_path":166,"genre_ids":167,"id":168,"title":169,"original_language":128,"original_title":169,"overview":170,"popularity":171,"poster_path":172,"release_date":173,"softcore":97,"video":97,"vote_average":174,"vote_count":175,"character":163,"credit_id":176,"order":112,"media_type":138},"\u002Fo7Xf3fK2penlysk6UGaxn9mv96O.jpg",[21],1089525,"Les cahiers du cinéma, la création d'une empreinte","De 1951 à 1959, Jean-Luc Godard, François Truffaut, Claude Chabrol, Eric Rohmer, Jacques Rivette, entre autres, révolutionnèrent la critique tout en accomplissant leur éducation cinématographique. Tous voulaient devenir réalisateurs. Ces autodidactes, passés par aucune autre formation que la critique, devinrent les figures de proue de ce mouvement qu’on appellera la Nouvelle Vague.",0.372,"\u002F9aNv9Jr4wr8FG2Q1Hzm1ljCfddm.jpg","2021-05-10",8,1,"63f3da3b4a4bfc0079c62b3f",{"adult":97,"backdrop_path":178,"genre_ids":179,"id":180,"title":181,"original_language":128,"original_title":181,"overview":182,"popularity":183,"poster_path":184,"release_date":185,"softcore":97,"video":97,"vote_average":186,"vote_count":186,"character":187,"credit_id":188,"order":189,"media_type":138},"\u002F8Ic3ypqqBDT2NqXvB3hWKWKv0I1.jpg",[21],139243,"Moments choisis des Histoire(s) du cinéma","Un regard très personnel sur l'histoire du cinéma réalisé, écrit et édité par Jean-Luc Godard dans sa résidence suisse de Rolle pendant dix ans (1988-98) ; un collage monumental, construit à partir de fragments de films, de textes et de citations, de photos et de peintures, de musique et de sons, et de lectures diverses ; une vision critique, belle et mélancolique de l'art cinématographique. (Version abrégée de la collection originale de huit courts métrages).",0.4137,"\u002F1ifpFq9FGPv3HxnP1rf74sz9PRy.jpg","2006-02-20",5,"Self - Filmmaker \u002F Narrator (voice)","61726fefbf09d10044629a0a",0,{"adult":97,"backdrop_path":113,"genre_ids":191,"id":192,"title":193,"original_language":128,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":97,"video":97,"vote_average":198,"vote_count":199,"character":187,"credit_id":200,"order":189,"media_type":138},[21],116393,"Histoire(s) du cinéma 1a : toutes les histoires","Un regard très personnel sur l'histoire du cinéma réalisé, écrit et édité par Jean-Luc Godard dans sa résidence suisse de Rolle pendant dix ans (1988-98) ; un collage monumental, construit à partir de fragments de films, de textes et de citations, de photos et de peintures, de musique et de sons, et de lectures diverses ; une vision critique, belle et mélancolique de l'art cinématographique.",0.6055,"\u002FoJ4z5rgiNcuA9gSiiLkhDwby4TP.jpg","1989-11-16",6.3,33,"617271d07e3483008d64006d",{"adult":97,"backdrop_path":113,"genre_ids":202,"id":203,"title":204,"original_language":128,"original_title":204,"overview":194,"popularity":205,"poster_path":206,"release_date":197,"softcore":97,"video":97,"vote_average":207,"vote_count":36,"character":187,"credit_id":208,"order":189,"media_type":138},[21],91296,"Histoire(s) du cinéma 1b : une histoire seule",0.6863,"\u002F1xOG2ejvdoAAmQhOsaj6gznMYle.jpg",6.6,"61735432894ed600646de762",{"adult":97,"backdrop_path":113,"genre_ids":210,"id":211,"title":212,"original_language":128,"original_title":212,"overview":194,"popularity":213,"poster_path":206,"release_date":214,"softcore":97,"video":97,"vote_average":215,"vote_count":216,"character":187,"credit_id":217,"order":189,"media_type":138},[21],116397,"Histoire(s) du cinéma 2b : fatale beauté",0.6732,"2006-02-11",6.2,20,"61766641cf4b8b00623a1bbb",{"adult":97,"backdrop_path":113,"genre_ids":219,"id":220,"title":221,"original_language":128,"original_title":221,"overview":194,"popularity":222,"poster_path":206,"release_date":214,"softcore":97,"video":97,"vote_average":215,"vote_count":223,"character":187,"credit_id":224,"order":189,"media_type":138},[21],116396,"Histoire(s) du cinéma 2a : seul le cinéma",0.4628,23,"617503283f483300904b9182",{"adult":97,"backdrop_path":226,"genre_ids":227,"id":228,"title":229,"original_language":128,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":97,"video":97,"vote_average":234,"vote_count":235,"character":236,"credit_id":237,"order":189,"media_type":138},"\u002FysDodI3uMTo8K1ghlUU3kNFHkMr.jpg",[21],26298,"Ici et Ailleurs","\" Ici, c'est une famille de Français moyens devant leur télévision. Ailleurs, ce sont des combattants palestiniens filmés avant les massacres de Septembre noir.\" (JLG, 1976). \"On est venu ici pour étudier ça : apprendre, tirer des leçons, si possible enregistrer ces leçons, pour les diffuser ensuite ici même, ou ailleurs dans le monde. Il y a presque un an, deux d'entre nous sont venus enquêter au Front démocratique. Puis un autre est allé au Fath. Nous avons lu les textes et les programmes. En tant que maoïstes français, nous avons décidé de faire le film avec le Fath dont le titre est Jusqu'à la victoire. Nous laissons les Palestiniens, au cours du film, dire eux-mêmes le mot: \"Révolution\". Mais le avrai titre du film, c'est Méthodes de pensée et de travail du mouvement de libération palestinien.\" (JLG, Manifeste, juillet 1970)",0.4693,"\u002FyxdBS1jF7HF1GryHwCZSvLPukpL.jpg","1976-09-15",6.7,30,"Narrator (voice)","52fe44f9c3a368484e04181f",{"adult":97,"backdrop_path":239,"genre_ids":240,"id":241,"title":242,"original_language":128,"original_title":242,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":97,"video":97,"vote_average":247,"vote_count":248,"character":249,"credit_id":250,"order":174,"media_type":138},"\u002F5KWXtqlJZmjgEJCisDk49eCUE5g.jpg",[24],26347,"Notre musique","Trois parties, intitulées respectivement : Royaume 1 - Enfer, Royaume 2 - Purgatoire, Royaume 3 - Paradis.  « L'Enfer » est composée de diverses images de guerre, sans ordre chronologique ni historique. Les images restent muettes, accompagnées de 4 phrases et de 4 musiques.  « Le purgatoire » se déroule de nos jours dans la ville de Sarajevo à l'occasion des Rencontres Européennes du Livre. Il s'agit de conférences ou de simples conversations à propos de la nécessité de la poésie, de l'image de soi et de l'autre, de la Palestine et d'Israël, etc., et qui sont le fait de personnes réelles comme de personnages imaginaires. Une visite au pont de Mostar en reconstruction symbolise l'échange entre culpabilité et pardon.  « Le Paradis » montre une jeune femme qui, s'étant sacrifiée, trouve la paix sur une petite plage au bord de l'eau - laquelle est gardée par quelques Marines des USA.",0.8714,"\u002Fv0oUMY5oBuGxJEL7AZD3T7CUW9k.jpg","2004-05-19",6.774,43,"Self","52fe44fcc3a368484e0422b3",{"adult":97,"backdrop_path":252,"genre_ids":253,"id":254,"title":255,"original_language":128,"original_title":255,"overview":256,"popularity":257,"poster_path":258,"release_date":259,"softcore":97,"video":97,"vote_average":260,"vote_count":261,"character":262,"credit_id":263,"order":264,"media_type":138},"\u002F3Wm76b8SY47zqIU6pJRnYRzPPln.jpg",[18,24,15,45],32689,"Prénom Carmen","Joseph, vigile dans une banque, rencontre Carmen venue y faire un casse avec sa bande. Enchaînés l'un à l'autre, ils s'enfuient ensemble.",1.8087,"\u002Fk0NhFg1Kw3kOG5wiIxDdtZe5iDO.jpg","1983-12-01",6.008,120,"Uncle Jeannot (uncredited)","52fe44e49251416c91020719",19,{"adult":97,"backdrop_path":113,"genre_ids":266,"id":267,"title":268,"original_language":128,"original_title":268,"overview":269,"popularity":270,"poster_path":271,"release_date":272,"softcore":97,"video":97,"vote_average":273,"vote_count":274,"character":236,"credit_id":275,"order":189,"media_type":138},[],386004,"Le monde comme il ne va pas","À partir de « L'Espoir » d'André Malraux (1945), « Microcosmos » de Claude Nuridsany et Marie Pérennou (1996), « Le Monde comme il ne va pas » de G. K. Chesterton (1910), deux exercices de montage diffusés sur France 2 dans le cadre de l'émission « Le Cercle de Minuit » en janvier 1996.",0.4353,"\u002F8LwcEWQXPgAgh1f07in29lyvlTx.jpg","1996-11-26",5.5,4,"618bbcbda313b80042dc9b50",{"adult":97,"backdrop_path":277,"genre_ids":278,"id":279,"title":280,"original_language":128,"original_title":280,"overview":281,"popularity":282,"poster_path":283,"release_date":284,"softcore":97,"video":97,"vote_average":285,"vote_count":6,"character":286,"credit_id":287,"order":288,"media_type":138},"\u002F2mxeQ0bvXQLp2dxCZ0VRcslSOzz.jpg",[21,57,24],36140,"Loin du Vietnam","Sept façons différentes de présenter les armées nord-vietnamiennes en pleine guerre contre les États-Unis. Un conflit opposant les riches aux pauvres sur fond d'indignation ou parfois d'indifférence de la part de l'opinion publique mondiale.",0.7366,"\u002F76dXuQiZrt5HxvoROvdCUimTepC.jpg","1967-10-18",7.2,"Self (segment \"Camera Eye\")","52fe45cf9251416c9103f2b7",7,{"adult":97,"backdrop_path":290,"genre_ids":291,"id":292,"title":293,"original_language":128,"original_title":293,"overview":294,"popularity":295,"poster_path":296,"release_date":297,"softcore":97,"video":97,"vote_average":198,"vote_count":298,"character":249,"credit_id":299,"order":175,"media_type":138},"\u002FuGVsxEyLOmL5Fz7GuzRup7ByfIp.jpg",[21],61415,"Meetin' WA","Le réalisateur révolutionnaire de la Nouvelle Vague Jean-Luc Godard s'entretient pendant vingt-cinq minutes avec le réalisateur américain de renom Woody Allen sur le rayonnement culturel, l'omniprésence et l'importance de la télévision, et la comparaison entre celle-ci et le cinéma en tant que moyen et forme d'expression.",0.616,"\u002FfMMmxO4Bk424jDwfm9D5u3sfWww.jpg","1986-05-19",51,"52fe4651c3a368484e08a2cf",{"adult":97,"backdrop_path":301,"genre_ids":302,"id":303,"title":304,"original_language":305,"original_title":304,"overview":306,"popularity":307,"poster_path":308,"release_date":309,"softcore":97,"video":97,"vote_average":310,"vote_count":174,"character":163,"credit_id":311,"order":312,"media_type":138},"\u002FfJ8wVcaYmAaCPekJKIuLk2JikKt.jpg",[21],84672,"Routine Pleasures","en","",0.2624,"\u002FoU3YOr9Zok861TEZ0v2e9i48r45.jpg","1986-04-30",6.8,"61af26f7a2423200606b935e",15,{"adult":97,"backdrop_path":314,"genre_ids":315,"id":316,"title":317,"original_language":128,"original_title":317,"overview":318,"popularity":319,"poster_path":320,"release_date":321,"softcore":97,"video":97,"vote_average":137,"vote_count":175,"character":163,"credit_id":322,"order":6,"media_type":138},"\u002FqqyZlQpaS5sNsypIIxUm2G0VWkk.jpg",[51,21],918640,"Belmondo, il était une fois le beau monde","C'est un soir de l’été 1951, Jean-Paul Belmondo, 18 ans, apprenti comédien au cours Girard, dans le quartier de Montparnasse à Paris, participe à une modeste tournée théâtrale. Face à lui, des parents assoupis, des gamins qui lancent des avions en papier. La débâcle… Alors il passe à l’offensive. Seul en scène pour une imitation de Roger Nicolas, un comique qui commence toutes ses histoires par «Écoute, écoute». C’est le baiser du prince charmant… la salle se réveille. Un triomphe, à la suite duquel, avec son copain de galère Guy Bedos, Jean-Paul décide d’en finir avec les représentations de patronage. Sur le camion de farine qui les ramène à Paris, il lui lance: « Je me présente au Conservatoire et si je n’y entre pas, j’abandonne le métier. » Il s’accordera un an de sursis… et sera admis à la troisième tentative, en octobre 1952.\r Un portrait de l'As des as : révolution cinématographique à lui tout seul. Belmondo est l'acteur d'une époque de ce que fut la France.",0.6889,"\u002FcW8ZtgvmxM1I2n5sAZENnexiXPv.jpg","2011-10-25","61c2635154508d0042ba4498",{"adult":97,"backdrop_path":324,"genre_ids":325,"id":326,"title":327,"original_language":128,"original_title":327,"overview":306,"popularity":328,"poster_path":329,"release_date":330,"softcore":97,"video":97,"vote_average":152,"vote_count":112,"character":249,"credit_id":331,"order":189,"media_type":138},"\u002F6WnGSrZdFKQ4hPvbUZ7c53DUItB.jpg",[21],1106666,"Godard is Here",0.2905,"\u002FxMsyuFhm624tJDjbypKsjuL1CK9.jpg","2023-04-28","643954f8c2679600bde7bd3c",{"adult":97,"backdrop_path":333,"genre_ids":334,"id":335,"title":336,"original_language":128,"original_title":336,"overview":337,"popularity":338,"poster_path":339,"release_date":340,"softcore":97,"video":97,"vote_average":198,"vote_count":264,"character":163,"credit_id":341,"order":189,"media_type":138},"\u002Ff3msuhRMpTgqVZtu3jo2Dwk7B37.jpg",[21],64074,"Deux de la Vague","Deux de la vague est l'histoire d'une amitié. Jean-Luc Godard est né en 1930, François Truffaut deux ans plus tard, et ils se rencontrent par amour du cinéma. Ils écrivent dans les mêmes revues, Les Cahiers du cinéma et Arts. Quand le cadet devient cinéaste, avec Les Quatre Cents Coups, qui triomphent à Cannes en 1959, il aide son aîné à passer à la réalisation, lui offrant son scénario déjà intitulé À bout de souffle. Tout au long des années 1960, ils se serrent les coudes. C'est l'histoire et la politique qui les séparent, en 68 et après, quand Godard s'engage dans la révolution et Truffaut continue comme avant. Entre eux, Jean-Pierre Léaud est comme un enfant déchiré. Cette amitié et cette rupture forment un roman incarné du cinéma français. En revisitant les archives et les films des deux cinéastes, en feuilletant la presse contemporaine, Deux de la Vague fait revivre une prodigieuse décade dont l'influence allait irriguer le monde entier.",0.6681,"\u002FjKXmvqjWz60inDcMOehj5MAZiCY.jpg","2010-05-19","52fe46c8c3a368484e0a3755",{"adult":97,"backdrop_path":343,"genre_ids":344,"id":345,"title":346,"original_language":128,"original_title":346,"overview":347,"popularity":348,"poster_path":349,"release_date":350,"softcore":97,"video":97,"vote_average":351,"vote_count":352,"character":353,"credit_id":354,"order":112,"media_type":138},"\u002Fqzt4IlpBoAua2Q9fCnMlTCpG3u4.jpg",[15,45],45948,"Une histoire d'eau","Une inondation bloque tout, une jeune femme, aidée par son cousin, décide d'aller jusqu'à Paris par tous les moyens...",0.5856,"\u002FknJdTZL4VtodAFvmoIfDLIqXn8s.jpg","1961-03-03",6.5,65,"The Young Man (voice)","52fe46dbc3a36847f811610d",{"adult":97,"backdrop_path":113,"genre_ids":356,"id":357,"title":358,"original_language":305,"original_title":358,"overview":306,"popularity":359,"poster_path":360,"release_date":361,"softcore":97,"video":362,"vote_average":363,"vote_count":112,"character":163,"credit_id":364,"order":312,"media_type":138},[21],1113682,"Close Up",0.7489,"\u002F76Wud5jsFJDMpBoRVzwluMZeaa.jpg","2012-09-30",true,9.5,"643b2674501cf205473868cd",{"adult":97,"backdrop_path":366,"genre_ids":367,"id":368,"title":369,"original_language":128,"original_title":369,"overview":370,"popularity":371,"poster_path":372,"release_date":373,"softcore":97,"video":97,"vote_average":374,"vote_count":375,"character":376,"credit_id":377,"order":378,"media_type":138},"\u002F2Ak04QUoSb4mWIx4xAKeN6NouLJ.jpg",[15,24,30],65612,"Soigne ta droite","Entre « L'Idiot » et les Rita Mitsouko, Jean-Luc Godard, philosophe désabusé, cherche sa place sur terre comme au ciel. Tout ceci ponctué par les entrées et sorties de divers personnages et son inépuisable sac de citation…",0.5639,"\u002FbxDBe2oMEc74ixxDRYNDfhuQmS3.jpg","1987-12-30",6.1,25,"Idiot \u002F Prince","52fe4712c3a368484e0b35e1",17,{"adult":97,"backdrop_path":113,"genre_ids":380,"id":381,"title":382,"original_language":128,"original_title":382,"overview":383,"popularity":384,"poster_path":206,"release_date":385,"softcore":97,"video":97,"vote_average":351,"vote_count":24,"character":386,"credit_id":387,"order":189,"media_type":138},[21],116401,"Histoire(s) du cinéma 3a : la monnaie de l'absolu","En continuité avec l'épisode 1a, le réalisateur poursuit sa réflexion entre Cinéma et Histoire. Il décrit ici comment le cinéma peut être le lieu d'une prise de position politique avec l’exemple du néoréalisme italien ainsi que du documentaire.",0.592,"2006-02-12","Self (uncredited)","61e9b0eba9117f00443550c4",{"adult":97,"backdrop_path":389,"genre_ids":390,"id":391,"title":392,"original_language":305,"original_title":392,"overview":393,"popularity":394,"poster_path":395,"release_date":396,"softcore":97,"video":97,"vote_average":397,"vote_count":60,"character":398,"credit_id":399,"order":186,"media_type":138},"\u002FjTE51uGW3YT9ghnhbRcZx5OUfbS.jpg",[15,24],50012,"King Lear","L'écrivain Norman Mailer doit écrire une nouvelle version du Roi Lear de William Shakespeare. L'histoire se déroule après la catastrophe survenue à Tchernobyl, la vie est revenue à la normale, mais l'art n'existe plus. William Shakespeare junior, cinquième du nom, se lance alors à la recherche d’œuvres disparues. Il découvre un ponte de la mafia, Don Learo, et sa fille, Cordelia, qui entretiennent des rapports conflictuels.",0.8633,"\u002FiMx5wlxY3RPm3sXE1co38JI67QJ.jpg","1988-01-22",6.392,"Professor Pluggy","52fe47b5c3a36847f8143f7d",{"adult":97,"backdrop_path":113,"genre_ids":401,"id":402,"title":403,"original_language":128,"original_title":403,"overview":404,"popularity":405,"poster_path":206,"release_date":385,"softcore":97,"video":97,"vote_average":406,"vote_count":216,"character":386,"credit_id":407,"order":189,"media_type":138},[21],116398,"Histoire(s) du cinéma 3b : une vague nouvelle","Godard revient sur le mouvement de la Nouvelle Vague dont il a fait partie et comment celle-ci a inscrit le cinéma dans l'histoire des Arts. Il évoque le Musée du Cinéma de Langlois et sa propre relation avec la Cinémathèque.",0.3655,6.4,"61ea4cd9df294500e3108cc4",{"adult":97,"backdrop_path":409,"genre_ids":410,"id":411,"title":412,"original_language":128,"original_title":412,"overview":413,"popularity":414,"poster_path":415,"release_date":416,"softcore":97,"video":97,"vote_average":198,"vote_count":186,"character":249,"credit_id":417,"order":189,"media_type":138},"\u002FmeSPlzensyJP4X5lRzo6ljmGBZs.jpg",[21],928206,"À vendredi, Robinson","\"Nous devrions commencer par une correspondance. Ebrahim peut m'envoyer une lettre ce vendredi, et je lui répondrai vendredi prochain. Donc, à vendredi, Robinson !\" Jean-Luc Godard se met en scène dans sa pensée quotidienne. Dans son manoir du Sussex, Ebrahim Golestan tente de décoder ces messages-ovnis.",0.3225,"\u002F9HGbS5AnNz2k7iV9tcxXQCesIY1.jpg","2022-09-14","61e62af3c613ce008ceef8d1",{"adult":97,"backdrop_path":419,"genre_ids":420,"id":421,"title":422,"original_language":128,"original_title":422,"overview":423,"popularity":424,"poster_path":425,"release_date":426,"softcore":97,"video":97,"vote_average":285,"vote_count":186,"character":163,"credit_id":427,"order":189,"media_type":138},"\u002F51uIx1VkBwsNVWsJetqE7cA1Vav.jpg",[21],1122965,"Godard par Godard","Pour le monde entier, Jean-Luc Godard est synonyme de cinéma. Depuis son décès, le grand public comme les plus fins connaisseurs de son oeuvre gigantesque savent que c'est la fin d'une période, que s'achève avec lui une époque où le cinéma était encore au centre de la société, le divertissement préféré de tout le monde, à la fois industriel et personnel, commercial et expérimental, spectaculaire et capable de profondeur. Le parcours de Godard, fait de brusques décrochages et de retours fracassants, est unique. Godard ne s'est jamais retourné sur son passé et n'a jamais cessé d'expérimenter.",0.6257,"\u002FbT3dDMz11CwtF8IdakwG0ILpyYu.jpg","2023-05-17","6456450edaf57c015375a59a",{"adult":97,"backdrop_path":429,"genre_ids":430,"id":431,"title":432,"original_language":128,"original_title":432,"overview":433,"popularity":434,"poster_path":435,"release_date":436,"softcore":97,"video":97,"vote_average":374,"vote_count":6,"character":437,"credit_id":438,"order":112,"media_type":138},"\u002F81CGkcAatbPGBrO3s3L3WlQy9WI.jpg",[24],51205,"Le Gai Savoir","Émile et Patricia s'interrogent sur le son, l'image, leur liaison, la télévision, le cinéma, le langage, la voix, la lumière, et décident de trois principes à mettre en pratique sur trois ans. Recueillir des images et des sons, critiquer, démonter remonter, puis enfin fabriquer des exemples types d'images et de sons.",0.4731,"\u002FtEDA0zdeZQzyYO5mnlDElDWlOLO.jpg","1969-07-12","Narrator (voice) (uncredited)","52fe47e7c3a36847f814e513",{"adult":97,"backdrop_path":113,"genre_ids":440,"id":441,"title":442,"original_language":305,"original_title":442,"overview":306,"popularity":443,"poster_path":113,"release_date":444,"softcore":97,"video":97,"vote_average":445,"vote_count":446,"character":249,"credit_id":447,"order":137,"media_type":138},[21,51],929052,"Cinéma! Cinéma! The French New Wave",0.6062,"1992-06-18",3.3,3,"61e8f3c5fea0d7009e873b4b",{"adult":97,"backdrop_path":113,"genre_ids":449,"id":450,"title":451,"original_language":128,"original_title":451,"overview":452,"popularity":453,"poster_path":206,"release_date":385,"softcore":97,"video":97,"vote_average":406,"vote_count":264,"character":386,"credit_id":454,"order":189,"media_type":138},[21],116402,"Histoire(s) du cinéma 4a : le contrôle de l'univers","Cette partie interroge le pouvoir. Selon Godard, l'homme est créateur autant de la beauté que de la terreur. Pour étayer son propos, il rend hommage à Alfred Hitchcock et la puissance de son cinéma sur l'imaginaire collectif.",0.548,"61ef62d8a402c1009980b639",{"adult":97,"backdrop_path":113,"genre_ids":456,"id":457,"title":458,"original_language":128,"original_title":458,"overview":459,"popularity":460,"poster_path":206,"release_date":385,"softcore":97,"video":97,"vote_average":374,"vote_count":378,"character":386,"credit_id":461,"order":189,"media_type":138},[21],116403,"Histoire(s) du cinéma 4b : les signes parmi nous","Pour clore son histoire(s) du cinéma, Godard se concentre sur la signification même du cinéma, sur son sens. Puis il reprend tous les thèmes évoqués jusqu'ici et dresse un bilan du cinéma actuel, considéré par le réalisateur « sur le déclin ».",0.4176,"61ef62eea402c100d678a239",{"adult":97,"backdrop_path":113,"genre_ids":463,"id":464,"title":465,"original_language":466,"original_title":465,"overview":306,"popularity":467,"poster_path":468,"release_date":469,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":470,"order":175,"media_type":138},[21],929556,"Alianças Profanas","pt",0.3055,"\u002FnLke3nigv5ooHic7KGGHjEZWFlz.jpg","2022-01-10","61f5ce33109230001b38a366",{"adult":97,"backdrop_path":472,"genre_ids":473,"id":474,"title":475,"original_language":128,"original_title":476,"overview":477,"popularity":478,"poster_path":479,"release_date":480,"softcore":97,"video":97,"vote_average":351,"vote_count":481,"character":482,"credit_id":483,"order":175,"media_type":138},"\u002FoDFrBLxqrnnvRrOtFNQ8AmNHjPv.jpg",[15,45],54464,"Les Fiancés du pont Mac Donald","Les fiancés du pont Mac Donald ou (Méfiez-vous des lunettes noires)","Deux amoureux mythiques des années 60, Anna Karina et Jean-Luc Godard, dans un sketch à message : le jeune homme porte des lunettes noires et a bien raison de les enlever.",0.8812,"\u002Fhxz3xHtDoV5K4UJA5x8HNnSTtN0.jpg","1962-04-11",74,"Man with the Black