[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:genre\u002Fmovie\u002Flist:{\"language\":\"en-US\"}":3,"tmdb:genre\u002Ftv\u002Flist:{\"language\":\"en-US\"}":62,"tmdb:person\u002F3776:{\"language\":\"en-US\",\"append_to_response\":\"combined_credits,images\"}":96},{"genres":4},[5,8,11,14,17,20,23,26,29,32,35,38,41,44,47,50,53,56,59],{"id":6,"name":7},28,"Action",{"id":9,"name":10},12,"Adventure",{"id":12,"name":13},16,"Animation",{"id":15,"name":16},35,"Comedy",{"id":18,"name":19},80,"Crime",{"id":21,"name":22},99,"Documentary",{"id":24,"name":25},18,"Drama",{"id":27,"name":28},10751,"Family",{"id":30,"name":31},14,"Fantasy",{"id":33,"name":34},36,"History",{"id":36,"name":37},27,"Horror",{"id":39,"name":40},10402,"Music",{"id":42,"name":43},9648,"Mystery",{"id":45,"name":46},10749,"Romance",{"id":48,"name":49},878,"Science Fiction",{"id":51,"name":52},10770,"TV Movie",{"id":54,"name":55},53,"Thriller",{"id":57,"name":58},10752,"War",{"id":60,"name":61},37,"Western",{"genres":63},[64,67,68,69,70,71,72,73,76,77,80,83,86,89,92,95],{"id":65,"name":66},10759,"Action & Adventure",{"id":12,"name":13},{"id":15,"name":16},{"id":18,"name":19},{"id":21,"name":22},{"id":24,"name":25},{"id":27,"name":28},{"id":74,"name":75},10762,"Kids",{"id":42,"name":43},{"id":78,"name":79},10763,"News",{"id":81,"name":82},10764,"Reality",{"id":84,"name":85},10765,"Sci-Fi & Fantasy",{"id":87,"name":88},10766,"Soap",{"id":90,"name":91},10767,"Talk",{"id":93,"name":94},10768,"War & Politics",{"id":60,"name":61},{"adult":97,"also_known_as":98,"biography":109,"birthday":110,"deathday":111,"gender":112,"homepage":113,"id":114,"imdb_id":115,"known_for_department":116,"name":117,"place_of_birth":118,"popularity":119,"profile_path":120,"combined_credits":121,"images":4172},false,[99,100,101,102,103,104,105,106,107,108],"Jean Luc Godard","J.-L. Godard","JL Godard","JeanLuc Cinéma Godard","Monsieur Godard","JLG","Hans Lucas","장 뤽 고다르","장-뤽 고다르","جان لوك جودار","Jean-Luc Godard (December 3, 1930 – September 13, 2022) was a French-Swiss film director, screenwriter and film critic. He rose to prominence as a pioneer of the 1960s French New Wave film movement and was arguably the most influential French filmmaker of the post-war era.","1930-12-03","2022-09-13",2,null,3776,"nm0000419","Directing","Jean-Luc Godard","Paris, France",1.5754,"\u002FzP5EDY5MstfkdBmPXNCj8Y6v5KR.jpg",{"cast":122,"crew":2521},[123,140,155,167,179,193,204,213,223,231,245,259,274,286,300,311,324,334,345,356,370,381,396,407,419,429,440,451,463,473,482,491,501,514,528,538,549,562,572,584,596,607,620,630,640,652,662,675,687,699,709,718,728,739,747,757,766,775,784,795,804,816,825,834,846,858,870,883,891,903,916,925,936,947,959,972,983,992,1002,1013,1025,1035,1048,1058,1072,1084,1094,1105,1116,1128,1138,1146,1156,1165,1173,1184,1196,1207,1215,1228,1240,1249,1258,1268,1278,1288,1302,1311,1320,1330,1340,1352,1361,1375,1388,1397,1410,1418,1427,1438,1448,1458,1469,1482,1494,1506,1516,1526,1534,1546,1554,1567,1579,1590,1600,1609,1620,1629,1636,1644,1653,1663,1673,1683,1692,1699,1708,1718,1730,1740,1750,1762,1771,1783,1794,1806,1815,1823,1832,1843,1856,1865,1874,1885,1898,1910,1917,1924,1936,1945,1954,1964,1973,1982,1994,2003,2013,2021,2029,2040,2051,2060,2069,2079,2090,2100,2107,2117,2126,2135,2145,2156,2165,2176,2186,2196,2208,2220,2230,2239,2249,2259,2271,2281,2290,2299,2311,2320,2329,2336,2347,2357,2370,2381,2394,2403,2414,2424,2435,2446,2458,2470,2481,2494,2503,2513],{"adult":97,"backdrop_path":124,"genre_ids":125,"id":126,"title":127,"original_language":128,"original_title":129,"overview":130,"popularity":131,"poster_path":132,"release_date":133,"softcore":97,"video":97,"vote_average":134,"vote_count":135,"character":136,"credit_id":137,"order":138,"media_type":139},"\u002F3CPo0qqDm2nGUS276iDyNbEWhKQ.jpg",[24,45],266,"Contempt","fr","Le Mépris","Art film producer Jeremy Prokosch, unhappy with the work of his director, hires Fritz Lang (as himself) to direct an adaptation of The Odyssey, but when it seems that the legendary filmmaker is making a picture destined to bomb, he brings in a screenwriter to energise the script. The professional intersects with the personal when a rift develops between the writer and his wife.",2.5815,"\u002FkNElbRcp4Qz6wmJ9kH5vdY004Hq.jpg","1963-10-29",7.031,1016,"Lang's Assistant Director","52fe422fc3a36847f800a8dd",6,"movie",{"adult":97,"backdrop_path":141,"genre_ids":142,"id":143,"title":144,"original_language":128,"original_title":145,"overview":146,"popularity":147,"poster_path":148,"release_date":149,"softcore":97,"video":97,"vote_average":150,"vote_count":151,"character":152,"credit_id":153,"order":154,"media_type":139},"\u002F4WGuyWf1f94CsEeVIIqDKGw5rmO.jpg",[24,18,45],269,"Breathless","À bout de souffle","A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.",4.5792,"\u002F9Wx0Wdn2EOqeCZU4SP6tlS3LOml.jpg","1960-03-16",7.478,2122,"The Snitch","52fe4230c3a36847f800aa99",10,{"adult":97,"backdrop_path":156,"genre_ids":157,"id":158,"title":159,"original_language":128,"original_title":159,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":97,"video":97,"vote_average":164,"vote_count":9,"character":165,"credit_id":166,"order":138,"media_type":139},"\u002F1rcdBRT7G50obmpfwOgenH9IrH2.jpg",[21],474791,"Belmondo, le magnifique","With more than 70 films and 160 million cumulative tickets in France, Jean-Paul Belmondo is one of the essential stars of French cinema.",0.456,"\u002Fo9NcWqNso6mfcNbvbCeqWxcvsrc.jpg","2017-09-03",7.3,"Self (archive footage)","6139948de323f30029efb360",{"adult":97,"backdrop_path":168,"genre_ids":169,"id":170,"title":171,"original_language":128,"original_title":171,"overview":172,"popularity":173,"poster_path":174,"release_date":175,"softcore":97,"video":97,"vote_average":176,"vote_count":177,"character":165,"credit_id":178,"order":112,"media_type":139},"\u002Fo7Xf3fK2penlysk6UGaxn9mv96O.jpg",[21],1089525,"Les cahiers du cinéma, la création d'une empreinte","1951. André Bazin and Jacques Doniol-Valcroze founded \"Cahiers du cinéma\". With contributions from self-taught filmmakers (Jean-Luc Godard, François Truffaut, Claude Chabrol, Éric Rohmer, Jacques Rivette...), the magazine revolutionized film criticism and gave birth to the leading figures of the Nouvelle Vague.",0.372,"\u002F9aNv9Jr4wr8FG2Q1Hzm1ljCfddm.jpg","2021-05-10",8,1,"63f3da3b4a4bfc0079c62b3f",{"adult":97,"backdrop_path":113,"genre_ids":180,"id":181,"title":182,"original_language":128,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":97,"video":97,"vote_average":188,"vote_count":189,"character":190,"credit_id":191,"order":192,"media_type":139},[21],116393,"Histoire(s) du Cinéma 1a: All the (Hi)stories","Histoire(s) du cinéma 1a : toutes les histoires","A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.",0.6055,"\u002F6Dk122gr0eS26rjCgIrIf0mQVa3.jpg","1989-11-16",6.3,33,"Self - Filmmaker \u002F Narrator (voice)","617271d07e3483008d64006d",0,{"adult":97,"backdrop_path":194,"genre_ids":195,"id":196,"title":197,"original_language":128,"original_title":197,"overview":198,"popularity":199,"poster_path":200,"release_date":201,"softcore":97,"video":97,"vote_average":202,"vote_count":202,"character":190,"credit_id":203,"order":192,"media_type":139},"\u002F8Ic3ypqqBDT2NqXvB3hWKWKv0I1.jpg",[21],139243,"Moments choisis des Histoire(s) du cinéma","A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art. (Abridged version of the original collection of eight short films).",0.4137,"\u002F8sVLUyVF6Avzig1NvPyVufEIwf.jpg","2006-02-20",5,"61726fefbf09d10044629a0a",{"adult":97,"backdrop_path":113,"genre_ids":205,"id":206,"title":207,"original_language":128,"original_title":208,"overview":184,"popularity":209,"poster_path":210,"release_date":187,"softcore":97,"video":97,"vote_average":211,"vote_count":36,"character":190,"credit_id":212,"order":192,"media_type":139},[21],91296,"Histoire(s) du Cinéma 1b: A Single (Hi)story","Histoire(s) du cinéma 1b : une histoire seule",0.6863,"\u002FAlw1Ex1G4S6jFeGiLkGSRLesROW.jpg",6.6,"61735432894ed600646de762",{"adult":97,"backdrop_path":113,"genre_ids":214,"id":215,"title":216,"original_language":128,"original_title":217,"overview":184,"popularity":218,"poster_path":210,"release_date":219,"softcore":97,"video":97,"vote_average":220,"vote_count":221,"character":190,"credit_id":222,"order":192,"media_type":139},[21],116397,"Histoire(s) du Cinéma 2b: Deadly Beauty","Histoire(s) du cinéma 2b : fatale beauté",0.6732,"2006-02-11",6.2,20,"61766641cf4b8b00623a1bbb",{"adult":97,"backdrop_path":113,"genre_ids":224,"id":225,"title":226,"original_language":128,"original_title":227,"overview":184,"popularity":228,"poster_path":210,"release_date":219,"softcore":97,"video":97,"vote_average":220,"vote_count":229,"character":190,"credit_id":230,"order":192,"media_type":139},[21],116396,"Histoire(s) du Cinéma 2a: Only Cinema","Histoire(s) du cinéma 2a : seul le cinéma",0.4628,23,"617503283f483300904b9182",{"adult":97,"backdrop_path":232,"genre_ids":233,"id":234,"title":235,"original_language":128,"original_title":236,"overview":237,"popularity":238,"poster_path":239,"release_date":240,"softcore":97,"video":97,"vote_average":241,"vote_count":242,"character":243,"credit_id":244,"order":192,"media_type":139},"\u002FysDodI3uMTo8K1ghlUU3kNFHkMr.jpg",[21],26298,"Here and Elsewhere","Ici et Ailleurs","Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.",0.4693,"\u002FyxdBS1jF7HF1GryHwCZSvLPukpL.jpg","1976-09-15",6.7,30,"Narrator (voice)","52fe44f9c3a368484e04181f",{"adult":97,"backdrop_path":246,"genre_ids":247,"id":248,"title":249,"original_language":128,"original_title":250,"overview":251,"popularity":252,"poster_path":253,"release_date":254,"softcore":97,"video":97,"vote_average":255,"vote_count":256,"character":257,"credit_id":258,"order":176,"media_type":139},"\u002F5KWXtqlJZmjgEJCisDk49eCUE5g.jpg",[24],26347,"Notre Musique","Notre musique","A three-chapter (Hell, Purgatory and Paradise) meditation on the city of Sarajevo in the wake of the Bosnian war, on Palestine and Israel, and on war itself.",0.8714,"\u002Fs6wUXAAly1AqJ8GHyHfV0KbbgOU.jpg","2004-05-19",6.774,43,"Self","52fe44fcc3a368484e0422b3",{"adult":97,"backdrop_path":260,"genre_ids":261,"id":262,"title":263,"original_language":128,"original_title":264,"overview":265,"popularity":266,"poster_path":267,"release_date":268,"softcore":97,"video":97,"vote_average":269,"vote_count":270,"character":271,"credit_id":272,"order":273,"media_type":139},"\u002F3Wm76b8SY47zqIU6pJRnYRzPPln.jpg",[18,24,15,45],32689,"First Name: Carmen","Prénom Carmen","A woman involved with a terrorist group becomes dangerously close to the police officer guarding the bank they plan to rob.",1.8087,"\u002FwzQl2c2HQdSYzFQFWSMYRyXm1B.jpg","1983-12-01",6.008,120,"Uncle Jeannot (uncredited)","52fe44e49251416c91020719",19,{"adult":97,"backdrop_path":113,"genre_ids":275,"id":276,"title":277,"original_language":128,"original_title":278,"overview":279,"popularity":280,"poster_path":281,"release_date":282,"softcore":97,"video":97,"vote_average":283,"vote_count":284,"character":243,"credit_id":285,"order":192,"media_type":139},[],386004,"What's Wrong with the World","Le monde comme il ne va pas","A reworking of extracts from André Malraux, Claude Nuridsany and Marie Perennou, and G. K. Chesterton.",0.4353,"\u002F8LwcEWQXPgAgh1f07in29lyvlTx.jpg","1996-11-26",5.5,4,"618bbcbda313b80042dc9b50",{"adult":97,"backdrop_path":287,"genre_ids":288,"id":289,"title":290,"original_language":128,"original_title":291,"overview":292,"popularity":293,"poster_path":294,"release_date":295,"softcore":97,"video":97,"vote_average":296,"vote_count":6,"character":297,"credit_id":298,"order":299,"media_type":139},"\u002F2mxeQ0bvXQLp2dxCZ0VRcslSOzz.jpg",[21,57,24],36140,"Far from Vietnam","Loin du Vietnam","In seven different parts, Godard, Ivens, Klein, Lelouch, Marker, Resnais, and Varda show their sympathy for the North-Vietnamese army during the Vietnam War.",0.7366,"\u002FfwMPDjZKim3BQFomQfPcywwEwOp.jpg","1967-10-18",7.2,"Self (segment \"Camera Eye\")","52fe45cf9251416c9103f2b7",7,{"adult":97,"backdrop_path":301,"genre_ids":302,"id":303,"title":304,"original_language":128,"original_title":304,"overview":305,"popularity":306,"poster_path":307,"release_date":308,"softcore":97,"video":97,"vote_average":188,"vote_count":309,"character":257,"credit_id":310,"order":177,"media_type":139},"\u002FuGVsxEyLOmL5Fz7GuzRup7ByfIp.jpg",[21],61415,"Meetin' WA","Revolutionary French New Wave director Jean-Luc Godard conducts a twenty-five minute interview with influential and acclaimed American director Woody Allen on the cultural radiation, the ubiquity and significance of Television, and how Television compares with cinema as a medium and form of expression.",0.616,"\u002FwsvwmqzPKAvq37qHEl8ef0LtKHY.jpg","1986-05-19",51,"52fe4651c3a368484e08a2cf",{"adult":97,"backdrop_path":312,"genre_ids":313,"id":314,"title":315,"original_language":316,"original_title":315,"overview":317,"popularity":318,"poster_path":319,"release_date":320,"softcore":97,"video":97,"vote_average":321,"vote_count":176,"character":165,"credit_id":322,"order":323,"media_type":139},"\u002FfJ8wVcaYmAaCPekJKIuLk2JikKt.jpg",[21],84672,"Routine Pleasures","en","Jean-Pierre Gorin interacts with a club of model railroad train enthusiasts and his mentor, artist\u002Fwriter Manny Farber.",0.2624,"\u002FoU3YOr9Zok861TEZ0v2e9i48r45.jpg","1986-04-30",6.8,"61af26f7a2423200606b935e",15,{"adult":97,"backdrop_path":325,"genre_ids":326,"id":327,"title":328,"original_language":128,"original_title":328,"overview":329,"popularity":330,"poster_path":331,"release_date":332,"softcore":97,"video":97,"vote_average":138,"vote_count":177,"character":165,"credit_id":333,"order":6,"media_type":139},"\u002FqqyZlQpaS5sNsypIIxUm2G0VWkk.jpg",[51,21],918640,"Belmondo, il était une fois le beau monde","A profile of Jean-Paul Belmondo by his peers. Besides appearing in over eighty films, the actor also delighted audiences with his dangerous stunts, his laughter, his jokes, and his refreshing ease and impertinence. Cultivating the art of the counterpunch, he spanned half a century of French cinema.",0.6889,"\u002FcW8ZtgvmxM1I2n5sAZENnexiXPv.jpg","2011-10-25","61c2635154508d0042ba4498",{"adult":97,"backdrop_path":335,"genre_ids":336,"id":337,"title":338,"original_language":128,"original_title":339,"overview":340,"popularity":341,"poster_path":342,"release_date":343,"softcore":97,"video":97,"vote_average":154,"vote_count":112,"character":257,"credit_id":344,"order":192,"media_type":139},"\u002F6WnGSrZdFKQ4hPvbUZ7c53DUItB.jpg",[21],1106666,"Godard Is Here","Godard is Here","The film is a record of interviews of Godard’s films by two young aspiring directors, a Korean and a French, visiting Godard’s studio in 2002. It consists of questions and answers about the way of cinematically thinking, working method, and filmmaking of Godard, who has constantly created a new language for cinema.",0.2905,"\u002FxMsyuFhm624tJDjbypKsjuL1CK9.jpg","2023-04-28","643954f8c2679600bde7bd3c",{"adult":97,"backdrop_path":346,"genre_ids":347,"id":348,"title":349,"original_language":128,"original_title":350,"overview":351,"popularity":352,"poster_path":353,"release_date":354,"softcore":97,"video":97,"vote_average":188,"vote_count":273,"character":165,"credit_id":355,"order":192,"media_type":139},"\u002Ff3msuhRMpTgqVZtu3jo2Dwk7B37.jpg",[21],64074,"Two in the Wave","Deux de la Vague","An in-depth analysis of the relationship between New Wave pioneers François Truffaut and Jean-Luc Godard, as seen through rare archival footage, interviews, and film excerpts — written and narrated by former Cahiers du Cinéma editor Antoine de Baecque.",0.6681,"\u002F8Z4mSqj46WYTDjE0HP0q5RfOP7K.jpg","2010-05-19","52fe46c8c3a368484e0a3755",{"adult":97,"backdrop_path":357,"genre_ids":358,"id":359,"title":360,"original_language":128,"original_title":361,"overview":362,"popularity":363,"poster_path":364,"release_date":365,"softcore":97,"video":97,"vote_average":366,"vote_count":367,"character":368,"credit_id":369,"order":112,"media_type":139},"\u002Fqzt4IlpBoAua2Q9fCnMlTCpG3u4.jpg",[15,45],45948,"A Story of Water","Une histoire d'eau","A young woman tries to go to Paris, but her garden and the whole village is flooded with