[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:genre\u002Fmovie\u002Flist:{\"language\":\"en-US\"}":3,"tmdb:genre\u002Ftv\u002Flist:{\"language\":\"en-US\"}":62,"tmdb:person\u002F235016:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":96},{"genres":4},[5,8,11,14,17,20,23,26,29,32,35,38,41,44,47,50,53,56,59],{"id":6,"name":7},28,"Action",{"id":9,"name":10},12,"Adventure",{"id":12,"name":13},16,"Animation",{"id":15,"name":16},35,"Comedy",{"id":18,"name":19},80,"Crime",{"id":21,"name":22},99,"Documentary",{"id":24,"name":25},18,"Drama",{"id":27,"name":28},10751,"Family",{"id":30,"name":31},14,"Fantasy",{"id":33,"name":34},36,"History",{"id":36,"name":37},27,"Horror",{"id":39,"name":40},10402,"Music",{"id":42,"name":43},9648,"Mystery",{"id":45,"name":46},10749,"Romance",{"id":48,"name":49},878,"Science Fiction",{"id":51,"name":52},10770,"TV Movie",{"id":54,"name":55},53,"Thriller",{"id":57,"name":58},10752,"War",{"id":60,"name":61},37,"Western",{"genres":63},[64,67,68,69,70,71,72,73,76,77,80,83,86,89,92,95],{"id":65,"name":66},10759,"Action & Adventure",{"id":12,"name":13},{"id":15,"name":16},{"id":18,"name":19},{"id":21,"name":22},{"id":24,"name":25},{"id":27,"name":28},{"id":74,"name":75},10762,"Kids",{"id":42,"name":43},{"id":78,"name":79},10763,"News",{"id":81,"name":82},10764,"Reality",{"id":84,"name":85},10765,"Sci-Fi & Fantasy",{"id":87,"name":88},10766,"Soap",{"id":90,"name":91},10767,"Talk",{"id":93,"name":94},10768,"War & Politics",{"id":60,"name":61},{"adult":97,"also_known_as":98,"biography":99,"birthday":100,"deathday":101,"gender":102,"homepage":103,"id":104,"imdb_id":105,"known_for_department":106,"name":107,"place_of_birth":108,"popularity":109,"profile_path":110,"combined_credits":111,"images":551},false,[],"John Peter Berger (\u002Fˈbɜːrdʒər\u002F; 5 November 1926 – 2 January 2017) was an English art critic, novelist, painter and poet. His novel G. won the 1972 Booker Prize, and his essay on art criticism Ways of Seeing, written as an accompaniment to the BBC series of the same name, is often used as a university text. He lived in France for over fifty years.","1926-11-05","2017-01-02",2,null,235016,"nm0074237","Writing","John Berger","Stoke Newington, London, England",0.3265,"\u002Fm8pMStl7CAsjVvDYdcCNJyxalab.jpg",{"cast":112,"crew":420},[113,126,138,147,158,167,179,190,200,213,225,236,248,259,271,281,290,301,310,318,330,338,347,357,365,373,384,398,410],{"adult":97,"backdrop_path":103,"genre_ids":114,"id":115,"title":116,"original_language":117,"original_title":116,"overview":118,"popularity":119,"poster_path":120,"release_date":121,"softcore":97,"video":97,"vote_average":122,"vote_count":122,"character":123,"credit_id":124,"order":122,"media_type":125},[21],936990,"Art, Poetry and Particle Physics","en","John Berger is one of our most celebrated and respected writers and broadcasters. A former winner of the Booker Prize, he also wrote one of the most influential books on art of our time, Ways of Seeing, which became a landmark documentary series on BBC Television. In Ken McMullen's engaging and accessible film, Art, Poetry and Particle Physics, he travels to the world's biggest particle physics laboratory at CERN in Geneva. The film charts an extraordinary and wide-ranging series of discussions and collaborations between Berger and the leading theoretical and experimental physicists John March Russell and Michael Doser.",0.3402,"\u002FiYc4tqKvwABfRp9BP21OYFdbvoz.jpg","2004-02-10",0,"","63ede5961f3e600079e0ab0b","movie",{"adult":97,"backdrop_path":103,"genre_ids":127,"id":128,"title":129,"original_language":130,"original_title":129,"overview":123,"popularity":131,"poster_path":132,"release_date":133,"softcore":97,"video":97,"vote_average":134,"vote_count":135,"character":136,"credit_id":137,"order":135,"media_type":125},[21],62242,"Walter, retour en