Glasses","52fe489dc3a36847f8170c23",{"adult":97,"backdrop_path":485,"genre_ids":486,"id":487,"title":488,"original_language":128,"original_title":488,"overview":489,"popularity":490,"poster_path":491,"release_date":492,"softcore":97,"video":97,"vote_average":493,"vote_count":494,"character":437,"credit_id":495,"order":496,"media_type":138},"\u002FkKsy8sCjfOtfHPBT2i8z13bIRij.jpg",[18,24,15],8073,"Bande à part","Deux larrons en quête de mauvais coup, Frantz et Arthur, s'arrangent pour faire la connaissance d'une étudiante qui loge chez une excentrique vieille dame dans une villa isolée près de Joinville. Odile, la jeune femme, leur confirme que son hôtesse dissimule, dans un coffre, un beau paquet de billets. Après une première tentative de cambriolage avortée, les trois amis reviennent à la charge. Surpris par la vieille dame, ils la bâillonnent et l'enferment avant de se mettre en quête du magot. Hélas, leur butin est bien loin d'égaler leurs rêves et les cambrioleurs amateurs délivrent leur captive. Arthur juge Odile responsable de ce lamentable échec…",1.8591,"\u002FzRvjanylCLPVMYdTGr56q368y5l.jpg","1964-08-05",7.482,636,"620033815a5ed000d16901ea",13,{"adult":97,"backdrop_path":113,"genre_ids":498,"id":499,"title":500,"original_language":128,"original_title":500,"overview":501,"popularity":502,"poster_path":503,"release_date":504,"softcore":97,"video":97,"vote_average":162,"vote_count":446,"character":163,"credit_id":505,"order":112,"media_type":138},[21],411286,"Marguerite, telle qu’en elle-même","Le 3 juin 1991, Marguerite Duras me donnait son dernier livre paru “L’amant de la Chine du Nord\", dédicacé pour la première fois. Elle disait : \"Pour mon amie Dominique Auvray, en souvenir d’une merveille entre toutes : celle d’un passé récent encore : quand on travaillait ensemble au Cinéma ». Ce portrait pour l’approcher, comme elle était : rieuse et sérieuse, vraie et provocatrice, attentive et catégorique mais avant tout jeune et libre.",0.6775,"\u002Fky5HHaMsYGcrfMNsPmkjspuJq5U.jpg","2003-04-04","62087237931ea1001bdc100a",{"adult":97,"backdrop_path":507,"genre_ids":508,"id":509,"title":510,"original_language":305,"original_title":510,"overview":511,"popularity":512,"poster_path":513,"release_date":514,"softcore":97,"video":97,"vote_average":273,"vote_count":175,"character":515,"credit_id":516,"order":189,"media_type":138},"\u002FsabO95U8JNycfVaee8AeBFmHIWe.jpg",[21],1141142,"Say God Bye","Le réalisateur suisse Thomas Imbach part en pèlerinage en quête de son mythe, Jean-Luc Godard.",0.3325,"\u002F6x9SACq4zrgzfisoDOTaWDrTzOs.jpg","2023-07-04","Self (JLG)","648c5e7d076ce8010610bcd6",{"adult":97,"backdrop_path":518,"genre_ids":519,"id":520,"title":521,"original_language":128,"original_title":521,"overview":522,"popularity":523,"poster_path":524,"release_date":525,"softcore":97,"video":97,"vote_average":526,"vote_count":12,"character":527,"credit_id":528,"order":216,"media_type":138},"\u002FolAJKvJf4q7v7k2usZf1ix2wa4L.jpg",[45,24],5770,"Le Château de verre","Evelyne est mariée à Laurent, un magistrat suisse, elle est heureuse. Elle rencontre pourtant Rémy et se sent irrésistiblement attirée. À sa demande, elle part le rejoindre à Paris pour vingt quatre heures. Au début incertains, Evelyne et Rémy vivent finalement une journée de rêve romantique qui se prolonge par une nuit d'hôtel. Les adieux s'éternisent, Evelyne rate son train et prend l'avion pour regagner son foyer.",0.7465,"\u002FyibNaLMD9voPl13y00eAkjw6nkq.jpg","1950-12-16",5.8,"Un voyageur qui sort de la Gare de l'Est (uncredited)","62118355a84ff7006d23b718",{"adult":97,"backdrop_path":113,"genre_ids":530,"id":531,"title":532,"original_language":533,"original_title":532,"overview":306,"popularity":534,"poster_path":113,"release_date":535,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":306,"credit_id":536,"order":175,"media_type":138},[21],1142575,"Carl Th. Dreyer und Gertrud","da",0.3665,"1994-06-11","6491b8782f8d09011d25e3d4",{"adult":97,"backdrop_path":538,"genre_ids":539,"id":540,"title":541,"original_language":128,"original_title":541,"overview":542,"popularity":543,"poster_path":544,"release_date":545,"softcore":97,"video":97,"vote_average":207,"vote_count":378,"character":546,"credit_id":547,"order":446,"media_type":138},"\u002F3fQDbggJOWl1rE6ehQWFJ4hphFz.jpg",[24],89494,"Vladimir et Rosa","Une interprétation libre du procès des Huit de Chicago où le juge Hoffman, devenu le juge Himmler, gribouille ses notes sur des Playboy, où les accusés campent des figures de la Révolution française et où Godard et Gorin, incarnant Lénine et Karl Rosa, discutent de politique et de cinéma.",0.3941,"\u002F7E0HZylp5wjiWlOtFez9O7XKT62.jpg","1971-04-16","Vladimir Lenin (uncredited)","52fe4a1c9251416c910c39e9",{"adult":97,"backdrop_path":549,"genre_ids":550,"id":551,"title":552,"original_language":128,"original_title":552,"overview":553,"popularity":554,"poster_path":555,"release_date":556,"softcore":97,"video":97,"vote_average":198,"vote_count":557,"character":386,"credit_id":558,"order":189,"media_type":138},"\u002Fvqrpj0YSx1kWyEngC85jsMJepNp.jpg",[21],104951,"Lettre à Freddy Buache","Jean-Luc Godard adresse une lettre audiovisuelle à Freddy Buache, fondateur de la Cinémathèque suisse et grand admirateur du cinéaste. Il filme Lausanne, ville qui a perdu toute sa poésie, et ses habitants, et parle de ce qui fait le cinéma : la lumière, les mouvements et les couleurs.",0.4702,"\u002Fbi3xED8eEo8gOrlhODzsCxHgA4m.jpg","1983-06-24",11,"52fe4a43c3a36847f81c419f",{"adult":97,"backdrop_path":113,"genre_ids":560,"id":561,"title":562,"original_language":128,"original_title":562,"overview":563,"popularity":564,"poster_path":565,"release_date":566,"softcore":97,"video":97,"vote_average":567,"vote_count":30,"character":236,"credit_id":568,"order":189,"media_type":138},[21],104975,"Opération \"Béton\"","Pour la construction du plus haut barrage hydroélectrique du monde, des engins transforment la roche de la montagne en béton.",0.2545,"\u002Fw4F7oqyXUU25uxVzdq4NuC3NL1l.jpg","1958-07-02",5.4,"52fe4a44c3a36847f81c434b",{"adult":97,"backdrop_path":570,"genre_ids":571,"id":572,"title":573,"original_language":128,"original_title":573,"overview":306,"popularity":574,"poster_path":575,"release_date":576,"softcore":97,"video":97,"vote_average":577,"vote_count":152,"character":578,"credit_id":579,"order":446,"media_type":138},"\u002F3OafDCi1Y79Bb60Od8xXmg4iXjj.jpg",[24],140007,"Après la réconciliation",0.3775,"\u002FuRMPgxZNKHUD1E2K44nrVoQXnbI.jpg","2000-12-27",7.1,"Robert","52fe4a829251416c750e4571",{"adult":97,"backdrop_path":113,"genre_ids":581,"id":582,"title":583,"original_language":128,"original_title":583,"overview":584,"popularity":585,"poster_path":586,"release_date":587,"softcore":97,"video":97,"vote_average":288,"vote_count":175,"character":386,"credit_id":588,"order":30,"media_type":138},[24],948752,"Ciné-girl","Un jeune metteur en scène, Charles, prépare son premier film. Il engage une comédienne, Régine, et trouve dans son passé les éléments de son scénario. En effet, Régine se met à lui raconter sa vie depuis son arrivée à Paris...",0.5094,"\u002Ffa8ad45mpnc2PXxSlPGYJVjnH98.jpg","1969-03-10","622cff7da61de10077d0aa85",{"adult":97,"backdrop_path":113,"genre_ids":590,"id":591,"title":592,"original_language":305,"original_title":592,"overview":306,"popularity":593,"poster_path":594,"release_date":595,"softcore":97,"video":97,"vote_average":596,"vote_count":112,"character":249,"credit_id":597,"order":175,"media_type":138},[21],409143,"The Making of Rocky Road to Dublin",0.5009,"\u002FzPXFLLmMm8SzVsn9egQdgdksLfB.jpg","2004-10-11",8.5,"62331e94ba131b001f863c4d",{"adult":97,"backdrop_path":599,"genre_ids":600,"id":601,"title":602,"original_language":128,"original_title":602,"overview":603,"popularity":604,"poster_path":605,"release_date":606,"softcore":97,"video":97,"vote_average":607,"vote_count":112,"character":608,"credit_id":609,"order":288,"media_type":138},"\u002FtgOpWaTOrfqTw6G9IXPSEIREGYe.jpg",[21],142474,"Chambre 12, Hôtel de Suède","Enquête sur À bout de souffle et la Nouvelle Vague. Plus de trente ans après le tournage du film de Jean-Luc Godard, juste avant que l'Hôtel de Suède ne soit démoli, le réalisateur Claude Ventura loue pour 9 jours la chambre 12, qui servit de décor à la séquence centrale du film, et démarre son enquête en appelant JLG, qui n'a rien à lui dire. Puis s'enchaînent des entretiens avec Jean-Paul Belmondo, Roger Hanin, Liliane David, Claude Chabrol, Raoul Coutard, Pierre Rissient, Cécile Decugis et d'autres, pour rassembler toute la parole de celles et ceux qui restent témoins du tournage de ce film sans pareil.",0.6504,"\u002FmjIPvMCn4GWuA1qdmQ38ffSdG4S.jpg","1993-05-27",4.5,"Self (voice) (archive footage)","52fe4ae29251416c750f13f9",{"adult":97,"backdrop_path":611,"genre_ids":612,"id":613,"title":614,"original_language":128,"original_title":614,"overview":306,"popularity":615,"poster_path":616,"release_date":617,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":618,"order":175,"media_type":138},"\u002FxYftDzyfMQu6vCiLn64X10VaSsX.jpg",[21],142541,"Un metteur en ordre: Robert Bresson",0.5364,"\u002FsYNSN3d2nVEE8JiyNNMJkE20q4t.jpg","1966-05-11","52fe4ae49251416c750f1925",{"adult":97,"backdrop_path":620,"genre_ids":621,"id":622,"title":623,"original_language":128,"original_title":623,"overview":624,"popularity":625,"poster_path":626,"release_date":627,"softcore":97,"video":97,"vote_average":628,"vote_count":288,"character":629,"credit_id":630,"order":24,"media_type":138},"\u002F9aVWbPSVzPpycpeT3HnvYmZckvd.jpg",[24,9],170173,"Shéhérazade","En 809, Charlemagne envoie une ambassade extraordinaire au Calife de Bagdad. En chemin, Renaud de Villecroix, à la tête de cette mission, sauve la princesse Shéhérazade qui se rend également à la cour du Calife afin de l'épouser. D'emblée, Renaud et Shéhérazade s'aiment passionnément, mais ils sont résignés à accomplir leurs devoirs respectifs. Le destin en décidera autrement et, l'ambition et les manigances du grand Vizir les entraîneront dans une suite d'aventures dont ils sortiront unis à jamais.",1.8564,"\u002FjFpqgApZKO2s0aCJGW68R84vIjh.jpg","1963-05-10",7.4,"Handwalker","62344fb1db4ed600450c82cc",{"adult":97,"backdrop_path":632,"genre_ids":633,"id":634,"title":635,"original_language":128,"original_title":635,"overview":636,"popularity":637,"poster_path":638,"release_date":639,"softcore":97,"video":97,"vote_average":137,"vote_count":640,"character":386,"credit_id":641,"order":274,"media_type":138},"\u002F8iAiIqaUa3uwOQYxslgIib4pz0x.jpg",[24,21],112823,"Numéro deux","Le film se divise en deux parties. La première met en scène Jean-Luc Godard, se livrant face caméra sur son rapport au cinéma et au nouveau médium qu’il a décidé d’adopter : la vidéo. La seconde analyse la vie d’une famille de la classe moyenne grâce à des caméras placées dans la maison.",0.8499,"\u002FgLcgZKksTCb1dSZgWnonE4b7viu.jpg","1975-09-24",31,"52fe4b21c3a36847f81f3ef7",{"adult":97,"backdrop_path":643,"genre_ids":644,"id":645,"title":646,"original_language":128,"original_title":646,"overview":647,"popularity":648,"poster_path":649,"release_date":650,"softcore":97,"video":97,"vote_average":374,"vote_count":12,"character":651,"credit_id":652,"order":274,"media_type":138},"\u002FiGNAF2Es13Hwh2bx5mOSiqePXyO.jpg",[24],248319,"Comment ça va ?","Dans l'imprimerie d'un journal communiste, une militante gauchiste remet en cause le procédé de fabrication de l'information.",0.3916,"\u002FzZr61z5XyqtjPhDIn8d0KQV4ack.jpg","1978-04-26","Union Member (voice)","64c0c258514c4a00add32946",{"adult":97,"backdrop_path":113,"genre_ids":654,"id":655,"title":656,"original_language":128,"original_title":656,"overview":657,"popularity":658,"poster_path":659,"release_date":660,"softcore":97,"video":97,"vote_average":607,"vote_count":152,"character":386,"credit_id":661,"order":189,"media_type":138},[21],148404,"Il y avait quoi (pour Éric Rohmer)","Hommage à Éric Rohmer.",0.3803,"\u002FjRGU6CNzlCQuwkSebalufCR8qWq.jpg","2010-02-08","52fe4bca9251416c7510e03d",{"adult":97,"backdrop_path":113,"genre_ids":663,"id":664,"title":665,"original_language":128,"original_title":665,"overview":306,"popularity":666,"poster_path":667,"release_date":668,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":669,"order":189,"media_type":138},[],793452,"Iter",0.2182,"\u002FsQhbXAjeY5ihjD9iU28ykS57wxL.jpg","2020-01-01","64dd8ded5ab81a00ad1fd425",{"adult":97,"backdrop_path":671,"genre_ids":672,"id":673,"title":674,"original_language":128,"original_title":674,"overview":675,"popularity":676,"poster_path":677,"release_date":678,"softcore":97,"video":97,"vote_average":234,"vote_count":446,"character":163,"credit_id":679,"order":30,"media_type":138},"\u002F7uAHDiwMgxvrxuABTqnnpiu7kxA.jpg",[21],781228,"Alain Delon, l'ombre au tableau","Pourquoi Alain Delon, star mondiale hors catégorie, mais d'abord acteur exceptionnel passionnément attaché à son art, a-t-il choisi, il y a près d'un demi-siècle, de se figer dans un rôle, le sien, aussi spectaculaire à la ville qu'oubliable à l'écran ?",0.5303,"\u002F96hjIGfInAC3amQc0XaU514Qubq.jpg","2019-05-07","626771dd5c564e0051a1fe77",{"adult":97,"backdrop_path":681,"genre_ids":682,"id":683,"title":684,"original_language":128,"original_title":684,"overview":306,"popularity":685,"poster_path":686,"release_date":687,"softcore":97,"video":97,"vote_average":288,"vote_count":112,"character":249,"credit_id":688,"order":189,"media_type":138},"\u002Ft3JMgcFCxUjBuwBSOmgze4Qu87i.jpg",[21],223836,"Marcel Ophuls et Jean-Luc Godard, La rencontre de St-Gervais",0.3526,"\u002F4IFmHqKOI2YMiIMjEkwAnQRzNMc.jpg","2011-04-07","52fe4e259251416c7514cd29",{"adult":97,"backdrop_path":113,"genre_ids":690,"id":691,"title":692,"original_language":128,"original_title":692,"overview":693,"popularity":694,"poster_path":113,"release_date":695,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":696,"order":175,"media_type":138},[21],981849,"Festivals 66 Cinéma 67","Vagabondages au cours des festivals de Cannes et d'Hyères 1966. Entretiens avec Louise de Vilmorin, Godard, Bresson, Rivette, Comolli, Truffaut. Déjeuner sur l'herbe des Cahiers du Cinéma, jeunes badauds à mobylette, enfants des villages alentours, le film dresse le portrait d'une époque, d'une cinéphilie, d'un cinéma encore en équilibre entre art et industrie.",0.314,"1967-05-30","6294ba25a44d0900a988286f",{"adult":97,"backdrop_path":698,"genre_ids":699,"id":700,"title":701,"original_language":128,"original_title":701,"overview":702,"popularity":703,"poster_path":704,"release_date":705,"softcore":97,"video":97,"vote_average":137,"vote_count":274,"character":249,"credit_id":706,"order":189,"media_type":138},"\u002FxvtnuOORpC12Hij3f5H0TM0LGgD.jpg",[21,51],228957,"Soft and Hard","Une discussion entre Jean-Luc Godard et Anne-Marie Miéville. Dans une première partie, on entend leur dialogue en voix-off sur des images de Godard au téléphone ou train de mimer un match de tennis et d'Anne-Marie Miéville en train de repasser. Puis, après de superbes vues de paysages (lac et ciel), on retrouve Godard et Miéville sur un canapé, parlant des images, de la télévision et du cinéma.",0.2826,"\u002F8w0wqG74NGimclIKwpbSYi9nzH9.jpg","1985-08-12","52fe4ede9251416c75165151",{"adult":97,"backdrop_path":113,"genre_ids":708,"id":709,"title":710,"original_language":128,"original_title":710,"overview":306,"popularity":711,"poster_path":712,"release_date":713,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":714,"order":189,"media_type":138},[21],1186059,"Leçons de cinéma de Godard à Montréal, classe 1",0.287,"\u002FhgznCDJvNCYHabByZSd5j3Z6wrI.jpg","1978-04-14","65197123c50ad2014dcde9c9",{"adult":97,"backdrop_path":113,"genre_ids":716,"id":717,"title":718,"original_language":128,"original_title":718,"overview":306,"popularity":719,"poster_path":720,"release_date":721,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":722,"order":189,"media_type":138},[21],1186065,"Leçons de cinéma de Godard à Montréal, classe 10",0.3107,"\u002FlkXMDRATRiIEBGEZO419fCdaAnd.jpg","1978-10-07","65197482ea84c7014efc0cfd",{"adult":97,"backdrop_path":113,"genre_ids":724,"id":725,"title":726,"original_language":128,"original_title":726,"overview":306,"popularity":727,"poster_path":728,"release_date":729,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":730,"order":189,"media_type":138},[21],1186069,"Leçons de cinéma de Godard à Montréal, classe 11",0.25,"\u002F32L52oAH7oPeQvK2msURm0HZgtb.jpg","1978-10-10","651976359d592c0102c0119c",{"adult":97,"backdrop_path":732,"genre_ids":733,"id":734,"title":735,"original_language":128,"original_title":735,"overview":736,"popularity":737,"poster_path":738,"release_date":739,"softcore":97,"video":97,"vote_average":215,"vote_count":137,"character":249,"credit_id":740,"order":175,"media_type":138},"\u002FAkxpVlnQgD6GUaSRMowenQ0DynW.jpg",[21,51],255990,"Cinéastes de notre temps : Le Dinosaure et le Bébé, dialogue en huit parties entre Fritz Lang et Jean-Luc Godard","Sur des extraits du Mépris et de M le Maudit, Godard et Lang s'entretiennent sur le cinéma. Appelez-moi un \"dinosaure\", dit Fritz Lang. Dans Le Mépris, Lang, figure centrale du film, incarne justement un Dieu agonisant qui a fait son temps. Qu'est-ce qu'un metteur en scène? Qu'est-ce que la censure? Telles seront les questions tour à tour abordées avec Godard qui brise le cinéma, cet art de \"bébé\".",0.7521,"\u002FrUKnG4Xp131jR5XdcOXpZ7znamO.jpg","1967-03-15","5301b01892514121a71dc158",{"adult":97,"backdrop_path":742,"genre_ids":743,"id":744,"title":745,"original_language":128,"original_title":745,"overview":746,"popularity":747,"poster_path":748,"release_date":749,"softcore":97,"video":97,"vote_average":234,"vote_count":186,"character":750,"credit_id":751,"order":112,"media_type":138},"\u002FuBOtHJ1ofizqE8yWjPa2whbpc0w.jpg",[51,21],259023,"France \u002F Tour \u002F Detour \u002F Deux \u002F Enfants","Jean-Luc Godard observe la journée de deux enfants d'une dizaine d'années, un petit garçon et une petite fille, pour s'interroger sur la réalité, sur les mots, sur les images, et aussi sur la télévision. Au cours de chaque émission, composée de rubriques variées à la manière d'un magazine, Jean-Luc Godard établit des allers et retours: entre l'école et la famille, entre les loisirs et le travail, entre le sommeil et le réveil, tels que les enfants les perçoivent et les racontent en réponse à des questions qui les surprennent. D'autres allers et retours suivent: entre les choses et le langage, entre les apparences et ce qu'elles cachent, entre les enfants et les adultes...",0.4546,"\u002Ffbdo44yEgD9DEbMfwI0w3t3MBhz.jpg","1979-01-01","Robert Linard","5320c2fe9251411f890019c4",{"adult":97,"backdrop_path":113,"genre_ids":753,"id":754,"title":755,"original_language":128,"original_title":755,"overview":306,"popularity":756,"poster_path":113,"release_date":757,"softcore":97,"video":97,"vote_average":758,"vote_count":446,"character":249,"credit_id":759,"order":189,"media_type":138},[21,51],259026,"Six fois deux\u002FSur et sous la communication",0.4149,"1976-03-12",8.7,"5320c4919251411f7a0019c5",{"adult":97,"backdrop_path":113,"genre_ids":761,"id":762,"title":763,"original_language":128,"original_title":763,"overview":306,"popularity":764,"poster_path":765,"release_date":766,"softcore":97,"video":97,"vote_average":174,"vote_count":112,"character":249,"credit_id":767,"order":189,"media_type":138},[21],261915,"La Nouvelle Vague par elle-même",0.7059,"\u002F3okFZRnN0IUD04SrwPw6QyOpL9w.jpg","1964-05-19","53364675c3a3680e700006be",{"adult":97,"backdrop_path":113,"genre_ids":769,"id":770,"title":771,"original_language":128,"original_title":771,"overview":306,"popularity":772,"poster_path":773,"release_date":774,"softcore":97,"video":97,"vote_average":186,"vote_count":137,"character":249,"credit_id":775,"order":189,"media_type":138},[21],255568,"Voices",0.4211,"\u002FsDSfgBg7kd6oBGKiyO4YntgmFUA.jpg","1969-01-01","531da3299251417a4a0001cb",{"adult":97,"backdrop_path":777,"genre_ids":778,"id":779,"title":780,"original_language":781,"original_title":780,"overview":306,"popularity":782,"poster_path":113,"release_date":783,"softcore":97,"video":97,"vote_average":152,"vote_count":175,"character":784,"credit_id":785,"order":378,"media_type":138},"\u002Fp32IJ9umi3eCYp2zuV6gejgLcEe.jpg",[21],315988,"Der kleine Godard an das Kuratorium junger deutscher Film","de",0.5918,"1978-06-08","Guest","652e5bb2ea84c7014e06b1a6",{"adult":97,"backdrop_path":787,"genre_ids":788,"id":789,"title":790,"original_language":128,"original_title":790,"overview":791,"popularity":792,"poster_path":793,"release_date":794,"softcore":97,"video":97,"vote_average":215,"vote_count":186,"character":795,"credit_id":796,"order":175,"media_type":138},"\u002F9sLZ7RbuNAByOaNu7YfU5ShtJNH.jpg",[24],104981,"Les enfants jouent à la Russie","Engagé par une major américaine pour un documentaire sur l'après-guerre froide en Russie, Godard réalisateur dans le rôle du prince Mychkine, l'idiot-cinéaste, s'entête à vouloir faire un film impossible.",0.7161,"\u002FepiL7sjvzf1bnK09EkgRzVeiYvv.jpg","1993-08-08","Prince Mishkin, the Idiot","62cafb334a4bfc0055ec030e",{"adult":97,"backdrop_path":798,"genre_ids":799,"id":800,"title":801,"original_language":128,"original_title":801,"overview":802,"popularity":803,"poster_path":804,"release_date":805,"softcore":97,"video":97,"vote_average":806,"vote_count":288,"character":236,"credit_id":807,"order":189,"media_type":138},"\u002FmaYcSBG4ISZpl6bqUe2YdWGJm7C.jpg",[21],271945,"Khan Khanne, sélection naturelle","Lettre filmée que Jean-Luc Godard a adressée le mercredi 21 mai 2014 à Gilles Jacob et Thierry Frémaux, président et délégué général du Festival de Cannes pour confirmer qu'il ne serait pas à Cannes pour présenter son film « Adieu au langage », en compétition officielle.",0.4869,"\u002F1PDRFTDucTrz66N7CT7SLbjQiFf.jpg","2014-05-21",6.9,"5382856ec3a36805a40073b8",{"adult":97,"backdrop_path":809,"genre_ids":810,"id":811,"title":812,"original_language":128,"original_title":812,"overview":813,"popularity":814,"poster_path":815,"release_date":816,"softcore":97,"video":97,"vote_average":817,"vote_count":288,"character":818,"credit_id":819,"order":820,"media_type":138},"\u002F6fJgLOFJO5AAlieLZxfmTyZKOEy.jpg",[21],272074,"Cinématon","Cinématon est une série cinématographique de portraits filmés montrant une personnalité des arts, de la culture ou du spectacle, en un seul gros plan fixe et muet de 3 minutes et demie, dans lesquels elle est libre de faire ce qu'elle veut.",1.2791,"\u002F5l2dmFdiaFbt8XUyzmZxBeqGMJA.jpg","1978-12-20",4.9,"N°106","53839a280e0a2624cb00ccaf",32,{"adult":97,"backdrop_path":113,"genre_ids":822,"id":823,"title":824,"original_language":128,"original_title":824,"overview":306,"popularity":825,"poster_path":113,"release_date":826,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":827,"order":189,"media_type":138},[21],1204570,"Jean-Luc Godard à la Cinémathèque