water.",0.5856,"\u002FknJdTZL4VtodAFvmoIfDLIqXn8s.jpg","1961-03-03",6.5,65,"The Young Man (voice)","52fe46dbc3a36847f811610d",{"adult":97,"backdrop_path":113,"genre_ids":371,"id":372,"title":373,"original_language":316,"original_title":373,"overview":374,"popularity":375,"poster_path":376,"release_date":377,"softcore":97,"video":378,"vote_average":379,"vote_count":112,"character":165,"credit_id":380,"order":323,"media_type":139},[21],1113682,"Close Up","More than 150 silent short films about singers, actors and directors captured during Press Conferences in Cannes, Venice and Berlin, between 1993 and 2002. Presented the first time in 2012 (ten years after the last shooting) in Napoli Film Festival and in 2013 at the Art Institute of California in Santa Ana. An anthropological experiment on the facial expressions of famous people showing the human being aspect. All original footage from Mel Gibson to Peter Jackson, from George Lucas to Catherine Deneuve, from Michael Douglas to Giancarlo Giannini and many others.",0.7489,"\u002F76Wud5jsFJDMpBoRVzwluMZeaa.jpg","2012-09-30",true,9.5,"643b2674501cf205473868cd",{"adult":97,"backdrop_path":382,"genre_ids":383,"id":384,"title":385,"original_language":128,"original_title":386,"overview":387,"popularity":388,"poster_path":389,"release_date":390,"softcore":97,"video":97,"vote_average":391,"vote_count":392,"character":393,"credit_id":394,"order":395,"media_type":139},"\u002F2Ak04QUoSb4mWIx4xAKeN6NouLJ.jpg",[15,24,30],65612,"Keep Your Right Up","Soigne ta droite","This film is made up several sketches in which certain actors play several real or fictional roles to a background of rock music. The lead character, played by Godard himself, is an annoyingly perfectionist film-maker determined to wring every last drop of the finest performance possible from his stars.",0.5639,"\u002FsOicha4tCeT83PIcaMnImCjdQzw.jpg","1987-12-30",6.1,25,"Idiot \u002F Prince","52fe4712c3a368484e0b35e1",17,{"adult":97,"backdrop_path":113,"genre_ids":397,"id":398,"title":399,"original_language":128,"original_title":400,"overview":401,"popularity":402,"poster_path":403,"release_date":404,"softcore":97,"video":97,"vote_average":366,"vote_count":24,"character":405,"credit_id":406,"order":192,"media_type":139},[21],116401,"Histoire(s) du Cinéma 3a: The Coin of the Absolute","Histoire(s) du cinéma 3a : la monnaie de l'absolu","Part 5 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.",0.592,"\u002FhXSVbwuAcDrqBWIpEuOJ5I53aHQ.jpg","2006-02-12","Self (uncredited)","61e9b0eba9117f00443550c4",{"adult":97,"backdrop_path":408,"genre_ids":409,"id":410,"title":411,"original_language":316,"original_title":411,"overview":412,"popularity":413,"poster_path":414,"release_date":415,"softcore":97,"video":97,"vote_average":416,"vote_count":60,"character":417,"credit_id":418,"order":202,"media_type":139},"\u002FjTE51uGW3YT9ghnhbRcZx5OUfbS.jpg",[15,24],50012,"King Lear","A descendant of Shakespeare tries to restore his plays in a world rebuilding itself after the Chernobyl catastrophe obliterates most of human civilization.",0.8633,"\u002FqWTubgW7ehbdsHbnd3iCYtaQ18W.jpg","1988-01-22",6.392,"Professor Pluggy","52fe47b5c3a36847f8143f7d",{"adult":97,"backdrop_path":113,"genre_ids":420,"id":421,"title":422,"original_language":128,"original_title":423,"overview":424,"popularity":425,"poster_path":426,"release_date":404,"softcore":97,"video":97,"vote_average":427,"vote_count":221,"character":405,"credit_id":428,"order":192,"media_type":139},[21],116398,"Histoire(s) du Cinéma 3b: A New Wave","Histoire(s) du cinéma 3b : une vague nouvelle","Part  6 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century",0.3655,"\u002F9yLfMU4qRbjpeXCyDiW91kRrC4e.jpg",6.4,"61ea4cd9df294500e3108cc4",{"adult":97,"backdrop_path":430,"genre_ids":431,"id":432,"title":433,"original_language":128,"original_title":434,"overview":435,"popularity":436,"poster_path":437,"release_date":438,"softcore":97,"video":97,"vote_average":188,"vote_count":202,"character":257,"credit_id":439,"order":192,"media_type":139},"\u002FmeSPlzensyJP4X5lRzo6ljmGBZs.jpg",[21],928206,"See You Friday, Robinson","À vendredi, Robinson","\"We should start with a correspondence, maybe we will not correspond to one another. Ebrahim can send me a letter this Friday, and I'll answer him next Friday. So, see you Friday, Robinson!\" And so, Jean-Luc Godard stages himself in his daily thought, wisely desperate, and sends images and words from Switzerland to the other side of the Channel. In his mansion in Sussex, Ebrahim Golestan tries to decode these UFO-messages and skilfully seeks to bring them back to the appearance of reason. And so on, until the day a veil falls over the two Gods on the run. Does the existence of poets still have any meaning in these times of distress?",0.3225,"\u002F4AoAjx7CzsQl6zPIeTosodouzuG.jpg","2022-09-14","61e62af3c613ce008ceef8d1",{"adult":97,"backdrop_path":441,"genre_ids":442,"id":443,"title":444,"original_language":128,"original_title":445,"overview":446,"popularity":447,"poster_path":448,"release_date":449,"softcore":97,"video":97,"vote_average":296,"vote_count":202,"character":165,"credit_id":450,"order":192,"media_type":139},"\u002F51uIx1VkBwsNVWsJetqE7cA1Vav.jpg",[21],1122965,"Godard by Godard","Godard par Godard","Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.",0.6257,"\u002FbT3dDMz11CwtF8IdakwG0ILpyYu.jpg","2023-05-17","6456450edaf57c015375a59a",{"adult":97,"backdrop_path":452,"genre_ids":453,"id":454,"title":455,"original_language":128,"original_title":456,"overview":457,"popularity":458,"poster_path":459,"release_date":460,"softcore":97,"video":97,"vote_average":391,"vote_count":6,"character":461,"credit_id":462,"order":112,"media_type":139},"\u002F81CGkcAatbPGBrO3s3L3WlQy9WI.jpg",[24],51205,"Joy of Learning","Le Gai Savoir","While alone in an abandoned television studio, two militants, Emile Rousseau and Patricia Lumumba, have a discourse on language. Referring to spoken word as \"the enemy\"--the weapon used by the establishment to confuse liberation movements--the two deconstruct the meanings of sounds and images in an attempt to \"return to zero\" and truly experience the joy of learning.",0.4731,"\u002FtEDA0zdeZQzyYO5mnlDElDWlOLO.jpg","1969-07-12","Narrator (voice) (uncredited)","52fe47e7c3a36847f814e513",{"adult":97,"backdrop_path":113,"genre_ids":464,"id":465,"title":466,"original_language":316,"original_title":466,"overview":467,"popularity":468,"poster_path":113,"release_date":469,"softcore":97,"video":97,"vote_average":470,"vote_count":471,"character":257,"credit_id":472,"order":138,"media_type":139},[21,51],929052,"Cinéma! Cinéma! The French New Wave","An intimate window into one of the great movements in film history that brought about an evolution in the art of cinema. The documentary portrays the movement with insight on the lives and works of Jean-Luc Godard, François Truffaut and other principal players in the New Wave.",0.6062,"1992-06-18",3.3,3,"61e8f3c5fea0d7009e873b4b",{"adult":97,"backdrop_path":113,"genre_ids":474,"id":475,"title":476,"original_language":128,"original_title":477,"overview":478,"popularity":479,"poster_path":480,"release_date":404,"softcore":97,"video":97,"vote_average":427,"vote_count":273,"character":405,"credit_id":481,"order":192,"media_type":139},[21],116402,"Histoire(s) du Cinéma 4a: The Control of the Universe","Histoire(s) du cinéma 4a : le contrôle de l'univers","Part 7 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.",0.548,"\u002FgkmgqUCvJowh5iR0yqo4u8ukuAG.jpg","61ef62d8a402c1009980b639",{"adult":97,"backdrop_path":113,"genre_ids":483,"id":484,"title":485,"original_language":128,"original_title":486,"overview":487,"popularity":488,"poster_path":489,"release_date":404,"softcore":97,"video":97,"vote_average":391,"vote_count":395,"character":405,"credit_id":490,"order":192,"media_type":139},[21],116403,"Histoire(s) du Cinéma 4b: The Signs Among Us","Histoire(s) du cinéma 4b : les signes parmi nous","Part 8 of Godard's 8 part examination of the history of the concept of cinema and how it relates to the 20th century.",0.4176,"\u002F2mzqgK1geG3W7tDLWNpcXKiJNXQ.jpg","61ef62eea402c100d678a239",{"adult":97,"backdrop_path":113,"genre_ids":492,"id":493,"title":494,"original_language":495,"original_title":494,"overview":496,"popularity":497,"poster_path":498,"release_date":499,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":500,"order":177,"media_type":139},[21],929556,"Alianças Profanas","pt","During the quarantine promoted by the Coronavirus, hundreds of videos posted on Darwin's personal Instagram become a biased diary of our time, of the last 10 years and, at the same time, a deep dive into his being, a dive for those who see and for those who made, an experience of discovery, resistance and contemplation, for both sides.",0.3055,"\u002FnLke3nigv5ooHic7KGGHjEZWFlz.jpg","2022-01-10","61f5ce33109230001b38a366",{"adult":97,"backdrop_path":502,"genre_ids":503,"id":504,"title":505,"original_language":128,"original_title":506,"overview":507,"popularity":508,"poster_path":509,"release_date":510,"softcore":97,"video":97,"vote_average":366,"vote_count":511,"character":512,"credit_id":513,"order":177,"media_type":139},"\u002FoDFrBLxqrnnvRrOtFNQ8AmNHjPv.jpg",[15,45],54464,"Fiancés on the Bridge","Les fiancés du pont Mac Donald ou (Méfiez-vous des lunettes noires)","A subtitle warns, \"beware of dark sunglasses.\" Anna and her lover, whose looks in bowler and bow tie are reminiscent of a young Buster Keaton, kiss chastely on a bridge overlooking the Seine. He dons sunglasses and waves as she runs down a stairway to the river's edge, then watches in horror as she's knocked flat and loaded into the back of a hearse. In vain, he gives chase. Disconsolate, he buys a large funeral wreath and a handkerchief from sympathetic vendors. He removes the glasses to wipe his eyes and realizes they are the cause of all his woe. He replays the farewell without the glasses.",0.8812,"\u002Fhxz3xHtDoV5K4UJA5x8HNnSTtN0.jpg","1962-04-11",74,"Man with the Black Glasses","52fe489dc3a36847f8170c23",{"adult":97,"backdrop_path":515,"genre_ids":516,"id":517,"title":518,"original_language":128,"original_title":519,"overview":520,"popularity":521,"poster_path":522,"release_date":523,"softcore":97,"video":97,"vote_average":524,"vote_count":525,"character":461,"credit_id":526,"order":527,"media_type":139},"\u002FkKsy8sCjfOtfHPBT2i8z13bIRij.jpg",[18,24,15],8073,"Band of Outsiders","Bande à part","Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.",1.8591,"\u002F9oqyj79xmcypxLajJdefOtrYx64.jpg","1964-08-05",7.477,636,"620033815a5ed000d16901ea",13,{"adult":97,"backdrop_path":113,"genre_ids":529,"id":530,"title":531,"original_language":128,"original_title":532,"overview":533,"popularity":534,"poster_path":535,"release_date":536,"softcore":97,"video":97,"vote_average":164,"vote_count":471,"character":165,"credit_id":537,"order":112,"media_type":139},[21],411286,"Marguerite as She Was","Marguerite, telle qu’en elle-même","On June 3, 1991, Marguerite Duras gave me her last published work, \"The North China Lover\", autographed for the first time. She wrote: \"For my friend Dominique Auvray, in memory of a wonder of wonders: a still recent past, when we worked together in the cinema\". This is a portrait of her as she was cheerful and serious, authentic and provocative, considerate and categorical, but first and foremost young and free.",0.6775,"\u002Fky5HHaMsYGcrfMNsPmkjspuJq5U.jpg","2003-04-04","62087237931ea1001bdc100a",{"adult":97,"backdrop_path":539,"genre_ids":540,"id":541,"title":542,"original_language":316,"original_title":542,"overview":543,"popularity":544,"poster_path":545,"release_date":546,"softcore":97,"video":97,"vote_average":283,"vote_count":177,"character":547,"credit_id":548,"order":192,"media_type":139},"\u002FsabO95U8JNycfVaee8AeBFmHIWe.jpg",[21],1141142,"Say God Bye","Fascinated by the already legendary filmmaker, as a teenager Thomas dreamed of becoming his assistant. He wrote to JLG and asked him if he could \"look over his shoulder\" while he is at work. JLG never answered.  Rejected by the master, the teenager must now find his own way as a filmmaker until that day in 2021 when he senses JLG's end is near. Thomas decides to visit the master. On foot. A pilgrimage to pay his (last) respects.His aim is to meet JLG in person. Thomas Imbach dreams of filming not the master, but WITH the master, for which reason d, he has packed his Aaton camera in his backpack. The closer he gets to Lake Geneva, the more intense his emotions, his anxiety, his uncertainty.  SAY GOD BYE is the story of an obsession; it is also a story about the universal theme of love. It is the story of a man who finally summons the courage to seek out his beloved, to tell him face to face about his lifelong love and to say, “Thank you, JLG”.",0.3325,"\u002F6x9SACq4zrgzfisoDOTaWDrTzOs.jpg","2023-07-04","Self (JLG)","648c5e7d076ce8010610bcd6",{"adult":97,"backdrop_path":550,"genre_ids":551,"id":552,"title":553,"original_language":128,"original_title":554,"overview":555,"popularity":556,"poster_path":557,"release_date":558,"softcore":97,"video":97,"vote_average":559,"vote_count":12,"character":560,"credit_id":561,"order":221,"media_type":139},"\u002FolAJKvJf4q7v7k2usZf1ix2wa4L.jpg",[45,24],5770,"The Glass Castle","Le Château de verre","Evelyne, the young wife of Judge Bertal, falls in love with Remy, who lives in Paris, on holiday in Italy. After following him in the lovers city, she realises Remy is whom she really loves, and decides to return home to inform her husband – but her plane crashes.",0.7465,"\u002FyibNaLMD9voPl13y00eAkjw6nkq.jpg","1950-12-16",5.8,"Un voyageur qui sort de la Gare de l'Est (uncredited)","62118355a84ff7006d23b718",{"adult":97,"backdrop_path":113,"genre_ids":563,"id":564,"title":565,"original_language":566,"original_title":565,"overview":567,"popularity":568,"poster_path":113,"release_date":569,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":570,"credit_id":571,"order":177,"media_type":139},[21],1142575,"Carl Th. Dreyer und Gertrud","da","Documentary about Carl Theodor Dreyer and his film Gertrud.",0.3665,"1994-06-11","","6491b8782f8d09011d25e3d4",{"adult":97,"backdrop_path":573,"genre_ids":574,"id":575,"title":576,"original_language":128,"original_title":577,"overview":578,"popularity":579,"poster_path":580,"release_date":581,"softcore":97,"video":97,"vote_average":211,"vote_count":395,"character":582,"credit_id":583,"order":471,"media_type":139},"\u002F3fQDbggJOWl1rE6ehQWFJ4hphFz.jpg",[24],89494,"Vladimir and Rosa","Vladimir et Rosa","Jean-Luc Godard's and Jean-Pierre Gorin's interpretation of the Chicago Eight \u002F Chicago Seven trial, which followed the 1968 Democratic National Convention protest activities. Judge Hoffman becomes the character Judge Himmler (played by Ernest Menzer) and the defendants become a microcosms of the French Revolution.",0.3941,"\u002Fm8X5AzEkpDgm7YdKqWM5Nvi51b5.jpg","1971-04-16","Vladimir Lenin (uncredited)","52fe4a1c9251416c910c39e9",{"adult":97,"backdrop_path":585,"genre_ids":586,"id":587,"title":588,"original_language":128,"original_title":589,"overview":590,"popularity":591,"poster_path":592,"release_date":593,"softcore":97,"video":97,"vote_average":188,"vote_count":594,"character":405,"credit_id":595,"order":192,"media_type":139},"\u002Fvqrpj0YSx1kWyEngC85jsMJepNp.jpg",[21],104951,"A Letter to Freddy Buache","Lettre à Freddy Buache","This short film is Godard’s message to the people of Lausanne, specifically journalist and critic Freddy Buache, addressing his reasons why he will not make a film about their town’s 500th anniversary. Rather than cynical or defensive, Godard's bemused narration of the footage of Lausanne is imaginative and even playful, a rumination on cinema's possibilities.",0.4702,"\u002Fbi3xED8eEo8gOrlhODzsCxHgA4m.jpg","1983-06-24",11,"52fe4a43c3a36847f81c419f",{"adult":97,"backdrop_path":113,"genre_ids":597,"id":598,"title":599,"original_language":128,"original_title":600,"overview":601,"popularity":602,"poster_path":603,"release_date":604,"softcore":97,"video":97,"vote_average":605,"vote_count":30,"character":243,"credit_id":606,"order":192,"media_type":139},[21],104975,"Operation Concrete","Opération \"Béton\"","Godard returned to Paris briefly before