résistance","fr",0.609,"\u002F8lsaAyS3HtQnVuu0q86dXtsjAMK.jpg","2009-11-04",7,1,"Himself","52fe4677c3a368484e09223b",{"adult":97,"backdrop_path":103,"genre_ids":139,"id":140,"title":141,"original_language":117,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":97,"video":97,"vote_average":122,"vote_count":122,"character":123,"credit_id":146,"order":122,"media_type":125},[],1188904,"Letter from Gaza","Address to the inaugural Palestine Festival of Literature",0.1295,"\u002Fvq4j23ycZPBvzGufJV4Ymrh4N0D.jpg","2008-05-07","65230dfdab5e3400c47ca8a1",{"adult":97,"backdrop_path":148,"genre_ids":149,"id":150,"title":151,"original_language":117,"original_title":151,"overview":152,"popularity":153,"poster_path":154,"release_date":155,"softcore":97,"video":97,"vote_average":134,"vote_count":135,"character":156,"credit_id":157,"order":122,"media_type":125},"\u002Fb9mMkOUt3gpiZxl65aWJeR7e84u.jpg",[21],1224623,"12.Août.2002","12 August 2002 is the date which was printed on every shot in this film by the memory of the camera. On that day a huge tower which disrupted the north wing of an abandoned castle was torn down, floor by floor. The film is a record of the methodical disruption of this building by inhuman and all-powerful machines. The voice-over consists of a phone call by the author John Berger (1926), who has written numerous and radical opinion pieces in favour of the people of Palestine.",0.1954,"\u002F3GCeWtOeucg6Cvb1EsNYxrwEZTe.jpg","2012-04-23","Self (Voice)","65912f1ece4ddc6de47d9bbb",{"adult":97,"backdrop_path":103,"genre_ids":159,"id":160,"title":161,"original_language":117,"original_title":161,"overview":162,"popularity":163,"poster_path":103,"release_date":164,"softcore":97,"video":97,"vote_average":122,"vote_count":122,"character":165,"credit_id":166,"order":122,"media_type":125},[],1043218,"The Economy of the Dead","Short super-8 film capturing the changes taking place in Soho and questioned by John Berger's essay on twelve theses on the economy of the dead.",0.2606,"2017-12-09","Speaker (voice)","6361a4af8586780082897fdd",{"adult":97,"backdrop_path":103,"genre_ids":168,"id":169,"title":170,"original_language":117,"original_title":170,"overview":171,"popularity":172,"poster_path":173,"release_date":174,"softcore":97,"video":97,"vote_average":175,"vote_count":176,"character":177,"credit_id":178,"order":135,"media_type":125},[21],359683,"The Spectre of Hope","The Spectre of Hope is based on the latest work of photographer Sebastiao Salgado. Salgado spent 6 years traveling to over 40 countries, taking pictures of globalization and its consequences - most notably, the mass migrations of populations around the world. In the film, Salgado presents his remarkable photographs in conversation with John Berger.",0.5219,"\u002F6KWDjJiOQEevAmtIOpRuRmuFBhl.jpg","2001-05-30",7.8,4,"Self","55f5a0a99251415cf8001a38",{"adult":97,"backdrop_path":180,"genre_ids":181,"id":182,"title":183,"original_language":117,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":97,"video":97,"vote_average":188,"vote_count":134,"character":177,"credit_id":189,"order":122,"media_type":125},"\u002FauwABtMmNYBtIEGoGaQhlqKBZeY.jpg",[21],400618,"The Seasons in Quincy: Four Portraits of John Berger","The Ways of Seeing writer is celebrated by Tilda Swinton and her fellow admirers in an unorthodox four-part documentary that visits him at his Alpine home",0.7173,"\u002FnylL4KaZpZAdci46n6py9Y3IqCN.jpg","2017-06-23",5.6,"575170cc9251412317000c2e",{"adult":97,"backdrop_path":191,"genre_ids":192,"id":193,"title":194,"original_language":117,"original_title":194,"overview":195,"popularity":196,"poster_path":197,"release_date":198,"softcore":97,"video":97,"vote_average":122,"vote_count":122,"character":177,"credit_id":199,"order":134,"media_type":125},"\u002FzdMB2vpvd9WzabClVNRjjTAyFKJ.jpg",[24,21,15],431341,"The New