française",0.4197,"1985-11-27","655220ea0816c700e01792ac",{"adult":97,"backdrop_path":829,"genre_ids":830,"id":831,"title":832,"original_language":128,"original_title":832,"overview":833,"popularity":834,"poster_path":835,"release_date":836,"softcore":97,"video":97,"vote_average":374,"vote_count":36,"character":837,"credit_id":838,"order":446,"media_type":138},"\u002FgN5UhjmvWxeZGqyaoANttDJphts.jpg",[24],256105,"La sonate à Kreutzer","Un jeune architecte promis au succès, qui s'est consacré à son ambition sociale, décide d'épouser une jeune fille rencontrée dans une cave de Saint-Germain-des-Prés.",0.6695,"\u002F2zAixEsFiWarNKXRMv93xiAc40Z.jpg","1956-01-01","Ami Journaliste","53eabcfd0e0a265f42000451",{"adult":97,"backdrop_path":840,"genre_ids":841,"id":842,"title":843,"original_language":128,"original_title":843,"overview":844,"popularity":845,"poster_path":846,"release_date":847,"softcore":97,"video":97,"vote_average":848,"vote_count":849,"character":105,"credit_id":850,"order":378,"media_type":138},"\u002FbiJMHfwb1yaH2W9OwIt3n6RtVbS.jpg",[42,24,54],43026,"Paris nous appartient","Anne Goupil fait par hasard la connaissance d'un groupe d'individus, tous convaincus de l'existence d'une sorte de conspiration à l'échelle mondiale. Peu après, Juan le guitariste, un des leurs, trouve la mort dans très mystérieuses circonstances : personne ne peut dire s'il s'agit d'un suicide, d'une mort naturelle ou d'un meurtre. Un journaliste prétend rapidement que sa mort doit être imputée à une organisation fasciste. Au même moment, Gérard, un metteur en scène de théâtre, essaie de monter une pièce et propose à Anne d'en faire partie. Mais il est bientôt évincé du spectacle et, de surcroît, Terry, sa compagne, le quitte…",1.3322,"\u002F15y4PbemsytUq36pgOVOQTZw5Qt.jpg","1961-12-13",6.578,83,"53eabd3c0e0a265f5000045c",{"adult":97,"backdrop_path":113,"genre_ids":852,"id":853,"title":854,"original_language":781,"original_title":854,"overview":306,"popularity":855,"poster_path":856,"release_date":857,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":163,"credit_id":858,"order":189,"media_type":138},[21],488940,"September September",0.2965,"\u002F7tJCWXNcpEmCkpos4vBr9N8EJms.jpg","1986-01-01","65721bb1172d7f014d206433",{"adult":97,"backdrop_path":113,"genre_ids":860,"id":861,"title":862,"original_language":128,"original_title":862,"overview":306,"popularity":863,"poster_path":864,"release_date":865,"softcore":97,"video":97,"vote_average":351,"vote_count":112,"character":866,"credit_id":867,"order":189,"media_type":138},[],293426,"Le Rapport Darty",0.4272,"\u002Fe8kQ2zDXGr0G7BZnvTW4OZaQ7wv.jpg","1989-01-01","Nathanael, the 2000 Year-Old Robot","541a4940c3a368511b001426",{"adult":97,"backdrop_path":869,"genre_ids":870,"id":871,"title":872,"original_language":128,"original_title":872,"overview":873,"popularity":874,"poster_path":875,"release_date":876,"softcore":97,"video":97,"vote_average":186,"vote_count":112,"character":877,"credit_id":878,"order":189,"media_type":138},"\u002Fc68ZQOjkYnfrXCj2KkwzlAaSkcc.jpg",[21],293990,"Vrai faux passeport","Rapprochements comparatifs d’images de cinéma et de télévision tirées de l’album du XXe siècle.",0.444,"\u002FkIZ2bgShX9WH59ReNG350YL6SmK.jpg","2006-04-26","Self - Narrator (voice)","541dfb83c3a368720d000495",{"adult":97,"backdrop_path":880,"genre_ids":881,"id":882,"title":883,"original_language":128,"original_title":883,"overview":884,"popularity":885,"poster_path":886,"release_date":887,"softcore":97,"video":97,"vote_average":806,"vote_count":888,"character":889,"credit_id":890,"order":288,"media_type":138},"\u002Fq53o3eyUorC2WTbdepCiuc2XSix.jpg",[24,45],50785,"Le Petit Soldat","En 1958 pendant la Guerre d'Algérie, Bruno Forestier, jeune homme appartenant à un groupuscule d'extrême droite luttant contre la résistance algérienne, arrive de France à Genève. En guise de couverture pour avoir déserté l'armée française, il a un emploi de photographe. Le chef du groupuscule, un député poujadiste, le charge de tuer un journaliste de radio suisse, Palivoda, partisan de la cause algérienne. Un ami présente à Bruno une jeune fille qui « a le même genre de bouche que Leslie Caron » et qui veut devenir mannequin et lui parie 50 dollars qu'il tombera amoureux d'elle ; peu après l'avoir présenté à Véronica, une aspirante actrice, il tient son pari. Le Petit Soldat est le deuxième long métrage de Jean-Luc Godard après À Bout De Souffle, c'est le premier film de Godard avec Anna Karina. Tourné en 1960, il ne sortira que le 25 janvier 1963 en raison d'une interdiction par la censure.",0.755,"\u002Foplp1fFr1IvopXk0qk7zmxW0FAh.jpg","1963-01-25",189,"Man at Railway Station (uncredited)","542123830e0a265d22000d3c",{"adult":97,"backdrop_path":892,"genre_ids":893,"id":894,"title":895,"original_language":128,"original_title":895,"overview":896,"popularity":897,"poster_path":898,"release_date":899,"softcore":97,"video":97,"vote_average":900,"vote_count":60,"character":901,"credit_id":902,"order":189,"media_type":138},"\u002FoE4I9cKrflZEPvn2MXLUY9ux008.jpg",[15,45],47454,"Présentation ou Charlotte et son steak","Invité par Charlotte, un jeune homme reste à la porte de la cuisine pendant que la jeune femme lui prépare un steak. Par un discours qu'il espère séducteur autant qu'enjôleur, il tente désespérément de faire venir la belle à ses côtés. Parviendra-t-il à ses fins ?",0.989,"\u002F3fqbvEnJprpWoQ7dAvRLzmq0G1S.jpg","1951-11-20",5.6,"Walter","543d1544c3a36815f00019cb",{"adult":97,"backdrop_path":904,"genre_ids":905,"id":906,"title":907,"original_language":128,"original_title":907,"overview":908,"popularity":909,"poster_path":910,"release_date":911,"softcore":97,"video":97,"vote_average":900,"vote_count":30,"character":163,"credit_id":912,"order":189,"media_type":138},"\u002FkcDyzBiXrcpLaVpFVGvRgT7gcxk.jpg",[21],1005409,"Godard, seul le cinéma","Jean-Luc Godard, c'est le cinéma, sa quintessence. A tout juste 91 ans, il a réalisé plus de 140 films. C'est un personnage public autant qu'un homme enveloppé de mystère. Il n'est pas facile de s'emparer d'un géant aussi légendaire et énigmatique. L'itinéraire de Godard ne suit qu'une seule direction : un renouvellement constant de son art. Il voit l'acte créatif comme un acte nécessaire de critique et de déconstruction. Ce portrait veut nous emmener au-delà des clichés d'un mythe devenu parfois caricatural, à la rencontre d'un homme plus sentimental qu'il n'y paraît, un homme habité, parfois dépassé, par son art.",0.8405,"\u002Fcz5DGkSyAfoe31AY5yV855Lx2zR.jpg","2023-06-05","631e057ba33612007d7ce5cb",{"adult":97,"backdrop_path":113,"genre_ids":914,"id":915,"title":916,"original_language":128,"original_title":916,"overview":917,"popularity":918,"poster_path":919,"release_date":920,"softcore":97,"video":97,"vote_average":607,"vote_count":137,"character":249,"credit_id":921,"order":189,"media_type":138},[],160977,"Adieu au TNS","Lettre filmée qui s'adresse au TNS, le Théâtre National de Strasbourg avec lequel Godard voulait collaborer et dont il reçut plusieurs refus cinglants.",0.2734,"\u002Fb1nCN9YBNh3cEcPVOxIZF2JrPQk.jpg","1998-12-15","6320e28ffd4a96007a276653",{"adult":97,"backdrop_path":113,"genre_ids":923,"id":924,"title":925,"original_language":926,"original_title":925,"overview":306,"popularity":927,"poster_path":113,"release_date":928,"softcore":97,"video":362,"vote_average":288,"vote_count":175,"character":163,"credit_id":929,"order":112,"media_type":138},[],1022640,"Tạm biệt Anna","vi",0.2949,"2020-09-30","6324a65a2a210c007fe52894",{"adult":97,"backdrop_path":931,"genre_ids":932,"id":933,"title":934,"original_language":128,"original_title":934,"overview":935,"popularity":936,"poster_path":937,"release_date":938,"softcore":97,"video":97,"vote_average":939,"vote_count":274,"character":163,"credit_id":940,"order":175,"media_type":138},"\u002F4xaotOc6GQYN8QfXF3EGl0dCYOW.jpg",[21],416653,"Truffaut \u002F Godard, scénario d'une rupture","Jean-Luc Godard et François Truffaut sont les icônes de la Nouvelle Vague, ce mouvement qui a révolutionné le cinéma français à partir de 1958. Au gré des témoignages, Claire Duguet revient sur l'amitié entre ces deux monstres sacrés du 7e art et surtout, sur l'origine de leurs antagonismes.",0.7032,"\u002FxGWKy6etsFNdVhk2CwiwLswJoW6.jpg","2016-05-12",7.5,"632af5b22dffd8007f22402d",{"adult":97,"backdrop_path":942,"genre_ids":943,"id":944,"title":945,"original_language":466,"original_title":946,"overview":947,"popularity":948,"poster_path":949,"release_date":950,"softcore":97,"video":97,"vote_average":162,"vote_count":378,"character":163,"credit_id":951,"order":952,"media_type":138},"\u002FsDHHEB9KCqnMpSvFnVBp0SQT5PF.jpg",[21,33],78129,"Soy Cuba : Le Mammouth Sybérien","Soy Cuba, o mamute Siberiano","Les critiques de cinéma contemporains considèrent le film épique Soy Cuba comme un chef-d'œuvre moderne. La coproduction cubano-soviétique de 1964 a marqué un tournant dans la collaboration culturelle entre les deux nations. Pourtant, le film n'a jamais trouvé un public de masse et a langui pendant des décennies jusqu'à sa réintroduction en tant que \"classique\" dans les années 1990. Vicente Ferraz explore l'étrange histoire de ce tour de force cinématographique et sa signification profonde pour ceux qui ont participé à sa création.",0.694,"\u002FfqlghiH4JbDUJovlUfo8pl4UaOp.jpg","2005-09-16","54b93c44c3a3686c610043e3",9,{"adult":97,"backdrop_path":113,"genre_ids":954,"id":955,"title":956,"original_language":957,"original_title":956,"overview":306,"popularity":958,"poster_path":959,"release_date":960,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":163,"credit_id":961,"order":112,"media_type":138},[24],1030058,"Godard Etkisi","tr",0.4377,"\u002FvcWVZYDpJZ004vTk4RClZiLMZ8x.jpg","2021-11-02","633646e3f3b49a007e9d768c",{"adult":97,"backdrop_path":113,"genre_ids":963,"id":964,"title":965,"original_language":128,"original_title":965,"overview":966,"popularity":967,"poster_path":968,"release_date":969,"softcore":97,"video":97,"vote_average":970,"vote_count":971,"character":972,"credit_id":973,"order":189,"media_type":138},[],1065727,"Film annonce du film qui n’existera jamais: «Drôles de guerres»","\"Voilà un scénario (en faite la simple adaptation cinématographique d'un ancien texte romanesque qui prend le large par rapport à celles de Carné ou de Palma, car il s'agissait de ne plus faire confiance aux milliards de diktats de l’alphabet pour redonner leur liberté aux incessantes métamorphoses et métaphores d'un vrai langage en re-tournant sur les lieux de tournages passés, tout en tenant conte des temps actuels).\" JLG",0.5923,"\u002FwDOYIEHFnUWnK1Mx8WgMUBJWp6E.jpg","2023-12-15",5.9,22,"Self\u002FNarrator","65b11ddfb9a0bd017244f88b",{"adult":97,"backdrop_path":975,"genre_ids":976,"id":977,"title":978,"original_language":466,"original_title":978,"overview":306,"popularity":979,"poster_path":980,"release_date":981,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":163,"credit_id":982,"order":496,"media_type":138},"\u002FmrVrXM7QYO6vEuhHsJLmJ1Kn4Lj.jpg",[21],508088,"Memória Cubana",0.3784,"\u002F2B2MfKxejiIYHXgPZJny62gkJ1H.jpg","2010-09-27","65b2a7e9b1f68d0130d4b5c9",{"adult":97,"backdrop_path":984,"genre_ids":985,"id":986,"title":987,"original_language":128,"original_title":987,"overview":988,"popularity":989,"poster_path":990,"release_date":991,"softcore":97,"video":97,"vote_average":174,"vote_count":992,"character":993,"credit_id":994,"order":15,"media_type":138},"\u002F9w0Kk8Sleb4tkCFEUcvibMzaa16.jpg",[24],147,"Les Quatre Cents Coups","Antoine a une adolescence turbulente. Il ment à ses parents indifférents à son sort, vole, fugue. Son seul réconfort, il fait les quatre cents coups avec son ami René. Un jour, la police s'en mêle.",5.3932,"\u002FvbfNOX9cCsgv2I2PMSLY21hf5xr.jpg","1959-06-03",2431,"(voix) (non crédité)","65b70f530fb17f017b33d8fb",{"adult":97,"backdrop_path":996,"genre_ids":997,"id":998,"title":999,"original_language":128,"original_title":999,"overview":1000,"popularity":1001,"poster_path":1002,"release_date":1003,"softcore":97,"video":97,"vote_average":234,"vote_count":1004,"character":386,"credit_id":1005,"order":12,"media_type":138},"\u002Fiat1mWUl1DeShJG6E3bvDoZlE6q.jpg",[24,60],113629,"Le Vent d'est","Partant de l’idée initiale de réaliser un western-spaghetti gauchiste en Italie, Jean-Luc Godard écrit un scénario sur le kidnapping d’un cadre par des grévistes tout en brisant régulièrement le quatrième mur par une série de passages analytiques.",1.0256,"\u002F6OTj8VtthfCZtLKRyJT5xR2jy2W.jpg","1970-08-19",29,"55047f5c9251412bfa00126f",{"adult":97,"backdrop_path":113,"genre_ids":1007,"id":1008,"title":1009,"original_language":128,"original_title":1009,"overview":1010,"popularity":1011,"poster_path":1012,"release_date":1013,"softcore":97,"video":97,"vote_average":186,"vote_count":274,"character":249,"credit_id":1014,"order":189,"media_type":138},[21],331320,"Message de salutations: Prix suisse \u002F remerciements \u002F mort ou vif","Film réalisé pour la remise du prix d’honneur 2015 du cinéma suisse.",0.5059,"\u002FmKVxbaqhRfujdybUgOBZw5nlAPW.jpg","2015-03-13","550997fec3a3685393003943",{"adult":97,"backdrop_path":1016,"genre_ids":1017,"id":1018,"title":1019,"original_language":781,"original_title":1020,"overview":1021,"popularity":1022,"poster_path":1023,"release_date":1024,"softcore":97,"video":97,"vote_average":1025,"vote_count":274,"character":249,"credit_id":1026,"order":112,"media_type":138},"\u002FyBESpX2afyu817Ps369C1uXSBUU.jpg",[21],338938,"Isabella Rossellini - De la vie d'un papillon","Isabella Rossellini - Aus dem Leben eines Schmetterlings","De New York à Naples, de David Lynch à \"Green porno\", la fille du couple mythique Ingrid Bergman - Roberto Rossellini se raconte dans un documentaire autoportrait. Plongée dans l'intimité d'une artiste unique et passionnante.",0.5103,"\u002F7ehdiVJUWHQMf6oWpyD0YXyPkPs.jpg","2010-02-18",2.2,"5549c94f92514104ba0017ef",{"adult":97,"backdrop_path":1028,"genre_ids":1029,"id":1030,"title":1031,"original_language":305,"original_title":1031,"overview":306,"popularity":1032,"poster_path":1033,"release_date":1034,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":1035,"credit_id":1036,"order":175,"media_type":138},"\u002FlTgQUlkUWK9P1SkiUw4YadsCtGv.jpg",[21],1247415,"The Staircase Wall",0.4953,"\u002FyAMLDar5lDD8MFySSSJjWTT50hC.jpg","2023-09-14","Self (voice, archive footage)","65d4175beb79c2017e44255a",{"adult":97,"backdrop_path":1038,"genre_ids":1039,"id":1040,"title":1041,"original_language":128,"original_title":1041,"overview":1042,"popularity":1043,"poster_path":1044,"release_date":1045,"softcore":97,"video":97,"vote_average":1046,"vote_count":36,"character":163,"credit_id":1047,"order":274,"media_type":138},"\u002Fzh8ezwQj7TWhMiqH1hvjPnjTgwX.jpg",[21,33],324184,"Une jeunesse allemande","La Fraction Armée Rouge (RAF), organisation terroriste d’extrême gauche, également surnommée « la bande à Baader » ou « groupe Baader-Meinhof », opère en Allemagne dans les années 70. Ses membres, qui croient en la force de l’image, expriment pourtant d’abord leur militantisme dans des actions artistiques, médiatiques et cinématographiques. Mais devant l’échec de leur portée, ils se radicalisent dans une lutte armée, jusqu’à commettre des attentats meurtriers qui contribueront au climat de violence sociale et politique durant « les années de plomb ».",0.527,"\u002Fc4ruzmrtQ2OL6oVIJILzVLB4XXS.jpg","2015-05-15",7.093,"555c3df1c3a3682d7e000c32",{"adult":97,"backdrop_path":113,"genre_ids":1049,"id":1050,"title":1051,"original_language":305,"original_title":1051,"overview":306,"popularity":1052,"poster_path":1053,"release_date":1054,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1055,"order":112,"media_type":138},[21],1251554,"Ruídos da Ágora",0.3736,"\u002FdEOISOr96jS8OKZro2m2BGArNRP.jpg","2025-12-03","65df3b63140bad0186949939",{"adult":97,"backdrop_path":113,"genre_ids":1057,"id":1058,"title":1059,"original_language":305,"original_title":1059,"overview":306,"popularity":1060,"poster_path":113,"release_date":1061,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1062,"order":152,"media_type":138},[21],1253151,"Godard: History: Passion",0.3867,"1983-05-11","65e326069979d20163af85a4",{"adult":97,"backdrop_path":1064,"genre_ids":1065,"id":1066,"title":1067,"original_language":305,"original_title":1067,"overview":306,"popularity":1068,"poster_path":1069,"release_date":1070,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":104,"credit_id":1071,"order":189,"media_type":138},"\u002F85h2niGx2gezxcGkTxyZgVjePM5.jpg",[21],1052797,"G(ode)ard",0.2253,"\u002FmXfVzSE8ZAMuTIhThONH73qJ851.jpg","2022-09-28","637f3e27a410c8008cd2ac85",{"adult":97,"backdrop_path":113,"genre_ids":1073,"id":1074,"title":1075,"original_language":128,"original_title":1075,"overview":306,"popularity":1076,"poster_path":113,"release_date":1077,"softcore":97,"video":97,"vote_average":288,"vote_count":175,"character":163,"credit_id":1078,"order":175,"media_type":138},[21],343956,"Godard à la télé - 1960-2000",0.5326,"1999-12-06","5576a9c392514110b7001317",{"adult":97,"backdrop_path":113,"genre_ids":1080,"id":1081,"title":1082,"original_language":305,"original_title":1082,"overview":306,"popularity":1083,"poster_path":113,"release_date":1084,"softcore":97,"video":97,"vote_average":273,"vote_count":112,"character":163,"credit_id":1085,"order":137,"media_type":138},[21],346109,"Back to Room 666",0.3306,"2008-02-02","558b1e27c3a3687e5f000259",{"adult":97,"backdrop_path":1087,"genre_ids":1088,"id":1089,"title":1090,"original_language":128,"original_title":1090,"overview":1091,"popularity":1092,"poster_path":1093,"release_date":1094,"softcore":97,"video":97,"vote_average":137,"vote_count":175,"character":249,"credit_id":1095,"order":189,"media_type":138},"\u002FiQdBKfIgEx4LJuGPEMTcV3thUse.jpg",[21],1258288,"Seul Godard","Autour de la figure du cinéaste franco-suisse Jean-Luc Godard (1930-2022) et des essais vidéos qu'il a tournés entre 1974 et 2018, « Seul Godard » ébauche un cinéma en réinvention permanente.  Tout au long de sa carrière, Jean-Luc Godard a inventé de nouvelles formes cinématographiques. Cette production hors norme, en butte avec les usages commerciaux standardisés, lui confère un statut paradoxal « d'homme-cinéma ». Prélevant des fragments parmi ses films-essais, l'artiste David Legrand, qui interprète la voix du cinéaste de façon décalée et inédite, sonde la dualité du personnage et donne forme à sa pensée intransigeante. L'occasion de rêver, à partir de Godard et au-delà, un cinéma en réinvention permanente.  Fermer",0.2073,"\u002F35HhNu9EzQeAL8TLeBRG3w5cZj.jpg","2024-03-15","65f0e0086dea3a016377c40b",{"adult":97,"backdrop_path":1097,"genre_ids":1098,"id":1099,"title":1100,"original_language":128,"original_title":1100,"overview":1101,"popularity":1102,"poster_path":1103,"release_date":1104,"softcore":97,"video":97,"vote_average":939,"vote_count":137,"character":1105,"credit_id":1106,"order":112,"media_type":138},"\u002FvyENrmUF55jgwoveZTYo4mF05n2.jpg",[15,24,45],352249,"Nous sommes tous encore ici","Dans une maison, deux femmes dissertent sur un dialogue de Socrate et Calliclès extrait du «Gorgias» de Platon où, contre Calliclès qui revendique la loi naturelle du plus fort contre le droit, Socrate maintient qu'il vaut mieux subir l'injustice que la commettre. Une deuxième partie fait intervenir un comédien qui s'interroge sur la philosophie d'après un texte d'Hannah Arendt. Enfin dans une troisième partie un couple dialogue sur la nature de sa vie.",0.5098,"\u002F9Xys2eea8xGnGcvkkDHfWS3kmbd.jpg","1997-03-19","The Actor","55b970b292514123dd003013",{"adult":97,"backdrop_path":113,"genre_ids":1108,"id":1109,"title":1110,"original_language":128,"original_title":1110,"overview":1111,"popularity":1112,"poster_path":1113,"release_date":1114,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":1115,"credit_id":1116,"order":189,"media_type":138},[24],1061928,"Les trois désastres","Les trois désastres ont été produits à la suite de la demande de la ville de Guimarães au Portugal à l’occasion de sa désignation comme capitale européenne de la culture en 2012. Cette œuvre a été incluse dans le film omnibus 3x3D qui comprend également des segments d’Edgar Pêra et Peter Greenaway. Dans le style essayistique qu’on connaît à certains de ses films, Godard expérimente la 3D juste avant de réaliser Adieu au langage.",0.2452,"\u002Fl0DqOGXlcuVdnyyy7sArq5O3rAF.jpg","2013-05-23","Narrator","639beadd18864b00931e119d",{"adult":97,"backdrop_path":113,"genre_ids":1118,"id":1119,"title":1120,"original_language":305,"original_title":1120,"overview":306,"popularity":1121,"poster_path":113,"release_date":1122,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1123,"order":175,"media_type":138},[21],1263275,"Lila",0.2389,"2023-02-13","65fde0a57f6c8d017c6f716b",{"adult":97,"backdrop_path":1125,"genre_ids":1126,"id":1127,"title":1128,"original_language":128,"original_title":1128,"overview":1129,"popularity":1130,"poster_path":1131,"release_date":1132,"softcore":97,"video":97,"vote_average":1133,"vote_count":1134,"character":249,"credit_id":1135,"order":174,"media_type":138},"\u002Fw4uYP6ebNaLQIjsHcjQhjz3BB2m.jpg",[21],451995,"Visages Villages","Agnès Varda et JR ont des points communs : passion et questionnement sur les images en général et plus précisément sur les lieux et les dispositifs pour les montrer, les partager, les exposer.  Agnès a choisi le cinéma. JR a choisi de créer des galeries de photographies en plein air.  