getting a job as a construction worker on a dam project in Switzerland. With the money from the job, he made a short film about the building of the dam called Opération béton (Operation Concrete).",0.2545,"\u002Fw4F7oqyXUU25uxVzdq4NuC3NL1l.jpg","1958-07-02",5.4,"52fe4a44c3a36847f81c434b",{"adult":97,"backdrop_path":608,"genre_ids":609,"id":610,"title":611,"original_language":128,"original_title":612,"overview":613,"popularity":614,"poster_path":615,"release_date":616,"softcore":97,"video":97,"vote_average":617,"vote_count":154,"character":618,"credit_id":619,"order":471,"media_type":139},"\u002F3OafDCi1Y79Bb60Od8xXmg4iXjj.jpg",[24],140007,"After the Reconciliation","Après la réconciliation","An elderly couple and a younger man and woman follow up failed seduction attempts with conversation about love and the meaning of life.",0.3775,"\u002FuRMPgxZNKHUD1E2K44nrVoQXnbI.jpg","2000-12-27",7.1,"Robert","52fe4a829251416c750e4571",{"adult":97,"backdrop_path":113,"genre_ids":621,"id":622,"title":623,"original_language":128,"original_title":624,"overview":625,"popularity":626,"poster_path":627,"release_date":628,"softcore":97,"video":97,"vote_average":299,"vote_count":177,"character":405,"credit_id":629,"order":30,"media_type":139},[24],948752,"Willing","Ciné-girl","A young, unscrupulous director hires an actress and uses the story she tells him of her life to write his screenplay, but fires her and entrusts the leading role to someone else.",0.5094,"\u002Ffa8ad45mpnc2PXxSlPGYJVjnH98.jpg","1969-03-10","622cff7da61de10077d0aa85",{"adult":97,"backdrop_path":113,"genre_ids":631,"id":632,"title":633,"original_language":316,"original_title":633,"overview":634,"popularity":635,"poster_path":636,"release_date":637,"softcore":97,"video":97,"vote_average":638,"vote_count":112,"character":257,"credit_id":639,"order":177,"media_type":139},[21],409143,"The Making of Rocky Road to Dublin","This documentary reunites director Peter Lennon and cinematographer Raoul Coutard, who recount the making of their then controversial but now classic documentary on Ireland in the Sixties. Rocky Road to Dublin was screened for only a few weeks at a single Dublin theatre.",0.5009,"\u002FzPXFLLmMm8SzVsn9egQdgdksLfB.jpg","2004-10-11",8.5,"62331e94ba131b001f863c4d",{"adult":97,"backdrop_path":641,"genre_ids":642,"id":643,"title":644,"original_language":128,"original_title":644,"overview":645,"popularity":646,"poster_path":647,"release_date":648,"softcore":97,"video":97,"vote_average":649,"vote_count":112,"character":650,"credit_id":651,"order":299,"media_type":139},"\u002FtgOpWaTOrfqTw6G9IXPSEIREGYe.jpg",[21],142474,"Chambre 12, Hôtel de Suède","Claude Ventura's documentary Chambre 12, Hotel de Suede, was made for the French television channel Arte in 1993. Ventura checks into room twelve in the hotel's final week of operation: it is demolished the day after he checks out. Room twelve was one of the principal locations for Jean-Luc Godard's New Wave masterpiece Breathless, and Ventura's documentary investigates the production of Godard's film.",0.6504,"\u002FmjIPvMCn4GWuA1qdmQ38ffSdG4S.jpg","1993-05-27",4.5,"Self (voice) (archive footage)","52fe4ae29251416c750f13f9",{"adult":97,"backdrop_path":653,"genre_ids":654,"id":655,"title":656,"original_language":128,"original_title":656,"overview":657,"popularity":658,"poster_path":659,"release_date":660,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":661,"order":177,"media_type":139},"\u002FxYftDzyfMQu6vCiLn64X10VaSsX.jpg",[21],142541,"Un metteur en ordre: Robert Bresson","A documentary, originally produced in 1966 for the French TV series \"Pour le plaisir,\" about Robert Bresson's film \"Au Hasard Balthazar,\" featuring interviews and discussions with Bresson, Jean-Luc Godard, Louis Malle, Marguerite Duras and others.",0.5364,"\u002FsYNSN3d2nVEE8JiyNNMJkE20q4t.jpg","1966-05-11","52fe4ae49251416c750f1925",{"adult":97,"backdrop_path":663,"genre_ids":664,"id":665,"title":666,"original_language":128,"original_title":667,"overview":668,"popularity":669,"poster_path":670,"release_date":671,"softcore":97,"video":97,"vote_average":672,"vote_count":299,"character":673,"credit_id":674,"order":24,"media_type":139},"\u002F9aVWbPSVzPpycpeT3HnvYmZckvd.jpg",[24,9],170173,"Scheherazade","Shéhérazade","Sheherazade is promised to a powerful Sultan as a gift in exchange for free passage to the Holy Land. When the Sultan's underling saves her from certain death, she falls madly in love with her hero.",1.8564,"\u002F5nvktFTMTFbfaObG5gDgn2u2BqM.jpg","1963-05-10",7.4,"Handwalker","62344fb1db4ed600450c82cc",{"adult":97,"backdrop_path":676,"genre_ids":677,"id":678,"title":679,"original_language":128,"original_title":680,"overview":681,"popularity":682,"poster_path":683,"release_date":684,"softcore":97,"video":97,"vote_average":138,"vote_count":685,"character":405,"credit_id":686,"order":284,"media_type":139},"\u002F8iAiIqaUa3uwOQYxslgIib4pz0x.jpg",[24,21],112823,"Number Two","Numéro deux","Jean-Luc Godard mixes video and film in his Grenoble studio, discussing how he secured funding for the film. The action unfolds on two monitors, as a young working-class couple lives in a claustrophobic, high-rise apartment complex and marital discord is set off by the wife’s infidelity.",0.8499,"\u002FmlcOoKproGk1zvwIb8Qx3eOJhMx.jpg","1975-09-24",31,"52fe4b21c3a36847f81f3ef7",{"adult":97,"backdrop_path":688,"genre_ids":689,"id":690,"title":691,"original_language":128,"original_title":692,"overview":693,"popularity":694,"poster_path":695,"release_date":696,"softcore":97,"video":97,"vote_average":391,"vote_count":12,"character":697,"credit_id":698,"order":284,"media_type":139},"\u002FiGNAF2Es13Hwh2bx5mOSiqePXyO.jpg",[24],248319,"How's It Going?","Comment ça va ?","During the making of a video film about a communist printing press, a union member and a leftist activist discuss how to present their information, especially how to caption two specific images: one of a protest in Portugal, the other of a strike in France. One of them decides to write to his son, a manual worker living outside of Paris with his girlfriend, telling the young man about his troubles.",0.3916,"\u002FnlN7pDv58qXXo8sBINDhaymMrie.jpg","1978-04-26","Union Member (voice)","64c0c258514c4a00add32946",{"adult":97,"backdrop_path":113,"genre_ids":700,"id":701,"title":702,"original_language":128,"original_title":703,"overview":704,"popularity":705,"poster_path":706,"release_date":707,"softcore":97,"video":97,"vote_average":649,"vote_count":154,"character":405,"credit_id":708,"order":192,"media_type":139},[21],148404,"Tribute to Eric Rohmer","Il y avait quoi (pour Éric Rohmer)","Brief, fragmented memories of Rohmer spoken by Godard, while the screen shows various titles of articles Rohmer wrote for Cahiers du Cinema.",0.3803,"\u002FyW6cCtTYTe6MkFCnay9rEgNIaQ0.jpg","2010-02-08","52fe4bca9251416c7510e03d",{"adult":97,"backdrop_path":113,"genre_ids":710,"id":711,"title":712,"original_language":128,"original_title":712,"overview":713,"popularity":714,"poster_path":715,"release_date":716,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":717,"order":192,"media_type":139},[],793452,"Iter","A Jean-Luc Godard course in Nanterre Amandiers.",0.2182,"\u002FsQhbXAjeY5ihjD9iU28ykS57wxL.jpg","2020-01-01","64dd8ded5ab81a00ad1fd425",{"adult":97,"backdrop_path":719,"genre_ids":720,"id":721,"title":722,"original_language":128,"original_title":722,"overview":723,"popularity":724,"poster_path":725,"release_date":726,"softcore":97,"video":97,"vote_average":241,"vote_count":471,"character":165,"credit_id":727,"order":30,"media_type":139},"\u002F7uAHDiwMgxvrxuABTqnnpiu7kxA.jpg",[21],781228,"Alain Delon, l'ombre au tableau","A childhood in boarding school, volunteered at 17 for the war and dismissed for indiscipline, thug in Marseille turned gigolo in Paris, he became actor thanks to some inspired women. Then flying high, fast and far, thanks to his director masters René Clément, Luchino Visconti & Jean-Pierre Melville.",0.5303,"\u002F96hjIGfInAC3amQc0XaU514Qubq.jpg","2019-05-07","626771dd5c564e0051a1fe77",{"adult":97,"backdrop_path":729,"genre_ids":730,"id":731,"title":732,"original_language":128,"original_title":733,"overview":734,"popularity":735,"poster_path":736,"release_date":737,"softcore":97,"video":97,"vote_average":299,"vote_count":112,"character":257,"credit_id":738,"order":192,"media_type":139},"\u002Ft3JMgcFCxUjBuwBSOmgze4Qu87i.jpg",[21],223836,"Marcel Ophuls and Jean-Luc Godard: The Meeting in St-Gervais","Marcel Ophuls et Jean-Luc Godard, La rencontre de St-Gervais","In 2009, in a small theater in Geneva, Switzerland, the film directors Marcel Ophuls and Jean-Luc Godard met for an unusual, surprisngly intimate and sometimes contentious dialogue with each other in front of a live audience. Luckily for us, it was filmed.",0.3526,"\u002FvfuSNJFAMyOOEFF2xfAKBy2vKAC.jpg","2011-04-07","52fe4e259251416c7514cd29",{"adult":97,"backdrop_path":113,"genre_ids":740,"id":741,"title":742,"original_language":128,"original_title":742,"overview":743,"popularity":744,"poster_path":113,"release_date":745,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":746,"order":177,"media_type":139},[21],981849,"Festivals 66 Cinéma 67","Wanderings during the Cannes and Hyères 1966 festivals. Interviews with Louise de Vilmorin, Jean-Luc Godard, Robert Bresson, Jacques Rivette, Jean-Louis Comolli, François Truffaut. Lunch on the grass of the Cahiers du cinéma, young onlookers on mopeds, children from the surrounding villages, the film portrays an era, a cinephilia, a cinema still in balance between art and industry.",0.314,"1967-05-30","6294ba25a44d0900a988286f",{"adult":97,"backdrop_path":748,"genre_ids":749,"id":750,"title":751,"original_language":128,"original_title":751,"overview":752,"popularity":753,"poster_path":754,"release_date":755,"softcore":97,"video":97,"vote_average":138,"vote_count":284,"character":257,"credit_id":756,"order":192,"media_type":139},"\u002FxvtnuOORpC12Hij3f5H0TM0LGgD.jpg",[21,51],228957,"Soft and Hard","Jean-Luc Godard and Anne-Marie Miéville talk about their films, while doing everyday tasks around their house.",0.2826,"\u002F8w0wqG74NGimclIKwpbSYi9nzH9.jpg","1985-08-12","52fe4ede9251416c75165151",{"adult":97,"backdrop_path":113,"genre_ids":758,"id":759,"title":760,"original_language":128,"original_title":760,"overview":761,"popularity":762,"poster_path":763,"release_date":764,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":765,"order":192,"media_type":139},[21],1186059,"Leçons de cinéma de Godard à Montréal, classe 1","Lesson of April 14, 1978 (class #1)  Films discussed: Fallen Angel (Otto Preminger, 1945), Breathless (Jean-Luc Godard, 1958). In the vaults of Concordia University's Visual Collections Repository department slept some 30 ½-inch black-and-white video open reels. They contained Jean-Luc Godard's 14 lessons, spread out from April 14, 1978 to October 21, 1978. The sessions consisted of long and brilliant series of digressions (often uninterrupted), initiated by questions from the audience or from Serge Losique. There are dazzling reflections on editing, economics, actors and actresses, war, political commitment, the media, and we witness the setting in motion of a unique thought.",0.287,"\u002FhgznCDJvNCYHabByZSd5j3Z6wrI.jpg","1978-04-14","65197123c50ad2014dcde9c9",{"adult":97,"backdrop_path":113,"genre_ids":767,"id":768,"title":769,"original_language":128,"original_title":769,"overview":770,"popularity":771,"poster_path":772,"release_date":773,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":774,"order":192,"media_type":139},[21],1186065,"Leçons de cinéma de Godard à Montréal, classe 10","Lesson of October 7, 1978 (class #10).  Films discussed : Battleship Potemkin (Sergei Eisenstein, 1925), The Golden Age (Luis Buñuel and Salvador Dali, 1930), Mr. Deed Goes to Town (Frank Capra, 1936), La chinoise (Jean-Luc Godard, 1967).  In the vaults of Concordia University's Visual Collections Repository department slept some 30 ½-inch black-and-white video open reels. They contained Jean-Luc Godard's 14 lessons, spread out from April 14, 1978 to October 21, 1978. The sessions consisted of long and brilliant series of digressions (often uninterrupted), initiated by questions from the audience or from Serge Losique. There are dazzling reflections on editing, economics, actors and actresses, war, political commitment, the media, and we witness the setting in motion of a unique thought.",0.3107,"\u002FlkXMDRATRiIEBGEZO419fCdaAnd.jpg","1978-10-07","65197482ea84c7014efc0cfd",{"adult":97,"backdrop_path":113,"genre_ids":776,"id":777,"title":778,"original_language":128,"original_title":778,"overview":779,"popularity":780,"poster_path":781,"release_date":782,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":783,"order":192,"media_type":139},[21],1186069,"Leçons de cinéma de Godard à Montréal, classe 11","Lesson of October 13, 1978 (course #11).  Films discussed: Dracula (Tod Browning, 1931), Germany Year Zero (Roberto Rossellini, 1948), The Birds (Alfred Hitchcock, 1963), Weekend (Jean-Luc Godard, 1967).  In the vaults of Concordia University's Visual Collections Repository department slept some 30 ½-inch black-and-white video open reels. They contained Jean-Luc Godard's 14 lessons, spread out from April 14, 1978 to October 21, 1978. The sessions consisted of long and brilliant series of digressions (often uninterrupted), initiated by questions from the audience or from Serge Losique. There are dazzling reflections on editing, economics, actors and actresses, war, political commitment, the media, and we witness the setting in motion of a unique thought.",0.25,"\u002F32L52oAH7oPeQvK2msURm0HZgtb.jpg","1978-10-10","651976359d592c0102c0119c",{"adult":97,"backdrop_path":785,"genre_ids":786,"id":787,"title":788,"original_language":128,"original_title":789,"overview":790,"popularity":791,"poster_path":792,"release_date":793,"softcore":97,"video":97,"vote_average":220,"vote_count":138,"character":257,"credit_id":794,"order":177,"media_type":139},"\u002FAkxpVlnQgD6GUaSRMowenQ0DynW.jpg",[21,51],255990,"The Dinosaur and the Baby","Cinéastes de notre temps : Le Dinosaure et le Bébé, dialogue en huit parties entre Fritz Lang et Jean-Luc Godard","An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)",0.7521,"\u002FhF05JIxISU8rmzWDpdwoFYEXln3.jpg","1967-03-15","5301b01892514121a71dc158",{"adult":97,"backdrop_path":113,"genre_ids":796,"id":797,"title":798,"original_language":128,"original_title":798,"overview":799,"popularity":800,"poster_path":113,"release_date":801,"softcore":97,"video":97,"vote_average":802,"vote_count":471,"character":257,"credit_id":803,"order":192,"media_type":139},[21,51],259026,"Six fois deux\u002FSur et sous la communication","The title and subtitle of this French miniseries are “Six Times Two; Over and under the media”. The “six” refers to the fact that there are six episodes; the “two” has a double meaning.",0.4149,"1976-03-12",8.7,"5320c4919251411f7a0019c5",{"adult":97,"backdrop_path":805,"genre_ids":806,"id":807,"title":808,"original_language":128,"original_title":809,"overview":810,"popularity":811,"poster_path":812,"release_date":813,"softcore":97,"video":97,"vote_average":241,"vote_count":202,"character":814,"credit_id":815,"order":112,"media_type":139},"\u002FuBOtHJ1ofizqE8yWjPa2whbpc0w.jpg",[51,21],259023,"France \u002F Tour \u002F Detour \u002F Two \u002F Children","France \u002F Tour \u002F Detour \u002F Deux \u002F Enfants","In this astonishing twelve-part project for and about television — the title of which refers to a 19th-century French primer Le tour de la France par deux enfants — Godard and Miéville take a detour through the everyday lives of two children in contemporary France.",0.4546,"\u002Ffbdo44yEgD9DEbMfwI0w3t3MBhz.jpg","1979-01-01","Robert Linard","5320c2fe9251411f890019c4",{"adult":97,"backdrop_path":113,"genre_ids":817,"id":818,"title":819,"original_language":128,"original_title":819,"overview":820,"popularity":821,"poster_path":822,"release_date":823,"softcore":97,"video":97,"vote_average":176,"vote_count":112,"character":257,"credit_id":824,"order":192,"media_type":139},[21],261915,"La Nouvelle Vague par elle-même","Made for Cinéastes de notre temps series. In 1964, several French New Wave auteurs