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Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring.  Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.",0.8595,"\u002FgVloWsthHRlw719vzRWRpBqDM20.jpg","1960-11-08",6.5,{"adult":97,"backdrop_path":98,"genre_ids":364,"id":365,"title":366,"original_language":107,"original_title":366,"overview":367,"popularity":368,"poster_path":369,"release_date":370,"softcore":97,"video":97,"vote_average":371,"vote_count":138},[21,12],453967,"Cassini's Grand Finale","To help visualize the dramatic final chapter in Cassini's remarkable story, NASA's Jet Propulsion Laboratory produced this short film that features beautiful computer-generated animation, thoughtful narration and a rousing score. 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Spaces for education, sports, religion, culture and entertainment were desolate, waiting for humanity to fill these spaces again.",0.2139,"\u002FkZmplhSjmowqzGfxI1oVImfPpwc.jpg","2022-10-14",6,{"adult":97,"backdrop_path":98,"genre_ids":447,"id":448,"title":449,"original_language":439,"original_title":450,"overview":451,"popularity":452,"poster_path":98,"release_date":453,"softcore":97,"video":97,"vote_average":454,"vote_count":381},[21],454587,"Teruel has Fallen","Teruel ha caído","A pro-Republican propaganda documentary made during the Spanish Civil War.  It reports on the demonstration held in Barcelona on December 27, 1937 to commemorate the capture of Teruel by the Republican forces.",0.2873,"1937-01-26",7.3,{"adult":97,"backdrop_path":456,"genre_ids":457,"id":458,"title":459,"original_language":439,"original_title":459,"overview":460,"popularity":461,"poster_path":462,"release_date":463,"softcore":97,"video":97,"vote_average":445,"vote_count":128},"\u002F74HzxZ6mxsexHEzJS8uEGjyWeTH.jpg",[21,12,33],454751,"Fallas 37: el arte en guerra","In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. 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The walls surrounding them reveal their small passions, stories and routines.",0.3607,"\u002FrDQnf72Vq6LWM5cVg1Y5NDFVdNQ.jpg","2014-06-30",{"adult":97,"backdrop_path":98,"genre_ids":473,"id":474,"title":475,"original_language":476,"original_title":475,"overview":102,"popularity":477,"poster_path":98,"release_date":478,"softcore":97,"video":97,"vote_average":99,"vote_count":99},[21],1230622,"Formát A5","sk",0.3234,"1997-01-01",{"adult":97,"backdrop_path":98,"genre_ids":480,"id":481,"title":482,"original_language":483,"original_title":482,"overview":484,"popularity":485,"poster_path":98,"release_date":486,"softcore":97,"video":97,"vote_average":99,"vote_count":99},[21],1430989,"Maman","fr","Marie-Hélène, my mother, is retiring and takes with her her memories, her anxieties and the mental burden of having raised three children while working full time. As she works her last shift as a home nurse, her thoughts jostle and harmonize in a whirlwind similar to a panic attack.",0.1626,"2025-02-21",{"adult":97,"backdrop_path":488,"genre_ids":489,"id":490,"title":491,"original_language":483,"original_title":492,"overview":493,"popularity":494,"poster_path":495,"release_date":496,"softcore":97,"video":97,"vote_average":497,"vote_count":498},"\u002FwNxy6Fqvjh0FsIuk7cgqNNq5PhP.jpg",[21],774,"Workers Leaving the Lumière Factory","La Sortie de l'usine Lumière à Lyon","“The workers leave the Lumière factory.” Workers pass through the gate of the Lumière factory and are followed by a carriage drawn by two horses.",0.9002,"\u002FcT2sefAXgEoICJUCEM6UfxXfuDM.jpg","1895-06-10",6.673,384,{"adult":97,"backdrop_path":98,"genre_ids":500,"id":501,"title":502,"original_language":107,"original_title":502,"overview":503,"popularity":504,"poster_path":505,"release_date":506,"softcore":97,"video":97,"vote_average":99,"vote_count":99},[39,21,24],1623181,"And You Were Wonderful, On Stage","An immersive film installation by Cally Spooner. In this work, a musical for six continuously rolling cameras, a black box soundstage and its inhabitants, are recorded in a single take. The mechanics of the shoot (cameras, microphones, mixing boards, chromakey screens and crew) remain as present as the performers they capture. Cast and crew become a constant-motion human backdrop, pragmatically recomposing scene-changes through lighting cues, voice, body movement, or continuous shifts of filmic apparatus and props. The semblance of a post-production edit arrives through the organisation and orchestration of bodies on set.  Delivered by a chorus line of women, the film gossips about various celebrities, athletes and politicians who have outsourced their performances to different technologies.",0.3564,"\u002FxnNeAUc7yF8ueXbmBvKLBarEf26.jpg","2015-10-15",{"adult":97,"backdrop_path":98,"genre_ids":508,"id":509,"title":510,"original_language":439,"original_title":511,"overview":512,"popularity":513,"poster_path":98,"release_date":514,"softcore":97,"video":97,"vote_average":99,"vote_count":99},[12,21],1040020,"The Invisibles","Los Invisibles","A day in the life of the homeless on the streets of LA, the ones that survive or live in a different reality, youngsters with a broken dream, war veterans, drug addicts, lonely people with no family, victims of the economic or emotional crisis.",0.2407,"2014-05-16",{"adult":97,"backdrop_path":516,"genre_ids":517,"id":518,"title":519,"original_language":483,"original_title":519,"overview":102,"popularity":520,"poster_path":521,"release_date":522,"softcore":97,"video":97,"vote_average":288,"vote_count":138},"\u002FzvLwzYDm18J4o5LSZ490qLaJjvd.jpg",[21,12],839328,"La Belle Époque de Michel Ocelot",0.2953,"\u002FkNrfKX1phKDLfFkRJtbk5tAq8sg.jpg","2021-06-09",{"adult":97,"backdrop_path":524,"genre_ids":525,"id":526,"title":527,"original_language":528,"original_title":529,"overview":530,"popularity":531,"poster_path":532,"release_date":533,"softcore":97,"video":97,"vote_average":392,"vote_count":138},"\u002F4hTqXtVLPOky1P4bLlYVkDsWbo9.jpg",[21],642955,"I Am a Truck","ko","나는 트럭이다","Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.",0.1892,"\u002FqB7QqEUriyAqrkFgTzYH7BRnLCp.jpg","1953-01-01",1001,20001,{"results":537},[538],{"iso_3166_1":106,"release_dates":539},[540],{"certification":102,"descriptors":541,"iso_639_1":102,"note":102,"release_date":542,"type":381},[],"2003-10-18T00:00:00.000Z",{"imdb_id":104,"wikidata_id":544,"facebook_id":98,"instagram_id":98,"twitter_id":98},"Q4544935",{"backdrops":546,"logos":547,"posters":548},[],[],[],{"keywords":550},[551,554],{"id":552,"name":553},263548,"short film",{"id":555,"name":556},293336,"experimental film",{"results":558},{}]