Quand Agnès et JR se sont rencontrés en 2015, ils ont aussitôt eu envie de travailler ensemble, tourner un film en France, loin des villes, en voyage avec le camion photographique (et magique) de JR. Hasard des rencontres ou projets préparés, ils sont allés vers les autres, les ont écoutés, photographiés et parfois affichés. Le film raconte aussi l’histoire de leur amitié qui a grandi au cours du tournage, entre surprises et taquineries, en se riant de leurs différences.",1.6616,"\u002FmSOda2XtnrupIb5g0vqyEWbL3AO.jpg","2017-06-28",7.6,432,"65ff2212378062017c39de8f",{"adult":97,"backdrop_path":1137,"genre_ids":1138,"id":1139,"title":1140,"original_language":128,"original_title":1140,"overview":1141,"popularity":1142,"poster_path":1143,"release_date":1144,"softcore":97,"video":97,"vote_average":567,"vote_count":223,"character":1145,"credit_id":1146,"order":6,"media_type":138},"\u002FciX59yAbr8LKu9wNLEIAL9bdSWU.jpg",[18,15],78786,"Les Plus Belles Escroqueries du monde","Film à sketches : l'escroquerie vue par cinq cinéastes internationaux : Roman Polanski (La Rivière de diamants), Hiromichi Horikawa (Les Cinq Bienfaiteurs de Fumiko), Ugo Gregoretti (La Feuille de route), Jean-Luc Godard (Le Grand escroc), Claude Chabrol (L'Homme qui vendit la tour Eiffel).",1.3644,"\u002Fx7p3Qfu7DqZEOX59xtRuAHMXvNg.jpg","1964-08-14","Man in Fez \u002F Narrator (segment \"Le Grand escroc\") (uncredited)","6604ff0e813cb6017b192a11",{"adult":97,"backdrop_path":113,"genre_ids":1148,"id":1149,"title":1150,"original_language":1151,"original_title":1150,"overview":306,"popularity":1152,"poster_path":1153,"release_date":1154,"softcore":97,"video":97,"vote_average":174,"vote_count":175,"character":249,"credit_id":1155,"order":189,"media_type":138},[21],363898,"Nouvelle Vague : El cine sin dogmas","es",0.5548,"\u002FgXamyK4tBLfD33qrL2UaGuJdHJS.jpg","2000-04-02","561eb653c3a3680e10000a24",{"adult":97,"backdrop_path":1157,"genre_ids":1158,"id":1159,"title":1160,"original_language":466,"original_title":1160,"overview":306,"popularity":1161,"poster_path":1162,"release_date":306,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":1163,"credit_id":1164,"order":189,"media_type":138},"\u002F6ZjeFPgLAIE9smUgyoXmTRgWCWa.jpg",[],1073966,"MORTEM IMAGINIS.",0.6028,"\u002FbP4W7aQluIA2X8nCiToM1QdZGlp.jpg","Godard","63c2f151df857c00bc225462",{"adult":97,"backdrop_path":1166,"genre_ids":1167,"id":1168,"title":1169,"original_language":305,"original_title":1169,"overview":306,"popularity":1170,"poster_path":1171,"release_date":1172,"softcore":97,"video":97,"vote_average":939,"vote_count":112,"character":249,"credit_id":1173,"order":175,"media_type":138},"\u002FhxZ9IzGuvnyjr5vdSBGTLSX6H34.jpg",[21],378041,"Godard in America",0.4679,"\u002F3MhatxrcfaGSbWpY3WdVDtNvCVL.jpg","1970-01-01","569c1764c3a36858d2000bdc",{"adult":97,"backdrop_path":1175,"genre_ids":1176,"id":1177,"title":1178,"original_language":128,"original_title":1178,"overview":306,"popularity":1179,"poster_path":1180,"release_date":1181,"softcore":97,"video":97,"vote_average":952,"vote_count":175,"character":249,"credit_id":1182,"order":189,"media_type":138},"\u002FakOY23z3MxB6Gd974hsxkGWu2XJ.jpg",[21],1220338,"Scénarios",0.4906,"\u002FxkxeIpQMd4Ijgw6ONSbzsjWcEjH.jpg","2024-05-17","6639a4e7c9054f013091cf40",{"adult":97,"backdrop_path":113,"genre_ids":1184,"id":1185,"title":1186,"original_language":128,"original_title":1186,"overview":1187,"popularity":1188,"poster_path":1189,"release_date":1190,"softcore":97,"video":97,"vote_average":970,"vote_count":557,"character":1191,"credit_id":1192,"order":189,"media_type":138},[21],188321,"Scénario du film Passion","JLG réalise, pour la télévision suisse-romande, ce « Scénario du film Passion » où, la plupart du temps en ombre chinoise et face à un écran lumineux il explique le cheminement qu’il a emprunté pour aboutir au scénario-film « Passion ».",0.6635,"\u002Fl1K6vRTgirdcGz8oQL1amYxTBUJ.jpg","1982-01-28","Narrator \u002F Self","56aa377dc3a36872cd0072d2",{"adult":97,"backdrop_path":1194,"genre_ids":1195,"id":1196,"title":1197,"original_language":128,"original_title":1198,"overview":1199,"popularity":1200,"poster_path":1201,"release_date":1202,"softcore":97,"video":97,"vote_average":1203,"vote_count":1204,"character":1205,"credit_id":1206,"order":952,"media_type":138},"\u002FsghiIicSkXstVJwzXhaFi2G0A9O.jpg",[24,45],40652,"Une femme mariée","Une femme mariée: Suite de fragments d'un film tourné en 1964","Charlotte est l'épouse d'un pilote de ligne, Pierre. Elle a pour amant Robert, un acteur. Le temps d'une journée, les événements vont se précipiter. Elle voit Pierre, qui lui présente un humaniste, Roger Leenhardt ; apprend qu'elle est enceinte mais ignore qui est le père ; et retrouve Robert dans un hôtel où ils parlent longuement de théâtre et d'amour. Pour Charlotte l'heure des grandes décisions a sonné…",1.673,"\u002Fi3KxuoQeuXxQeQuEj2twdEl2dhZ.jpg","1964-12-04",6.886,136,"The Narrator (voice) (uncredited)","57193e52c3a3687b8c0051a2",{"adult":97,"backdrop_path":113,"genre_ids":1208,"id":1209,"title":1210,"original_language":128,"original_title":1210,"overview":1211,"popularity":1212,"poster_path":1213,"release_date":1214,"softcore":97,"video":97,"vote_average":137,"vote_count":175,"character":249,"credit_id":1215,"order":137,"media_type":138},[39,45],1303681,"Françoise et Udo...","Dans un train, un chanteur autrichien Udo rencontre une institutrice française Françoise qui manie la langue allemande. Ils vivent une idylle au fil de leur voyage qui les mène à Paris, Saint Cast le Guildo et Klagenfurt où ils échangent sur leur passé, leur caractère. C’est aussi l’occasion de rencontrer plusieurs personnalités: Georges Brassens, Paco Rabanne, Eugène Ionesco, Annabel et Bernard Buffet. Au fil de ce voyage, ils chantent plusieurs extraits de chansons de leur répertoire respectif.",0.4653,"\u002FgwlgJzzmHC0bubYnygm8eJekxBR.jpg","1968-11-01","66699f9f09ab865f5aaa1b34",{"adult":97,"backdrop_path":113,"genre_ids":1217,"id":1218,"title":1219,"original_language":305,"original_title":1220,"overview":306,"popularity":1221,"poster_path":1222,"release_date":1223,"softcore":97,"video":97,"vote_average":137,"vote_count":175,"character":249,"credit_id":1224,"order":189,"media_type":138},[21],402615,"La Chinoise - Un film en train de se faire","Two American Audiences: La Chinoise - A Film in the Making",0.3685,"\u002Fe6b4ZiATtcxduBqePgBN6lfVOnh.jpg","1968-01-01","5764e5d792514168ef000851",{"adult":97,"backdrop_path":1226,"genre_ids":1227,"id":1228,"title":1229,"original_language":128,"original_title":1229,"overview":1230,"popularity":1231,"poster_path":1232,"release_date":1233,"softcore":97,"video":97,"vote_average":288,"vote_count":152,"character":249,"credit_id":1234,"order":175,"media_type":138},"\u002FhRcDqAYjGKOaZjEnvVVUzwhqvET.jpg",[21],31323,"Reporters","Ce documentaire retrace le cynique et difficile monde des photographes.",0.8028,"\u002FmDdAb7E2ayhpwJfZr5EPTClGrbG.jpg","1981-06-10","577e4c12c3a3681f260003b0",{"adult":97,"backdrop_path":1236,"genre_ids":1237,"id":1238,"title":1239,"original_language":128,"original_title":1239,"overview":1240,"popularity":1241,"poster_path":1242,"release_date":1243,"softcore":97,"video":97,"vote_average":351,"vote_count":216,"character":249,"credit_id":1244,"order":274,"media_type":138},"\u002F3KJScl1cvLsZrazeDWgqRyGMcVL.jpg",[21],254018,"Paparazzi","Paparazzi résulte des images tournées lors du tournage du film Le Mépris de Jean-Luc Godard. C'est un portrait de la presse sensationnaliste qui a persécuté Brigitte Bardot à l'époque.",0.9791,"\u002FryJseQE3NrEKdwFVvhYzDPBKOBu.jpg","1964-09-22","577e536bc3a3681e3e00080a",{"adult":97,"backdrop_path":1246,"genre_ids":1247,"id":1248,"title":1249,"original_language":128,"original_title":1249,"overview":1250,"popularity":1251,"poster_path":1252,"release_date":1253,"softcore":97,"video":97,"vote_average":806,"vote_count":1254,"character":236,"credit_id":1255,"order":189,"media_type":138},"\u002F6gwoPdKOU6xyvIXZBhwspGN0LwP.jpg",[21],174473,"Je vous salue, Sarajevo","Évocation de la civilisation en Europe et de la guerre en Bosnie à partir d'une photo de guerre de Ron Haviv et Luc Delahaye.",0.437,"\u002FmpB11iFrJhYM2DbkY4Cb9bxsaui.jpg","1993-04-13",70,"578e0c61c3a3681745002dbc",{"adult":97,"backdrop_path":113,"genre_ids":1257,"id":1258,"title":1259,"original_language":305,"original_title":1259,"overview":306,"popularity":1260,"poster_path":1261,"release_date":1262,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1263,"order":189,"media_type":138},[21],384931,"One to One: Jean-Luc Godard Speaks",0.6288,"\u002FgthPHaZpdiB7ZWnupAPsoEWPPWZ.jpg","1968-11-30","6678806ab90a373ac6732d1a",{"adult":97,"backdrop_path":1265,"genre_ids":1266,"id":1267,"title":1268,"original_language":128,"original_title":1269,"overview":1270,"popularity":1271,"poster_path":1272,"release_date":1273,"softcore":97,"video":97,"vote_average":1274,"vote_count":1275,"character":1276,"credit_id":1277,"order":971,"media_type":138},"\u002F68NGFE8zD2gaQVH6MqJeKzojFJM.jpg",[24],1626,"Vivre sa vie","Vivre sa vie: film en douze tableaux","L'histoire en 12 tableaux de Nana, jeune vendeuse désargentée qui rêve de devenir actrice et en vient, peu à peu, à se livrer à la prostitution.",3.1665,"\u002Fu6mHCZ0Pm3aiN5m5qVaBTtw0zY5.jpg","1962-09-20",7.699,731,"The Lover Reading Poe (voice) (uncredited)","57924b65c3a36867c30011c3",{"adult":97,"backdrop_path":1279,"genre_ids":1280,"id":1281,"title":1282,"original_language":128,"original_title":1282,"overview":1283,"popularity":1284,"poster_path":1285,"release_date":1286,"softcore":97,"video":97,"vote_average":1287,"vote_count":1288,"character":249,"credit_id":1289,"order":189,"media_type":138},"\u002F7XTfI78Iy5KVmUG1IR3pc9QCdQ1.jpg",[21],118257,"Chambre 666","Durant le festival de Cannes en 1982, Wim Wenders a invité les cinéastes présents à se rendre tour à tour dans la chambre 666 de l'hôtel Martinez et à mettre en marche la caméra et le magnétophone qu'il y avait placés pour répondre à une seule question : «le cinéma est-il un langage en train de se perdre, un art qui va mourir ? ».",0.8631,"\u002FiEfl3xiuNOutNMMHcOqLAAZTT4m.jpg","1985-02-24",6.611,63,"57aebd429251410a8200197d",{"adult":97,"backdrop_path":113,"genre_ids":1291,"id":1292,"title":1293,"original_language":128,"original_title":1293,"overview":1294,"popularity":1295,"poster_path":1296,"release_date":1297,"softcore":97,"video":97,"vote_average":288,"vote_count":112,"character":249,"credit_id":1298,"order":189,"media_type":138},[],412576,"Le quadrille","Cinq invités d'une fête se jaugent du regard sans jamais se parler.",0.5045,"\u002FnUFouvbITqLZP7q560SoTTWTacj.jpg","1950-08-24","57bd8b0cc3a3684f63000094",{"adult":97,"backdrop_path":1300,"genre_ids":1301,"id":1302,"title":1303,"original_language":128,"original_title":1303,"overview":1304,"popularity":1305,"poster_path":1306,"release_date":1307,"softcore":97,"video":97,"vote_average":406,"vote_count":1308,"character":1309,"credit_id":1310,"order":446,"media_type":138},"\u002FboVUzioSUb0zpbTnikG8KSnFq1Z.jpg",[15],44461,"Charlotte et son Jules","Jean est allongé sur son lit lorsqu'on frappe à la porte. C'est Charlotte, son ancienne amie qui l'a quitté quelque temps auparavant. Jean lui tient un long discours qui passe peu à peu de l'ironie aux reproches, de la supplique aux menaces…",0.5394,"\u002FeWnjLCJVcE6FljaEuBMvlFlvnmZ.jpg","1958-12-31",60,"Jules (voice) (uncredited)","57bdca20925141734c000a09",{"adult":97,"backdrop_path":113,"genre_ids":1312,"id":1313,"title":1314,"original_language":128,"original_title":1314,"overview":306,"popularity":1315,"poster_path":113,"release_date":1316,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1317,"order":112,"media_type":138},[21],1319382,"Panorama: Jean-Paul Belmondo, 1965",0.5641,"1965-06-18","669c67441130723d41e1a9d0",{"adult":97,"backdrop_path":113,"genre_ids":1319,"id":1320,"title":1321,"original_language":128,"original_title":1321,"overview":306,"popularity":1322,"poster_path":1323,"release_date":1324,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1325,"order":189,"media_type":138},[21],1318121,"Zoom: Jean-Luc Godard, 1966",0.3697,"\u002F7ghtelnR8UGq3rtvjDBzZDK49qN.jpg","1966-10-25","66982e9e6f85fc2a3d999139",{"adult":97,"backdrop_path":1327,"genre_ids":1328,"id":1329,"title":1330,"original_language":128,"original_title":1330,"overview":306,"popularity":1331,"poster_path":1332,"release_date":1333,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":1334,"credit_id":1335,"order":137,"media_type":138},"\u002FctvPt1yGKrDgg32U2yNXcmIO1DL.jpg",[18],126394,"La rouge et la noire",0.7061,"\u002Fzz4xymOgyAdG69SdSpOY4Mbemkv.jpg","2011-06-08","Self (archive footage) (voice) (uncredited)","66a5906b8d89d98963ad7c86",{"adult":97,"backdrop_path":1337,"genre_ids":1338,"id":1339,"title":1340,"original_language":128,"original_title":1340,"overview":1341,"popularity":1342,"poster_path":1343,"release_date":1344,"softcore":97,"video":97,"vote_average":406,"vote_count":248,"character":386,"credit_id":1345,"order":189,"media_type":138},"\u002F8fqKiVnv74TtWvDkjLpRDN45c0d.jpg",[21],104931,"JLG\u002FJLG, autoportrait de décembre","Le réalisateur s'interroge sur sa place dans l'histoire du cinéma, et sur l'interaction entre l'industrie du cinéma et l'art cinématographique.",0.7347,"\u002FsvvG0RLY1XcuriBw87BGmJjol9G.jpg","1995-01-20","58c100f0925141734a003df8",{"adult":97,"backdrop_path":113,"genre_ids":1347,"id":1348,"title":1349,"original_language":128,"original_title":1349,"overview":306,"popularity":1350,"poster_path":1351,"release_date":1352,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":163,"credit_id":1353,"order":189,"media_type":138},[21],447116,"Jean-Luc Godard, le désordre exposé",0.4785,"\u002F9kyQeWnX2aMAn3zeyu7i1Fz3akl.jpg","2012-08-20","58c967eb92514110f800b32d",{"adult":97,"backdrop_path":1355,"genre_ids":1356,"id":1357,"title":1358,"original_language":128,"original_title":1358,"overview":1359,"popularity":1360,"poster_path":1361,"release_date":1362,"softcore":97,"video":97,"vote_average":406,"vote_count":9,"character":386,"credit_id":1363,"order":288,"media_type":138},"\u002FnQzoFHA0CLbrOZ9FW6nOkRlpduF.jpg",[51,21],116408,"Deux fois cinquante ans de cinéma français","Dans un hôtel, Michel Piccoli et Jean-Luc Godard se retrouvent pour discuter du centenaire du cinéma.",0.6227,"\u002F1bl6nymP7DUZPn1uTUWSLPQOiKj.jpg","2008-09-17","59bb64609251413254007bad",{"adult":97,"backdrop_path":1365,"genre_ids":1366,"id":1367,"title":1368,"original_language":128,"original_title":1368,"overview":1369,"popularity":1370,"poster_path":1371,"release_date":1372,"softcore":97,"video":97,"vote_average":1373,"vote_count":1374,"character":236,"credit_id":1375,"order":952,"media_type":138},"\u002FbOHq7n79I3gNDI3yMGidlLadJGA.jpg",[24,45],114982,"Adieu au langage","Le propos est simple. Une femme mariée et un homme libre se rencontrent. Ils s'aiment, se disputent, les coups pleuvent. Un chien erre entre ville et campagne. Les saisons passent. L'homme et la femme se retrouvent. Le chien se trouve entre eux. L'autre est dans l'un. L'un est dans l'autre. Et ce sont les trois personnes. L'ancien mari fait tout exploser. Un deuxième film commence. Le même que le premier. Et pourtant pas. De l'espèce humaine on passe à la métaphore. Ça finira par des aboiements. Et des cris de bébé.",0.9921,"\u002FthSouL5vRuIJSQHMDERcqdwlrY8.jpg","2014-05-28",5.97,199,"59ad0c9c925141070704054a",{"adult":97,"backdrop_path":1377,"genre_ids":1378,"id":1379,"title":1380,"original_language":128,"original_title":1380,"overview":1381,"popularity":1382,"poster_path":1383,"release_date":1384,"softcore":97,"video":97,"vote_average":374,"vote_count":1385,"character":386,"credit_id":1386,"order":557,"media_type":138},"\u002FyDSmcWRSXNcCaEcJgVhttR1ndzn.jpg",[51,24],271799,"Grandeur et décadence d'un petit commerce de cinéma","On a dit du cinéma qu’il était une usine à rêves… Côté rêves, il y a un metteur en scène : Gaspard Bazin qui prépare son film et fait des essais pour recruter des figurants. Côté usine, il y a Jean Almereyda, le producteur qui a eu son heure de gloire et qui a de plus en  plus de mal à réunir des capitaux pour monter ses affaires. Entre eux, il y a Eurydice, la femme d’Almereyda, qui voudrait être actrice. Tandis qu’Almereyda cherche de l’argent pour boucler le financement du film, et cela au péril de sa vie – car l’argent qu’on lui promet n’a pas très bonne odeur –, Gaspard fait des essais avec Eurydice.",0.7343,"\u002Fn96pW6v7oPe3jzOPzFgIj9YXqZp.jpg","1986-08-28",24,"59d7032d9251412505005bb4",{"adult":97,"backdrop_path":1388,"genre_ids":1389,"id":1390,"title":1391,"original_language":1392,"original_title":1391,"overview":306,"popularity":1393,"poster_path":1394,"release_date":1395,"softcore":97,"video":97,"vote_average":1396,"vote_count":952,"character":163,"credit_id":1397,"order":288,"media_type":138},"\u002FyhbQ4iWTa62hFV4Zmn3sgGwbGmF.jpg",[30,24,36],239211,"ORG","it",0.6177,"\u002FaOlByuM9Xr2cqHnZXHuZMPyAQ5M.jpg","1979-08-31",5.1,"5a28d134c3a3680b88111ef3",{"adult":97,"backdrop_path":113,"genre_ids":1399,"id":1400,"title":1401,"original_language":128,"original_title":1401,"overview":1402,"popularity":1403,"poster_path":1404,"release_date":1405,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1406,"order":175,"media_type":138},[21],506894,"Jean Cocteau, mensonges et vérités","Romancier, dramaturge, essayiste, homme de théâtre et de cinéma, dessinateur et peintre, auteur et réalisateur, Cocteau fut un des artistes les plus polyvalents du 20e siècle. Auteur notamment des Enfants terribles et de La belle et la bête, Cocteau a su s'imposer sur la scène artistique internationale des années 20 et 30, comptant parmi les grands artistes de son siècle.  Ce beau portrait brossé par Noël Simsolo met en valeur la personnalité éblouissante du poète ainsi que son indépendance d'esprit et ses différents engagements. Superbement documentée, cette évocation comprend en particulier les témoignages de Jean Marais et Jean-Luc Godard.",0.553,"\u002FuLl5VGr076glCpNz3wPVW60BWTc.jpg","1997-02-22","5a8f37ae0e0a2639b2003cc8",{"adult":97,"backdrop_path":113,"genre_ids":1408,"id":1409,"title":1410,"original_language":128,"original_title":1410,"overview":1411,"popularity":1412,"poster_path":1413,"release_date":1414,"softcore":97,"video":97,"vote_average":174,"vote_count":175,"character":249,"credit_id":1415,"order":446,"media_type":138},[21],507153,"Il était une fois… Le Mépris","Quarante-six ans après la sortie de Le mépris, Jean-Luc Godard revoit le film pour le commenter et commenter sa production tumultueuse. Avec les entretiens de Jacques Rozier, Alain Bergala, Michel Piccoli, Charles Bitsch.",0.4971,"\u002FlHMdh9Ae4hZnjfJMRRva9wiBHze.jpg","2009-05-21","5ac4485d92514160180802f7",{"adult":97,"backdrop_path":113,"genre_ids":1417,"id":1418,"title":1419,"original_language":128,"original_title":1419,"overview":1420,"popularity":1421,"poster_path":1422,"release_date":1423,"softcore":97,"video":97,"vote_average":152,"vote_count":112,"character":249,"credit_id":1424,"order":274,"media_type":138},[24],527290,"Né","Le point de départ du film est une interview de Godard en juin 68, jamais diffusée, où il barre l'image de son bras, pour figurer l'impossibilité de filmer \"comme avant\", prônant ainsi le gaspillage de la pellicule et la résistance au film commercial. Le film pose la question : que deviennent les acteurs d'un film si on leur supprime leur texte ou scénario ?",0.5111,"\u002FsPsVTOxTfnQwIGFq4JYLhPImUA3.jpg","1975-11-05","5b0ebac392514153d40056ef",{"adult":97,"backdrop_path":1426,"genre_ids":1427,"id":1428,"title":1429,"original_language":128,"original_title":1429,"overview":1430,"popularity":1431,"poster_path":1432,"release_date":1433,"softcore":97,"video":97,"vote_average":198,"vote_count":1434,"character":236,"credit_id":1435,"order":189,"media_type":138},"\u002Fq6GsGCc0Ncymil1WiTrhsScRKdG.jpg",[21,24],414030,"Le Livre d'image","Dans Le Livre d’Image, Jean-Luc Godard recycle des images déjà existantes (films, documentaires, peintures, archives télévisuelles, etc.), cite des extraits de livres, utilise des fragments de musique. Le moteur, c’est la rime poétique, l’association ou l’opposition d’idées, l’étincelle esthétique à travers le montage, clé de voûte. L’auteur exécute un travail de sculpteur. La main, pour cela, est essentielle. Il en fait l’éloge au début. « Il y a les cinq doigts. Les cinq sens. Les cinq parties du monde (…). La vraie condition de l’homme, c’est de penser avec ses mains. » Jean-Luc Godard compose une éblouissante syncope de séquences, dont le déferlement évoque la violence des flux de nos écrans contemporains, portée à un niveau d'incandescence rarement atteint. Couronné à Cannes, le dernier Godard est un film choc, à la beauté crépusculaire.",1.2684,"\u002Fbg550nt1GLGsE7S8Qw1o3EnIPN5.jpg","2018-10-11",86,"5b740bffc3a368188f1ccb9c",{"adult":97,"backdrop_path":113,"genre_ids":1437,"id":1438,"title":1439,"original_language":128,"original_title":1439,"overview":306,"popularity":1440,"poster_path":1441,"release_date":1442,"softcore":97,"video":97,"vote_average":288,"vote_count":175,"character":249,"credit_id":1443,"order":112,"media_type":138},[21,39],546135,"Petit Jour",0.286,"\u002FgyJAehHWJrke5disDE2wPFXfCMQ.jpg","1962-01-01","5b8bfac70e0a261d6b03585c",{"adult":97,"backdrop_path":1445,"genre_ids":1446,"id":1447,"title":1448,"original_language":128,"original_title":1448,"overview":1449,"popularity":1450,"poster_path":1451,"release_date":480,"softcore":97,"video":97,"vote_average":1452,"vote_count":1453,"character":1454,"credit_id":1455,"order":557,"media_type":138},"\u002FoyatchDPpS4I9jpIIezFJGrmXcR.jpg",[24],499,"Cléo de 5 à 7","Cléo, belle et chanteuse, attend les résultats d'une analyse médicale. De la superstition à la peur, de la rue de Rivoli au Café de Dôme, de la coquetterie à l'angoisse, de chez elle au Parc Montsouris, Cléo vit quatre-vingt-dix minutes particulières. Son amant, son musicien, une amie puis un soldat lui ouvrent les yeux sur le monde.",3.1542,"\u002FfwZuuo5MI9lncncLTbfIWoJ7l6Q.jpg",7.7,824,"The Man with Black Glasses \u002F Actor in Silent Film","5be1d0dcc3a36809ec010d28",{"adult":97,"backdrop_path":113,"genre_ids":1457,"id":1458,"title":1459,"original_language":1460,"original_title":1459,"overview":306,"popularity":1461,"poster_path":1462,"release_date":1463,"softcore":97,"video":97,"vote_average":285,"vote_count":186,"character":163,"credit_id":1464,"order":1465,"media_type":138},[21],68147,"Cineastes en acció","ca",0.7586,"\u002Fs3U0cs3VDAXhVeGLQH5xX2GIypq.jpg","2006-09-15","5bef99079251415ccc027876",39,{"adult":97,"backdrop_path":1467,"genre_ids":1468,"id":1469,"title":1470,"original_language":128,"original_title":1470,"overview":1471,"popularity":1472,"poster_path":1473,"release_date":1474,"softcore":97,"video":97,"vote_average":1475,"vote_count":446,"character":249,"credit_id":1476,"order":189,"media_type":138},"\u002FodLGRruOYjEiqXJ3PrVYjsrkETE.jpg",[21],572013,"Film catastrophe","Début 2010, Jean-Luc Godard tourne \"Film Socialisme\" incognito à bord du Concordia. Trois ans plus tard, le même paquebot sombre dans la Méditerranée. \"Film catastrophe\" mène l'enquête.",0.3104,"\u002FpbSw0fc5qqze04Ofwme5LOPyRzw.jpg","2018-10-30",5.7,"5c463315c3a3684782840ded",{"adult":97,"backdrop_path":1478,"genre_ids":1479,"id":1480,"title":1481,"original_language":128,"original_title":1481,"overview":1482,"popularity":1483,"poster_path":1484,"release_date":1485,"softcore":97,"video":97,"vote_average":952,"vote_count":446,"character":163,"credit_id":1486,"order":186,"media_type":138},"\u002FfOW3wpcmHMFMAYyLshygzsGwQHQ.jpg",[39,21],578840,"Michel Legrand, sans demi-mesure","Michel Legrand est l’auteur de quelques-unes des musiques les plus célèbres du cinéma. Patrimoine vivant aux 3 Oscars et 5 Grammys, il a collaboré avec les plus grands noms du cinéma français et hollywoodien, mais aussi du jazz et de la chanson. Le film racontera le parcours romanesque de cet artiste insaisissable, aux vies et aux carrières