discuss the success and crisis of the wave. Featuring Claude Chabrol, François Truffaut, Jacques Rivette, Jean-Luc Godard, Jacques Rozier, Jacques Demy, Agnès Varda, Jean Rouch, and many others.",0.7059,"\u002F3okFZRnN0IUD04SrwPw6QyOpL9w.jpg","1964-05-19","53364675c3a3680e700006be",{"adult":97,"backdrop_path":113,"genre_ids":826,"id":827,"title":828,"original_language":128,"original_title":828,"overview":829,"popularity":830,"poster_path":831,"release_date":832,"softcore":97,"video":97,"vote_average":202,"vote_count":138,"character":257,"credit_id":833,"order":192,"media_type":139},[21],255568,"Voices","Documentary about Jean-Luc Godard filming Sympathy for the Devil with The Rolling Stones.",0.4211,"\u002FsDSfgBg7kd6oBGKiyO4YntgmFUA.jpg","1969-01-01","531da3299251417a4a0001cb",{"adult":97,"backdrop_path":835,"genre_ids":836,"id":837,"title":838,"original_language":839,"original_title":840,"overview":841,"popularity":842,"poster_path":113,"release_date":843,"softcore":97,"video":97,"vote_average":154,"vote_count":177,"character":844,"credit_id":845,"order":395,"media_type":139},"\u002Fp32IJ9umi3eCYp2zuV6gejgLcEe.jpg",[21],315988,"Little Godard","de","Der kleine Godard an das Kuratorium junger deutscher Film","The production of a film requires recording equipment and financial resources, if nothing else. Hellmuth Costard places these basic prerequisites at the centre of his film: using a Super 8 camera system he developed, he films himself as he tries to raise funding for his film project. This creates an unconventional experimental setup, which reveals how the economics, politics, technology, and aesthetics of filmmaking relate to each other – with the ‘great’ Godard being called up as a kind of chief witness.",0.5918,"1978-06-08","Guest","652e5bb2ea84c7014e06b1a6",{"adult":97,"backdrop_path":847,"genre_ids":848,"id":849,"title":850,"original_language":128,"original_title":851,"overview":852,"popularity":853,"poster_path":854,"release_date":855,"softcore":97,"video":97,"vote_average":220,"vote_count":202,"character":856,"credit_id":857,"order":177,"media_type":139},"\u002F9sLZ7RbuNAByOaNu7YfU5ShtJNH.jpg",[24],104981,"The Children Play Russian","Les enfants jouent à la Russie","A famous French filmmaker is hired by a major Hollywood producer to make a documentary on the state of post-Cold War Russia. The filmmaker, though, subverts the project by stubbornly remaining in France and casting himself as the title character of Dostoyevsky's \"The Idiot,\" offering up a series of typically Godardian musings on art, politics, the nature of images and the future of cinema.",0.7161,"\u002FepiL7sjvzf1bnK09EkgRzVeiYvv.jpg","1993-08-08","Prince Mishkin, the Idiot","62cafb334a4bfc0055ec030e",{"adult":97,"backdrop_path":859,"genre_ids":860,"id":861,"title":862,"original_language":128,"original_title":863,"overview":864,"popularity":865,"poster_path":866,"release_date":867,"softcore":97,"video":97,"vote_average":868,"vote_count":299,"character":243,"credit_id":869,"order":192,"media_type":139},"\u002FmaYcSBG4ISZpl6bqUe2YdWGJm7C.jpg",[21],271945,"Letter in Motion to Gilles Jacob and Thierry Fremaux","Khan Khanne, sélection naturelle","Rather than writing a simple letter to explain his absence from the press conference for his latest Cannes entry, \"Goodbye to Language,\" at the Cannes Film Festival, instead, legendary filmmaker Jean-Luc Godard created a video \"Letter in motion to (Cannes president) Gilles Jacob and (artistic director) Thierry Fremaux.\" The video intercuts from Godard speaking cryptically about his \"path\" to key scenes from Godard classics such as \"Alphaville\" and \"King Lear\" with Burgess Meredith and Molly Ringwald, and quotes poet Jacques Prevert and philosopher Hannah Arendt.",0.4869,"\u002F1PDRFTDucTrz66N7CT7SLbjQiFf.jpg","2014-05-21",6.9,"5382856ec3a36805a40073b8",{"adult":97,"backdrop_path":871,"genre_ids":872,"id":873,"title":874,"original_language":128,"original_title":874,"overview":875,"popularity":876,"poster_path":877,"release_date":878,"softcore":97,"video":97,"vote_average":879,"vote_count":299,"character":880,"credit_id":881,"order":882,"media_type":139},"\u002F6fJgLOFJO5AAlieLZxfmTyZKOEy.jpg",[21],272074,"Cinématon","Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.",1.2791,"\u002F5l2dmFdiaFbt8XUyzmZxBeqGMJA.jpg","1978-12-20",4.9,"N°106","53839a280e0a2624cb00ccaf",32,{"adult":97,"backdrop_path":113,"genre_ids":884,"id":885,"title":886,"original_language":128,"original_title":886,"overview":887,"popularity":888,"poster_path":113,"release_date":889,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":890,"order":192,"media_type":139},[21],1204570,"Jean-Luc Godard à la Cinémathèque française","After offering spectators a projection\u002Fcomparison of extracts from 17 films (each time, the first 5 minutes of their second reel) entitled \"Une histoire A\u002FB du cinéma\" (A\u002FB history of cinema), Jean-Luc Godard becomes a film historian, reflecting live and in public on his future Histoire(s) du cinéma (History(s) of cinema), which will not be considered complete until 1998.  Edited from Betacam cassette rushes recovered in 2023 and digitized by the Cinémathèque française.",0.4197,"1985-11-27","655220ea0816c700e01792ac",{"adult":97,"backdrop_path":892,"genre_ids":893,"id":894,"title":895,"original_language":128,"original_title":896,"overview":897,"popularity":898,"poster_path":899,"release_date":900,"softcore":97,"video":97,"vote_average":391,"vote_count":36,"character":901,"credit_id":902,"order":471,"media_type":139},"\u002FgN5UhjmvWxeZGqyaoANttDJphts.jpg",[24],256105,"The Kreutzer Sonata","La sonate à Kreutzer","Some time after marrying a sensual girl, Pozdnychev realizes the only link to his spouse is that of physical love. When a violinist with whom his wife plays regularly the “Sonata to Kreutzer” appears, the young woman blooms in a new passion. From then on, her husband is eaten away by jealousy.",0.6695,"\u002F2zAixEsFiWarNKXRMv93xiAc40Z.jpg","1956-01-01","Ami Journaliste","53eabcfd0e0a265f42000451",{"adult":97,"backdrop_path":904,"genre_ids":905,"id":906,"title":907,"original_language":128,"original_title":908,"overview":909,"popularity":910,"poster_path":911,"release_date":912,"softcore":97,"video":97,"vote_average":913,"vote_count":914,"character":105,"credit_id":915,"order":395,"media_type":139},"\u002FbiJMHfwb1yaH2W9OwIt3n6RtVbS.jpg",[42,24,54],43026,"Paris Belongs to Us","Paris nous appartient","A young woman joins a theatrical troupe where she slowly believes that the director is involved with a secret group and that he is in grave danger.",1.3322,"\u002F6d5k00vjGDjDn3g7znRoJYCALen.jpg","1961-12-13",6.578,83,"53eabd3c0e0a265f5000045c",{"adult":97,"backdrop_path":113,"genre_ids":917,"id":918,"title":919,"original_language":839,"original_title":919,"overview":920,"popularity":921,"poster_path":922,"release_date":923,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":165,"credit_id":924,"order":192,"media_type":139},[21],488940,"September September","\"[This film] embodies (...) one of his [Hahnemann's] most mature films. Rainy rides along Schönhauser Allee, which seems to be depopulated. Past the 'Viennese Café', the meeting place par excellence. From a moving train the view of idyllic landscapes, on the horizon a castle. The camera tilts, turns, until the world is upside down. Scenes of an action with the artist friend Heike Stephan: in the sanctuary Hahnemann, black painted with a white turban, and Stephan, stack cages with rabbits on top of each other. Then TV recordings of a discussion forum with Jean-Luc Godard and Rosa von Praunheim - scenes as from another planet. From the off again and again a poem Hahnemann, recited by Peter Mario Graus. The diction is initially calm, almost factual, increases, eventually overturns, but then falls back, resigned. \" (Claus Löser in \"Gegenbilder\")",0.2965,"\u002F7tJCWXNcpEmCkpos4vBr9N8EJms.jpg","1986-01-01","65721bb1172d7f014d206433",{"adult":97,"backdrop_path":113,"genre_ids":926,"id":927,"title":928,"original_language":128,"original_title":929,"overview":930,"popularity":931,"poster_path":932,"release_date":933,"softcore":97,"video":97,"vote_average":366,"vote_count":112,"character":934,"credit_id":935,"order":192,"media_type":139},[],293426,"The Darty Report","Le Rapport Darty","A daring deconstruction of consumerist behavior featuring a robot and Miss Clio Darty, with a voiceover by Godard and Anne-Marie Miéville, this philosophical \"report,\" like so many of Godard's commissions, was rejected by its funders.",0.4272,"\u002Fe8kQ2zDXGr0G7BZnvTW4OZaQ7wv.jpg","1989-01-01","Nathanael, the 2000 Year-Old Robot","541a4940c3a368511b001426",{"adult":97,"backdrop_path":937,"genre_ids":938,"id":939,"title":940,"original_language":128,"original_title":940,"overview":941,"popularity":942,"poster_path":943,"release_date":944,"softcore":97,"video":97,"vote_average":202,"vote_count":112,"character":945,"credit_id":946,"order":192,"media_type":139},"\u002Fc68ZQOjkYnfrXCj2KkwzlAaSkcc.jpg",[21],293990,"Vrai faux passeport","A dense work, citing everyone from Tarantino and Verhoeven to Artaud and Chaplin, made for Godard's exhibition at the Centre Pompidou, Voyage(s) en utopie.",0.444,"\u002FkIZ2bgShX9WH59ReNG350YL6SmK.jpg","2006-04-26","Self - Narrator (voice)","541dfb83c3a368720d000495",{"adult":97,"backdrop_path":948,"genre_ids":949,"id":950,"title":951,"original_language":128,"original_title":951,"overview":952,"popularity":953,"poster_path":954,"release_date":955,"softcore":97,"video":97,"vote_average":868,"vote_count":956,"character":957,"credit_id":958,"order":299,"media_type":139},"\u002Fq53o3eyUorC2WTbdepCiuc2XSix.jpg",[24,45],50785,"Le Petit Soldat","Despite his lack of political convictions, photojournalist Bruno Forestier is roped into a paramilitary group waging a shadow war in Geneva against the Algerian independence movement.",0.755,"\u002FpzKFKVZHeGhJQYWZN6qO3GXUApU.jpg","1963-01-25",189,"Man at Railway Station (uncredited)","542123830e0a265d22000d3c",{"adult":97,"backdrop_path":960,"genre_ids":961,"id":962,"title":963,"original_language":128,"original_title":964,"overview":965,"popularity":966,"poster_path":967,"release_date":968,"softcore":97,"video":97,"vote_average":969,"vote_count":60,"character":970,"credit_id":971,"order":192,"media_type":139},"\u002FoE4I9cKrflZEPvn2MXLUY9ux008.jpg",[15,45],47454,"Presentation, or Charlotte and Her Steak","Présentation ou Charlotte et son steak","On a snowy day in a Swiss village, Walter introduces Charlotte to Clara, hoping to spark jealousy. Later, at Charlotte’s home, tensions rise as they discuss beauty, attraction, and honesty. Despite initial resistance, emotions take over, leading to an unexpected moment of intimacy before their farewell.",0.989,"\u002F44zQGy9oL8gexayEzx1rYzNbcrN.jpg","1951-11-20",5.6,"Walter","543d1544c3a36815f00019cb",{"adult":97,"backdrop_path":973,"genre_ids":974,"id":975,"title":976,"original_language":128,"original_title":977,"overview":978,"popularity":979,"poster_path":980,"release_date":981,"softcore":97,"video":97,"vote_average":969,"vote_count":30,"character":165,"credit_id":982,"order":192,"media_type":139},"\u002FkcDyzBiXrcpLaVpFVGvRgT7gcxk.jpg",[21],1005409,"Godard Cinema","Godard, seul le cinéma","Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.",0.8405,"\u002Fcz5DGkSyAfoe31AY5yV855Lx2zR.jpg","2023-06-05","631e057ba33612007d7ce5cb",{"adult":97,"backdrop_path":113,"genre_ids":984,"id":985,"title":986,"original_language":128,"original_title":986,"overview":987,"popularity":988,"poster_path":989,"release_date":990,"softcore":97,"video":97,"vote_average":649,"vote_count":138,"character":257,"credit_id":991,"order":192,"media_type":139},[],160977,"Adieu au TNS","In 1998, Jean-Luc Godard made a short video entitled Adieu au TNS (Farewell to the TNS). Never released (or intended to be), the video is nearly impossible to see and has not been included in any Godard retrospectives to date.",0.2734,"\u002Fb1nCN9YBNh3cEcPVOxIZF2JrPQk.jpg","1998-12-15","6320e28ffd4a96007a276653",{"adult":97,"backdrop_path":113,"genre_ids":993,"id":994,"title":995,"original_language":996,"original_title":997,"overview":998,"popularity":999,"poster_path":113,"release_date":1000,"softcore":97,"video":378,"vote_average":299,"vote_count":177,"character":165,"credit_id":1001,"order":112,"media_type":139},[],1022640,"Anna and the Jellyfish","vi","Tạm biệt Anna","A short film by Joel Nguyen, made for his mother. Influenced from Agnès Varda",0.2949,"2020-09-30","6324a65a2a210c007fe52894",{"adult":97,"backdrop_path":1003,"genre_ids":1004,"id":1005,"title":1006,"original_language":128,"original_title":1006,"overview":1007,"popularity":1008,"poster_path":1009,"release_date":1010,"softcore":97,"video":97,"vote_average":1011,"vote_count":284,"character":165,"credit_id":1012,"order":177,"media_type":139},"\u002F4xaotOc6GQYN8QfXF3EGl0dCYOW.jpg",[21],416653,"Truffaut \u002F Godard, scénario d'une rupture","An inquiry into two of the most influencial French filmakers friendship and feud.",0.7032,"\u002FxGWKy6etsFNdVhk2CwiwLswJoW6.jpg","2016-05-12",7.5,"632af5b22dffd8007f22402d",{"adult":97,"backdrop_path":1014,"genre_ids":1015,"id":1016,"title":1017,"original_language":495,"original_title":1018,"overview":1019,"popularity":1020,"poster_path":1021,"release_date":1022,"softcore":97,"video":97,"vote_average":164,"vote_count":395,"character":165,"credit_id":1023,"order":1024,"media_type":139},"\u002FsDHHEB9KCqnMpSvFnVBp0SQT5PF.jpg",[21,33],78129,"I Am Cuba, the Siberian Mammoth","Soy Cuba, o mamute Siberiano","Contemporary film critics regard the epic film I Am Cuba as a modern masterpiece. The 1964 Cuban\u002FSoviet coproduction marked a watershed moment of cultural collaboration between two nations. Yet the film never found a mass audience, languishing for decades until its reintroduction as a \"classic\" in the 1990s. Vicente Ferraz explores the strange history of this cinematic tour de force, and the deeper meaning for those who participated in its creation.",0.694,"\u002FgEsrTlSQotjxaVSbfIEsIG38Ax2.jpg","2005-09-16","54b93c44c3a3686c610043e3",9,{"adult":97,"backdrop_path":113,"genre_ids":1026,"id":1027,"title":1028,"original_language":1029,"original_title":1028,"overview":1030,"popularity":1031,"poster_path":1032,"release_date":1033,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":165,"credit_id":1034,"order":112,"media_type":139},[24],1030058,"Godard Etkisi","tr","The first woman and the second woman spend a day together. According to their views, they are friends who belong to two different classes. With a non-linear narrative, they provide us with topics of discussion and radical ideas from their daily lives.",0.4377,"\u002FvcWVZYDpJZ004vTk4RClZiLMZ8x.jpg","2021-11-02","633646e3f3b49a007e9d768c",{"adult":97,"backdrop_path":113,"genre_ids":1036,"id":1037,"title":1038,"original_language":128,"original_title":1039,"overview":1040,"popularity":1041,"poster_path":1042,"release_date":1043,"softcore":97,"video":97,"vote_average":1044,"vote_count":1045,"character":1046,"credit_id":1047,"order":192,"media_type":139},[],1065727,"Trailer of a Film That Will Never Exist: Phony Wars","Film annonce du film qui n’existera jamais: «Drôles de guerres»","Rejecting the billions of alphabetic diktats to liberate the incessant metamorphoses and metaphors of a necessary and true language by re-turning to the locations of past film shoots, while keeping track of modern times.",0.5923,"\u002Fxtryd4dechwVs9fsMWUTZmm7MAj.jpg","2023-12-15",5.9,22,"Self\u002FNarrator","65b11ddfb9a0bd017244f88b",{"adult":97,"backdrop_path":1049,"genre_ids":1050,"id":1051,"title":1052,"original_language":495,"original_title":1052,"overview":1053,"popularity":1054,"poster_path":1055,"release_date":1056,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":165,"credit_id":1057,"order":527,"media_type":139},"\u002FmrVrXM7QYO6vEuhHsJLmJ1Kn4Lj.jpg",[21],508088,"Memória Cubana","Through the files of Cuban cinema news program Noticieros ICAIC Latinoamericanos, the documentary shows the most relevant events of the second half of the 20th century as seen by the documentary filmmakers of the island. During three decades and under the general direction of Santiago Álvarez, these moviemakers