Man","A creative documentary about becoming a parent... and how to reconceive yourself. Fiction director Josh Appignanesi turns the camera on himself and his wife as they undergo the ordeal of becoming parents in the era of man-children and assisted reproduction. Faced with fatherhood, Josh spirals comically into an envious career funk. But life-threatening complications emerge- the couple are tested to the brink, confronting shattering losses. It's a portrait of our generation going through a revolution in reproduction- forced to find new ways to think about ourselves as creative beings. We hear from Slavoj Žižek, John Berger, Darian Leader (20,000 Days) and Zadie Smith. Universal yet still taboo, it's a film for everyone who has children, wants them, or still feels like a child themselves.",0.4119,"\u002F7pCkC2GnXZorg2LAztQmOdQmL9N.jpg","2016-11-18","585bf53dc3a368258c089cc5",{"adult":97,"backdrop_path":103,"genre_ids":201,"id":202,"title":203,"original_language":204,"original_title":203,"overview":205,"popularity":206,"poster_path":207,"release_date":208,"softcore":97,"video":97,"vote_average":209,"vote_count":210,"character":211,"credit_id":212,"order":122,"media_type":125},[21],431281,"John Berger or The Art of Looking","de","Art, politics and motorcycles - on the occasion of his 90th birthday John Berger or the Art of Looking is an intimate portrait of the writer and art critic whose ground-breaking work on seeing has shaped our understanding of the concept for over five decades. The film explores how paintings become narratives and stories turn into images, and rarely does anybody demonstrate this as poignantly as Berger.",0.5535,"\u002Fsy6BQUxMglamacLH5RCkUIKI7z8.jpg","2016-06-11",5.2,5,"Self - Subject","586be5799251412327000180",{"adult":97,"backdrop_path":214,"genre_ids":215,"id":216,"title":217,"original_language":117,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":97,"video":97,"vote_average":222,"vote_count":134,"character":223,"credit_id":224,"order":102,"media_type":125},"\u002F8e9rbZtiO6JYACA3yXvMeekute5.jpg",[24,45,51],369328,"Play Me Something","A group of individuals are stranded at a small island airport when the flight from the mainland is delayed. At that moment, a stranger appears and begins telling the story of a summer romance in Venice.",0.2955,"\u002FmttmZztul4eCpUmpggwFX9KGd0H.jpg","1989-02-18",5.4,"Secretary","587be6489251413f33013282",{"adult":97,"backdrop_path":226,"genre_ids":227,"id":228,"title":229,"original_language":117,"original_title":229,"overview":230,"popularity":231,"poster_path":232,"release_date":233,"softcore":97,"video":97,"vote_average":122,"vote_count":122,"character":234,"credit_id":235,"order":122,"media_type":125},"\u002FjQnVUTmAHPAUOmUplwnTloBPram.jpg",[21],230867,"Taşkafa, Stories of the Street","Taşkafa is a real dog and also a legend on the streets of Istanbul. John Berger begins Taşkafa’s story, reading from his novel, King, the story of the disappearance of a community told from a dog’s perspective. The area’s ordinary people – taxi drivers, shopkeepers, street traders – care deeply about the welfare of the city’s street dogs and they tell us stories about Taşkafa and their other canine neighbours. The animals are a symbol of community living, where people (and dogs) look out for each other, but this is a community in transition; one from which dogs are starting to be expelled. Eccentric, amusing and very warm, the film is a powerful indictment of the impact of global politics and the economic appropriation of public space but, even more, it is a tribute to both the spirit of resistance and to city life that can accommodate people and dogs