multiples.",0.6361,"\u002F8jZVcM2hBz8XKjeF0auOK3zcmCI.jpg","2018-12-25","5c5094eb0e0a264965da3cf8",{"adult":97,"backdrop_path":1488,"genre_ids":1489,"id":1490,"title":1491,"original_language":128,"original_title":1491,"overview":306,"popularity":1492,"poster_path":1493,"release_date":1494,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":163,"credit_id":1495,"order":137,"media_type":138},"\u002FtQozdHuNWsDmTqfVkIExFx1t7Kr.jpg",[21],579673,"Mai en décembre: Godard en Abitibi",0.4936,"\u002Fgf5RKoaTyLly5ZiIYJSvNJx25HF.jpg","2000-02-26","5c55ae7d92514135b04dd0a8",{"adult":97,"backdrop_path":1497,"genre_ids":1498,"id":1499,"title":1500,"original_language":128,"original_title":1500,"overview":1501,"popularity":1502,"poster_path":1503,"release_date":1504,"softcore":97,"video":97,"vote_average":406,"vote_count":952,"character":249,"credit_id":1505,"order":446,"media_type":138},"\u002FtJF4Firwy9oKLU27qJZ6VkVgpRi.jpg",[21],254019,"Le Parti des choses : Bardot et Godard","Le Parti des choses : Bardot et Godard est un court métrage documentaire qui suit le réalisateur Jean-Luc Godard sur le tournage du Mépris.",0.7496,"\u002FsFPKEOQg1F25CKXiS54I4Xeha2g.jpg","1964-04-30","5cb918de9251414666f647e1",{"adult":97,"backdrop_path":113,"genre_ids":1507,"id":1508,"title":1509,"original_language":128,"original_title":1509,"overview":1510,"popularity":1511,"poster_path":1512,"release_date":1513,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1514,"order":189,"media_type":138},[21],593484,"Godard \u002F Sollers : L’entretien","Entretien entre Jean-Luc Godard et Philippe Sollers en 1984 au moment de la sortie du film « Je vous salue Marie ».",0.6238,"\u002FcjEgjfCAAsCCITrursZty6h9sii.jpg","1985-04-17","5caa494ac3a3683f52625356",{"adult":97,"backdrop_path":113,"genre_ids":1516,"id":1517,"title":1518,"original_language":128,"original_title":1518,"overview":1519,"popularity":1520,"poster_path":1521,"release_date":774,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1522,"order":189,"media_type":138},[21],637832,"Qu’est-ce que la mise en scène - Jean-Luc Godard","Une leçon (politique) de cinéma par Jean-Luc Godard",0.3082,"\u002Fo4Petd7yPYfQmiPhTSU8H4tQRFq.jpg","5d9c6ed33e01ea00288d4d36",{"adult":97,"backdrop_path":113,"genre_ids":1524,"id":1525,"title":1526,"original_language":128,"original_title":1526,"overview":1527,"popularity":1528,"poster_path":113,"release_date":1529,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1530,"order":112,"media_type":138},[21],657332,"Civilisation: L'homme et les images","Contribution collective à une histoire du cinéma, ce numéro de la collection «Civilisations» participe aussi de la genèse de Deux ou trois choses que je sais d'elle et La Chinoise.",0.2629,"1967-01-01","5dfecd2326dac1001461882e",{"adult":97,"backdrop_path":113,"genre_ids":1532,"id":1533,"title":1534,"original_language":128,"original_title":1534,"overview":1535,"popularity":1536,"poster_path":1537,"release_date":1538,"softcore":97,"video":97,"vote_average":174,"vote_count":175,"character":163,"credit_id":1539,"order":137,"media_type":138},[21],667748,"Mireille Darc, la femme libre","Le 28 août 2017, Mireille Darc disparaissait à l'âge de 79 ans. Elle fut l'actrice fétiche d’Audiard et de Lautner, le sex-symbol des années pop, la photographe, la femme amoureuse, la réalisatrice de documentaires. L'artiste fut également la marraine de coeur de La Chaîne de l’espoir, association qui vient en aide aux enfants démunis. Mireille Darc se raconte à travers une sélection de ses interviews les plus intimes. Ses proches l'évoquent aussi : son mari, Pascal Desprez, Anthony Delon, Véronique de Villèle, son assistante personnelle et amie, l’écrivain Lionel Duroy, le professeur Deloche, les photographes Richard Melloul et Francis Giacobetti qui en firent leur modèle...",0.5936,"\u002FxkOyLTq5e1spGyBElay4YntqAqJ.jpg","2018-08-24","5e306dc4eda4b70019f126ea",{"adult":97,"backdrop_path":1541,"genre_ids":1542,"id":1543,"title":1544,"original_language":305,"original_title":1544,"overview":306,"popularity":1545,"poster_path":1546,"release_date":1547,"softcore":97,"video":97,"vote_average":215,"vote_count":952,"character":249,"credit_id":1548,"order":189,"media_type":138},"\u002F1JUNdM9g3C08OUnYARRoNWc5MBq.jpg",[21],143437,"1 P.M.",0.4398,"\u002FqxYCjYW9ktZEwJYRGD9s11mNE6L.jpg","1971-06-08","5e3c496d0c27100015781805",{"adult":97,"backdrop_path":1550,"genre_ids":1551,"id":1552,"title":1553,"original_language":128,"original_title":1553,"overview":1554,"popularity":1555,"poster_path":1556,"release_date":1557,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1558,"order":175,"media_type":138},"\u002Fgt4mVfvKhW3cJzXnKyMXOUWOvN9.jpg",[21],673752,"Duras\u002FGodard","Le 2 décembre 1987, le cinéaste rendait visite à la romancière chez elle à Paris. De cette entrevue est né ce document d'une heure où JLG et Marguerite Duras tentent d'établir un dialogue autour de la création artistique.",0.5589,"\u002Fz82Lug68mDoUBXgAJsp3xjy5mg1.jpg","1987-12-02","5e4aabbb9a3c490019310a19",{"adult":97,"backdrop_path":1560,"genre_ids":1561,"id":1562,"title":1563,"original_language":128,"original_title":1563,"overview":1564,"popularity":1565,"poster_path":1566,"release_date":1567,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1568,"order":189,"media_type":138},"\u002F7ysVhamSLKNmjwfL3Y2qJb83a1s.jpg",[21],676179,"Entretien entre Serge Daney et Jean-Luc Godard","Alors que Jean-Luc Godard entame ses Histoire(s) du cinéma, il s'entretient de son projet avec Serge Daney.",0.4136,"\u002F8ryYcFAvM833SzusnfkhtrqK4ar.jpg","1988-01-01","5e524ec5a76ac50011a407d0",{"adult":97,"backdrop_path":113,"genre_ids":1570,"id":1571,"title":1572,"original_language":128,"original_title":1572,"overview":1573,"popularity":1574,"poster_path":113,"release_date":1575,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1576,"order":189,"media_type":138},[21],666319,"Conversation entre Jean-Luc Godard et Jacques Rivette","« Avec Rivette, nous avons je crois amené l'amour du cinéma à travers nos films. Nous sommes comme Van Gogh qui n'avait que l'amour du jaune et rien d'autre. » (JLG, 1982)",0.2753,"2017-07-07","5e50642eb3e627001626e6f6",{"adult":97,"backdrop_path":113,"genre_ids":1578,"id":1579,"title":1580,"original_language":128,"original_title":1580,"overview":306,"popularity":1581,"poster_path":1582,"release_date":1583,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1584,"order":189,"media_type":138},[21],364968,"Quod Erat Demonstrandum",0.268,"\u002FefWr7ivPofA2bpKIG5op2JBCnKa.jpg","2012-10-23","5e506452b3e627001826c86b",{"adult":97,"backdrop_path":113,"genre_ids":1586,"id":1587,"title":1588,"original_language":305,"original_title":1588,"overview":306,"popularity":1589,"poster_path":1590,"release_date":1591,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1592,"order":175,"media_type":138},[21],687201,"JLG\\PG",0.4283,"\u002Fm3xMD1zQAST9pt7ZgLJgC0qSevh.jpg","2009-01-01","5e7ed223a410c8001451f00c",{"adult":97,"backdrop_path":113,"genre_ids":1594,"id":1595,"title":1596,"original_language":305,"original_title":1596,"overview":306,"popularity":1597,"poster_path":1598,"release_date":1599,"softcore":97,"video":362,"vote_average":189,"vote_count":189,"character":1600,"credit_id":1601,"order":175,"media_type":138},[21],692243,"Four Short Films",0.2861,"\u002F90gz0QHJRDvLh1Wcdx401H8vzAv.jpg","2006-03-06","Self - Narrator","5e925bdf84448e00128f18c3",{"adult":97,"backdrop_path":1603,"genre_ids":1604,"id":1605,"title":1606,"original_language":128,"original_title":1606,"overview":1607,"popularity":1608,"poster_path":1609,"release_date":1610,"softcore":97,"video":97,"vote_average":186,"vote_count":175,"character":1611,"credit_id":1612,"order":288,"media_type":138},"\u002F3pUCWYTO4zYc5i9PJlEHBElArgC.jpg",[21],514964,"Anna Karina, souviens-toi","Actrice incontournable de la Nouvelle Vague, muse et épouse un temps de Jean-Luc Godard, belle et moderne, libre et sensuelle, Anna Karina a mené une carrière internationale au cinéma. Des réalisateurs renommés, à l'instar de Fassbinder ou Schlöndorff, qu'elle fascine, l'ont réclamée dans leurs films, tout comme George Cukor, dont elle devient proche, Visconti ou Tony Richardson. De façon peut-être un peu moins provocante que Brigitte Bardot, autre grande star des années 1960, l'actrice incarne à l'écran une nouvelle féminité.",0.5715,"\u002Fi5aJ1PdVvV4bqi2oSFFAvvNr6r4.jpg","2020-06-13","Self (archive footage) (uncredited)","5ea109bfb0460500225e23c7",{"adult":97,"backdrop_path":1614,"genre_ids":1615,"id":1616,"title":1617,"original_language":128,"original_title":1617,"overview":306,"popularity":1618,"poster_path":1619,"release_date":1620,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1621,"order":174,"media_type":138},"\u002FjeybT0tqQ5dC7hPLUoy2EczZxur.jpg",[21,24],697692,"Brunes et Blondes",0.5759,"\u002FejJMbSndO6WGXayGKRN3KqurAPy.jpg","2010-10-06","5ea6c2585a4690001f12ceae",{"adult":97,"backdrop_path":1623,"genre_ids":1624,"id":1625,"title":1626,"original_language":128,"original_title":1627,"overview":1628,"popularity":1629,"poster_path":1630,"release_date":1631,"softcore":97,"video":97,"vote_average":285,"vote_count":496,"character":437,"credit_id":1632,"order":175,"media_type":138},"\u002FaeeubKUwFXCjZESeOoYVxvE4kjk.jpg",[21],156982,"Lettre à Jane","Letter to Jane: An Investigation About a Still","Juste après avoir tourné « Tout va bien » avec Jane Fonda, Godard et Gorin lui adressent une lettre cinématographique interrogeant une photographie de l'actrice au Vietnam. « Cette photo répond à la même question que celle que pose Tout va bien : quel rôle les intellectuels doivent-ils jouer dans la révolution ? »",0.7008,"\u002FfPFFTjXpU7vYpUuWgqEgRRZTCVI.jpg","1974-04-11","5eb4d06acc277c00206786cb",{"adult":97,"backdrop_path":1634,"genre_ids":1635,"id":1636,"title":1637,"original_language":128,"original_title":1637,"overview":1638,"popularity":1639,"poster_path":1640,"release_date":1641,"softcore":97,"video":97,"vote_average":174,"vote_count":1642,"character":386,"credit_id":1643,"order":112,"media_type":138},"\u002FbzuEDByhWkNcA53SaaIgBp6O91Z.jpg",[21],128779,"Le Joli Mai","Paris, mai 1962. La guerre d'Algérie vient de s'achever avec les accords d'Evian. En ce premier mois de paix depuis sept ans, que font, à quoi pensent les Parisiens ? Chacun témoigne à sa manière de ses angoisses, ses bonheurs, ses espoirs. Peu à peu, se dessine un portrait pris sur le vif de la France à l'aube des années 60.",0.6455,"\u002FqktSDdFDN3mwNduFS5MSQSOMlzz.jpg","1963-05-03",42,"5ee167534c1bb0001ea36f0c",{"adult":97,"backdrop_path":113,"genre_ids":1645,"id":1646,"title":1647,"original_language":305,"original_title":1647,"overview":306,"popularity":1648,"poster_path":1649,"release_date":1650,"softcore":97,"video":97,"vote_average":1475,"vote_count":446,"character":163,"credit_id":1651,"order":175,"media_type":138},[15],248828,"Accomplice",0.2323,"\u002Fzgre5oF3ILLGb0dUcjuemHZB6mz.jpg","2010-04-22","5ef6a04ec8113d003861c0e6",{"adult":97,"backdrop_path":1653,"genre_ids":1654,"id":1655,"title":1656,"original_language":128,"original_title":1656,"overview":1657,"popularity":1658,"poster_path":1659,"release_date":1660,"softcore":97,"video":97,"vote_average":374,"vote_count":1661,"character":1662,"credit_id":1663,"order":496,"media_type":138},"\u002F7Mg5eGXNXiPUy9cmfi6ebr2Ulgn.jpg",[18,42,15],29369,"Made in U.S.A","Paula, une ravissante jeune fille, est sur le point de rejoindre son petit ami dans une petite ville de la province française d'Atlantic City. Brillant journaliste et militant communiste, le jeune homme semble avoir quelques ennuis, puisqu'il travaille sous un pseudonyme. Sur place, Paula apprend sa mort avec une stupeur aussi grande que sa douleur. Meurtre ou accident ? La question ne cesse de tourner dans la tête de Paula. Quand elle réalise qu'elle ne pourra continuer à vivre sans connaître la vérité, elle tente d'élucider le mystère et se retrouve elle-même soupçonnée par la police. Autour d'elle gravite bientôt toute une foule de personnages étranges. Parmi eux, un sale petit bonhomme surnommé Typhus, un docteur, un policier, la nièce de Typhus et un commissaire ne cessent de mener un ballet inquiétant…",0.7364,"\u002FaoHsHSd69jEH4xj91IalknKXSIg.jpg","1967-01-27",109,"Richard Politzer (voice) (uncredited)","5f0799dbb7abb50038e2e78d",{"adult":97,"backdrop_path":1665,"genre_ids":1666,"id":1667,"title":1668,"original_language":128,"original_title":1668,"overview":1669,"popularity":1670,"poster_path":1671,"release_date":1672,"softcore":97,"video":97,"vote_average":351,"vote_count":112,"character":306,"credit_id":1673,"order":274,"media_type":138},"\u002FaHPDr6qV2Z9i2uLNkmBMTvDZc18.jpg",[24,45],562530,"Le Soleil dans l’œil","Emma, 23 ans, est en couple avec Denis, un homme de 35 ans sans attaches. Elle décroche un emploi de traductrice en Corse, où elle rencontre Frédéric, un jeune célibataire qui est en vacances et qui pêche avec un vieux marin. Emma s'adapte très vite à la vie locale et entretient peu à peu une relation avec Frédéric. Cependant, Denis se rend à Nice et se rend en bateau en Corse, où il découvre la relation entre Emma et Frédéric.",0.5396,"\u002FieuN8hvjV7VCMYDYvxHrqWV2Fv.jpg","1962-06-22","5f1590e551e6ab0036c1c416",{"adult":97,"backdrop_path":1675,"genre_ids":1676,"id":1677,"title":1678,"original_language":305,"original_title":1679,"overview":1680,"popularity":1681,"poster_path":1682,"release_date":1683,"softcore":97,"video":97,"vote_average":526,"vote_count":952,"character":1684,"credit_id":1685,"order":557,"media_type":138},"\u002FgLC8lC42hc7Pz5xyTvezENpmEmm.jpg",[24,54],4529,"L'Espion","L'espion","Le professeur James Bower se voit contraint par un agent de la CIA à l'aider à récupérer un microfilm que devait lui remettre un scientifique russe. Dés son arrivée en Allemagne de l'Est, il rencontre un agent secret Est-Allemand, Peter Heinzman, et tout se complique.",1.0044,"\u002FeghDjxKLIUBZu2wQr0XY3YKTdfL.jpg","1966-10-19","Orlovsky's Friend (uncredited)","5f668a265a78840034c0bb20",{"adult":97,"backdrop_path":113,"genre_ids":1687,"id":1688,"title":1689,"original_language":305,"original_title":1689,"overview":306,"popularity":1690,"poster_path":1691,"release_date":1692,"softcore":97,"video":97,"vote_average":1475,"vote_count":137,"character":249,"credit_id":1693,"order":189,"media_type":138},[21],325732,"Godard 1980",0.3947,"\u002FtIcYnedljSrDr8uzG1Nfpuj39RE.jpg","1980-01-01","5f735ac4223e2000377e11cc",{"adult":97,"backdrop_path":113,"genre_ids":1695,"id":1696,"title":1697,"original_language":128,"original_title":1697,"overview":306,"popularity":1698,"poster_path":113,"release_date":1699,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":818,"credit_id":1700,"order":137,"media_type":138},[],756093,"Cinématon XI",0.4716,"1981-05-14","5f90c740ac617c003788770e",{"adult":97,"backdrop_path":113,"genre_ids":1702,"id":1703,"title":1704,"original_language":1705,"original_title":1704,"overview":306,"popularity":1706,"poster_path":113,"release_date":1707,"softcore":97,"video":97,"vote_average":189,"vote_count":175,"character":163,"credit_id":1708,"order":274,"media_type":138},[21],753663,"Uuden aallon jäljillä","fi",0.3093,"2009-03-14","5f889b53e33f830039ff2dab",{"adult":97,"backdrop_path":113,"genre_ids":1710,"id":1711,"title":1712,"original_language":128,"original_title":1712,"overview":306,"popularity":1713,"poster_path":1714,"release_date":1715,"softcore":97,"video":97,"vote_average":1716,"vote_count":112,"character":249,"credit_id":1717,"order":189,"media_type":138},[21],755006,"Conversation avec JLG",0.2811,"\u002Fg9B6EgfFpRTfQKRkQv2nEvG2P6r.jpg","2010-11-16",8.8,"5f8d5de811386c0036ff74e8",{"adult":97,"backdrop_path":1719,"genre_ids":1720,"id":1721,"title":1722,"original_language":128,"original_title":1722,"overview":1723,"popularity":1724,"poster_path":1725,"release_date":1726,"softcore":97,"video":97,"vote_average":1727,"vote_count":1728,"character":236,"credit_id":1729,"order":175,"media_type":138},"\u002F6aurEdQ8fs4zevG4m46Lbhoc9Cu.jpg",[15,24],8074,"2 ou 3 choses que je sais d'elle","Portrait psycho-sociologique d'une jeune femme vivant dans un grand ensemble de banlieue.",1.9821,"\u002F8HMOpEyo1EUkiv2xN8ZQfdzqurx.jpg","1967-03-17",6.248,226,"5f9f83802ceb530036572e76",{"adult":97,"backdrop_path":113,"genre_ids":1731,"id":1732,"title":1733,"original_language":128,"original_title":1733,"overview":306,"popularity":1734,"poster_path":1735,"release_date":1736,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":163,"credit_id":1737,"order":189,"media_type":138},[],771535,"Printtemps",0.2525,"\u002Fwx7BRRM5JYyIXGdVmSskGnx0D5u.jpg","2020-12-03","5fc967793f8ede003d01a6ab",{"adult":97,"backdrop_path":113,"genre_ids":1739,"id":1740,"title":1741,"original_language":128,"original_title":1741,"overview":1742,"popularity":1743,"poster_path":1744,"release_date":1745,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1746,"order":189,"media_type":138},[21],780397,"Voyage à travers un film (Sauve qui peut (la vie))","Un voyage télévisuel guidé par Jean-Luc Godard à l'intérieur de son film Sauve qui peut (la vie), incorporant des conversations filmées entre lui et Isabelle Huppert et le critique de cinéma Christian Defaye. Dans ce remarquable remix autocritique, qui constitue une expérience unique et trop oubliée, Godard se sert des ressources de la télévision pour éclairer et commenter son film. «C'est la première fois que ça se fait, ça…», observe-t-il.",0.3147,"\u002Fouvi2BrFcfqDQUJYYMWmL3Dzki.jpg","1981-02-03","5fe9dbd7c9dbf9003e4bbe52",{"adult":97,"backdrop_path":113,"genre_ids":1748,"id":1749,"title":1750,"original_language":128,"original_title":1750,"overview":1751,"popularity":1752,"poster_path":1753,"release_date":1754,"softcore":97,"video":97,"vote_average":1755,"vote_count":952,"character":249,"credit_id":1756,"order":189,"media_type":138},[21],293424,"Petites notes à propos du film 'Je vous salue, Marie'","« Loué soit le cinéma : la loi n'est pas dite, elle est vue et entendue. Une histoire nous est née et nous est donnée. C'est ainsi qu'à travers une image ressuscite la vie. » (JLG, 1985)",0.5808,"\u002FcXGUydBKdoCY11yL8U7HhTBuLLc.jpg","1983-01-01",5.3,"5ffba2dfc8a5ac003eb001d7",{"adult":97,"backdrop_path":1758,"genre_ids":1759,"id":1760,"title":1761,"original_language":128,"original_title":1761,"overview":1762,"popularity":1763,"poster_path":1764,"release_date":1765,"softcore":97,"video":97,"vote_average":288,"vote_count":1766,"character":1767,"credit_id":1768,"order":24,"media_type":138},"\u002FfNJrIhjpfi8qbePVEcsjMtzvXFz.jpg",[24],64414,"Le Signe du Lion","Pierre Wesserlin, un Américain, artiste bohème, vit à Paris et passe le plus clair de son temps dans les bars de Saint-Germain-des-Prés. Il apprend que sa tante, une femme fortunée, vient de mourir. Pierre est convaincu d'hériter bientôt. Pour fêter l'événement, il emprunte une forte somme d'argent à son ami Jean-François et organise une fête pour tous ses amis. Mais à quelque temps de là, Pierre découvre qu'il ne figure pas sur le testament de la défunte. Toute la fortune va à son cousin. Démuni, il se laisse glisser peu à peu vers la déchéance…",0.9554,"\u002FdO3i9pZYDYQ83kPLqJl0EnEij1F.jpg","1962-05-03",66,"Le Mélomane (uncredited)","600c5e9cafe224004141c7ff",{"adult":97,"backdrop_path":1770,"genre_ids":1771,"id":1772,"title":1773,"original_language":128,"original_title":1773,"overview":1774,"popularity":1775,"poster_path":1776,"release_date":1777,"softcore":97,"video":97,"vote_average":273,"vote_count":15,"character":1778,"credit_id":1779,"order":446,"media_type":138},"\u002FvWhh5PeiEdGq2Axz9Qx2Bw1Eqmr.jpg",[15,45],366851,"Une femme coquette","« Une femme coquette » suit l’écriture d’une lettre par une jeune femme qui raconte ses réflexions intérieures à une amie : rentrant chez elle à pied pour préparer le déjeuner, elle est troublée par la vision d'une prostituée au travail, ressentant un mélange d’admiration, d’indignation et de respect pour cette femme…",0.6629,"\u002FgDU7OQrV6q03tiqBzBeiIwtlgtF.jpg","1955-02-26","The Man Who Looks at the Balcony (uncredited)","604e63277314a1007820e452",{"adult":97,"backdrop_path":113,"genre_ids":1781,"id":1782,"title":1783,"original_language":128,"original_title":1783,"overview":1784,"popularity":1785,"poster_path":113,"release_date":1786,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1787,"order":189,"media_type":138},[21],810798,"Ensemble et séparés : sept rendez-vous avec Jean-Luc Godard","Pendant plus de 7 h 30, grâce à un système de relation Internet haut débit, entre son atelier de Rolle, en Suisse, et le Studio national des Arts contemporains - Le Fresnoy, Jean-Luc Godard s’entretient et échange des images avec les critiques et théoriciens du cinéma André S. Labarthe, Dominique Païni, Jean Douchet, Jean-Michel Frodon, Nicole Brenez et Jean Narboni, et l’historien de l’art Jean-Claude Conesa. Ces sept rendez-vous sont autant de leçons de cinéma données par Jean-Luc Godard.",0.3153,"2010-03-19","605e6f3a0e64af003e15c186",{"adult":97,"backdrop_path":113,"genre_ids":1789,"id":1790,"title":1791,"original_language":128,"original_title":1791,"overview":1792,"popularity":1793,"poster_path":1794,"release_date":1699,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":306,"credit_id":1795,"order":189,"media_type":138},[],818191,"Cinématon n°106 : Jean-Luc Godard","Le \"Cinématon\" n°106 de Jean-Luc Godard réalisé par Gérard Courant le 22 février 1981 à Berlin-Ouest (République Fédérale d'Allemagne).",0.57,"\u002FbGfBKxk8eMRaW5s3UAvCcqnJrPi.jpg","60766ff71b1f3c006ea9fd06",{"adult":97,"backdrop_path":1797,"genre_ids":1798,"id":1799,"title":1800,"original_language":128,"original_title":1800,"overview":1801,"popularity":1802,"poster_path":1803,"release_date":1804,"softcore":97,"video":97,"vote_average":207,"vote_count":199,"character":1805,"credit_id":1806,"order":186,"media_type":138},"\u002Fd2QwC8TydbA36zXpyJlg4aORAtL.jpg",[15,24],49701,"Le Coup du berger","Un amant offre à sa maîtresse un manteau de fourrure, mais celle-ci ne sait pas comment justifier ce présent auprès de son époux.",0.701,"\u002FqBOO0VS2dlVFvTldPucL4LXE68q.jpg","1956-11-01","Party guest (uncredited)","60bae4283d4d96005a13f3ee",{"adult":97,"backdrop_path":113,"genre_ids":1808,"id":1809,"title":1810,"original_language":305,"original_title":1810,"overview":306,"popularity":1811,"poster_path":1812,"release_date":1813,"softcore":97,"video":97,"vote_average":152,"vote_count":175,"character":249,"credit_id":1814,"order":189,"media_type":138},[21],848323,"Jean-Luc Godard and Anne-Marie Miéville on Google StreetView",0.3439,"\u002Fjx0LJ5C2zUKN8Xy7tSq9vrnfyIw.jpg","2018-02-21","60e4d06a22e480002df0fb81",{"adult":97,"backdrop_path":113,"genre_ids":1816,"id":1817,"title":1818,"original_language":128,"original_title":1818,"overview":1819,"popularity":1820,"poster_path":1821,"release_date":1822,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1823,"order":189,"media_type":138},[21],847050,"Brève rencontre avec Jean-Luc Godard ou le cinéma comme métaphore","Entretien à partir du film Notre musique de Jean-Luc Godard, où