witnessed almost everything: from the shivers of the Cold War to Bola de Nieve's piano solos; from the discovery of the killing fields in Cambodia to the Carnation Revolution in Portugal. In 2009, the original negatives of Noticieros ICAIC Latinoamericanos were declared part of the \"world memory\" by UNESCO.",0.3784,"\u002F2B2MfKxejiIYHXgPZJny62gkJ1H.jpg","2010-09-27","65b2a7e9b1f68d0130d4b5c9",{"adult":97,"backdrop_path":1059,"genre_ids":1060,"id":1061,"title":1062,"original_language":128,"original_title":1063,"overview":1064,"popularity":1065,"poster_path":1066,"release_date":1067,"softcore":97,"video":97,"vote_average":1068,"vote_count":1069,"character":1070,"credit_id":1071,"order":15,"media_type":139},"\u002F9w0Kk8Sleb4tkCFEUcvibMzaa16.jpg",[24],147,"The 400 Blows","Les Quatre Cents Coups","For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.",5.3932,"\u002F12PuU23kkDLvTd0nb8hMlE3oShB.jpg","1959-06-03",7.994,2431,"(voix) (non crédité)","65b70f530fb17f017b33d8fb",{"adult":97,"backdrop_path":1073,"genre_ids":1074,"id":1075,"title":1076,"original_language":128,"original_title":1077,"overview":1078,"popularity":1079,"poster_path":1080,"release_date":1081,"softcore":97,"video":97,"vote_average":241,"vote_count":1082,"character":405,"credit_id":1083,"order":12,"media_type":139},"\u002Fiat1mWUl1DeShJG6E3bvDoZlE6q.jpg",[24,60],113629,"Wind from the East","Le Vent d'est","A politically oriented film in which images suggestive of a mock western are accompanied by an attack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema.",1.0256,"\u002FusHY2eij7lZe8BrY2cyy0ITldMZ.jpg","1970-08-19",29,"55047f5c9251412bfa00126f",{"adult":97,"backdrop_path":113,"genre_ids":1085,"id":1086,"title":1087,"original_language":128,"original_title":1088,"overview":1089,"popularity":1090,"poster_path":1091,"release_date":1092,"softcore":97,"video":97,"vote_average":202,"vote_count":284,"character":257,"credit_id":1093,"order":192,"media_type":139},[21],331320,"Message of Greetings: Prix suisse \u002F My Thanks \u002F Dead or Alive","Message de salutations: Prix suisse \u002F remerciements \u002F mort ou vif","Jean-Luc Godard's acceptance video for the 2015 'Prix d’honneur'.",0.5059,"\u002FmKVxbaqhRfujdybUgOBZw5nlAPW.jpg","2015-03-13","550997fec3a3685393003943",{"adult":97,"backdrop_path":1095,"genre_ids":1096,"id":1097,"title":1098,"original_language":839,"original_title":1098,"overview":1099,"popularity":1100,"poster_path":1101,"release_date":1102,"softcore":97,"video":97,"vote_average":1103,"vote_count":284,"character":257,"credit_id":1104,"order":112,"media_type":139},"\u002FyBESpX2afyu817Ps369C1uXSBUU.jpg",[21],338938,"Isabella Rossellini - Aus dem Leben eines Schmetterlings","She is one of the icons of our time: Isabella Rossellini, award-winning actress, supermodel, experimental filmmaker, feminist. She was married to Martin Scorsese and was in a relationship with David Lynch for many years. The star talks about successes and fears.",0.5103,"\u002FgPk4n0i7Xet5Kw2pynHYeeQgg50.jpg","2010-02-18",2.2,"5549c94f92514104ba0017ef",{"adult":97,"backdrop_path":1106,"genre_ids":1107,"id":1108,"title":1109,"original_language":316,"original_title":1109,"overview":1110,"popularity":1111,"poster_path":1112,"release_date":1113,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":1114,"credit_id":1115,"order":177,"media_type":139},"\u002FlTgQUlkUWK9P1SkiUw4YadsCtGv.jpg",[21],1247415,"The Staircase Wall","An experiment in activity, dedicated to Jean-Luc Godard and assembled in the immediate wake of his death on September 13, 2022. The only known footage of Marcel Proust is repeated through a sequence of digital abstractions and accompanied by the music of Gabriel Fauré, followed by video footage shot on iPhone 12 mini between North Carolina and New York City, 2021-2022.",0.4953,"\u002FyAMLDar5lDD8MFySSSJjWTT50hC.jpg","2023-09-14","Self (voice, archive footage)","65d4175beb79c2017e44255a",{"adult":97,"backdrop_path":1117,"genre_ids":1118,"id":1119,"title":1120,"original_language":128,"original_title":1121,"overview":1122,"popularity":1123,"poster_path":1124,"release_date":1125,"softcore":97,"video":97,"vote_average":1126,"vote_count":36,"character":165,"credit_id":1127,"order":284,"media_type":139},"\u002Fzh8ezwQj7TWhMiqH1hvjPnjTgwX.jpg",[21,33],324184,"A German Youth","Une jeunesse allemande","At the end of the 1960s the post-war generation began to revolt against their parents. This was a generation disillusioned by anti-communist capitalism and a state apparatus in which they believed they saw fascist tendencies. This generation included journalist Ulrike Meinhof, lawyer Horst Mahler, filmmaker Holger Meins as well as students Gudrun Ensslin and Andreas Baader.",0.527,"\u002FoZKJwuSNipMbpWU5jd9Lv7THxK8.jpg","2015-05-15",7.093,"555c3df1c3a3682d7e000c32",{"adult":97,"backdrop_path":113,"genre_ids":1129,"id":1130,"title":1131,"original_language":316,"original_title":1132,"overview":1133,"popularity":1134,"poster_path":1135,"release_date":1136,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1137,"order":112,"media_type":139},[21],1251554,"Noises From The Agora","Ruídos da Ágora","Football, betting, agriculture, technology, conspiracy theories and the second round of one of the most turbulent elections in the history of Brazilian politics. The daily political debate in a small newsstand in the interior of Rio Grande do Sul and the sound, visual and spatial noises of the contemporary agora.",0.3736,"\u002FdEOISOr96jS8OKZro2m2BGArNRP.jpg","2025-12-03","65df3b63140bad0186949939",{"adult":97,"backdrop_path":113,"genre_ids":1139,"id":1140,"title":1141,"original_language":316,"original_title":1141,"overview":1142,"popularity":1143,"poster_path":113,"release_date":1144,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1145,"order":154,"media_type":139},[21],1253151,"Godard: History: Passion","A 1983 film for Channel Four’s Visions, featuring interviews about the impact of Godard of British filmmakers and critics.",0.3867,"1983-05-11","65e326069979d20163af85a4",{"adult":97,"backdrop_path":1147,"genre_ids":1148,"id":1149,"title":1150,"original_language":316,"original_title":1150,"overview":1151,"popularity":1152,"poster_path":1153,"release_date":1154,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":104,"credit_id":1155,"order":192,"media_type":139},"\u002F85h2niGx2gezxcGkTxyZgVjePM5.jpg",[21],1052797,"G(ode)ard","An experimental tribute to Jean-Luc Godard, his documentary works and his insights in our modern world.",0.2253,"\u002FmXfVzSE8ZAMuTIhThONH73qJ851.jpg","2022-09-28","637f3e27a410c8008cd2ac85",{"adult":97,"backdrop_path":113,"genre_ids":1157,"id":1158,"title":1159,"original_language":128,"original_title":1160,"overview":1161,"popularity":1162,"poster_path":113,"release_date":1163,"softcore":97,"video":97,"vote_average":299,"vote_count":177,"character":165,"credit_id":1164,"order":177,"media_type":139},[21],343956,"Godard on TV: 1960-2000","Godard à la télé - 1960-2000","A compilation of the most spectacular TV moments thanks to the presence and evocation of Jean-Luc Godard on the small screen. Godard's presence has never been, and never will be, anodyne or banal. The subversion of everyday television.",0.5326,"1999-12-06","5576a9c392514110b7001317",{"adult":97,"backdrop_path":113,"genre_ids":1166,"id":1167,"title":1168,"original_language":316,"original_title":1168,"overview":1169,"popularity":1170,"poster_path":113,"release_date":1171,"softcore":97,"video":97,"vote_average":283,"vote_count":112,"character":165,"credit_id":1172,"order":138,"media_type":139},[21],346109,"Back to Room 666","What is the future of cinema? In 1982, in Cannes, Wim Wenders invited many movie makers to answer this question. 26 years later, the question remains, but Wenders is now on the other side of the camera.",0.3306,"2008-02-02","558b1e27c3a3687e5f000259",{"adult":97,"backdrop_path":1174,"genre_ids":1175,"id":1176,"title":1177,"original_language":128,"original_title":1178,"overview":1179,"popularity":1180,"poster_path":1181,"release_date":1182,"softcore":97,"video":97,"vote_average":138,"vote_count":177,"character":257,"credit_id":1183,"order":192,"media_type":139},"\u002FiQdBKfIgEx4LJuGPEMTcV3thUse.jpg",[21],1258288,"Only Godard","Seul Godard","How do you craft the portrait of Jean-Luc Godard, or better yet a portrait of his methodology, his universe, his way of constructing or deconstructing cinema, that is equal to his own cinematic audacity and genius? How could it be anything other than by taking risks, and trying out equally radical methods, never straying from to his example. The two filmmakers immerse us into the storage warehouse where, in 2010, all the archives kept by Godard in Switzerland were transferred, and they create a doppelganger (or a duplicate) of the director, who takes up the role of our guide into his world. Excerpts from his writings, his images, his perspective in cinema give us a glimpse into his mythology, his techniques, his singular gaze, and therefore also in his worldview.",0.2073,"\u002F35HhNu9EzQeAL8TLeBRG3w5cZj.jpg","2024-03-15","65f0e0086dea3a016377c40b",{"adult":97,"backdrop_path":1185,"genre_ids":1186,"id":1187,"title":1188,"original_language":128,"original_title":1189,"overview":1190,"popularity":1191,"poster_path":1192,"release_date":1193,"softcore":97,"video":97,"vote_average":1011,"vote_count":138,"character":1194,"credit_id":1195,"order":112,"media_type":139},"\u002FvyENrmUF55jgwoveZTYo4mF05n2.jpg",[15,24,45],352249,"We're All Still Here","Nous sommes tous encore ici","Two housewives discuss philosophical themes (actually an updated dialogue between Plato and Socrates) while doing the house work. The husband of one of them rehearses his part in a theatrical play, reading a 20th century philosophical text about totalitarianism.",0.5098,"\u002F9Xys2eea8xGnGcvkkDHfWS3kmbd.jpg","1997-03-19","The Actor","55b970b292514123dd003013",{"adult":97,"backdrop_path":113,"genre_ids":1197,"id":1198,"title":1199,"original_language":128,"original_title":1200,"overview":1201,"popularity":1202,"poster_path":1203,"release_date":1204,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":1205,"credit_id":1206,"order":192,"media_type":139},[24],1061928,"The Three Disasters","Les trois désastres","Short film originally made as part of the anthology film, 3x3D. Jean-Luc Godard's first 3-D film interrogates the history of the technology and explores its possibilities.",0.2452,"\u002Fl0DqOGXlcuVdnyyy7sArq5O3rAF.jpg","2013-05-23","Narrator","639beadd18864b00931e119d",{"adult":97,"backdrop_path":113,"genre_ids":1208,"id":1209,"title":1210,"original_language":316,"original_title":1210,"overview":1211,"popularity":1212,"poster_path":113,"release_date":1213,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1214,"order":177,"media_type":139},[21],1263275,"Lila","Lila Biro is a remarkable character who witnessed Rossellini in India, played a key role in the cutting of key titles of the French New Wave, and was a close collaborator of the Hungarian émigré painter, Atila Biro. For me, however, she’s also the star witness in a crime against film grammar: the jump cut. The editing style of Jean-Luc Godard’s Breathless is now legendary, but I’ve always wondered what it must have been like in the cutting room when that revolutionary editorial decision was made. Thanks to Lila, that moment is vividly brought to life.",0.2389,"2023-02-13","65fde0a57f6c8d017c6f716b",{"adult":97,"backdrop_path":1216,"genre_ids":1217,"id":1218,"title":1219,"original_language":128,"original_title":1220,"overview":1221,"popularity":1222,"poster_path":1223,"release_date":1224,"softcore":97,"video":97,"vote_average":1225,"vote_count":1226,"character":257,"credit_id":1227,"order":176,"media_type":139},"\u002Fw4uYP6ebNaLQIjsHcjQhjz3BB2m.jpg",[21],451995,"Faces Places","Visages Villages","Director Agnès Varda and photographer\u002Fmuralist JR journey through rural France and form an unlikely friendship.",1.6616,"\u002F1NX6NTj9FiiJwEgRUmEifSzE7Na.jpg","2017-06-28",7.6,432,"65ff2212378062017c39de8f",{"adult":97,"backdrop_path":1229,"genre_ids":1230,"id":1231,"title":1232,"original_language":128,"original_title":1233,"overview":1234,"popularity":1235,"poster_path":1236,"release_date":1237,"softcore":97,"video":97,"vote_average":605,"vote_count":229,"character":1238,"credit_id":1239,"order":6,"media_type":139},"\u002FciX59yAbr8LKu9wNLEIAL9bdSWU.jpg",[18,15],78786,"The World's Most Beautiful Swindlers","Les Plus Belles Escroqueries du monde","Five swindle stories, taking place in five international cities: Tokyo, Japan (\"Fumiko's Five Benefactors\" by Hiromichi Horikawa); Amsterdam, The Netherlands (\"A River of Diamonds\" by Roman Polanski); Naples, Italy (\"The Road Map\" by Ugo Gregoretti); Paris, France (\"The Man Who Sold the Eiffel Tower\" by Claude Chabrol); and Marrakesh, Morocco (\"The Confidence Man\" by Jean-Luc Godard). Godard's segment was not included in the original French cinema release, and Polanski's segment was not included on the 2016 home disc release.",1.3644,"\u002FoE6jV7mFFKoj7wzJfAwIox4jmq7.jpg","1964-08-14","Man in Fez \u002F Narrator (segment \"Le Grand escroc\") (uncredited)","6604ff0e813cb6017b192a11",{"adult":97,"backdrop_path":113,"genre_ids":1241,"id":1242,"title":1243,"original_language":1244,"original_title":1243,"overview":570,"popularity":1245,"poster_path":1246,"release_date":1247,"softcore":97,"video":97,"vote_average":176,"vote_count":177,"character":257,"credit_id":1248,"order":192,"media_type":139},[21],363898,"Nouvelle Vague : El cine sin dogmas","es",0.5548,"\u002FgXamyK4tBLfD33qrL2UaGuJdHJS.jpg","2000-04-02","561eb653c3a3680e10000a24",{"adult":97,"backdrop_path":1250,"genre_ids":1251,"id":1252,"title":1253,"original_language":495,"original_title":1253,"overview":570,"popularity":1254,"poster_path":1255,"release_date":570,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":1256,"credit_id":1257,"order":192,"media_type":139},"\u002F6ZjeFPgLAIE9smUgyoXmTRgWCWa.jpg",[],1073966,"MORTEM IMAGINIS.",0.6028,"\u002FbP4W7aQluIA2X8nCiToM1QdZGlp.jpg","Godard","63c2f151df857c00bc225462",{"adult":97,"backdrop_path":1259,"genre_ids":1260,"id":1261,"title":1262,"original_language":316,"original_title":1262,"overview":1263,"popularity":1264,"poster_path":1265,"release_date":1266,"softcore":97,"video":97,"vote_average":1011,"vote_count":112,"character":257,"credit_id":1267,"order":177,"media_type":139},"\u002FhxZ9IzGuvnyjr5vdSBGTLSX6H34.jpg",[21],378041,"Godard in America","Spring 1970: Godard and Gorin, on the road, visiting colleges, speaking with Andrew Sarris, and explaining, through illustrated notebooks, their newest Dziga Vertov Group project, a film on Palestine.",0.4679,"\u002F3MhatxrcfaGSbWpY3WdVDtNvCVL.jpg","1970-01-01","569c1764c3a36858d2000bdc",{"adult":97,"backdrop_path":1269,"genre_ids":1270,"id":1271,"title":1272,"original_language":128,"original_title":1272,"overview":1273,"popularity":1274,"poster_path":1275,"release_date":1276,"softcore":97,"video":97,"vote_average":1024,"vote_count":177,"character":257,"credit_id":1277,"order":192,"media_type":139},"\u002FakOY23z3MxB6Gd974hsxkGWu2XJ.jpg",[21],1220338,"Scénarios","In French, \"scénario\" is cinema's name for how it tells stories. This is the title Jean-Luc Godard chose for his final film, which was literally completed the day before his self-death. The two segments of this film open with a series of identical sequences. The second segment then diverges and ends on a self-portrait of Jean-Luc Godard -his last images- sitting on his bed, bare-chested, he hides none of the wear on his body in the manner of Pigalle's sculpted portrait of Voltaire. \"Scénarios\" ends as it began, with a repetition, the figure of eternal return, the moment where time, which has been the great -if not unique- question of cinema, will have ceased to flow.",0.4906,"\u002F7rOJA7MGKdL5ckSS4g6tb8i6H5s.jpg","2024-05-17","6639a4e7c9054f013091cf40",{"adult":97,"backdrop_path":113,"genre_ids":1279,"id":1280,"title":1281,"original_language":128,"original_title":1281,"overview":1282,"popularity":1283,"poster_path":1284,"release_date":1285,"softcore":97,"video":97,"vote_average":1044,"vote_count":594,"character":1286,"credit_id":1287,"order":192,"media_type":139},[21],188321,"Scénario du