together.",0.444,"\u002FlBLmyycslRhy0XH9ToPoTS0Lw2v.jpg","2013-10-15","Narrator","59a86ca092514157a501b477",{"adult":97,"backdrop_path":237,"genre_ids":238,"id":239,"title":240,"original_language":241,"original_title":240,"overview":242,"popularity":243,"poster_path":244,"release_date":245,"softcore":97,"video":97,"vote_average":246,"vote_count":135,"character":234,"credit_id":247,"order":122,"media_type":125},"\u002Fz7CyX7XAz6pOjKvqEnor0oZrRxM.jpg",[21],484243,"Visioni di case che crollano","it","The countryside around the Po delta is dotted with abandoned houses and farmhouses. The landscape appears desertic, almost humanless. Some people shares stories about their bond with the land while the italian writer Gianni Celati documents the tragedy and the loss of values in this new landscape of desolation, with a superb narrative style.",0.4757,"\u002FvjcPdBxTMTudfdNyTjZOxxvGuYJ.jpg","2002-01-01",7.5,"59f6fdd4925141422102e541",{"adult":97,"backdrop_path":249,"genre_ids":250,"id":251,"title":252,"original_language":117,"original_title":252,"overview":253,"popularity":254,"poster_path":255,"release_date":256,"softcore":97,"video":97,"vote_average":122,"vote_count":122,"character":123,"credit_id":257,"order":258,"media_type":125},"\u002F6qFu3QHYgw66KWgP8u3HJfpFSSl.jpg",[24,21],496155,"Right to Work March","They're young, unemployed and on the march - from Glasgow, Liverpool and Swansea to London.",0.6555,"\u002F5G1JJobFslp4rJKB190zsqfMd5o.jpg","1972-10-19","5a4d1c500e0a2646c901371a",6,{"adult":97,"backdrop_path":103,"genre_ids":260,"id":261,"title":262,"original_language":263,"original_title":264,"overview":265,"popularity":266,"poster_path":267,"release_date":268,"softcore":97,"video":97,"vote_average":122,"vote_count":122,"character":269,"credit_id":270,"order":122,"media_type":125},[21],717742,"8 Poems of Emigration","tr","Göçün 8 Şiiri","\"8 Poems of Emigration\" is a found footage film that focuses on the migration crisis. The film, while focusing on the immigration and immigration issue caused by the wild global capitalism, consists of the images and the found footage from the recording of the work named \"8 Poetry of Immigration\" that John Berger read to the audience in 2007 at the Fine Arts Center in Madrid. The narrative of the movie is revealed by the conflict between image and sound order. With the out-of-context (misuse) use of commercial images and music, the film creates a critical structure that opposes capitalism.",0.1887,"\u002FjeWlHwQxOnsv4UIZ8YBb9dl3dg0.jpg","2020-06-14","Poet \u002F Narrator (voice)","5eefb3fdd2b2090033ff7931",{"adult":97,"backdrop_path":103,"genre_ids":272,"id":273,"title":274,"original_language":117,"original_title":274,"overview":275,"popularity":276,"poster_path":277,"release_date":278,"softcore":97,"video":97,"vote_average":279,"vote_count":102,"character":107,"credit_id":280,"order":122,"media_type":125},[21,51],763957,"About Time","Film Essay based on “And Our Faces, My Heart, Brief As Photos” by John Berger.",0.4324,"\u002FnD0HfBgjwArhDGKEdUQ5wMP9Lls.jpg","1985-02-01",5.5,"5faee908d8f44e003df501f0",{"adult":97,"backdrop_path":103,"genre_ids":282,"id":283,"title":284,"original_language":117,"original_title":284,"overview":285,"popularity":286,"poster_path":287,"release_date":288,"softcore":97,"video":97,"vote_average":122,"vote_count":122,"character":177,"credit_id":289,"order":122,"media_type":125},[21],783984,"Pig Earth","“Pig Earth” marked John Berger’s first return to television after “Ways of Seeing”. The film, boldly using mostly still photographs, is based on John’s book of the same name, which was both a work of fiction as well as a history of French Peasant experience, as told by John ‘the story teller’, as if in the peasant’s own voices. All of which was given brilliant visual expression in the film through a series of beautifully edited sequences, each constructed from vivid and moving photographs of peasants and their lives, in black and white and colour, by John’s friend and long-time collaborator, the