celui-ci parle de sa pratique cinématographique aujourd’hui.",0.3657,"\u002FcX8jiihmuZScnpYOsEFH1kYCfuI.jpg","2005-01-01","60df3e3e0f3655005e07cde9",{"adult":97,"backdrop_path":1825,"genre_ids":1826,"id":1827,"title":1828,"original_language":533,"original_title":1828,"overview":306,"popularity":1829,"poster_path":1830,"release_date":1831,"softcore":97,"video":97,"vote_average":310,"vote_count":496,"character":386,"credit_id":1832,"order":274,"media_type":138},"\u002FuBK94meT1EyEKVzAoIBSPPJMSB8.jpg",[21],234301,"Carl Th. Dreyer",0.4932,"\u002F8GznEpCDpI58vg4TlwDW6AwjgNr.jpg","1966-11-14","6711f74516caa8b0f09c2a2c",{"adult":97,"backdrop_path":113,"genre_ids":1834,"id":1835,"title":1836,"original_language":128,"original_title":1836,"overview":1837,"popularity":1838,"poster_path":113,"release_date":1839,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1840,"order":189,"media_type":138},[21],1374989,"Le cinéma selon Jean-Luc","Jean-Luc Godard, interviewé par Jacques Doniol-Valcroze lors du tournage de \"La Femme Mariée\" explique son idée de ce qu'est le cinéma.",0.3804,"1965-01-01","6716dd0f6fb09e394c028c1a",{"adult":97,"backdrop_path":113,"genre_ids":1842,"id":1843,"title":1844,"original_language":781,"original_title":1844,"overview":306,"popularity":1845,"poster_path":1846,"release_date":1847,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1848,"order":189,"media_type":138},[21],602835,"Blinde Liebe\u002FJean-Luc Godard: Meine Mutter hat nur Stummfilme gesehen!",0.3146,"\u002F1w6XtPs2JdmtgLOjCQoHbJG9ykH.jpg","2001-01-01","67329a1aebc5a26e5e498502",{"adult":97,"backdrop_path":1850,"genre_ids":1851,"id":1852,"title":1853,"original_language":466,"original_title":1853,"overview":306,"popularity":1854,"poster_path":1855,"release_date":1856,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":1857,"credit_id":1858,"order":112,"media_type":138},"\u002F4QcfQMrhyPux1DAAHTl1Dj9JJdv.jpg",[24,21],1384291,"A Morte",0.5006,"\u002F1kcvDheYPPDn2BKBjsPBnVtsnVL.jpg","2024-11-23","Self (voice)","6734ecd068083d05408a0671",{"adult":97,"backdrop_path":1860,"genre_ids":1861,"id":1862,"title":1863,"original_language":128,"original_title":1863,"overview":306,"popularity":1864,"poster_path":1865,"release_date":1181,"softcore":97,"video":97,"vote_average":351,"vote_count":112,"character":249,"credit_id":1866,"order":189,"media_type":138},"\u002FbfG1TUZQdB3wQhsZaOSLi9IirKb.jpg",[21],1287695,"Exposé du film annonce du film \"Scénario\"",0.6763,"\u002Fwql3MxdlXlQFmpbo0Hp17olAwFy.jpg","67352191ff85881393a083d3",{"adult":97,"backdrop_path":113,"genre_ids":1868,"id":1869,"title":1870,"original_language":128,"original_title":1870,"overview":306,"popularity":1871,"poster_path":1872,"release_date":1873,"softcore":97,"video":97,"vote_average":1475,"vote_count":446,"character":1874,"credit_id":1875,"order":189,"media_type":138},[21],293242,"Reportage amateur (Maquette expo)",0.4538,"\u002FagWnNihvp5Plpb2EAre10qUhyvw.jpg","2006-04-24","Self (voice) (uncredited)","673f19fb625bc338dc38a9fc",{"adult":97,"backdrop_path":113,"genre_ids":1877,"id":1878,"title":1879,"original_language":305,"original_title":1879,"overview":306,"popularity":1880,"poster_path":113,"release_date":1881,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1882,"order":274,"media_type":138},[],1379739,"Moving Pictures",0.3663,"1994-01-01","675ef09dde8f34e0b2588dc6",{"adult":97,"backdrop_path":113,"genre_ids":1884,"id":1885,"title":1886,"original_language":305,"original_title":1886,"overview":306,"popularity":1887,"poster_path":1888,"release_date":306,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1889,"order":189,"media_type":138},[],1407688,"The Making of Jean Luc Godard's 'One Plus One'",0.4562,"\u002Fwe75OIOty43Fdafjyt5BUXcnDVt.jpg","676cb63962ba310fc0127e1b",{"adult":97,"backdrop_path":1891,"genre_ids":1892,"id":1893,"title":1894,"original_language":128,"original_title":1894,"overview":1895,"popularity":1896,"poster_path":1897,"release_date":1898,"softcore":97,"video":97,"vote_average":970,"vote_count":971,"character":1899,"credit_id":1900,"order":248,"media_type":138},"\u002F3MyhpiRSeabVbSvaXLyZdX7ckMe.jpg",[15,24,57],111367,"For Ever Mozart","Camille et Jérôme sont cousins. Issus d'un milieu aisé, cultivé et humaniste, ils ressentent le besoin de s'engager aux côtés des Bosniaques soumis aux horreurs de la guerre et partent jouer à Sarajevo « On ne badine pas avec l'amour », de Musset. L'aventure tourne mal. Les deux cousins se perdent. Les soldats qui les retrouvent les tortureront. Pendant ce temps, en Espagne, un vieux cinéaste désabusé tourne, sur ordre de son producteur, « Boléro fatal », avec deux comédiens qu'il s'ingénie à pousser à bout. L'engagement et le cinéma seraient-ils des impasses ? Par bonheur, il reste la musique de Mozart, éternelle leçon de paix et de beauté…",0.6518,"\u002FdJHjIOZq4n6TpWjwn8Wa9FN3P8c.jpg","1996-11-27","Man Pretending to Play Soccer (uncredited)","6784a5cc90f42c32837b5dd5",{"adult":97,"backdrop_path":113,"genre_ids":1902,"id":1903,"title":1904,"original_language":128,"original_title":1904,"overview":1905,"popularity":1906,"poster_path":1907,"release_date":1908,"softcore":97,"video":97,"vote_average":817,"vote_count":288,"character":1909,"credit_id":1910,"order":189,"media_type":138},[51],227898,"Changer d'image : Lettre à la bien-aimée","1981 : à l’occasion de l’arrivée de la gauche au pouvoir, la télévision française commande à Godard un film sur le thème du changement.",0.2421,"\u002FjAvUP1gniy6jL4sGhicouLHJX51.jpg","1982-05-01","The Idiot (uncredited)","679a456db4b6f91453a984e4",{"adult":97,"backdrop_path":113,"genre_ids":1912,"id":1913,"title":1914,"original_language":128,"original_title":1914,"overview":1915,"popularity":1916,"poster_path":1917,"release_date":1918,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":236,"credit_id":1919,"order":189,"media_type":138},[],293988,"Ecce Homo","Iconographie comparée des bourreaux et des victimes.",0.2852,"\u002FsBDjQ5C3RWNb4jq5iR3882kO6a5.jpg","2006-01-01","679cb16425b6f1b30dbdea14",{"adult":97,"backdrop_path":113,"genre_ids":1921,"id":1922,"title":1923,"original_language":128,"original_title":1923,"overview":1924,"popularity":1925,"poster_path":1926,"release_date":1927,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1928,"order":189,"media_type":138},[21],383427,"Passion, le travail et l'amour: Introduction à un scénario","Film également connu sous le titre Troisième état du scénario du film « Passion ».",0.5426,"\u002FvqLxYs7aWHd0xac5bR3ZWVslIPC.jpg","1982-05-05","67b610a79e32f72b4d88f37a",{"adult":97,"backdrop_path":1930,"genre_ids":1931,"id":1932,"title":1933,"original_language":305,"original_title":1933,"overview":306,"popularity":1934,"poster_path":1935,"release_date":1936,"softcore":97,"video":97,"vote_average":288,"vote_count":175,"character":249,"credit_id":1937,"order":175,"media_type":138},"\u002FlFPL40xWm2j6ddng9humMr9GgFX.jpg",[21],1224757,"Full Metal Kuleshov Effect",0.3571,"\u002FosHAkTVzIb47JeiDqqzoGiIzQng.jpg","2023-01-01","67c4659e04b6b222cf4e1d6c",{"adult":97,"backdrop_path":1939,"genre_ids":1940,"id":1941,"title":1942,"original_language":128,"original_title":1942,"overview":1943,"popularity":1944,"poster_path":1945,"release_date":1946,"softcore":97,"video":97,"vote_average":351,"vote_count":112,"character":163,"credit_id":1947,"order":189,"media_type":138},"\u002F3gX8oKCPn2HCR27HGc5vhD5RHZ.jpg",[21],1477561,"L'histoire de \"Scénario\"","Dernier rendez-vous avec Jean-Luc Godard. Ce documentaire montre le cinéaste dans la préparation de \"Scénario\", son film testamentaire inachevé, avant de se clore sur une scène bouleversante : l’ultime apparition d’un génie animé jusqu’au bout par l’amour du cinéma.",0.5813,"\u002Fv7xPrRkwnXrP5du0H7O0ii1FI6J.jpg","2025-07-18","681c8a8efa53de5d8c6e36ff",{"adult":97,"backdrop_path":1949,"genre_ids":1950,"id":1951,"title":1952,"original_language":305,"original_title":1952,"overview":306,"popularity":1953,"poster_path":1954,"release_date":1955,"softcore":97,"video":97,"vote_average":234,"vote_count":446,"character":1611,"credit_id":1956,"order":223,"media_type":138},"\u002FfklT7Ha0jqZOAVsWp1KjMDsyeeV.jpg",[21],1320482,"From Darkness to Light",1.0327,"\u002F9WHK2hmkFAUOttK23fi7QOMMrlY.jpg","2025-04-20","682bbdd87c9d2798e9db303b",{"adult":97,"backdrop_path":113,"genre_ids":1958,"id":1959,"title":1960,"original_language":128,"original_title":1960,"overview":1961,"popularity":1962,"poster_path":1963,"release_date":1847,"softcore":97,"video":97,"vote_average":939,"vote_count":175,"character":249,"credit_id":1964,"order":446,"media_type":138},[21],1007603,"Jean Cocteau, cinéaste","Du Sang d'un poète en 1930 au Testament d'Orphée en 1959, le film dresse un portrait chronologique du poète en cinéaste qui n'aura réalisé que six films, avec la postérité que l'on sait. A l'aide de témoignages de collaborateurs et d'historiens, d'images d'archives et d'extraits, Jean Cocteau cinéaste propose une remise en perspective pertinente de l'oeuvre poétique et artistique. Le documentaire décrypte les films : les anecdotes, les inventions, donnant un aperçu de la vivacité créatrice de Cocteau. Mais le plus marquant reste son rôle de pygmalion, de Jean Marais à Edouard Dhermite, sur lequel Claude Arnaud, son biographe, insiste avec raison. Il conditionne en effet toute l'entreprise du poète, comme si écriture et cinéma ne lui suffisaient pas, et qu'il faille se multiplier soi-même dans une biographie imaginaire.",0.4168,"\u002FxYkwHprwIeasiGetGF7w3NKnTAb.jpg","683212ae640e05b428b6af02",{"adult":97,"backdrop_path":1966,"genre_ids":1967,"id":1968,"title":1969,"original_language":305,"original_title":1969,"overview":306,"popularity":1970,"poster_path":1971,"release_date":1972,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":1973,"order":189,"media_type":138},"\u002FnW3dC7at5ZfDKjWNyXwa4iyEFNS.jpg",[21],1493717,"A Weekend at the Beach",0.6261,"\u002FdeNK0PvEfyqOu2EJ5wZVYN0P7IZ.jpg","2015-12-01","6842e8a71c6baae1417f5766",{"adult":97,"backdrop_path":113,"genre_ids":1975,"id":1976,"title":1977,"original_language":128,"original_title":1977,"overview":1978,"popularity":1979,"poster_path":1980,"release_date":1981,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":163,"credit_id":1982,"order":12,"media_type":138},[21],479988,"Mag Bodard, un destin","Portrait de Mag Bodard, grande dame de la télévision et du cinéma. D'abord mariée à Lucien Bodard qu'elle suit en Indochine, elle devient journaliste. Elle rencontre ensuite Pierre Lazareff dont elle deviendra \"seconde\" et se lance comme productrice de cinéma. Elle s'illustre en produisant Jacques Demy, Godard, Varda, Miller, Resnais et Pialat. À la mort de Lazareff, en 1972, les portes se ferment. Ce sera Claude Barma, responsable des séries sur Antenne 2 qui l'appellera pour produire notamment Les Dames de la côte et L'Allée du roi. Ce portrait documentaire, utilisant en off un entretien avec Mag Bodard, s'appuie sur les témoignages de ceux qu'elle a lancés, comme Fanny Ardant, Bernard Giraudeau et Nina Companeez.",0.502,"\u002FfgMcd7CxvNOd1lUP5EXr1ZivdL5.jpg","2005-10-01","6859c88fb2c999b4ff08d601",{"adult":97,"backdrop_path":113,"genre_ids":1984,"id":1985,"title":1986,"original_language":128,"original_title":1986,"overview":306,"popularity":1987,"poster_path":1988,"release_date":1989,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":163,"credit_id":1990,"order":446,"media_type":138},[51,21],666315,"Freddy Buache, le 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l'histoire, l'engagement politique, à l'occasion d'entretiens avec des historiens, critiques et réalisateurs.",0.4722,"\u002FdKWffCEx4fA6o3hKU1pTZFPXnM4.jpg","2009-01-21","691504fe0eafacc8369c4e7f",{"adult":97,"backdrop_path":113,"genre_ids":2010,"id":2011,"title":2012,"original_language":128,"original_title":2012,"overview":306,"popularity":2013,"poster_path":113,"release_date":2014,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":2015,"credit_id":2016,"order":189,"media_type":138},[21],1536705,"Carottage",0.2247,"2013-01-01","self","69335e3368ea30ebba243366",{"adult":97,"backdrop_path":2018,"genre_ids":2019,"id":2020,"title":2021,"original_language":466,"original_title":2021,"overview":306,"popularity":2022,"poster_path":2023,"release_date":2024,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":2025,"credit_id":2026,"order":274,"media_type":138},"\u002F2wYjHAvgUVWYh9Y46xXQ5RgM5BH.jpg",[24,15,21],1455712,"Identidade",0.3888,"\u002Fj0zqTt7EABV3pYQ7Mw8w918v7Ij.jpg","2026-04-01","Jean-Luc Godard (Imagens de Arquivo)","6953320fc185755462d79ebd",{"adult":97,"backdrop_path":2028,"genre_ids":2029,"id":2030,"title":2031,"original_language":128,"original_title":2031,"overview":306,"popularity":2032,"poster_path":2033,"release_date":2034,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":2035,"order":189,"media_type":138},"\u002Fhz5slkgQ8us4X7lbL5Y2Aj6WkXE.jpg",[21],1609339,"86 printemps, Jean-Luc Godard",0.4146,"\u002Fh3DLIexbJgFZeNoh1ej6MfYWTDG.jpg","2021-11-13","69597e51a00713496acc925b",{"adult":97,"backdrop_path":113,"genre_ids":2037,"id":2038,"title":2039,"original_language":128,"original_title":2039,"overview":2040,"popularity":2041,"poster_path":2042,"release_date":2043,"softcore":97,"video":97,"vote_average":351,"vote_count":137,"character":2044,"credit_id":2045,"order":189,"media_type":138},[21],194532,"The Old Place","Miéville et Godard expriment leurs philosophies personnelles dans un essai sur le rôle des beaux-arts à la fin du XXe siècle, commandé par le musée d'art moderne de New York.",0.4104,"\u002FkupdQ1vKxPdPZ14s4Le0JzU4uFm.jpg","2000-05-19","Self \u002F Narrator (voice)","695985c8cfb9f33b757c7cf6",{"adult":97,"backdrop_path":2047,"genre_ids":2048,"id":2049,"title":2050,"original_language":2051,"original_title":2050,"overview":306,"popularity":2052,"poster_path":2053,"release_date":2054,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":163,"credit_id":2055,"order":175,"media_type":138},"\u002FuVrSfKsmnnbpGhALctqyDean6l6.jpg",[21],1610960,"Un seul héros le peuple","ar",0.8648,"\u002FxbBnskaRZIIacOhkLS7B1GG9niI.jpg","2026-01-07","695cf8f40bd69a05359f87da",{"adult":97,"backdrop_path":2057,"genre_ids":2058,"id":2059,"title":2060,"original_language":128,"original_title":2060,"overview":2061,"popularity":2062,"poster_path":2063,"release_date":2064,"softcore":97,"video":362,"vote_average":234,"vote_count":446,"character":163,"credit_id":2065,"order":2066,"media_type":138},"\u002Fw4TDiUVWIW8BGuV5epk7cl6OFU7.jpg",[21],393076,"Histoires de festival","Le festival de Cannes lève le rideau sur ses coulisses et ses secrets dans un document exceptionnel en trois volets réalisé par son président Gilles Jacob. \"Histoires de festival\" raconte les origines, les temps forts et les évolutions du festival de Cannes, de 1946 à 2001. Ses heures de gloire aussi, avec ses moments mouvementés, ses récompenses, ses rebondissements, parfois tragiques ou parfois cocasses.",0.9075,"\u002FoOWpZ3SSwaN8KCWKrswmMRAhVZ7.jpg","2002-04-16","696d3b42ec86723d608fcc7d",47,{"adult":97,"backdrop_path":113,"genre_ids":2068,"id":2069,"title":2070,"original_language":128,"original_title":2070,"overview":2071,"popularity":2072,"poster_path":2073,"release_date":2074,"softcore":97,"video":97,"vote_average":162,"vote_count":446,"character":306,"credit_id":2075,"order":274,"media_type":138},[21,51],542915,"Bardot, la méprise","Un portrait intime de Brigitte Bardot, grande actrice française des années 1960-70 qui a travaillé avec les plus grands metteurs en scène tels que Henri-Georges Clouzot ou Jean-Luc Godard. L'artiste nous dévoile ses archives familiales.",0.4703,"\u002FliKou5FSviTMWC6bPkVbilPDKP0.jpg","2013-11-27","6988fecc2840a6584ff8122f",{"adult":97,"backdrop_path":113,"genre_ids":2077,"id":2078,"title":2079,"original_language":128,"original_title":2079,"overview":306,"popularity":2080,"poster_path":2081,"release_date":2082,"softcore":97,"video":97,"vote_average":288,"vote_count":175,"character":249,"credit_id":2083,"order":446,"media_type":138},[21],1452508,"Paradjanov, le dernier collage",0.5691,"\u002FvseNqb9O9PsLUC2hIqo1o3e4Vm5.jpg","1995-01-01","698efb1d059065b795b68b32",{"adult":97,"backdrop_path":113,"genre_ids":2085,"id":2086,"title":2087,"original_language":466,"original_title":2087,"overview":306,"popularity":2088,"poster_path":2089,"release_date":2090,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":2091,"credit_id":2092,"order":174,"media_type":138},[24],1584196,"Deuses de Mentira",0.3315,"\u002Fe8tn3QJjMn7Myi9sIk3WqrvsrLw.jpg","2009-11-13","(Archive Sound)","69be0a5c406b71d6499eea89",{"adult":97,"backdrop_path":113,"genre_ids":2094,"id":2095,"title":2096,"original_language":128,"original_title":2096,"overview":2097,"popularity":2098,"poster_path":2099,"release_date":2100,"softcore":97,"video":97,"vote_average":112,"vote_count":175,"character":306,"credit_id":2101,"order":2102,"media_type":138},[21],847138,"Morceaux de Cannes","Du Festival de Cannes, on croyait avoir tout vu, tout lu, tout entendu, entre paillettes et bruits de couloirs, scandales et censures. Et pourtant, Morceaux de Cannes d’Emmanuel Barnault, grand spécialiste du cinéma italien et français, nous convainc du contraire. Le troisième événement planétaire (avec les Jeux Olympiques et la Coupe du monde de football) ne livre ses secrets qu’avec parcimonie, son film en témoigne. Fruit d’une recherche passionnée dans les archives de l’INA, ces 52 minutes sans interviews ni voix off, enchaînent des séquences rares et certaines inconnues. Mises bout à bout, elles racontent une histoire du Festival surprenante, originale et chaleureuse. Sur la plage, au coin d’une rue, dans un restaurant ou dans l’intimité d’une chambre d’hôtel, ces archives oubliées convoquent les plus grands cinéastes, comédiennes et comédiens des soixante-dix dernières années, de Jean Cocteau à David Lynch, pour une anthologie de l’histoire du Festival.",0.6482,"\u002Fas5HrR2xYEko9jY1QQHwKfJImy6.jpg","2021-07-02","69c57250b280bcda58833f86",46,{"adult":97,"backdrop_path":2104,"genre_ids":2105,"id":2106,"title":2107,"original_language":128,"original_title":2107,"overview":2108,"popularity":2109,"poster_path":2110,"release_date":2111,"softcore":97,"video":97,"vote_average":1452,"vote_count":137,"character":2112,"credit_id":2113,"order":378,"media_type":138},"\u002Fow5fF4tsBgdQVJb93T2gbYYrZo8.jpg",[21],469151,"Le cinéma dans l'oeil de Magnum","L'agence Magnum, créée en 1947 par Robert Capa, est intimement liée au cinéma. Ses photographes iconiques, Capa lui-même, Cartier-Bresson ou plus tard Josef Koudelka, ont accompagné des tournages, leurs réalisateurs et leurs vedettes. Ils ont ainsi documenté des scènes de vie quotidienne, de travail, ou choisi de s'écarter du cadre pour immortaliser leur propre vision artistique. Venant du reportage de guerre ou du documentaire, ces photographes du réel ont appliqué leurs méthodes de travail à ce monde d’illusions : appareil léger, lumière naturelle, photo sur le vif et sans retouches. Marilyn Monroe, James Dean, Kate Winslet, Michelangelo Antonioni ou Theo Angelopoulos sont passés sous l'œil de l'agence, instaurant un lien unique qui perdure depuis plus de soixante-dix ans.",0.7031,"\u002FpgNBOIaIaNlFZxCGZURDpIrYAtX.jpg","2017-09-02","Self(archive footage)","69cac960f4148b5352ce3c70",{"adult":97,"backdrop_path":113,"genre_ids":2115,"id":2116,"title":2117,"original_language":128,"original_title":2117,"overview":2118,"popularity":2119,"poster_path":2120,"release_date":2121,"softcore":97,"video":97,"vote_average":152,"vote_count":175,"character":306,"credit_id":2122,"order":12,"media_type":138},[21],1135647,"Le Mystère Bardot","Qui se cache derrière Brigitte Bardot ? Une extraordinaire photogénie, une vie amoureuse tumultueuse, sex symbol absolu des années 1950-1960, l'actrice, chanteuse et militante des droits des animaux a marqué son époque. Malgré plus de 30 000 photos publiées dans la presse, sa vraie personnalité est restée longtemps méconnue.",0.5847,"\u002F5U9ej00QxBNlTR0nYgHoT22sqAA.jpg","2012-01-01","69d8107d2c0c36f2cdbfed72",{"adult":97,"backdrop_path":113,"genre_ids":2124,"id":2125,"title":2126,"original_language":466,"original_title":2126,"overview":306,"popularity":2127,"poster_path":2128,"release_date":2129,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":1611,"credit_id":2130,"order":557,"media_type":138},[21],1657395,"Proust Palimpsesto: Pastiches e Misturas",0.6703,"\u002F9Om8JwozEfmulcF4Oe27tX8w8QO.jpg","2026-04-14","69defac6570616a5573941cc",{"adult":97,"backdrop_path":113,"genre_ids":2132,"id":2133,"title":2134,"original_language":128,"original_title":2134,"overview":2135,"popularity":1916,"poster_path":2136,"release_date":2137,"softcore":97,"video":97,"vote_average":152,"vote_count":175,"character":2138,"credit_id":2139,"order":274,"media_type":138},[51,21],685068,"Léaud l'unique","Après le tournage de L’Affaire Marcorelle, fasciné par Jean-Pierre Léaud, Serge Le Péron décide de réaliser un portrait de l’acteur, symbole de la Nouvelle Vague. À travers un subtil montage d’images d’archives entrecoupées d’entretiens inédits, le cinéaste embrasse l’ensemble de la carrière du comédien pour mieux en analyser sa dimension mythique. L’acteur, qui se prête très rarement au jeu des interviews, apparaît ici en grande confiance, se dévoile librement et décrit son approche du métier.","\u002F5IgCUOYgNo7C4wJjgS94RvWcBIe.jpg","2001-10-25","Self - filmmaker","6a217487564caed976e23ed1",{"adult":97,"backdrop_path":2141,"genre_ids":2142,"id":2143,"title":2144,"original_language":2145,"original_title":2144,"overview":306,"popularity":2146,"poster_path":2147,"release_date":2148,"softcore":97,"video":97,"vote_average":174,"vote_count":112,"character":163,"credit_id":2149,"order":1004,"media_type":138},"\u002F8ZWRIEANRMFT0mPLya9f2zGSeAV.jpg",[21],1477121,"I huvudet på Bo","sv",1.1043,"\u002FiL9e1W6YKoyg73ojydCUQzrgjhh.jpg","2025-07-02","6a2eec93342699803b95433e",{"adult":97,"backdrop_path":113,"genre_ids":2151,"id":2152,"title":2153,"original_language":781,"original_title":2154,"overview":2155,"popularity":2156,"poster_path":2157,"release_date":2158,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":306,"credit_id":2159,"order":189,"media_type":138},[21],521677,"Ce n'est qu'un début, continuons le combat","Das ist nur der Anfang - der Kampf geht weiter","La place du cinéma dans la lutte politique au lendemain de Mai 68 : l'action des Etats généraux du cinéma, l'apparition de la vidéo et la naissance de la section cinéma à l'Université de Vincennes, la diffusion politique des films dans les usines et les campagnes.",0.5605,"\u002FeFVB7PocpFK7WO1opXg1lzw6ro1.jpg","1968-01-02","6a3a8c1bf6622a1ada4e4f09",{"adult":97,"backdrop_path":113,"genre_ids":2161,"id":2162,"title":2163,"original_language":128,"original_title":2163,"overview":306,"popularity":2164,"poster_path":2165,"release_date":2166,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":249,"credit_id":2167,"order":175,"media_type":138},[21],1723641,"Notre