film Passion","Godard constructs a lyrical study of the cinematic and creative process by deconstructing the story of his 1982 film Passion. “I didn’t want to write the script,” he states, “I wanted to see it.” Positioning himself in a video editing suite in front of a white film screen that evokes for him the “famous blank page of Mallarmé,” Godard uses video as a sketchbook with which to reconceive the film. The result is a philosophical, often humorous rumination on the desire and labor that inform the conceptual and image making process of the cinema.",0.6635,"\u002Fl1K6vRTgirdcGz8oQL1amYxTBUJ.jpg","1982-01-28","Narrator \u002F Self","56aa377dc3a36872cd0072d2",{"adult":97,"backdrop_path":1289,"genre_ids":1290,"id":1291,"title":1292,"original_language":128,"original_title":1293,"overview":1294,"popularity":1295,"poster_path":1296,"release_date":1297,"softcore":97,"video":97,"vote_average":1298,"vote_count":1299,"character":1300,"credit_id":1301,"order":1024,"media_type":139},"\u002FsghiIicSkXstVJwzXhaFi2G0A9O.jpg",[24,45],40652,"The Married Woman","Une femme mariée: Suite de fragments d'un film tourné en 1964","A superficial woman finds conflict choosing between her abusive husband and her vain lover.",1.673,"\u002F3NUhCU2LsffAZNe2Ej0ZjKIpRsi.jpg","1964-12-04",6.886,136,"The Narrator (voice) (uncredited)","57193e52c3a3687b8c0051a2",{"adult":97,"backdrop_path":113,"genre_ids":1303,"id":1304,"title":1305,"original_language":128,"original_title":1305,"overview":1306,"popularity":1307,"poster_path":1308,"release_date":1309,"softcore":97,"video":97,"vote_average":138,"vote_count":177,"character":257,"credit_id":1310,"order":138,"media_type":139},[39,45],1303681,"Françoise et Udo...","This is the story of a meeting between a man and a woman. In a train, an Austrian singer and a French teacher exchange on their past, their character, and fall in love. Their journey is made in music. The opportunity to evoke Georges Brassens, Annabel Buffet, Eugène Ionesco…",0.4653,"\u002FgwlgJzzmHC0bubYnygm8eJekxBR.jpg","1968-11-01","66699f9f09ab865f5aaa1b34",{"adult":97,"backdrop_path":113,"genre_ids":1312,"id":1313,"title":1314,"original_language":316,"original_title":1314,"overview":1315,"popularity":1316,"poster_path":1317,"release_date":1318,"softcore":97,"video":97,"vote_average":138,"vote_count":177,"character":257,"credit_id":1319,"order":192,"media_type":139},[21],402615,"Two American Audiences: La Chinoise - A Film in the Making","Jean-Luc Godard visits NYU in order to discuss his latest feature \"La chinoise\" with graduate students on filmmaking and politics.",0.3685,"\u002Fe6b4ZiATtcxduBqePgBN6lfVOnh.jpg","1968-01-01","5764e5d792514168ef000851",{"adult":97,"backdrop_path":1321,"genre_ids":1322,"id":1323,"title":1324,"original_language":128,"original_title":1324,"overview":1325,"popularity":1326,"poster_path":1327,"release_date":1328,"softcore":97,"video":97,"vote_average":299,"vote_count":154,"character":257,"credit_id":1329,"order":177,"media_type":139},"\u002FhRcDqAYjGKOaZjEnvVVUzwhqvET.jpg",[21],31323,"Reporters","The co-founder of the Gamma press agency, Raymond Depardon, created this documentary of press photographers in Paris and their subjects by following the photographers around for one month, in October, 1980. In-between long hours waiting for a celebrity to emerge from a restaurant or a hotel, boredom immediately switches to fast action as the cameras click and roll when the person appears. The reaction to the gaggle of photographers is as varied as the people they often literally chase all around town. While some of the celebrities, such as Jacques Chirac who was mayor of Paris at the time, are perceived as comical caricatures, others are shown simply going about ordinary pursuits - including Catherine Deneuve, Gene Kelly, and Jean-Luc Godard.",0.8028,"\u002FmDdAb7E2ayhpwJfZr5EPTClGrbG.jpg","1981-06-10","577e4c12c3a3681f260003b0",{"adult":97,"backdrop_path":1331,"genre_ids":1332,"id":1333,"title":1334,"original_language":128,"original_title":1334,"overview":1335,"popularity":1336,"poster_path":1337,"release_date":1338,"softcore":97,"video":97,"vote_average":366,"vote_count":221,"character":257,"credit_id":1339,"order":284,"media_type":139},"\u002F3KJScl1cvLsZrazeDWgqRyGMcVL.jpg",[21],254018,"Paparazzi","Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.",0.9791,"\u002FryJseQE3NrEKdwFVvhYzDPBKOBu.jpg","1964-09-22","577e536bc3a3681e3e00080a",{"adult":97,"backdrop_path":1341,"genre_ids":1342,"id":1343,"title":1344,"original_language":128,"original_title":1345,"overview":1346,"popularity":1347,"poster_path":1348,"release_date":1349,"softcore":97,"video":97,"vote_average":868,"vote_count":1350,"character":243,"credit_id":1351,"order":192,"media_type":139},"\u002F6gwoPdKOU6xyvIXZBhwspGN0LwP.jpg",[21],174473,"Hail, Sarajevo","Je vous salue, Sarajevo","A short two-minute rumination on the once volatile situation during the period of the Bosnian War presented in the form of a photo-montage with accompanying text.",0.437,"\u002FmpB11iFrJhYM2DbkY4Cb9bxsaui.jpg","1993-04-13",70,"578e0c61c3a3681745002dbc",{"adult":97,"backdrop_path":113,"genre_ids":1353,"id":1354,"title":1355,"original_language":316,"original_title":1355,"overview":1356,"popularity":1357,"poster_path":1358,"release_date":1359,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1360,"order":192,"media_type":139},[21],384931,"One to One: Jean-Luc Godard Speaks","Short film, going behind-the-scenes of shooting for One Plus One (1968) in London, featuring an interview with Godard sitting beside a tree. Many crew members from this shoot were then borrowed by him, playing the press in the film's Eve Democracy sequence. Originally broadcast on the BBC programme 'Release' (30th Nov. '68).",0.6288,"\u002FgthPHaZpdiB7ZWnupAPsoEWPPWZ.jpg","1968-11-30","6678806ab90a373ac6732d1a",{"adult":97,"backdrop_path":1362,"genre_ids":1363,"id":1364,"title":1365,"original_language":128,"original_title":1366,"overview":1367,"popularity":1368,"poster_path":1369,"release_date":1370,"softcore":97,"video":97,"vote_average":1371,"vote_count":1372,"character":1373,"credit_id":1374,"order":1045,"media_type":139},"\u002F68NGFE8zD2gaQVH6MqJeKzojFJM.jpg",[24],1626,"Vivre Sa Vie","Vivre sa vie: film en douze tableaux","Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.",3.1665,"\u002FA0BjScjASfMFgyGI5sU0CwfKh3l.jpg","1962-09-20",7.697,730,"The Lover Reading Poe (voice) (uncredited)","57924b65c3a36867c30011c3",{"adult":97,"backdrop_path":1376,"genre_ids":1377,"id":1378,"title":1379,"original_language":128,"original_title":1380,"overview":1381,"popularity":1382,"poster_path":1383,"release_date":1384,"softcore":97,"video":97,"vote_average":1385,"vote_count":1386,"character":257,"credit_id":1387,"order":192,"media_type":139},"\u002F7XTfI78Iy5KVmUG1IR3pc9QCdQ1.jpg",[21],118257,"Room 666","Chambre 666","During the 1982 Cannes Film Festival, Wim Wenders asked a number of global film directors to, one at a time, go into a hotel room, turn on the camera, and answer a simple question: \"What is the future of cinema?\"",0.8631,"\u002FpnYr6mght2wysxekHpTZQJxy56q.jpg","1985-02-24",6.611,63,"57aebd429251410a8200197d",{"adult":97,"backdrop_path":113,"genre_ids":1389,"id":1390,"title":1391,"original_language":128,"original_title":1391,"overview":1392,"popularity":1393,"poster_path":1394,"release_date":1395,"softcore":97,"video":97,"vote_average":299,"vote_count":112,"character":257,"credit_id":1396,"order":192,"media_type":139},[],412576,"Le quadrille","The film features five actors, two women and three men. According to Rivette, “It ran 40 minutes and nothing happens. It’s just four people sitting around a table, looking at each other. After ten minutes, people started to leave, and at the end, the only ones who stayed were Jean-Luc and a girl.”",0.5045,"\u002FnUFouvbITqLZP7q560SoTTWTacj.jpg","1950-08-24","57bd8b0cc3a3684f63000094",{"adult":97,"backdrop_path":1398,"genre_ids":1399,"id":1400,"title":1401,"original_language":128,"original_title":1402,"overview":1403,"popularity":1404,"poster_path":1405,"release_date":1406,"softcore":97,"video":97,"vote_average":427,"vote_count":1407,"character":1408,"credit_id":1409,"order":471,"media_type":139},"\u002FboVUzioSUb0zpbTnikG8KSnFq1Z.jpg",[15],44461,"Charlotte and Her Boyfriend","Charlotte et son Jules","This short features a man who is visited by his ex-lover. The moment she arrives, the man starts his constant barrage of speech; the woman doesn't say much. She just mocks the man and pretends she isn't listening. She pulls faces at him and larks about; while the man is trying his best to get her back in his life, then in the next sentence he says he hates her.",0.5394,"\u002FeWnjLCJVcE6FljaEuBMvlFlvnmZ.jpg","1958-12-31",60,"Jules (voice) (uncredited)","57bdca20925141734c000a09",{"adult":97,"backdrop_path":113,"genre_ids":1411,"id":1412,"title":1413,"original_language":128,"original_title":1413,"overview":1414,"popularity":1415,"poster_path":113,"release_date":1416,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1417,"order":112,"media_type":139},[21],1319382,"Panorama: Jean-Paul Belmondo, 1965","Actor Jean-Paul Belmondo is interviewed, along with actor Anna Karina and director Jean-Luc Godard, during the filming of 'Pierrot le Fou'.",0.5641,"1965-06-18","669c67441130723d41e1a9d0",{"adult":97,"backdrop_path":113,"genre_ids":1419,"id":1420,"title":1421,"original_language":128,"original_title":1421,"overview":1422,"popularity":1423,"poster_path":1424,"release_date":1425,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1426,"order":192,"media_type":139},[21],1318121,"Zoom: Jean-Luc Godard, 1966","Filmmaker Jean-Luc Godard engages in a sociopolitical debate with French government official Jean St. Geours",0.3697,"\u002F7ghtelnR8UGq3rtvjDBzZDK49qN.jpg","1966-10-25","66982e9e6f85fc2a3d999139",{"adult":97,"backdrop_path":1428,"genre_ids":1429,"id":1430,"title":1431,"original_language":128,"original_title":1431,"overview":1432,"popularity":1433,"poster_path":1434,"release_date":1435,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":1436,"credit_id":1437,"order":138,"media_type":139},"\u002FctvPt1yGKrDgg32U2yNXcmIO1DL.jpg",[18],126394,"La rouge et la noire","Carrying on Luc Moullets unfinished screenplay about the theft of la pénélope, a camera created by Aaton and capable of recording equally well in 35 mm and digitally, LA ROUGE ET LA NOIRE is a film in kaleidoscope form. The portrait of Aatons founder, Jean-Pierre Beauviala creator, inter alia, of the time-code and the light cameras used by the New Wave (in particular the bush camera specially designed for Jean Rouch) is centered around the basic plot introduced by two women thieves who talk as voice-overs, and whose identities will only be revealed at the end.",0.7061,"\u002Fzz4xymOgyAdG69SdSpOY4Mbemkv.jpg","2011-06-08","Self (archive footage) (voice) (uncredited)","66a5906b8d89d98963ad7c86",{"adult":97,"backdrop_path":1439,"genre_ids":1440,"id":1441,"title":1442,"original_language":128,"original_title":1443,"overview":1444,"popularity":1445,"poster_path":1275,"release_date":1446,"softcore":97,"video":97,"vote_average":427,"vote_count":256,"character":405,"credit_id":1447,"order":192,"media_type":139},"\u002F8fqKiVnv74TtWvDkjLpRDN45c0d.jpg",[21],104931,"JLG\u002FJLG: Self-Portrait in December","JLG\u002FJLG, autoportrait de décembre","Director Jean-Luc Godard reflects in this movie about his place in film history, the interaction of film industry and film as art, as well as the act of creating art.",0.7347,"1995-01-20","58c100f0925141734a003df8",{"adult":97,"backdrop_path":113,"genre_ids":1449,"id":1450,"title":1451,"original_language":128,"original_title":1452,"overview":1453,"popularity":1454,"poster_path":1455,"release_date":1456,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":165,"credit_id":1457,"order":192,"media_type":139},[21],447116,"Jean-Luc Godard, Disorder Exposed","Jean-Luc Godard, le désordre exposé","The film retraces Jean-Luc Godard's notorious exhibition at the Centre national d'art et de culture Georges Pompidou in Paris between 11 May – 14 August 2006.",0.4785,"\u002F9kyQeWnX2aMAn3zeyu7i1Fz3akl.jpg","2012-08-20","58c967eb92514110f800b32d",{"adult":97,"backdrop_path":1459,"genre_ids":1460,"id":1461,"title":1462,"original_language":128,"original_title":1463,"overview":1464,"popularity":1465,"poster_path":1466,"release_date":1467,"softcore":97,"video":97,"vote_average":427,"vote_count":9,"character":405,"credit_id":1468,"order":299,"media_type":139},"\u002FnQzoFHA0CLbrOZ9FW6nOkRlpduF.jpg",[51,21],116408,"2 x 50 Years of French Cinema","Deux fois cinquante ans de cinéma français","At a lakeside hotel, Michel Piccoli discusses the centennial of cinema with Jean-Luc Godard. Godard asks why should cinema's birthday be celebrated when the history of film is a forgotten subject. Through the remainder of his hotel stay, Piccoli tests Godard's hypothesis.",0.6227,"\u002F1bl6nymP7DUZPn1uTUWSLPQOiKj.jpg","2008-09-17","59bb64609251413254007bad",{"adult":97,"backdrop_path":1470,"genre_ids":1471,"id":1472,"title":1473,"original_language":128,"original_title":1474,"overview":1475,"popularity":1476,"poster_path":1477,"release_date":1478,"softcore":97,"video":97,"vote_average":1479,"vote_count":1480,"character":243,"credit_id":1481,"order":1024,"media_type":139},"\u002FbOHq7n79I3gNDI3yMGidlLadJGA.jpg",[24,45],114982,"Goodbye to Language","Adieu au langage","\"The idea is simple \u002F A married woman and a single man meet \u002F They love, they argue, fists fly \u002F A dog strays between town and country \u002F The seasons pass \u002F The man and woman meet again \u002F The dog finds itself between them \u002F The other is in one, \u002F the one is in the other \u002F and they are three \u002F The former husband shatters everything \u002F A second film begins: \u002F the same as the first, \u002F and yet not \u002F From the human race we pass to metaphor \u002F This ends in barking \u002F and a baby's cries \u002F In the meantime, we will have seen people talking of the demise of the dollar, of truth in mathematics and of the death of a robin.