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Their romance sparks a bitter conflict between a rising immigrant family and a declining aristocratic dynasty, exposing themes of class, ambition, tradition, and the social transformation of Brazil.",9.9055,"\u002Fz2As3toPESzOEVTivLEAKWKJ0EJ.jpg","1997-04-28",9.5,"Lupércia","67b51578c36e139e855666d6",115,{"adult":97,"backdrop_path":103,"genre_ids":355,"id":356,"origin_country":357,"original_language":117,"original_name":358,"overview":99,"popularity":359,"poster_path":103,"first_air_date":360,"softcore":97,"name":358,"vote_average":145,"vote_count":145,"character":361,"credit_id":362,"episode_count":363,"first_credit_air_date":364,"media_type":196},[87],285750,[186],"Telerromance",18.8453,"1981-07-06","Ruth","67c7818f1dedd571f540a532",25,"1981-09-28",{"adult":97,"backdrop_path":103,"genre_ids":366,"id":367,"origin_country":368,"original_language":117,"original_name":369,"overview":99,"popularity":370,"poster_path":103,"first_air_date":371,"softcore":97,"name":369,"vote_average":372,"vote_count":134,"character":373,"credit_id":374,"episode_count":339,"first_credit_air_date":371,"media_type":196},[87,24,65,15,42],286032,[186],"Tchan, a Grande Sacada",11.4487,"1976-11-29",10,"Juanita Morales Baroni","67cd225a2fe71b8c45f5be46",{"adult":97,"backdrop_path":103,"genre_ids":376,"id":377,"origin_country":378,"original_language":117,"original_name":379,"overview":99,"popularity":380,"poster_path":103,"first_air_date":381,"softcore":97,"name":379,"vote_average":121,"vote_count":102,"character":382,"credit_id":383,"episode_count":384,"first_credit_air_date":381,"media_type":196},[87,24],290254,[186],"Algemas de Ouro",17.4151,"1969-03-03","Naná","68115da55f1357778aeeb9aa",275,{"adult":97,"backdrop_path":103,"genre_ids":386,"id":387,"origin_country":388,"original_language":117,"original_name":389,"overview":99,"popularity":390,"poster_path":103,"first_air_date":391,"softcore":97,"name":389,"vote_average":121,"vote_count":102,"character":99,"credit_id":392,"episode_count":393,"first_credit_air_date":391,"media_type":196},[87,24],289958,[186],"Meu Trágico Destino",1.7863,"1952-05-06","68826a66e088d578c78a6180",66,{"adult":97,"backdrop_path":395,"genre_ids":396,"id":397,"origin_country":398,"original_language":117,"original_name":399,"overview":400,"popularity":401,"poster_path":402,"first_air_date":403,"softcore":97,"name":399,"vote_average":404,"vote_count":221,"character":405,"credit_id":406,"episode_count":102,"first_credit_air_date":407,"media_type":196},"\u002FvUZUeTPogmVNxd4EgIbYUVytvD9.jpg",[24],218381,[186],"Retrato de Mulher","Nine different women, their achievements, frustrations and conflicts, all played by Regina Duarte. 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The new owner of the building, the Count of Castelnuovo, can't wait for the theater to close to build a commercial building, plotting to ruin Dulcinéa's plans and counting on the help of social worker Helena to get rid of the children.\n\nThe Count also prevents his daughter, Jerusa, from dating the humble Thales because he wants her to marry the wealthy old man Camilo Batateira, putting the housekeeper Murcia to watch over her. There's also the romance between Carolina and Marcelo, thwarted by the wicked Ludmila, and the comical messes created by Lucrécia to prevent her son Mateus from marrying Mariana and leaving home.",6.4071,"\u002F7xuY3CmgFNqTRhFO6uK7HzCZ13R.jpg","1980-12-01","Múrcia","68d8aeb12856ed0882530036",84,{"adult":97,"backdrop_path":103,"genre_ids":422,"id":423,"origin_country":424,"original_language":117,"original_name":425,"overview":99,"popularity":426,"poster_path":103,"first_air_date":427,"softcore":97,"name":425,"vote_average":169,"vote_count":102,"character":428,"credit_id":429,"episode_count":328,"first_credit_air_date":427,"media_type":196},[87,24],301767,[186],"Vidas