musique \u002F Séquence 23",0.4744,"\u002FmlhyvPPbhvRGMDtcwhZCwiEo9ZQ.jpg","2026-07-18","6a43cb113605142ee1d802fe",{"adult":97,"backdrop_path":113,"genre_ids":2169,"id":2170,"title":2171,"original_language":128,"original_title":2171,"overview":2172,"popularity":2173,"poster_path":113,"release_date":2121,"softcore":97,"video":97,"vote_average":288,"vote_count":175,"character":2174,"credit_id":2175,"order":189,"media_type":138},[21],1726921,"JDP\u002FJLG 1963-2012","Un entretien avec Jean-Luc Godard sur son lien avec Méditerranée (1963) de Jean-Daniel Pollet, auquel il a consacré une réflexion célèbre et passionnée dans les « Cahiers du cinéma » et dont il a utilisé des extraits dans Film Socialisme (2010).",0.4029,"Himself","6a4b780611fc8f27fe8194d8",{"adult":97,"backdrop_path":2177,"genre_ids":2178,"id":2179,"title":2180,"original_language":128,"original_title":2180,"overview":306,"popularity":2181,"poster_path":2182,"release_date":2183,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":2184,"credit_id":2185,"order":175,"media_type":138},"\u002FslRq5ZAaR5A8eBPXcGI88QWpnXb.jpg",[15],1729729,"Determination",0.5296,"\u002Fd2Ck40tB65jAwOVB606xuwG26Om.jpg","2026-07-11","Self (archival footage)","6a51b75e118840739f452965",{"adult":97,"backdrop_path":113,"genre_ids":2187,"id":2188,"title":2189,"original_language":128,"original_title":2189,"overview":2190,"popularity":2191,"poster_path":2192,"release_date":2193,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":236,"credit_id":2194,"order":189,"media_type":138},[21,33],660781,"Le Pont des soupirs","Court-métrage de Jean-Luc Godard pour l'omnibus « Les Ponts de Sarajevo ».",0.5002,"\u002F25AmcjyDDhYAlb1GSuya7LJLGwt.jpg","2014-05-22","6a5a2ead5859dd73ca2b9dc4",{"adult":97,"backdrop_path":2196,"genre_ids":2197,"id":2198,"title":2199,"original_language":128,"original_title":2199,"overview":2200,"popularity":2201,"poster_path":2202,"release_date":2203,"softcore":97,"video":97,"vote_average":628,"vote_count":2204,"character":2205,"credit_id":2206,"order":189,"media_type":138},"\u002FhTXvJCi80HGHmADlgibAABsXDgs.jpg",[24],323563,"Dans le noir du temps","Évocation crépusculaire des dernières minutes de… la pensée, de l'amour et du cinéma.",0.7446,"\u002FhcGGIvQPCzn2YBjwGeYzynDMn6G.jpg","2002-09-03",26,"(voice) (uncredited)","6aab2a2efa62ed8c76180aa6",{"adult":97,"backdrop_path":2208,"genre_ids":2209,"id":2210,"title":2211,"original_language":1151,"original_title":2211,"overview":306,"popularity":2212,"poster_path":2213,"release_date":2214,"softcore":97,"video":97,"vote_average":174,"vote_count":112,"character":163,"credit_id":2215,"order":6,"media_type":138},"\u002FoHbOPbsKi1wZ1WuAOA2SfpliG9s.jpg",[21],1752134,"200 vidas, Paco Rabal",1.1957,"\u002FvTUbINw60fT4T8RoJb9agRHJusf.jpg","2026-10-24","6af824a4ae7d9814a026e53f",{"adult":97,"backdrop_path":2217,"genre_ids":2218,"id":2219,"origin_country":2220,"original_language":128,"original_name":2222,"overview":2223,"popularity":2224,"poster_path":2225,"first_air_date":2226,"softcore":97,"name":2222,"vote_average":174,"vote_count":112,"character":249,"credit_id":2227,"episode_count":112,"first_credit_air_date":2228,"media_type":2229},"\u002F4KoONHc2UnQSOdk0veFIjX3hCr4.jpg",[21],27058,[2221],"FR","Dim Dam Dom","Dim Dam Dom est une émission de télévision française destinée au public féminin, produite par Daisy de Galard et Manette Bertin avec la collaboration de Michel Polac, Marc Gilbert, Jean-Pierre Bastid et Peter Knapp à la réalisation et diffusée du 7 mars 1965 jusqu'en mars 1971 sur la deuxième chaîne de l'O.R.T.F.",5.6021,"\u002FoxPTNSZJMu9XU82HV7kDnMYxiFa.jpg","1965-03-07","604ccfe689f749003c741ef4","1965-12-30","tv",{"adult":97,"backdrop_path":2231,"genre_ids":2232,"id":2233,"origin_country":2234,"original_language":128,"original_name":755,"overview":2235,"popularity":2236,"poster_path":113,"first_air_date":2237,"softcore":97,"name":755,"vote_average":162,"vote_count":288,"character":249,"credit_id":2238,"episode_count":9,"first_credit_air_date":2237,"media_type":2229},"\u002FxXHEezg8XUEtjYila37VwzP2uVZ.jpg",[21],59104,[2221],"1976. Jean-Luc Godard et Anne-Marie Miéville adoptent l'outil télévision pour mieux en dénoncer le contenu. Ils réalisent à Grenoble en 1975-1976 une série de six programmes de cent minutes, divisés chacun en deux émissions, pensée en vue d'une diffusion destinée au plus grand nombre. Véritable réflexion sur les moyens de communication, la série dénonce les médias « qui étouffent le vrai » pour proposer en contrepartie une télévision autre, plus proche des réalités sociales et plus critique.",1.772,"1976-07-25","582d03229251410951000e81",{"adult":97,"backdrop_path":113,"genre_ids":2240,"id":2241,"origin_country":2242,"original_language":128,"original_name":2243,"overview":2244,"popularity":2245,"poster_path":2246,"first_air_date":2247,"softcore":97,"name":2243,"vote_average":288,"vote_count":175,"character":386,"credit_id":2248,"episode_count":175,"first_credit_air_date":2249,"media_type":2229},[],194765,[2221],"Série noire","Série noire est une série télévisée policière française créée par Pierre Grimblat en 1984. La série a été adaptée des livres policiers par la maison d'édition du même nom. 36 épisodes ont été tournés entre 1984 et 1989, et ont été diffusés jusqu'en 1991 sur TF1.",2.0137,"\u002FnN4lqfIA5n1k8PxnmFDNSm10cLD.jpg","1984-01-28","62292861498ef9001a3b7544","1986-05-24",{"adult":97,"backdrop_path":2251,"genre_ids":2252,"id":2253,"origin_country":2254,"original_language":128,"original_name":2255,"overview":746,"popularity":2256,"poster_path":2257,"first_air_date":749,"softcore":97,"name":2255,"vote_average":189,"vote_count":189,"character":2258,"credit_id":2259,"episode_count":9,"first_credit_air_date":749,"media_type":2229},"\u002Flh2q6004suO7VARrSXjiHNQGPi3.jpg",[21],198164,[2221],"France\u002Ftour\u002Fdétour\u002Fdeux\u002Fenfants",1.6656,"\u002FntiifGvyUZY0i8POAJDQzlmrxcw.jpg","Robert Linard (uncredited)","6262913ee61e6d0066286b4f",{"adult":97,"backdrop_path":2261,"genre_ids":2262,"id":2263,"origin_country":2264,"original_language":128,"original_name":2265,"overview":2266,"popularity":2267,"poster_path":2268,"first_air_date":2269,"softcore":97,"name":2265,"vote_average":363,"vote_count":112,"character":249,"credit_id":2270,"episode_count":288,"first_credit_air_date":1745,"media_type":2229},"\u002F4rJpvb0fi7Coh96e35WTRPrkods.jpg",[90],244224,[2221],"Spécial cinéma","Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen… les plus grandes stars du cinéma ont été reçues par Christian Defaye dans son émission Spécial cinéma. Entre confessions intimes des comédiens et immersion dans l'univers des plus grands cinéastes, Christian Defaye a entraîné, durant près de trente ans, les téléspectateurs dans cet univers fascinant du Septième art.",37.2659,"\u002FjONImBKU4sK9mBcK5cx7a4R4h5v.jpg","1974-09-25","65b4eafa2faf4d017cdc34cc",{"adult":97,"backdrop_path":2272,"genre_ids":2273,"id":2274,"origin_country":2275,"original_language":128,"original_name":2276,"overview":2277,"popularity":2278,"poster_path":2279,"first_air_date":2280,"softcore":97,"name":2276,"vote_average":817,"vote_count":288,"character":249,"credit_id":2281,"episode_count":174,"first_credit_air_date":2280,"media_type":2229},"\u002FmBfnqnrA59IB87hsGSTu2A9pI8u.jpg",[21],206647,[2221],"Histoire(s) du cinéma","Un essai cinématographique en huit parties retraçant l'histoire du cinéma, explorant l'évolution du concept de cinéma et la manière dont ces deux aspects s'inscrivent dans le XXe siècle.",2.1716,"\u002FrfB4DD3W8uoLccITFmj37wp4uLT.jpg","1988-05-07","63233ade511d09007f4efe2a",{"adult":97,"backdrop_path":113,"genre_ids":2283,"id":2284,"origin_country":2285,"original_language":781,"original_name":2287,"overview":306,"popularity":2288,"poster_path":2289,"first_air_date":2290,"softcore":97,"name":2287,"vote_average":952,"vote_count":175,"character":249,"credit_id":2291,"episode_count":112,"first_credit_air_date":2292,"media_type":2229},[81],89293,[2286],"DE","Bambi",29.7524,"\u002F7Bc1fE5mKIYmhhgl0fVcw3nvDra.jpg","1948-01-01","5cd55ada92514170a53b0431","1968-01-19",{"adult":97,"backdrop_path":2294,"genre_ids":2295,"id":2296,"origin_country":2297,"original_language":128,"original_name":2298,"overview":2299,"popularity":2300,"poster_path":2301,"first_air_date":2302,"softcore":97,"name":2298,"vote_average":596,"vote_count":274,"character":249,"credit_id":2303,"episode_count":175,"first_credit_air_date":2304,"media_type":2229},"\u002Fwkmh7WClhfU7DQdti6lEFH0qLT3.jpg",[90],30243,[2221],"Apostrophes","Magazine culturel consacré à la littérature. L'émission proposait des discussions ouvertes entre quatre ou cinq auteurs autour d’un sujet commun, mais également des entrevues individuelles avec un seul auteur. En 15 ans d’existence, Apostrophes est devenu l'émission littéraire emblématique à la télévision française de cette période, notamment grâce à la personnalité de son présentateur Bernard Pivot, la diversité et la qualité de ses intervenants, voire des polémiques qui surgirent épisodiquement lors de l'émission.",50.4623,"\u002F8sAKVFRZDoZa51a60BO24Pf6jnb.jpg","1975-01-10","63c158daa5743d00c3bf61a5","1985-12-27",{"adult":97,"backdrop_path":2306,"genre_ids":2307,"id":2308,"origin_country":2309,"original_language":128,"original_name":2310,"overview":2311,"popularity":2312,"poster_path":2313,"first_air_date":2314,"softcore":97,"name":2310,"vote_average":758,"vote_count":446,"character":249,"credit_id":2315,"episode_count":112,"first_credit_air_date":2316,"media_type":2229},"\u002FilEht2mkC51htymkX4zYN3vuS77.jpg",[21,27,90],79313,[2221],"Cinépanorama","Pendant dix ans, le grand reporter (et ancien correspondant de guerre) François Chalais offre un regard décalé et des interviews surprenantes des grands mythes du cinéma, souvent en compagnie de France Roche. Composée de reportages et d’entretiens, cette émission révèle les acteurs et cinéastes en toute confidence. Le ton de Chalais et sa verve le rendent parfois irrévérencieux. ",11.9285,"\u002FaA3E04yh8xeNbOEp3Imsq2gqidc.jpg","1956-02-04","63b0b252c56d2d0096d3e744","1963-01-19",{"adult":97,"backdrop_path":2318,"genre_ids":2319,"id":2320,"origin_country":2321,"original_language":305,"original_name":2323,"overview":306,"popularity":2324,"poster_path":2325,"first_air_date":2326,"softcore":97,"name":2323,"vote_average":351,"vote_count":557,"character":306,"credit_id":2327,"episode_count":175,"first_credit_air_date":2328,"media_type":2229},"\u002FzkBI51nAHinuIB9EFnOOTQnnPPZ.jpg",[15],5439,[2322],"GB","Eurotrash",11.5471,"\u002F6YCKrwzPSgCv0s6133379Ohzggy.jpg","1993-09-24","6a0b17c745d58af7baa15ede","1993-10-15",{"adult":97,"backdrop_path":113,"genre_ids":2330,"id":2331,"origin_country":2332,"original_language":128,"original_name":2333,"overview":2334,"popularity":2335,"poster_path":2336,"first_air_date":2337,"softcore":97,"name":2333,"vote_average":189,"vote_count":189,"character":249,"credit_id":2338,"episode_count":112,"first_credit_air_date":617,"media_type":2229},[21],328500,[2221],"Pour le plaisir","« Je voudrais que tous ceux qui participent à l’émission soient plus heureux après avoir réalisé un reportage qu’avant » déclare en 1964 son producteur Roger Stéphane. Théâtre, littérature, cinéma, histoire des objets du quotidien… Les auteurs de ce magazine culturel traitent de sujets variés qui leur tiennent à cœur. Leur plaisir est visible et contagieux !",2.5192,"\u002Fi9iCdQwd2m876zwgbBwe84w7em3.jpg","1964-11-04","6a5559333ad279c1f8614257",{"adult":97,"backdrop_path":113,"genre_ids":2340,"id":2341,"origin_country":2342,"original_language":128,"original_name":2343,"overview":2344,"popularity":2345,"poster_path":2346,"first_air_date":2347,"softcore":97,"name":2343,"vote_average":186,"vote_count":175,"character":249,"credit_id":2348,"episode_count":175,"first_credit_air_date":2349,"media_type":2229},[21],328178,[2221],"Ciné regards","Un panorama du cinéma des années 80 mêlé d'archives et de longues réflexion sur le métier de cinéaste : films, acteur·ices, ses réalisateur·ices, anciennes et futures gloires… Une réjouissante plongée dans l'univers d'Hollywood, de la Cinecitta et autres productions, indépendantes ou grand public.",10.1303,"\u002FneCpAdj9o3EKkB5wntZt1nxCofb.jpg","1978-01-04","6a56645c5855b532d166a65d","1981-03-14",{"adult":97,"backdrop_path":113,"genre_ids":2351,"id":2352,"origin_country":2353,"original_language":128,"original_name":2354,"overview":306,"popularity":2355,"poster_path":113,"first_air_date":306,"softcore":97,"name":2354,"vote_average":189,"vote_count":189,"character":249,"credit_id":2356,"episode_count":446,"first_credit_air_date":2357,"media_type":2229},[],339019,[2221],"Bouillon de 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Chinoise","Dans un appartement dont les murs sont recouverts de petits livres rouges, des jeunes gens étudient la pensée marxiste-léniniste. Leur leader, Véronique, propose au groupe l'assassinat d'une personnalité.",1.6788,"\u002FaQacTbz1S0EwTmrx4CxobALHlEr.jpg","1967-08-30",253,"52fe4306c3a36847f8034b4d",{"adult":97,"backdrop_path":2383,"genre_ids":2394,"id":2385,"title":2386,"original_language":128,"original_title":2386,"overview":2387,"popularity":2388,"poster_path":2389,"release_date":2390,"softcore":97,"video":97,"vote_average":288,"vote_count":2391,"credit_id":2395,"department":2362,"job":2396,"media_type":138},[24,15],"52fe4306c3a36847f8034b53","Writer",{"adult":97,"backdrop_path":2398,"genre_ids":2399,"id":2400,"title":2401,"original_language":128,"original_title":2401,"overview":2402,"popularity":2403,"poster_path":2404,"release_date":2405,"softcore":97,"video":97,"vote_average":2406,"vote_count":2407,"credit_id":2408,"department":116,"job":2367,"media_type":138},"\u002F4zJ9w3lZcZI3mBXcNiq6s8bqpDO.jpg",[24,45,18],2786,"Pierrot le fou","Ferdinand Griffon est un homme qui vit avec sa femme et ses enfants. Il est un peu désabusé car il vient de perdre son emploi à la télévision. Un soir, alors qu’il revient d’une désolante soirée mondaine chez ses beaux‑parents, il se rend compte que la baby‑sitter qui était venue garder ses enfants est un ancien flirt, Marianne. Il décide de tout quitter et de partir avec elle vers le Sud de la France, dans un grand périple où se mêleront trafic d’armes, complots politiques, rencontres incongrues, mais aussi des pauses bucoliques et des déchirements amoureux.",3.1403,"\u002FeBfWgh4txJ255meWlHj6bJvKxKS.jpg","1965-11-05",7.302,983,"52fe436dc3a36847f80535d3",{"adult":97,"backdrop_path":113,"genre_ids":2410,"id":2411,"title":2412,"original_language":128,"original_title":2412,"overview":2413,"popularity":2414,"poster_path":2415,"release_date":1144,"softcore":97,"video":97,"vote_average":1452,"vote_count":446,"credit_id":2416,"department":116,"job":2367,"media_type":138},[],805746,"Le Grand Escroc","Une journaliste américaine se fait interpeller sur un marché de Marrakech en possession de fausse monnaie. Interrogée puis relâchée, elle retrouve la trace de celui qui distribue les fausses coupures.",0.4574,"\u002FgDaQOewplkXDwNDONYhKH6oGH6T.jpg","604dfc95d100b600288b3db4",{"adult":97,"backdrop_path":2418,"genre_ids":2419,"id":2420,"title":2421,"original_language":128,"original_title":2421,"overview":2422,"popularity":2423,"poster_path":2424,"release_date":2425,"softcore":97,"video":97,"vote_average":2426,"vote_count":2427,"credit_id":2428,"department":2362,"job":2396,"media_type":138},"\u002F83AMHdZU71x7U4aZ7QFGBRtdyxo.jpg",[24,45],4710,"Masculin féminin","Paul, 21 ans, vient de terminer son service militaire. Il cherche un emploi. Dans un café, il retrouve son ami Robert, un militant de gauche. À côté d'eux, à une autre table, se trouvent Madeleine, Élisabeth et Catherine. Madeleine veut devenir chanteuse et s'apprête à enregistrer un disque. Élisabeth, moins assurée, la jalouse secrètement. Madeleine fait entrer Paul au journal « Salut les copains ». Paul s'éprend de Madeleine, qui ne songe qu'au début de succès que lui vaut son disque, tandis qu’Élisabeth se consume d'un amour muet pour lui. Paul se laisse emporter par l'action politique. 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Suzanne vient interviewer le directeur de la firme et faire un reportage sur la «France en crise». Mais à leur arrivée, le couple se retrouve séquestré avec le patron par des ouvriers.",0.7723,"\u002FcCaVG0ivzywWapKnrQBElBoUxbs.jpg","1972-04-28",77,"52fe4491c3a36847f809d6a9",{"adult":97,"backdrop_path":2444,"genre_ids":2445,"id":2446,"title":2447,"original_language":128,"original_title":2447,"overview":2448,"popularity":2449,"poster_path":2450,"release_date":2451,"softcore":97,"video":97,"vote_average":806,"vote_count":2452,"credit_id":2453,"department":116,"job":2367,"media_type":138},"\u002FiOUhnp01rP9Xr5QG66LMAKSDkYv.jpg",[24,48,42],8072,"Alphaville, une étrange aventure de Lemmy Caution","L'agent secret Lemmy Caution, envoyé à Alphaville pour détruire l'ordinateur Alpha 60, tombe amoureux de Natacha, la fille du professeur von Braun.",2.7813,"\u002Fx6LpEHnETtxzLmIwNQLrMVucIve.jpg","1965-05-05",645,"52fe4491c3a36847f809d6f5",{"adult":97,"backdrop_path":485,"genre_ids":2455,"id":487,"title":488,"original_language":128,"original_title":488,"overview":489,"popularity":490,"poster_path":491,"release_date":492,"softcore":97,"video":97,"vote_average":493,"vote_count":494,"credit_id":2456,"department":2362,"job":2363,"media_type":138},[18,24,15],"52fe4491c3a36847f809d71d",{"adult":97,"backdrop_path":485,"genre_ids":2458,"id":487,"title":488,"original_language":128,"original_title":488,"overview":489,"popularity":490,"poster_path":491,"release_date":492,"softcore":97,"video":97,"vote_average":493,"vote_count":494,"credit_id":2459,"department":116,"job":2367,"media_type":138},[18,24,15],"52fe4491c3a36847f809d74d",{"adult":97,"backdrop_path":1719,"genre_ids":2461,"id":1721,"title":1722,"original_language":128,"original_title":1722,"overview":1723,"popularity":1724,"poster_path":1725,"release_date":1726,"softcore":97,"video":97,"vote_average":1727,"vote_count":1728,"credit_id":2462,"department":116,"job":2367,"media_type":138},[15,24],"52fe4491c3a36847f809d79d",{"adult":97,"backdrop_path":1719,"genre_ids":2464,"id":1721,"title":1722,"original_language":128,"original_title":1722,"overview":1723,"popularity":1724,"poster_path":1725,"release_date":1726,"softcore":97,"video":97,"vote_average":1727,"vote_count":1728,"credit_id":2465,"department":2362,"job":2396,"media_type":138},[15,24],"52fe4491c3a36847f809d7a3",{"adult":97,"backdrop_path":2467,"genre_ids":2468,"id":2469,"title":2470,"original_language":128,"original_title":2471,"overview":2472,"popularity":2473,"poster_path":2474,"release_date":2475,"softcore":97,"video":97,"vote_average":2476,"vote_count":2477,"credit_id":2478,"department":116,"job":2367,"media_type":138},"\u002FbeRcdPSD4cYcmMilMpsdrChpNGt.jpg",[15],8075,"Week-end","Week End","Chaque fin de semaine, c'est la même chose : tous les citadins, voulant fuir la ville pour respirer l'air de la campagne, tombent dans d'interminables embouteillages. C'est notamment le sort banal et étrange que va connaître un couple de Français moyens, Corinne et Roland.",1.6791,"\u002FphGjiGraoH69X6KBYuQtXlQJjnH.jpg","1967-12-29",6.882,321,"52fe4491c3a36847f809d809",{"adult":97,"backdrop_path":2480,"genre_ids":2481,"id":2482,"title":2483,"original_language":305,"original_title":2483,"overview":306,"popularity":502,"poster_path":2484,"release_date":2485,"softcore":97,"video":97,"vote_average":137,"vote_count":175,"credit_id":2486,"department":116,"job":2367,"media_type":138},"\u002F54IWQLRB0W9eI54T7ldD1BGkCoP.jpg",[39,45],813350,"Armide","\u002FrlazHD2gxAuCXu7v8tFXqAeMUcE.jpg","1987-05-27","60678f7c3a96500057dcc63a",{"adult":97,"backdrop_path":2488,"genre_ids":2489,"id":2490,"title":2491,"original_language":128,"original_title":2491,"overview":2492,"popularity":2493,"poster_path":2494,"release_date":2495,"softcore":97,"video":97,"vote_average":162,"vote_count":2496,"credit_id":2497,"department":116,"job":2367,"media_type":138},"\u002FoseBXGQMYWTWzAVHJaUEwGgrjGA.jpg",[15,24,45],31522,"Une femme est une femme","Angela est danoise et travaille comme stripteaseuse dans une boîte de nuit minable, à Paris. Émile est libraire et coureur cycliste à ses moments perdus. Ils se rencontrent, s'aiment et décident de vivre ensemble. Leur union, un rien originale, n'en est pas moins solide, jusqu'au soir où la jeune femme lui fait part de son désir d'enfant. Émile refuse catégoriquement, ne se sentant pas encore prêt à assumer une éventuelle paternité. Angela menace alors de s'adresser à son meilleur ami, Alfred Lubitsch, qui n'hésiterait certainement pas longtemps à venir à sa rescousse. Des paroles inquiétantes pour Émile, qui sait Alfred amoureux de sa compagne…",1.8656,"\u002FkQ55IcfLCaKg1e7ZSNNPT24K03.jpg","1961-09-06",418,"52fe44839251416c910136cb",{"adult":97,"backdrop_path":252,"genre_ids":2499,"id":254,"title":255,"original_language":128,"original_title":255,"overview":256,"popularity":257,"poster_path":258,"release_date":259,"softcore":97,"video":97,"vote_average":260,"vote_count":261,"credit_id":2500,"department":116,"job":2367,"media_type":138},[18,24,15,45],"52fe44e49251416c9102071f",{"adult":97,"backdrop_path":2502,"genre_ids":2503,"id":2504,"title":2505,"original_language":128,"original_title":2505,"overview":2506,"popularity":2507,"poster_path":2508,"release_date":2509,"softcore":97,"video":97,"vote_average":526,"vote_count":60,"credit_id":2510,"department":116,"job":2367,"media_type":138},"\u002FtkvePoq5eWC426u3XmOR4J1V4b5.jpg",[24],32691,"Nouvelle Vague","Elena Torlato-Favrini, une comtesse italienne belle et riche, renverse un homme, Roger Lennox, avec sa belle voiture. Après lui avoir porté secours Elena ramène l’accidenté dans sa maison du lac Léman et le laisse s’y installer. L’apathie et la nature introvertie de Roger ne tarde pas à déteindre sur Elena qui se détache peu à peu de la conduite des entreprises dont elle est l’héritière. Mais bientôt lassée par son nouveau compagnon, Elena profite d’une balade en barque pour le jeter à l’eau et le laisser se noyer. Alors qu’elle a repris, impassible, sa vie active, Elena voit revenir un homme au physique en tout point identique à celui de Roger. Bien que peu crédule lorsque ce dernier affirme être le frère du défunt, la comtesse laisse le troublant sosie s’installer à son tour dans sa vie…",0.769,"\u002FpFofqGMcfiIoDISZBjctw2qggla.jpg","1990-05-23","52fe44e59251416c9102079f",{"adult":97,"backdrop_path":2512,"genre_ids":2513,"id":2514,"title":2515,"original_language":128,"original_title":2515,"overview":2516,"popularity":2517,"poster_path":2518,"release_date":2519,"softcore":97,"video":97,"vote_average":2520,"vote_count":2521,"credit_id":2522,"department":116,"job":2367,"media_type":138},"\u002FvYK9XjsqFL4z92J1lhXsLzx16iY.jpg",[24,15],32692,"Passion","Durant