\" -JLG",0.9921,"\u002FdQ0qBocOIz5VgoEPQDptOXRwWEv.jpg","2014-05-28",5.97,199,"59ad0c9c925141070704054a",{"adult":97,"backdrop_path":1483,"genre_ids":1484,"id":1485,"title":1486,"original_language":128,"original_title":1487,"overview":1488,"popularity":1489,"poster_path":1490,"release_date":1491,"softcore":97,"video":97,"vote_average":391,"vote_count":1492,"character":405,"credit_id":1493,"order":594,"media_type":139},"\u002FyDSmcWRSXNcCaEcJgVhttR1ndzn.jpg",[51,24],271799,"Rise and Fall of a Small Film Company","Grandeur et décadence d'un petit commerce de cinéma","Director Gaspard Bazin is working on a new feature film. For now, he's still looking at the fundraising and casting stage of the process. He calls upon Jean Almereyda, a once-fashionable producer who is now going through a bad patch, finding it increasingly difficult to raise the capital he needs for his ventures. His wife Eurydice dreams of being a movie star. A perverse game between the two men ensues, with Almereyda wanting to please his wife, but reluctant to demand a role for Eurydice because of Bazin's reputation as an incorrigible seducer.",0.7343,"\u002F3CmVcJhPYWcJCue3fs38SaiFyoi.jpg","1986-08-28",24,"59d7032d9251412505005bb4",{"adult":97,"backdrop_path":1495,"genre_ids":1496,"id":1497,"title":1498,"original_language":1499,"original_title":1498,"overview":1500,"popularity":1501,"poster_path":1502,"release_date":1503,"softcore":97,"video":97,"vote_average":1504,"vote_count":1024,"character":165,"credit_id":1505,"order":299,"media_type":139},"\u002FyhbQ4iWTa62hFV4Zmn3sgGwbGmF.jpg",[30,24,36],239211,"ORG","it","Explores the complex relationship between the spirit, body, and mind. The film is a nightmare with closed eyes because it counts among the most terrible moments of my life, my second exile, which lasted a very long time. Inspired by an ancient Hindu legend.",0.6177,"\u002FaOlByuM9Xr2cqHnZXHuZMPyAQ5M.jpg","1979-08-31",5.1,"5a28d134c3a3680b88111ef3",{"adult":97,"backdrop_path":113,"genre_ids":1507,"id":1508,"title":1509,"original_language":128,"original_title":1510,"overview":1511,"popularity":1512,"poster_path":1513,"release_date":1514,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1515,"order":177,"media_type":139},[21],506894,"Jean Cocteau: Lies and Truths","Jean Cocteau, mensonges et vérités","This documentary consists mainly of archive interviews of Jean Cocteau, and it features interesting contributions by Jean Marais and especially Jean-Luc Godard, who discusses Cocteau's foray into cinema. The film documents all the artistic media explored by a man who defined himself, first and foremost, as a poet.",0.553,"\u002FuLl5VGr076glCpNz3wPVW60BWTc.jpg","1997-02-22","5a8f37ae0e0a2639b2003cc8",{"adult":97,"backdrop_path":113,"genre_ids":1517,"id":1518,"title":1519,"original_language":128,"original_title":1520,"overview":1521,"popularity":1522,"poster_path":1523,"release_date":1524,"softcore":97,"video":97,"vote_average":176,"vote_count":177,"character":257,"credit_id":1525,"order":471,"media_type":139},[21],507153,"Once Upon a Time… Contempt","Il était une fois… Le Mépris","Fourty-six years since the release of Le mépris, Jean-Luc Godard watches the film again to comment on it and its tumultuous production. Featuring interviews with: Jacques Rozier, Alain Bergala, Michel Piccoli, Charles Bitsch.",0.4971,"\u002F8dGVvZ4dON4p9uFMRBWlqzrhu2p.jpg","2009-05-21","5ac4485d92514160180802f7",{"adult":97,"backdrop_path":113,"genre_ids":1527,"id":1528,"title":1529,"original_language":128,"original_title":1529,"overview":570,"popularity":1530,"poster_path":1531,"release_date":1532,"softcore":97,"video":97,"vote_average":154,"vote_count":112,"character":257,"credit_id":1533,"order":284,"media_type":139},[24],527290,"Né",0.5111,"\u002FsPsVTOxTfnQwIGFq4JYLhPImUA3.jpg","1975-11-05","5b0ebac392514153d40056ef",{"adult":97,"backdrop_path":1535,"genre_ids":1536,"id":1537,"title":1538,"original_language":128,"original_title":1539,"overview":1540,"popularity":1541,"poster_path":1542,"release_date":1543,"softcore":97,"video":97,"vote_average":188,"vote_count":1544,"character":243,"credit_id":1545,"order":192,"media_type":139},"\u002Fq6GsGCc0Ncymil1WiTrhsScRKdG.jpg",[21,24],414030,"The Image Book","Le Livre d'image","In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.",1.2684,"\u002F5y1mTTYPVvaPeKIVqy3DymE6osv.jpg","2018-10-11",86,"5b740bffc3a368188f1ccb9c",{"adult":97,"backdrop_path":113,"genre_ids":1547,"id":1548,"title":1549,"original_language":128,"original_title":1549,"overview":570,"popularity":1550,"poster_path":1551,"release_date":1552,"softcore":97,"video":97,"vote_average":299,"vote_count":177,"character":257,"credit_id":1553,"order":112,"media_type":139},[21,39],546135,"Petit Jour",0.286,"\u002FgyJAehHWJrke5disDE2wPFXfCMQ.jpg","1962-01-01","5b8bfac70e0a261d6b03585c",{"adult":97,"backdrop_path":1555,"genre_ids":1556,"id":1557,"title":1558,"original_language":128,"original_title":1559,"overview":1560,"popularity":1561,"poster_path":1562,"release_date":510,"softcore":97,"video":97,"vote_average":1563,"vote_count":1564,"character":1565,"credit_id":1566,"order":594,"media_type":139},"\u002FoyatchDPpS4I9jpIIezFJGrmXcR.jpg",[24],499,"Cléo from 5 to 7","Cléo de 5 à 7","Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.",3.1542,"\u002FoelBStY4xpguaplRv15P3Za7Xsr.jpg",7.7,824,"The Man with Black Glasses \u002F Actor in Silent Film","5be1d0dcc3a36809ec010d28",{"adult":97,"backdrop_path":113,"genre_ids":1568,"id":1569,"title":1570,"original_language":1571,"original_title":1572,"overview":1573,"popularity":1574,"poster_path":1575,"release_date":1576,"softcore":97,"video":97,"vote_average":296,"vote_count":202,"character":165,"credit_id":1577,"order":1578,"media_type":139},[21],68147,"Filmmakers in Action","ca","Cineastes en acció","What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)",0.7586,"\u002Fs3U0cs3VDAXhVeGLQH5xX2GIypq.jpg","2006-09-15","5bef99079251415ccc027876",39,{"adult":97,"backdrop_path":1580,"genre_ids":1581,"id":1582,"title":1583,"original_language":128,"original_title":1583,"overview":1584,"popularity":1585,"poster_path":1586,"release_date":1587,"softcore":97,"video":97,"vote_average":1588,"vote_count":471,"character":257,"credit_id":1589,"order":192,"media_type":139},"\u002FodLGRruOYjEiqXJ3PrVYjsrkETE.jpg",[21],572013,"Film catastrophe","In 2010, Godard's Film Socialisme explores the sinking of political ideals in Europe. In 2012, the Costa Concordia, which had served as an allegorical platform for Godard, sank in front of the cameras of passengers and the world. In 2018, Paul Grivas Film Catastrophe, looks at images of the disaster to revisit the film factory",0.3104,"\u002FpbSw0fc5qqze04Ofwme5LOPyRzw.jpg","2018-10-30",5.7,"5c463315c3a3684782840ded",{"adult":97,"backdrop_path":1591,"genre_ids":1592,"id":1593,"title":1594,"original_language":128,"original_title":1594,"overview":1595,"popularity":1596,"poster_path":1597,"release_date":1598,"softcore":97,"video":97,"vote_average":1024,"vote_count":471,"character":165,"credit_id":1599,"order":202,"media_type":139},"\u002FfOW3wpcmHMFMAYyLshygzsGwQHQ.jpg",[39,21],578840,"Michel Legrand, sans demi-mesure","This documentary recounts the life of the late composer Michel Legrand, known for his works on Les Parapluies de Cherbourg or Les Demoiselles De Rochefort with the famous director Jacques Demy.",0.6361,"\u002F8jZVcM2hBz8XKjeF0auOK3zcmCI.jpg","2018-12-25","5c5094eb0e0a264965da3cf8",{"adult":97,"backdrop_path":1601,"genre_ids":1602,"id":1603,"title":1604,"original_language":128,"original_title":1604,"overview":570,"popularity":1605,"poster_path":1606,"release_date":1607,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":165,"credit_id":1608,"order":138,"media_type":139},"\u002FtQozdHuNWsDmTqfVkIExFx1t7Kr.jpg",[21],579673,"Mai en décembre: Godard en Abitibi",0.4936,"\u002Fgf5RKoaTyLly5ZiIYJSvNJx25HF.jpg","2000-02-26","5c55ae7d92514135b04dd0a8",{"adult":97,"backdrop_path":1610,"genre_ids":1611,"id":1612,"title":1613,"original_language":128,"original_title":1614,"overview":1615,"popularity":1616,"poster_path":1617,"release_date":1618,"softcore":97,"video":97,"vote_average":427,"vote_count":1024,"character":257,"credit_id":1619,"order":471,"media_type":139},"\u002FtJF4Firwy9oKLU27qJZ6VkVgpRi.jpg",[21],254019,"Bardot et Godard","Le Parti des choses : Bardot et Godard","A documentary short following director Jean-Luc Godard on the set of Contempt.",0.7496,"\u002FsFPKEOQg1F25CKXiS54I4Xeha2g.jpg","1964-04-30","5cb918de9251414666f647e1",{"adult":97,"backdrop_path":113,"genre_ids":1621,"id":1622,"title":1623,"original_language":128,"original_title":1623,"overview":1624,"popularity":1625,"poster_path":1626,"release_date":1627,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1628,"order":192,"media_type":139},[21],593484,"Godard \u002F Sollers : L’entretien","Jean-Luc Godard and Philippe Sollers meet in Paris to discuss Godard's film Je vous salue, Marie, and many other things.",0.6238,"\u002FcjEgjfCAAsCCITrursZty6h9sii.jpg","1985-04-17","5caa494ac3a3683f52625356",{"adult":97,"backdrop_path":113,"genre_ids":1630,"id":1631,"title":1632,"original_language":128,"original_title":1632,"overview":570,"popularity":1633,"poster_path":1634,"release_date":832,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1635,"order":192,"media_type":139},[21],637832,"Qu’est-ce que la mise en scène - Jean-Luc Godard",0.3082,"\u002Fo4Petd7yPYfQmiPhTSU8H4tQRFq.jpg","5d9c6ed33e01ea00288d4d36",{"adult":97,"backdrop_path":113,"genre_ids":1637,"id":1638,"title":1639,"original_language":128,"original_title":1639,"overview":1640,"popularity":1641,"poster_path":113,"release_date":1642,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1643,"order":112,"media_type":139},[21],657332,"Civilisation: L'homme et les images","Collective contribution to a history of cinema, this issue of the “Civilisations” collection also takes part in the genesis of Deux ou trois choses que je sais d'elle and La Chinoise",0.2629,"1967-01-01","5dfecd2326dac1001461882e",{"adult":97,"backdrop_path":113,"genre_ids":1645,"id":1646,"title":1647,"original_language":128,"original_title":1647,"overview":1648,"popularity":1649,"poster_path":1650,"release_date":1651,"softcore":97,"video":97,"vote_average":176,"vote_count":177,"character":165,"credit_id":1652,"order":138,"media_type":139},[21],667748,"Mireille Darc, la femme libre","On August 28, 2017, Mireille Darc passed away at the age of 79. She was Audiard and Lautner's favorite actress, the sex symbol of the pop years, a photographer, a woman in love, and a documentary filmmaker. The artist was also the patron of La Chaîne de l'espoir, an association that helps disadvantaged children. Mireille Darc tells her story through a selection of her most intimate interviews. Her loved ones also talk about her: her husband, Pascal Desprez; Anthony Delon; Véronique de Villèle, her personal assistant and friend; writer Lionel Duroy; Professor Deloche; and photographers Richard Melloul and Francis Giacobetti, who made her their model...",0.5936,"\u002FxkOyLTq5e1spGyBElay4YntqAqJ.jpg","2018-08-24","5e306dc4eda4b70019f126ea",{"adult":97,"backdrop_path":1654,"genre_ids":1655,"id":1656,"title":1657,"original_language":316,"original_title":1657,"overview":1658,"popularity":1659,"poster_path":1660,"release_date":1661,"softcore":97,"video":97,"vote_average":220,"vote_count":1024,"character":257,"credit_id":1662,"order":192,"media_type":139},"\u002F1JUNdM9g3C08OUnYARRoNWc5MBq.jpg",[21],143437,"1 P.M.","Lighter and livelier than the films Jean-Luc Godard had made in France, his U.S. collaboration with Direct Cinema documentarian D. A. Pennebaker was meant to be One A.M., as in “one American movie”; but Godard quit the project and the U.S., where to his dismay he discovered that revolution wasn’t imminent, and Pennebaker edited Godard’s material, to which he and Richard Leacock even added a bit more, releasing the result as One P.M., as in “one parallel movie.” It’s a stunning mixture of cinéma-vérité, political theater, and interviews of key sixties figures.",0.4398,"\u002FqxYCjYW9ktZEwJYRGD9s11mNE6L.jpg","1971-06-08","5e3c496d0c27100015781805",{"adult":97,"backdrop_path":1664,"genre_ids":1665,"id":1666,"title":1667,"original_language":128,"original_title":1667,"overview":1668,"popularity":1669,"poster_path":1670,"release_date":1671,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1672,"order":177,"media_type":139},"\u002Fgt4mVfvKhW3cJzXnKyMXOUWOvN9.jpg",[21],673752,"Duras\u002FGodard","On December 2, 1987, the filmmaker visited the novelist at her home in Paris. This meeting gave rise to this hour-long documentary in which JLG and Marguerite Duras attempt to establish a dialogue about artistic creation.",0.5589,"\u002Fz82Lug68mDoUBXgAJsp3xjy5mg1.jpg","1987-12-02","5e4aabbb9a3c490019310a19",{"adult":97,"backdrop_path":1674,"genre_ids":1675,"id":1676,"title":1677,"original_language":128,"original_title":1677,"overview":1678,"popularity":1679,"poster_path":1680,"release_date":1681,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1682,"order":192,"media_type":139},"\u002F7ysVhamSLKNmjwfL3Y2qJb83a1s.jpg",[21],676179,"Entretien entre Serge Daney et Jean-Luc Godard","Jean-Luc Godard interviewed by French Critic Serge Daney at the time when Godard was working on his project \"Histoire(s) du cinéma\".",0.4136,"\u002F8ryYcFAvM833SzusnfkhtrqK4ar.jpg","1988-01-01","5e524ec5a76ac50011a407d0",{"adult":97,"backdrop_path":113,"genre_ids":1684,"id":1685,"title":1686,"original_language":128,"original_title":1686,"overview":1687,"popularity":1688,"poster_path":1689,"release_date":1690,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1691,"order":192,"media_type":139},[21],364968,"Quod Erat Demonstrandum","A collaborator since 2002 (Notre Musique), Fabrice Aragno did not want to make a documentary ‘on’ but ‘with’ Jean-Luc Godard. The latter decided on a mathematical approach. The TV station asked for 26 minutes, and so Godard suggested they make 26 one-minute sequences, and have 4 shots in each sequence, all recycled from his work.",0.268,"\u002FefWr7ivPofA2bpKIG5op2JBCnKa.jpg","2012-10-23","5e506452b3e627001826c86b",{"adult":97,"backdrop_path":113,"genre_ids":1693,"id":1694,"title":1695,"original_language":128,"original_title":1695,"overview":570,"popularity":1696,"poster_path":113,"release_date":1697,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1698,"order":192,"media_type":139},[21],666319,"Conversation entre Jean-Luc Godard et Jacques Rivette",0.2753,"2017-07-07","5e50642eb3e627001626e6f6",{"adult":97,"backdrop_path":113,"genre_ids":1700,"id":1701,"title":1702,"original_language":316,"original_title":1702,"overview":1703,"popularity":1704,"poster_path":1705,"release_date":1706,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1707,"order":177,"media_type":139},[21],687201,"JLG\\PG","A movie about the contempt of the man who recorded the contempt.",0.4283,"\u002Fm3xMD1zQAST9pt7ZgLJgC0qSevh.jpg","2009-01-01","5e7ed223a410c8001451f00c",{"adult":97,"backdrop_path":113,"genre_ids":1709,"id":1710,"title":1711,"original_language":316,"original_title":1711,"overview":1712,"popularity":1713,"poster_path":1714,"release_date":1715,"softcore":97,"video":378,"vote_average":192,"vote_count":192,"character":1716,"credit_id":1717,"order":177,"media_type":139},[21],692243,"Four Short Films","Jean-Luc Godard, and Anne-Marie Miéville Four Short Films",0.2861,"\u002F90gz0QHJRDvLh1Wcdx401H8vzAv.jpg","2006-03-06","Self - Narrator","5e925bdf84448e00128f18c3",{"adult":97,"backdrop_path":1719,"genre_ids":1720,"id":1721,"title":1722,"original_language":128,"original_title":1723,"overview":1724,"popularity":1725,"poster_path":1726,"release_date":1727,"softcore":97,"video":97,"vote_average":202,"vote_count":177,"character":1728,"credit_id":1729,"order":299,"media_type":139},"\u002F3pUCWYTO4zYc5i9PJlEHBElArgC.jpg",[21],514964,"Anna Karina, Remember","Anna Karina, souviens-toi","Major actress of the New Wave, Anna Karina is bound to the great renewal of cinema in the 1960s. Her companion in life, Dennis Berry revisits the story of her memories with Jean-Luc Godard and the great directors she knew, her memorable meeting with Serge Gainsbourg, and also, more recently, her career as a singer.  