Swiss photographer Jean Mohr.",0.2287,"\u002F5ljM0bO7mvXqRmKXrJsVJEUTdQI.jpg","1979-06-21","5ff8094361bac4003fa81f6f",{"adult":97,"backdrop_path":291,"genre_ids":292,"id":293,"title":294,"original_language":117,"original_title":294,"overview":295,"popularity":296,"poster_path":297,"release_date":298,"softcore":97,"video":97,"vote_average":122,"vote_count":122,"character":299,"credit_id":300,"order":122,"media_type":125},"\u002FlWnr0Fcgxx5McahDTRgM1Res4Tw.jpg",[21],785225,"Parting Shots from Animals","“Parting Shots from Animals” was inspired by essays by John Berger and developed in collaboration with Chris Rawlence. Shot entirely in the UK, it consists of a diverse series of arresting ‘films within a film’, each presented as if made about us from the perspective of the animals whose lives we may appear to celebrate, but continue to exploit and to destroy. While John Berger doesn’t appear in the film and wasn’t directly involved in it’s making, he narrates to great effect the text he co-wrote to accompany the film’s provocative opening sequence.",0.2584,"\u002FbOfTFXYzbp7cG6QjsWZZ5JkaYg3.jpg","1980-01-01","Self (narrator)","5ffd88a70fb17f003c43526b",{"adult":97,"backdrop_path":103,"genre_ids":302,"id":303,"title":304,"original_language":117,"original_title":304,"overview":305,"popularity":306,"poster_path":307,"release_date":308,"softcore":97,"video":97,"vote_average":122,"vote_count":122,"character":177,"credit_id":309,"order":135,"media_type":125},[21],865425,"W. Eugene Smith: Photography Made Difficult","The war in the South Pacific, a country doctor in Colorado, victims of industrial pollution in a Japanese village — all were captured in unforgettable photographs by the legendary W. Eugene Smith. This program showcases over 600 of Smith’s stunning photographs and includes a dramatic recreation in which actor Peter Riegert (Crossing Delancey, Local Hero) portrays the artist using dialogue take from Smith’s diaries and letters. Interwoven through the program are archival footage and interviews with family and friends of this brilliant, complicated man, whose work developed from twin themes of common humanity and social responsibility.",0.6646,"\u002Fgyrf9OZ4r3oO6MszpgpCBDjiqK.jpg","1989-09-25","6125c89cc439c0006a595079",{"adult":97,"backdrop_path":103,"genre_ids":311,"id":312,"title":313,"original_language":117,"original_title":313,"overview":314,"popularity":315,"poster_path":103,"release_date":316,"softcore":97,"video":97,"vote_average":122,"vote_count":122,"character":234,"credit_id":317,"order":122,"media_type":125},[],1441853,"The Embrace: An Essay by John Berger","A BBC documentary in which art critic John Berger speaks about the meaning of human bodies in Rembrandt's painting. Also featuring the photographs of his long-time collabrator Jean Mohr.",0.4296,"1992-03-05","67c37e8a49bb8758bab479ab",{"adult":97,"backdrop_path":103,"genre_ids":319,"id":320,"title":321,"original_language":130,"original_title":322,"overview":323,"popularity":324,"poster_path":325,"release_date":326,"softcore":97,"video":97,"vote_average":327,"vote_count":328,"character":234,"credit_id":329,"order":122,"media_type":125},[21],453052,"A City at Chandigarh","Une ville à Chandigarh","Documentary on the construction of Chandigarh, the new capital of the Indian Punjab region, planned by Albert Mayer and Swiss architect Le Corbusier.",0.4193,"\u002F8rLUDhroM6EHkr77WY2jGeHmyma.jpg","1966-10-01",6.3,3,"686bb8b42ac14e0b4c103c6f",{"adult":97,"backdrop_path":103,"genre_ids":331,"id":332,"title":333,"original_language":117,"original_title":333,"overview":334,"popularity":335,"poster_path":103,"release_date":336,"softcore":97,"video":97,"vote_average":122,"vote_count":122,"character":123,"credit_id":337,"order":122,"media_type":125},[],1509714,"Arrows of Time","An experimental journey to trace the lost ‘Arrows