le tournage d'un film, un realisateur se detourne de son entreprise en decouvrant la lutte d'une jeune ouvriere licenciee par un patron qui n'appreciait guere ses activites syndicales.",1.3371,"\u002FcGs9b9SIfuvzEafvMCAwfFsOMGW.jpg","1982-05-26",5.57,69,"52fe44e59251416c910207c5",{"adult":97,"backdrop_path":2512,"genre_ids":2524,"id":2514,"title":2515,"original_language":128,"original_title":2515,"overview":2516,"popularity":2517,"poster_path":2518,"release_date":2519,"softcore":97,"video":97,"vote_average":2520,"vote_count":2521,"credit_id":2525,"department":2362,"job":2396,"media_type":138},[24,15],"52fe44e59251416c910207cb",{"adult":97,"backdrop_path":2527,"genre_ids":2528,"id":2529,"title":2530,"original_language":128,"original_title":2530,"overview":2531,"popularity":2532,"poster_path":2533,"release_date":2534,"softcore":97,"video":97,"vote_average":2535,"vote_count":21,"credit_id":2536,"department":116,"job":2367,"media_type":138},"\u002F9vSZmqmVIJOZY7sHKjAXqm2FqjZ.jpg",[24],32720,"Je vous salue, Marie","Marie est la fille d'un garagiste, Joseph est chauffeur de taxi. Au grand désespoir de Joseph, leur amour depuis deux ans n'est que platonique. Un soir, l'archange Gabriel se matérialise devant Marie. Cette apparition divine laissera quelques traces dans le corps de Marie… et dans l'infortuné Joseph.",1.413,"\u002FjBLU7DuLIe8uVNkjpqhA3meeIMV.jpg","1985-01-23",6.263,"52fe44e69251416c91020b0f",{"adult":97,"backdrop_path":2527,"genre_ids":2538,"id":2529,"title":2530,"original_language":128,"original_title":2530,"overview":2531,"popularity":2532,"poster_path":2533,"release_date":2534,"softcore":97,"video":97,"vote_average":2535,"vote_count":21,"credit_id":2539,"department":2362,"job":2396,"media_type":138},[24],"52fe44e69251416c91020b15",{"adult":97,"backdrop_path":226,"genre_ids":2541,"id":228,"title":229,"original_language":128,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":97,"video":97,"vote_average":234,"vote_count":235,"credit_id":2542,"department":116,"job":2367,"media_type":138},[21],"52fe44f9c3a368484e0417fd",{"adult":97,"backdrop_path":226,"genre_ids":2544,"id":228,"title":229,"original_language":128,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":97,"video":97,"vote_average":234,"vote_count":235,"credit_id":2545,"department":2546,"job":2547,"media_type":138},[21],"52fe44f9c3a368484e041815","Production","Producer",{"adult":97,"backdrop_path":239,"genre_ids":2549,"id":241,"title":242,"original_language":128,"original_title":242,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":97,"video":97,"vote_average":247,"vote_count":248,"credit_id":2550,"department":116,"job":2367,"media_type":138},[24],"52fe44fcc3a368484e0422cd",{"adult":97,"backdrop_path":239,"genre_ids":2552,"id":241,"title":242,"original_language":128,"original_title":242,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":97,"video":97,"vote_average":247,"vote_count":248,"credit_id":2553,"department":2362,"job":2396,"media_type":138},[24],"52fe44fcc3a368484e0422d3",{"adult":97,"backdrop_path":1194,"genre_ids":2555,"id":1196,"title":1197,"original_language":128,"original_title":1198,"overview":1199,"popularity":1200,"poster_path":1201,"release_date":1202,"softcore":97,"video":97,"vote_average":1203,"vote_count":1204,"credit_id":2556,"department":116,"job":2367,"media_type":138},[24,45],"52fe459cc3a36847f80d0c7d",{"adult":97,"backdrop_path":277,"genre_ids":2558,"id":279,"title":280,"original_language":128,"original_title":280,"overview":281,"popularity":282,"poster_path":283,"release_date":284,"softcore":97,"video":97,"vote_average":285,"vote_count":6,"credit_id":2559,"department":116,"job":2367,"media_type":138},[21,57,24],"52fe45cf9251416c9103f289",{"adult":97,"backdrop_path":1653,"genre_ids":2561,"id":1655,"title":1656,"original_language":128,"original_title":1656,"overview":1657,"popularity":1658,"poster_path":1659,"release_date":1660,"softcore":97,"video":97,"vote_average":374,"vote_count":1661,"credit_id":2562,"department":2362,"job":2396,"media_type":138},[18,42,15],"52fe45dac3a368484e072a69",{"adult":97,"backdrop_path":1653,"genre_ids":2564,"id":1655,"title":1656,"original_language":128,"original_title":1656,"overview":1657,"popularity":1658,"poster_path":1659,"release_date":1660,"softcore":97,"video":97,"vote_average":374,"vote_count":1661,"credit_id":2565,"department":116,"job":2367,"media_type":138},[18,42,15],"52fe45dac3a368484e072a95",{"adult":97,"backdrop_path":1300,"genre_ids":2567,"id":1302,"title":1303,"original_language":128,"original_title":1303,"overview":1304,"popularity":1305,"poster_path":1306,"release_date":1307,"softcore":97,"video":97,"vote_average":406,"vote_count":1308,"credit_id":2568,"department":116,"job":2367,"media_type":138},[15],"52fe468ac3a36847f8104803",{"adult":97,"backdrop_path":1300,"genre_ids":2570,"id":1302,"title":1303,"original_language":128,"original_title":1303,"overview":1304,"popularity":1305,"poster_path":1306,"release_date":1307,"softcore":97,"video":97,"vote_average":406,"vote_count":1308,"credit_id":2571,"department":2362,"job":2396,"media_type":138},[15],"52fe468ac3a36847f8104811",{"adult":97,"backdrop_path":1300,"genre_ids":2573,"id":1302,"title":1303,"original_language":128,"original_title":1303,"overview":1304,"popularity":1305,"poster_path":1306,"release_date":1307,"softcore":97,"video":97,"vote_average":406,"vote_count":1308,"credit_id":2574,"department":2377,"job":2378,"media_type":138},[15],"52fe468ac3a36847f810482f",{"adult":97,"backdrop_path":290,"genre_ids":2576,"id":292,"title":293,"original_language":128,"original_title":293,"overview":294,"popularity":295,"poster_path":296,"release_date":297,"softcore":97,"video":97,"vote_average":198,"vote_count":298,"credit_id":2577,"department":116,"job":2367,"media_type":138},[21],"52fe4651c3a368484e08a2cb",{"adult":97,"backdrop_path":2579,"genre_ids":2580,"id":2581,"title":2582,"original_language":305,"original_title":2582,"overview":2583,"popularity":2584,"poster_path":2585,"release_date":2586,"softcore":97,"video":97,"vote_average":2587,"vote_count":6,"credit_id":2588,"department":116,"job":2367,"media_type":138},"\u002FhhzYhuvFvvQ675Wwi0CWkmbp17Z.jpg",[21],39239,"British Sounds","Sur des plans de fabrication à la chaîne en usine, d'une réunion syndicale, d'une femme nue, d'étudiants, décalage son\u002Fimage, polyphonies, commentaires chuchotés qui rappellent les événements révolutionnaires qui ont eu lieu en Grande-Bretagne. Le film, trop impertinent, fut refusé par la BBC qui l'avait commandé.",0.6065,"\u002FaFOSmaFlQADLmdlyLghlbHXjGS2.jpg","1970-05-21",5.2,"52fe47069251416c91067bcb",{"adult":97,"backdrop_path":366,"genre_ids":2590,"id":368,"title":369,"original_language":128,"original_title":369,"overview":370,"popularity":371,"poster_path":372,"release_date":373,"softcore":97,"video":97,"vote_average":374,"vote_count":375,"credit_id":2591,"department":116,"job":2367,"media_type":138},[15,24,30],"52fe4712c3a368484e0b35dd",{"adult":97,"backdrop_path":343,"genre_ids":2593,"id":345,"title":346,"original_language":128,"original_title":346,"overview":347,"popularity":348,"poster_path":349,"release_date":350,"softcore":97,"video":97,"vote_average":351,"vote_count":352,"credit_id":2594,"department":116,"job":2367,"media_type":138},[15,45],"52fe46dbc3a36847f81160fb",{"adult":97,"backdrop_path":2596,"genre_ids":2597,"id":2598,"title":2599,"original_language":128,"original_title":2599,"overview":2600,"popularity":2601,"poster_path":2602,"release_date":2603,"softcore":97,"video":97,"vote_average":310,"vote_count":264,"credit_id":2604,"department":116,"job":2367,"media_type":138},"\u002F3lLqBrjSqOOSlSWNR66OgS5iuAD.jpg",[21],47617,"Un film comme les autres","Discussions entre étudiants et ouvriers (des inconnus, parfois non filmés de face) sur ce qui s'est passé au mois de mai, sur l'occupation des usines, les agissements de la police, le désir de révolution, le tout entrecoupé de séquences muettes documentaires des manifestations de mai 1968.",0.7184,"\u002F2boHuRxuALzSJxMzd0eQFdDp63Z.jpg","1968-09-30","52fe473cc3a36847f812a947",{"adult":97,"backdrop_path":2596,"genre_ids":2606,"id":2598,"title":2599,"original_language":128,"original_title":2599,"overview":2600,"popularity":2601,"poster_path":2602,"release_date":2603,"softcore":97,"video":97,"vote_average":310,"vote_count":264,"credit_id":2607,"department":2362,"job":2396,"media_type":138},[21],"52fe473cc3a36847f812a94d",{"adult":97,"backdrop_path":2609,"genre_ids":2610,"id":2611,"title":2612,"original_language":128,"original_title":2612,"overview":2613,"popularity":2614,"poster_path":2615,"release_date":2616,"softcore":97,"video":97,"vote_average":288,"vote_count":446,"credit_id":2617,"department":116,"job":2367,"media_type":138},"\u002FbgspKcir168iAP8BnYmHsEK3orC.jpg",[21,24],49116,"Contre l’oubli","Film collectif français réalisé par une trentaine de réalisateurs, dont Alain Resnais et Jean-Luc Godard , et sorti en 1991, pour témoigner du devenir de prisonniers politiques.",0.4712,"\u002F1PMobTJtMzOSBqNCHImiLAyPumH.jpg","1991-12-11","52fe4786c3a36847f813a9c3",{"adult":97,"backdrop_path":2619,"genre_ids":2620,"id":2621,"title":2622,"original_language":1392,"original_title":2623,"overview":2624,"popularity":2625,"poster_path":2626,"release_date":2627,"softcore":97,"video":97,"vote_average":2587,"vote_count":640,"credit_id":2628,"department":116,"job":2367,"media_type":138},"\u002FjPHswsCZzKyKRSJNCof7ULSLPYz.jpg",[24],49456,"La Contestation","Amore e rabbia","Un an après les événements de mai 68 qui ont bouleversé l'Occident, cinq cinéastes tentent de faire à leur manière le bilan d'une décennie d'agitation. Iconoclastes et rageurs, ces films s'inspirent d'épisodes des Évangiles pour composer une œuvre sans équivalent qui exacerbe les passions libérées de ces réalisateurs phare. Témoin d'une époque anticonformiste, tant sur le plan idéologique qu'artistique, La Contestation est un condensé turbulent d'amour et de rage.",0.8992,"\u002F1DOADAzrE6ZovGOpraOg4oqEdrF.jpg","1969-05-29","52fe4796c3a36847f813da9f",{"adult":97,"backdrop_path":389,"genre_ids":2630,"id":391,"title":392,"original_language":305,"original_title":392,"overview":393,"popularity":394,"poster_path":395,"release_date":396,"softcore":97,"video":97,"vote_average":397,"vote_count":60,"credit_id":2631,"department":116,"job":2367,"media_type":138},[15,24],"52fe47b5c3a36847f8143f9f",{"adult":97,"backdrop_path":2633,"genre_ids":2634,"id":2635,"title":2636,"original_language":128,"original_title":2636,"overview":2637,"popularity":2638,"poster_path":2639,"release_date":2640,"softcore":97,"video":97,"vote_average":351,"vote_count":21,"credit_id":2641,"department":2362,"job":2396,"media_type":138},"\u002FaIOSM79COU9YAEs0Yqsudvx5X3V.jpg",[57,24,15],52705,"Les Carabiniers","Un bidonville dans un royaume imaginaire. C'est là que vivent deux paysans, Ulysse, son frère Michel-Ange et leurs épouses respectives, Vénus et Cléopâtre. Leur existence est soudain bouleversée par l'arrivée des carabiniers, qui leur apportent une lettre de mobilisation et leur vantent les avantages de la guerre. Ulysse et Michel-Ange partent donc au front et se mettent à tuer, piller, violer en toute impunité. De leurs pérégrinations à travers l'Europe, ils rapportent des cartes postales et de belles promesses, dont ils finiront par être les victimes…",0.8177,"\u002FoBL7ragSWtX8rHswM25BkdzQzWZ.jpg","1963-05-31","52fe483fc3a36847f815df3f",{"adult":97,"backdrop_path":2633,"genre_ids":2643,"id":2635,"title":2636,"original_language":128,"original_title":2636,"overview":2637,"popularity":2638,"poster_path":2639,"release_date":2640,"softcore":97,"video":97,"vote_average":351,"vote_count":21,"credit_id":2644,"department":116,"job":2367,"media_type":138},[57,24,15],"52fe483fc3a36847f815df5f",{"adult":97,"backdrop_path":2646,"genre_ids":2647,"id":2648,"title":2649,"original_language":128,"original_title":2649,"overview":2650,"popularity":2651,"poster_path":2652,"release_date":2653,"softcore":97,"video":97,"vote_average":2587,"vote_count":1254,"credit_id":2654,"department":116,"job":2367,"media_type":138},"\u002Fyw2JsmZnK27Ak31aAxQHqP2KmO3.jpg",[15,18,24],52710,"Détective","Au cours d'un match de boxe, le meurtre d'un Prince déclenche un étrange ballet entre la mafia et la police. Dans un grand hôtel parisien, près de la gare St-Lazare, deux flics enquêtent sur la mort prématurée du Prince. Dans les couloirs, tel un labyrinthe, des personnages cherchent leur chemin. Et leurs histoires se croisent par instants.",1.2558,"\u002Fr8O5oseR8jOqkqEEtfyK6DH8WBi.jpg","1985-08-23","52fe483fc3a36847f815dfa1",{"adult":97,"backdrop_path":2656,"genre_ids":2657,"id":2658,"title":2659,"original_language":128,"original_title":2659,"overview":2660,"popularity":2661,"poster_path":2662,"release_date":2663,"softcore":97,"video":97,"vote_average":2664,"vote_count":2665,"credit_id":2666,"department":2362,"job":2396,"media_type":138},"\u002FxnAmTJ4BOCaO62CUMbYXnRO0V29.jpg",[24,30,45],52713,"Hélas pour moi","Abraham Klimt, un éditeur, arrive dans une petite ville suisse, où se côtoient de nombreux personnages, pour enquêter sur un miracle dont ces lieux ont été, récemment, le théâtre. On dit que Rachel, la femme de Simon Donnadieu, le restaurateur, a vu revenir un soir son mari, pourtant parti en voyage d'affaires. Elle s'est donnée à lui, non sans réticence et non sans comprendre, le lendemain, qu'elle avait passé la nuit dans les bras d'un «dieu» soucieux de connaître l'amour humain. Mais qui le dit ? Le joueur de tennis, le professeur, ses élèves, le libraire, le médecin, le pasteur ? Au fil de ses recherches, Klimt recueille des fragments de vérité, épars, difficiles à relier, tandis qu'il contemple la beauté des paysages helvétiques…",0.871,"\u002FqOAKUe4pIL4ftHDL2SOaQyGYiiP.jpg","1993-09-08",6.311,45,"52fe483fc3a36847f815dfcb",{"adult":97,"backdrop_path":2656,"genre_ids":2668,"id":2658,"title":2659,"original_language":128,"original_title":2659,"overview":2660,"popularity":2661,"poster_path":2662,"release_date":2663,"softcore":97,"video":97,"vote_average":2664,"vote_count":2665,"credit_id":2669,"department":116,"job":2367,"media_type":138},[24,30,45],"52fe483fc3a36847f815dfe5",{"adult":97,"backdrop_path":2671,"genre_ids":2672,"id":2673,"title":2674,"original_language":128,"original_title":2674,"overview":2675,"popularity":2676,"poster_path":2677,"release_date":2678,"softcore":97,"video":97,"vote_average":351,"vote_count":2679,"credit_id":2680,"department":116,"job":2367,"media_type":138},"\u002Fe8qnYlw9PB1GYQa8zxetPejwZJH.jpg",[24],52717,"Éloge de l'amour","Une personne qu'on entend parler, mais qu'on ne voit pas, évoque un projet qui décrit les quatre moments forts de l'amour : la rencontre, la passion physique, les disputes et la séparation, les retrouvailles. Et cela à travers trois couples de générations différentes.  Qu'en advient-il du sentiment amoureux quand la guerre éclate ?",0.9038,"\u002FsGmEuGX4UL1SY7t6bAy6lmIutx.jpg","2001-05-16",49,"52fe483fc3a36847f815e015",{"adult":97,"backdrop_path":2671,"genre_ids":2682,"id":2673,"title":2674,"original_language":128,"original_title":2674,"overview":2675,"popularity":2676,"poster_path":2677,"release_date":2678,"softcore":97,"video":97,"vote_average":351,"vote_count":2679,"credit_id":2683,"department":2362,"job":2396,"media_type":138},[24],"52fe483fc3a36847f815e01b",{"adult":97,"backdrop_path":880,"genre_ids":2685,"id":882,"title":883,"original_language":128,"original_title":883,"overview":884,"popularity":885,"poster_path":886,"release_date":887,"softcore":97,"video":97,"vote_average":806,"vote_count":888,"credit_id":2686,"department":116,"job":2367,"media_type":138},[24,45],"52fe47d6c3a36847f814af8f",{"adult":97,"backdrop_path":880,"genre_ids":2688,"id":882,"title":883,"original_language":128,"original_title":883,"overview":884,"popularity":885,"poster_path":886,"release_date":887,"softcore":97,"video":97,"vote_average":806,"vote_count":888,"credit_id":2689,"department":2362,"job":2396,"media_type":138},[24,45],"52fe47d6c3a36847f814af95",{"adult":97,"backdrop_path":2691,"genre_ids":2692,"id":2693,"title":2694,"original_language":305,"original_title":2695,"overview":2696,"popularity":2697,"poster_path":2698,"release_date":2699,"softcore":97,"video":97,"vote_average":198,"vote_count":2700,"credit_id":2701,"department":116,"job":2367,"media_type":138},"\u002FeNKqAIKKyCT2RNeoGEYflUb7p9w.jpg",[21,39],50789,"One + One","Sympathy for the Devil","Dans un studio capitonné rose, les Rolling Stones enregistrent leur dernier album. Non loin de là, une jeune femme écrit des slogans contestataires sur les murs. Dans un dépôt de voitures à la casse, près de la Tamise, les Black Panthers, un groupe d'activistes noirs, préparent la révolution. Ils fusillent des femmes blanches et donnent des interviews à la presse. Et tandis que les Rolling Stones répètent inlassablement leurs nouveaux morceaux, un libraire, spécialisé dans l'édition pornographique, lit « Mein Kampf ». Ses clients giflent deux juifs. Apparaît enfin Eve Democracy, qui précise son credo politique à une équipe de reporters avant de mourir…",1.3685,"\u002FwxfNcj87BORjRYYKhY1jGMnVPLo.jpg","1968-12-01",68,"52fe47d7c3a36847f814b147",{"adult":97,"backdrop_path":2691,"genre_ids":2703,"id":2693,"title":2694,"original_language":305,"original_title":2695,"overview":2696,"popularity":2697,"poster_path":2698,"release_date":2699,"softcore":97,"video":97,"vote_average":198,"vote_count":2700,"credit_id":2704,"department":2362,"job":2396,"media_type":138},[21,39],"52fe47d7c3a36847f814b14d",{"adult":97,"backdrop_path":2706,"genre_ids":2707,"id":2708,"title":2709,"original_language":128,"original_title":2710,"overview":2711,"popularity":2712,"poster_path":2713,"release_date":2714,"softcore":97,"video":97,"vote_average":234,"vote_count":235,"credit_id":2715,"department":116,"job":2367,"media_type":138},"\u002FyXYUQfMPSNsvnqi7HU94GPdLfpE.jpg",[24],53016,"Allemagne 90 neuf zéro","Allemagne année 90 neuf zéro","Agent secret en Allemagne de l'Est depuis près d'un demi-siècle, Lemmy Caution, déjà peu utilisé par les services de renseignements, est devenu encore plus inutile après la chute du Mur de Berlin, qui sépare dorénavant l'Allemagne de l'Est de l'Allemagne de l'Ouest. Il décide alors de rentrer à l'Ouest et parcourt l'Allemagne de long en large, dans une solitude propice aux bons comme aux mauvais souvenirs et à la nostalgie. Il enquête sur ce mystérieux pays qu'est l'Allemagne, appelle à témoigner Novalis, Schiller ou encore le génial Fritz Lang et Fassbinder, rencontre bientôt Don Quichotte et l'inoubliable et charmante héroïne de « Werther ». Une question le taraude pourtant dans son périple : si l'Est n'existe plus, où est l'Ouest ?",1.1592,"\u002FyWiAhYpUjPwD7nY59k0SH4pt2pb.jpg","1993-01-15","52fe484ec3a36847f8160bbd",{"adult":97,"backdrop_path":2706,"genre_ids":2717,"id":2708,"title":2709,"original_language":128,"original_title":2710,"overview":2711,"popularity":2712,"poster_path":2713,"release_date":2714,"softcore":97,"video":97,"vote_average":234,"vote_count":235,"credit_id":2718,"department":2362,"job":2396,"media_type":138},[24],"52fe484ec3a36847f8160bc3",{"adult":97,"backdrop_path":429,"genre_ids":2720,"id":431,"title":432,"original_language":128,"original_title":432,"overview":433,"popularity":434,"poster_path":435,"release_date":436,"softcore":97,"video":97,"vote_average":374,"vote_count":6,"credit_id":2721,"department":2362,"job":2396,"media_type":138},[24],"52fe47e7c3a36847f814e501",{"adult":97,"backdrop_path":429,"genre_ids":2723,"id":431,"title":432,"original_language":128,"original_title":432,"overview":433,"popularity":434,"poster_path":435,"release_date":436,"softcore":97,"video":97,"vote_average":374,"vote_count":6,"credit_id":2724,"department":116,"job":2367,"media_type":138},[24],"52fe47e7c3a36847f814e519",{"adult":97,"backdrop_path":2726,"genre_ids":2727,"id":2728,"title":2729,"original_language":128,"original_title":2729,"overview":2730,"popularity":2731,"poster_path":2732,"release_date":2733,"softcore":97,"video":97,"vote_average":207,"vote_count":33,"credit_id":2734,"department":116,"job":2367,"media_type":138},"\u002FwVo50l8ezpANMvsYaR8nn9v860t.jpg",[15,24],51808,"Paris vu par…","Six réalisateurs emblématiques de la Nouvelle Vague revisitent Paris à leur manière, échafaudant des fictions au coeur des quartiers de la capitale. Tandis que Jean-Daniel Pollet vagabonde Rue Saint-Denis, Jean Rouch s'intéresse à la Gare du Nord, Jean Douchet à Saint-Germain des Prés et Eric Rohmer à Place de l'Etoile. Jean-Luc Godard hésite entre Montparnasse-Levallois, alors que Claude Chabrol préfère La Muette.",0.7197,"\u002Fod2CEDTLEPHTxRXCPV0kLtzFSjV.jpg","1965-05-19","52fe4805c3a36847f8154633",{"adult":97,"backdrop_path":113,"genre_ids":2736,"id":203,"title":204,"original_language":128,"original_title":204,"overview":194,"popularity":205,"poster_path":206,"release_date":197,"softcore":97,"video":97,"vote_average":207,"vote_count":36,"credit_id":2737,"department":116,"job":2367,"media_type":138},[21],"52fe48cb9251416c750b38b3",{"adult":97,"backdrop_path":2739,"genre_ids":2740,"id":2741,"title":2742,"original_language":128,"original_title":2742,"overview":2743,"popularity":2744,"poster_path":2745,"release_date":2746,"softcore":97,"video":97,"vote_average":970,"vote_count":2747,"credit_id":2748,"department":116,"job":2367,"media_type":138},"\u002FePCC2YuU2UlaqcOUUX9ReWnIusZ.jpg",[15],72898,"Les Sept Péchés capitaux","Chaque sketch, réalisé par un jeune cinéaste, illustre de façon humoristique un péché capital. « La Colère » (Sylvain Dhomme et Max Douy), « L’Envie » (Édouard Molinaro), « La Paresse » (Jean-Luc Godard), « La Luxure » (Jacques Demy), « L’Orgueil » (Roger Vadim), « La Gourmandise » (Philippe de Broca), « L’Avarice » (Claude Chabrol).",1.4643,"\u002F7KxdERoMLQw6ygL2svfnQ4UDb0Z.jpg","1962-03-07",21,"52fe4883c3a368484e0fc97d",{"adult":97,"backdrop_path":2750,"genre_ids":2751,"id":2752,"title":2753,"original_language":128,"original_title":2753,"overview":2754,"popularity":2755,"poster_path":2756,"release_date":340,"softcore":97,"video":97,"vote_average":970,"vote_count":2757,"credit_id":2758,"department":116,"job":2367,"media_type":138},"\u002F5k97spwjkM5bR0n6MJcyM6mD33R.jpg",[24],54083,"Film Socialisme","Un essai éclaté en trois thèmes majeurs. « Des choses comme ça ». En Méditerranée, la croisière d'un paquebot, de multiples conversations, de multiples langues entre des passagers presque tous en vacances. « Notre Europe ». Le temps d'une nuit, une grande soeur et son petit frère ont convoqué leurs parents devant le tribunal de leur enfance. Ils demandent des explications sérieuses sur les notions de liberté, d'égalité et de fraternité. « Nos humanités ». 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