Marcadas",5.75,"1973-07-30","Célia","68daf0116c365b970d530d80",{"adult":97,"backdrop_path":103,"genre_ids":431,"id":432,"origin_country":433,"original_language":117,"original_name":434,"overview":435,"popularity":436,"poster_path":103,"first_air_date":437,"softcore":97,"name":438,"vote_average":121,"vote_count":134,"character":439,"credit_id":440,"episode_count":441,"first_credit_air_date":437,"media_type":196},[87,24],313775,[186],"Os Deuses Estão Mortos","In 1889, a conflict arose between the decadent and ruined rural aristocracy following the liberation of slaves and a new class of wealthy individuals, comprised of entrepreneurs emerging from the republican industrial class, interested in free labor.\n\nIn the city of Ouro Negro, in the interior of São Paulo state, the conservative, aristocratic, and monarchist Almeida Santos family, which traditionally dominated the region, began to lose ground to the Lobo Ferraz family, representing the nascent progressive and republican bourgeoisie.",15.934,"1971-03-08","Dead Gods","Eulália","698ea1d4395dcfc7b63059e9",242,{"adult":97,"backdrop_path":443,"genre_ids":444,"id":445,"origin_country":446,"original_language":117,"original_name":311,"overview":447,"popularity":448,"poster_path":449,"first_air_date":450,"softcore":97,"name":311,"vote_average":350,"vote_count":157,"character":451,"credit_id":452,"episode_count":453,"first_credit_air_date":450,"media_type":196},"\u002Fvm9Zg4HpEkNfi3FtLlG7mNyub1C.jpg",[24],35404,[186],"Éramos Seis is a Brazilian period drama telenovela produced by SBT and originally broadcast from May 9 to December 5, 1994. 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Through decades of sacrifice and resilience, Lola witnesses the joys and sorrows of family life while enduring profound changes that ultimately leave her to reflect on a lifetime of devotion.",13.7064,"\u002Feb3DM1lFxEfxYghxjz6Gk8naixB.jpg","1994-05-09","Dona Marlene","69b97b18e223530c1167496f",180,{"adult":97,"backdrop_path":455,"genre_ids":456,"id":457,"origin_country":458,"original_language":117,"original_name":459,"overview":99,"popularity":460,"poster_path":461,"first_air_date":462,"softcore":97,"name":459,"vote_average":372,"vote_count":102,"character":463,"credit_id":464,"episode_count":465,"first_credit_air_date":462,"media_type":196},"\u002FhZzGUPWGsyBxzCzhrg5VnmmWU4h.jpg",[87,24],318322,[186],"A Ponte do Amor",3.6377,"\u002FlzmHwkpKuOYnQ9F1nbHUTzusa28.jpg","1983-03-25","Jovina","69cd926deddea241db8fe4ba",50,{"adult":97,"backdrop_path":467,"genre_ids":468,"id":469,"origin_country":470,"original_language":117,"original_name":471,"overview":99,"popularity":472,"poster_path":473,"first_air_date":474,"softcore":97,"name":471,"vote_average":145,"vote_count":145,"character":475,"credit_id":476,"episode_count":477,"first_credit_air_date":474,"media_type":196},"\u002FzOieZr1WV40tAw3XX7G8duPtbBx.jpg",[87,24],318765,[186],"A Força do Amor",3.3749,"\u002F4j0Na21RdRri9hX36qKBUC223Yk.jpg","1982-05-31","Jovita","69d2d4e90507b76c3ef5f455",62,{"adult":97,"backdrop_path":103,"genre_ids":479,"id":480,"origin_country":481,"original_language":117,"original_name":482,"overview":483,"popularity":484,"poster_path":103,"first_air_date":485,"softcore":97,"name":486,"vote_average":169,"vote_count":102,"character":487,"credit_id":488,"episode_count":224,"first_credit_air_date":485,"media_type":196},[87,24],289950,[186],"E o Vento Levou","The spoiled daughter of a Georgia plantation owner conducts a tumultuous romance with a cynical profiteer during the American Civil War and Reconstruction Era.",0.2117,"1956-03-07","Gone with the Wind","Melanie Wilkes (née Hamilton)","6aefafae2f2876af360d3595",[],{"profiles":491},[492],{"aspect_ratio":493,"height":494,"iso_3166_1":103,"iso_639_1":103,"file_path":110,"vote_average":145,"vote_count":145,"width":495},0.667,645,430]