of Time’. Diary footage from the Director’s own observations at The Stanford Linear Accelerator Center are interwoven with poetry and commentary from cultural visionaries of the past such as Joseph Beuys and Jacques Derrida.",0.3647,"2007-07-11","686bbcd19b2ba2c5c19a40fe",{"adult":97,"backdrop_path":103,"genre_ids":339,"id":340,"title":341,"original_language":117,"original_title":341,"overview":342,"popularity":343,"poster_path":344,"release_date":345,"softcore":97,"video":97,"vote_average":122,"vote_count":122,"character":123,"credit_id":346,"order":135,"media_type":125},[],1510493,"Walk Me Home","A few hours spent together give a young woman and an older man a new perspective on life.",0.2302,"\u002FcOfG89O2r2ZI2ouJ9kK6gFsPSk9.jpg","1993-07-16","686d4225b5eabfc4219a4715",{"adult":97,"backdrop_path":103,"genre_ids":348,"id":349,"title":350,"original_language":117,"original_title":350,"overview":351,"popularity":352,"poster_path":353,"release_date":354,"softcore":97,"video":97,"vote_average":122,"vote_count":122,"character":355,"credit_id":356,"order":122,"media_type":125},[21],1567024,"Germinal","In this programme John Berger talks about Zola's novel 'Germinal' and illustrates his subject with extensive use of film of Creswell and its colliery.",0.3651,"\u002F6vymHM4lPT4EAn8Gig6kzW0HnVv.jpg","1973-07-18","Presenter","68f930e1ec72073a83483222",{"adult":97,"backdrop_path":103,"genre_ids":358,"id":359,"title":360,"original_language":361,"original_title":360,"overview":123,"popularity":362,"poster_path":103,"release_date":363,"softcore":97,"video":97,"vote_average":122,"vote_count":122,"character":177,"credit_id":364,"order":135,"media_type":125},[24,21],1738944,"En recuerdo a John Berger","es",0.2913,"2026-07-27","6a67dcade2aba21437ed101d",{"adult":97,"backdrop_path":103,"genre_ids":366,"id":367,"title":368,"original_language":117,"original_title":368,"overview":369,"popularity":370,"poster_path":103,"release_date":371,"softcore":97,"video":97,"vote_average":122,"vote_count":122,"character":177,"credit_id":372,"order":134,"media_type":125},[24,51],120190,"An Artist's Story","An Artist's Story concerns the confrontation of ideas between Anton, a young landscape painter, and Lydia, a young aristocratic girl who devotes her life to good works.",0.5574,"1974-02-02","6ae4b527aac0d7cceb0fcf14",{"adult":97,"backdrop_path":103,"genre_ids":374,"id":375,"origin_country":376,"original_language":117,"original_name":378,"overview":379,"popularity":380,"poster_path":103,"first_air_date":381,"softcore":97,"name":378,"vote_average":122,"vote_count":122,"character":177,"credit_id":382,"episode_count":176,"first_credit_air_date":381,"media_type":383},[21],239027,[377],"GB","Another Way of Telling: Views on Photography","Series of four programmes in which writer John Berger and photographer Jean Mohr question the nature and practice of photography. GB. Annalogue, for the BBC. BBC2 tx 07\u002F05\u002F1989 - 28\u002F05\u002F1989",0.3905,"1989-05-07","654a27ef1ac2927b2c81cc84","tv",{"adult":97,"backdrop_path":385,"genre_ids":386,"id":387,"origin_country":388,"original_language":130,"original_name":390,"overview":391,"popularity":392,"poster_path":393,"first_air_date":394,"softcore":97,"name":390,"vote_average":395,"vote_count":176,"character":177,"credit_id":396,"episode_count":135,"first_credit_air_date":397,"media_type":383},"\u002Fwkmh7WClhfU7DQdti6lEFH0qLT3.jpg",[90],30243,[389],"FR","Apostrophes","Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called \"Antenne 2\" from 1975 to 1992). 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This watershed work shows, through word and image, how what we see is always influenced by a whole host of assumptions concerning the nature of beauty, truth, civilization, form, taste, class and gender. 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