With a gaze halfway between mischief and severity, the New Wave's Danish muse embodied a new feminity – deeply linked with women's liberation.",0.5715,"\u002Fi5aJ1PdVvV4bqi2oSFFAvvNr6r4.jpg","2020-06-13","Self (archive footage) (uncredited)","5ea109bfb0460500225e23c7",{"adult":97,"backdrop_path":1731,"genre_ids":1732,"id":1733,"title":1734,"original_language":128,"original_title":1734,"overview":1735,"popularity":1736,"poster_path":1737,"release_date":1738,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1739,"order":176,"media_type":139},"\u002FjeybT0tqQ5dC7hPLUoy2EczZxur.jpg",[21,24],697692,"Brunes et Blondes","Actresses' hairstyle in movies always carries a strong aesthetic statement associated with erotic, social, and historical meanings. In a bold and unexpected way, the film revisits this ultimate symbol of femininity in international cinema.",0.5759,"\u002FejJMbSndO6WGXayGKRN3KqurAPy.jpg","2010-10-06","5ea6c2585a4690001f12ceae",{"adult":97,"backdrop_path":1741,"genre_ids":1742,"id":1743,"title":1744,"original_language":128,"original_title":1744,"overview":1745,"popularity":1746,"poster_path":1747,"release_date":1748,"softcore":97,"video":97,"vote_average":296,"vote_count":527,"character":461,"credit_id":1749,"order":177,"media_type":139},"\u002FaeeubKUwFXCjZESeOoYVxvE4kjk.jpg",[21],156982,"Letter to Jane: An Investigation About a Still","The film's subject is a photograph of Jane Fonda visiting Hanoi during the Vietnam War. It asks what the position of the intellectual should be in the class struggle and points out the irony of Jane Fonda's participation in the photo shoot, which was staged.",0.7008,"\u002FfPFFTjXpU7vYpUuWgqEgRRZTCVI.jpg","1974-04-11","5eb4d06acc277c00206786cb",{"adult":97,"backdrop_path":1751,"genre_ids":1752,"id":1753,"title":1754,"original_language":128,"original_title":1755,"overview":1756,"popularity":1757,"poster_path":1758,"release_date":1759,"softcore":97,"video":97,"vote_average":176,"vote_count":1760,"character":405,"credit_id":1761,"order":112,"media_type":139},"\u002FbzuEDByhWkNcA53SaaIgBp6O91Z.jpg",[21],128779,"The Lovely Month of May","Le Joli Mai","Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.",0.6455,"\u002F6IzgPTaENPpg3b7wexti3RmMBK0.jpg","1963-05-03",42,"5ee167534c1bb0001ea36f0c",{"adult":97,"backdrop_path":113,"genre_ids":1763,"id":1764,"title":1765,"original_language":316,"original_title":1765,"overview":1766,"popularity":1767,"poster_path":1768,"release_date":1769,"softcore":97,"video":97,"vote_average":1588,"vote_count":471,"character":165,"credit_id":1770,"order":177,"media_type":139},[15],248828,"Accomplice","An artist-criminal far from home asks his assistant to pirate a rare videotape before the German Post Office Authorities come to confiscate it.",0.2323,"\u002Fzgre5oF3ILLGb0dUcjuemHZB6mz.jpg","2010-04-22","5ef6a04ec8113d003861c0e6",{"adult":97,"backdrop_path":1772,"genre_ids":1773,"id":1774,"title":1775,"original_language":128,"original_title":1775,"overview":1776,"popularity":1777,"poster_path":1778,"release_date":1779,"softcore":97,"video":97,"vote_average":391,"vote_count":1780,"character":1781,"credit_id":1782,"order":527,"media_type":139},"\u002F7Mg5eGXNXiPUy9cmfi6ebr2Ulgn.jpg",[18,42,15],29369,"Made in U.S.A","Paula Nelson goes to Atlantic City to meet her lover, Richard Politzer, but finds him  dead and decides to investigate his death. In her hotel room, she meets Typhus, whom she ends up knocking out. His corpse is later found in the apartment of David Goodis, a writer. Paula is arrested and interrogated. From then on, she encounters many gangsters.",0.7364,"\u002Fc4SDhdZlKA03flhd4ssO3Opm8Xa.jpg","1967-01-27",109,"Richard Politzer (voice) (uncredited)","5f0799dbb7abb50038e2e78d",{"adult":97,"backdrop_path":1784,"genre_ids":1785,"id":1786,"title":1787,"original_language":128,"original_title":1788,"overview":1789,"popularity":1790,"poster_path":1791,"release_date":1792,"softcore":97,"video":97,"vote_average":366,"vote_count":112,"character":570,"credit_id":1793,"order":284,"media_type":139},"\u002FaHPDr6qV2Z9i2uLNkmBMTvDZc18.jpg",[24,45],562530,"Sun in Your Eyes","Le Soleil dans l’œil","A love triangle between 23-year-old Emma (Anna Karina), her older boyfriend (Georges Descrières) and the younger man (Jacques Perrin) she meets while on vacation by herself.",0.5396,"\u002FieuN8hvjV7VCMYDYvxHrqWV2Fv.jpg","1962-06-22","5f1590e551e6ab0036c1c416",{"adult":97,"backdrop_path":1795,"genre_ids":1796,"id":1797,"title":1798,"original_language":316,"original_title":1799,"overview":1800,"popularity":1801,"poster_path":1802,"release_date":1803,"softcore":97,"video":97,"vote_average":559,"vote_count":1024,"character":1804,"credit_id":1805,"order":594,"media_type":139},"\u002FgLC8lC42hc7Pz5xyTvezENpmEmm.jpg",[24,54],4529,"The Defector","L'espion","An American scientist is sent by the CIA to East Germany to retrieve a secret microfilm from a Soviet scientist interested in defecting to the West but the Stasi secret police's surveillance complicates matters.",1.0044,"\u002FeghDjxKLIUBZu2wQr0XY3YKTdfL.jpg","1966-10-19","Orlovsky's Friend (uncredited)","5f668a265a78840034c0bb20",{"adult":97,"backdrop_path":113,"genre_ids":1807,"id":1808,"title":1809,"original_language":316,"original_title":1809,"overview":1810,"popularity":1811,"poster_path":1812,"release_date":1813,"softcore":97,"video":97,"vote_average":1588,"vote_count":138,"character":257,"credit_id":1814,"order":192,"media_type":139},[21],325732,"Godard 1980","The famous French film director Jean-Luc Godard is interviewed by British film theorist Peter Wollen and the editor of Framework Don Ranveaud. He talks of the developments in his work, the change in style epitomized by his most recent film, Sauve Qui Peut, his work with Francis Ford Coppola and the relations between his previous films and the new one. He also discusses his radical method of scriptwriting and the critical responses to his latest film.",0.3947,"\u002FtIcYnedljSrDr8uzG1Nfpuj39RE.jpg","1980-01-01","5f735ac4223e2000377e11cc",{"adult":97,"backdrop_path":113,"genre_ids":1816,"id":1817,"title":1818,"original_language":128,"original_title":1818,"overview":1819,"popularity":1820,"poster_path":113,"release_date":1821,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":880,"credit_id":1822,"order":138,"media_type":139},[],756093,"Cinématon XI","Reel 11 of Gérard Courant's on-going Cinematon series.",0.4716,"1981-05-14","5f90c740ac617c003788770e",{"adult":97,"backdrop_path":113,"genre_ids":1824,"id":1825,"title":1826,"original_language":1827,"original_title":1828,"overview":570,"popularity":1829,"poster_path":113,"release_date":1830,"softcore":97,"video":97,"vote_average":192,"vote_count":177,"character":165,"credit_id":1831,"order":284,"media_type":139},[21],753663,"On the Trail of the New Wave","fi","Uuden aallon jäljillä",0.3093,"2009-03-14","5f889b53e33f830039ff2dab",{"adult":97,"backdrop_path":113,"genre_ids":1833,"id":1834,"title":1835,"original_language":128,"original_title":1836,"overview":1837,"popularity":1838,"poster_path":1839,"release_date":1840,"softcore":97,"video":97,"vote_average":1841,"vote_count":112,"character":257,"credit_id":1842,"order":192,"media_type":139},[21],755006,"Conversation with JLG","Conversation avec JLG","An interview with Jean-Luc Godard by Dominique Maillet and Pierre-Henri Gibert, filmed on August 10, 2010 at the Hôtel de Vendôme in Paris.",0.2811,"\u002Fg9B6EgfFpRTfQKRkQv2nEvG2P6r.jpg","2010-11-16",8.8,"5f8d5de811386c0036ff74e8",{"adult":97,"backdrop_path":1844,"genre_ids":1845,"id":1846,"title":1847,"original_language":128,"original_title":1848,"overview":1849,"popularity":1850,"poster_path":1851,"release_date":1852,"softcore":97,"video":97,"vote_average":1853,"vote_count":1854,"character":243,"credit_id":1855,"order":177,"media_type":139},"\u002F6aurEdQ8fs4zevG4m46Lbhoc9Cu.jpg",[15,24],8074,"2 or 3 Things I Know About Her","2 ou 3 choses que je sais d'elle","As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.",1.9821,"\u002Fw1LO1SIrpA4GCjK3ysANr7F3eAN.jpg","1967-03-17",6.248,226,"5f9f83802ceb530036572e76",{"adult":97,"backdrop_path":113,"genre_ids":1857,"id":1858,"title":1859,"original_language":128,"original_title":1859,"overview":1860,"popularity":1861,"poster_path":1862,"release_date":1863,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":165,"credit_id":1864,"order":192,"media_type":139},[],771535,"Printtemps","For Jean-Luc Godard,\r with all the admiration and affection of Jacques Perconte and Nicole Brenez.\r December 3, 2020.",0.2525,"\u002Fwx7BRRM5JYyIXGdVmSskGnx0D5u.jpg","2020-12-03","5fc967793f8ede003d01a6ab",{"adult":97,"backdrop_path":113,"genre_ids":1866,"id":1867,"title":1868,"original_language":128,"original_title":1868,"overview":1869,"popularity":1870,"poster_path":1871,"release_date":1872,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1873,"order":192,"media_type":139},[21],780397,"Voyage à travers un film (Sauve qui peut (la vie))","A televisual journey guided by Jean-Luc Godard inside his film Sauve qui peut (la vie), incorporating filmed conversations between him and Isabelle Huppert and the film critic Christian Defaye.",0.3147,"\u002Fouvi2BrFcfqDQUJYYMWmL3Dzki.jpg","1981-02-03","5fe9dbd7c9dbf9003e4bbe52",{"adult":97,"backdrop_path":113,"genre_ids":1875,"id":1876,"title":1877,"original_language":128,"original_title":1878,"overview":1879,"popularity":1880,"poster_path":1881,"release_date":1882,"softcore":97,"video":97,"vote_average":1883,"vote_count":1024,"character":257,"credit_id":1884,"order":192,"media_type":139},[21],293424,"Notes on Hail Mary","Petites notes à propos du film 'Je vous salue, Marie'","Notes on the inception and making of Hail Mary.",0.5808,"\u002FcXGUydBKdoCY11yL8U7HhTBuLLc.jpg","1983-01-01",5.3,"5ffba2dfc8a5ac003eb001d7",{"adult":97,"backdrop_path":1886,"genre_ids":1887,"id":1888,"title":1889,"original_language":128,"original_title":1890,"overview":1891,"popularity":1892,"poster_path":1893,"release_date":1894,"softcore":97,"video":97,"vote_average":299,"vote_count":1895,"character":1896,"credit_id":1897,"order":24,"media_type":139},"\u002FfNJrIhjpfi8qbePVEcsjMtzvXFz.jpg",[24],64414,"Sign of the Lion","Le Signe du Lion","An American in Paris lives by sponging off his working friends, and throws a party using borrowed money when his rich American aunt dies, believing firmly in his horoscope.",0.9554,"\u002Fb5jY3jyISYMY0ReGjqtbgaPq7dr.jpg","1962-05-03",66,"Le Mélomane (uncredited)","600c5e9cafe224004141c7ff",{"adult":97,"backdrop_path":1899,"genre_ids":1900,"id":1901,"title":1902,"original_language":128,"original_title":1903,"overview":1904,"popularity":1905,"poster_path":1906,"release_date":1907,"softcore":97,"video":97,"vote_average":283,"vote_count":15,"character":1908,"credit_id":1909,"order":471,"media_type":139},"\u002FvWhh5PeiEdGq2Axz9Qx2Bw1Eqmr.jpg",[15,45],366851,"A Flirtatious Woman","Une femme coquette","Agnès, a bourgeois young woman from Geneva, writes a letter to a friend, telling how she ended up cheating on her husband. Fascinated by the attitudes and gestures adopted by a prostitute to attract clients, Agnès decides to imitate her and seduces the first man she sees, sitting on a garden bench.",0.6629,"\u002FgDU7OQrV6q03tiqBzBeiIwtlgtF.jpg","1955-02-26","The Man Who Looks at the Balcony (uncredited)","604e63277314a1007820e452",{"adult":97,"backdrop_path":113,"genre_ids":1911,"id":1912,"title":1913,"original_language":128,"original_title":1913,"overview":570,"popularity":1914,"poster_path":113,"release_date":1915,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1916,"order":192,"media_type":139},[21],810798,"Ensemble et séparés : sept rendez-vous avec Jean-Luc Godard",0.3153,"2010-03-19","605e6f3a0e64af003e15c186",{"adult":97,"backdrop_path":113,"genre_ids":1918,"id":1919,"title":1920,"original_language":128,"original_title":1920,"overview":570,"popularity":1921,"poster_path":1922,"release_date":1821,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":570,"credit_id":1923,"order":192,"media_type":139},[],818191,"Cinématon n°106 : Jean-Luc Godard",0.57,"\u002FbGfBKxk8eMRaW5s3UAvCcqnJrPi.jpg","60766ff71b1f3c006ea9fd06",{"adult":97,"backdrop_path":1925,"genre_ids":1926,"id":1927,"title":1928,"original_language":128,"original_title":1929,"overview":1930,"popularity":1931,"poster_path":1932,"release_date":1933,"softcore":97,"video":97,"vote_average":211,"vote_count":189,"character":1934,"credit_id":1935,"order":202,"media_type":139},"\u002Fd2QwC8TydbA36zXpyJlg4aORAtL.jpg",[15,24],49701,"Fool’s Mate","Le Coup du berger","Claire is a chic young Parisian woman married to a somewhat older husband, Jean. Claire meets her lover, Claude, at his apartment, where he gifts her a fur coat. Now Claire needs to figure out how to return home with this expensive gift without the affair being found out.",0.701,"\u002F4vsReHIaZES7RgYPuAYNktTEwMF.jpg","1956-11-01","Party guest (uncredited)","60bae4283d4d96005a13f3ee",{"adult":97,"backdrop_path":113,"genre_ids":1937,"id":1938,"title":1939,"original_language":316,"original_title":1939,"overview":1940,"popularity":1941,"poster_path":1942,"release_date":1943,"softcore":97,"video":97,"vote_average":154,"vote_count":177,"character":257,"credit_id":1944,"order":192,"media_type":139},[21],848323,"Jean-Luc Godard and Anne-Marie Miéville on Google StreetView","A short film utilizing Google Maps' StreetView feature where Jean-Luc Godard and Anne-Marie Miéville are captured walking the streets of Switzerland. Set to music from Godard's film \"Contempt\" composed by Georges Delerue.",0.3439,"\u002Fjx0LJ5C2zUKN8Xy7tSq9vrnfyIw.jpg","2018-02-21","60e4d06a22e480002df0fb81",{"adult":97,"backdrop_path":113,"genre_ids":1946,"id":1947,"title":1948,"original_language":128,"original_title":1948,"overview":1949,"popularity":1950,"poster_path":1951,"release_date":1952,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1953,"order":192,"media_type":139},[21],847050,"Brève rencontre avec Jean-Luc Godard ou le cinéma comme métaphore","An interview with Jean-Luc Godard around the time of his film Notre Musique.",0.3657,"\u002FcX8jiihmuZScnpYOsEFH1kYCfuI.jpg","2005-01-01","60df3e3e0f3655005e07cde9",{"adult":97,"backdrop_path":1955,"genre_ids":1956,"id":1957,"title":1958,"original_language":566,"original_title":1958,"overview":1959,"popularity":1960,"poster_path":1961,"release_date":1962,"softcore":97,"video":97,"vote_average":321,"vote_count":527,"character":405,"credit_id":1963,"order":284,"media_type":139},"\u002FuBK94meT1EyEKVzAoIBSPPJMSB8.jpg",[21],234301,"Carl Th. Dreyer","A documentary portrait of Carl Th. Dreyer, filmed shortly after the Paris premiere of \"Gertrud.\" Through Dreyer’s own reflections on his films, the documentary explores his ideas about script, casting, acting, set design, and the pursuit of simplicity as the foundation of cinematic style.",0.4932,"\u002F8GznEpCDpI58vg4TlwDW6AwjgNr.jpg","1966-11-14","6711f74516caa8b0f09c2a2c",{"adult":97,"backdrop_path":113,"genre_ids":1965,"id":1966,"title":1967,"original_language":128,"original_title":1968,"overview":1969,"popularity":1970,"poster_path":113,"release_date":1971,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1972,"order":192,"media_type":139},[21],1374989,"Cinema According to Jean-Luc","Le cinéma selon Jean-Luc","Rare documentary for French television in which Jean-Luc Godard discusses his films with Jacques Doniol-Valcroze. It contains footage of directing his latest film, Une femme mariée.",0.3804,"1965-01-01","6716dd0f6fb09e394c028c1a",{"adult":97,"backdrop_path":113,"genre_ids":1974,"id":1975,"title":1976,"original_language":839,"original_title":1976,"overview":1977,"popularity":1978,"poster_path":1979,"release_date":1980,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":1981,"order":192,"media_type":139},[21],602835,"Blinde Liebe\u002FJean-Luc Godard: Meine Mutter hat nur Stummfilme gesehen!","A talk with Alexander Kluge and Jean-Luc Godard.",0.3146,"\u002F1w6XtPs2JdmtgLOjCQoHbJG9ykH.jpg","2001-01-01","67329a1aebc5a26e5e498502",{"adult":97,"backdrop_path":1983,"genre_ids":1984,"id":1985,"title":1986,"original_language":495,"original_title":1987,"overview":1988,"popularity":1989,"poster_path":1990,"release_date":1991,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":1992,"credit_id":1993,"order":112,"media_type":139},"\u002F4QcfQMrhyPux1DAAHTl1Dj9JJdv.jpg",[24,21],1384291,"Death","A Morte","A voice recycles paintings, films, quotes and archives and guides the viewer into a reflection about the cultural and artistic crises in the world.",0.5006,"\u002F1kcvDheYPPDn2BKBjsPBnVtsnVL.jpg","2024-11-23","Self (voice)","6734ecd068083d05408a0671",{"adult":97,"backdrop_path":1995,"genre_ids":1996,"id":1997,"title":1998,"original_language":128,"original_title":1998,"overview":1999,"popularity":2000,"poster_path":2001,"release_date":1276,"softcore":97,"video":97,"vote_average":366,"vote_count":112,"character":257,"credit_id":2002,"order":192,"media_type":139},"\u002FbfG1TUZQdB3wQhsZaOSLi9IirKb.jpg",[21],1287695,"Exposé du film annonce du film \"Scénario\"","In October 2021, Jean-Luc Godard presented his idea for Scénario, a 6 chapter feature film combining still and moving images, halfway between reading and seeing.",0.6763,"\u002Fwql3MxdlXlQFmpbo0Hp17olAwFy.jpg","67352191ff85881393a083d3",{"adult":97,"backdrop_path":113,"genre_ids":2004,"id":2005,"title":2006,"original_language":128,"original_title":2007,"overview":1444,"popularity":2008,"poster_path":2009,"release_date":2010,"softcore":97,"video":97,"vote_average":1588,"vote_count":471,"character":2011,"credit_id":2012,"order":192,"media_type":139},[21],293242,"Amateur Report (Exhibition Model)","Reportage amateur (Maquette expo)",0.4538,"\u002FagWnNihvp5Plpb2EAre10qUhyvw.jpg","2006-04-24","Self (voice) (uncredited)","673f19fb625bc338dc38a9fc",{"adult":97,"backdrop_path":113,"genre_ids":2014,"id":2015,"title":2016,"original_language":316,"original_title":2016,"overview":2017,"popularity":2018,"poster_path":113,"release_date":2019,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":2020,"order":284,"media_type":139},[],1379739,"Moving Pictures","\"Today memory creeps along the wall at Seven Bleecker. In the back of my eyes, longings and obsessions, Outside someone is yelling Robert! I love New York….\" Robert Frank looks back on a lifetime of memory-gathering through photographs, home movies (his parents' gravesite, June Leaf making art), portraits of artist friends (Raoul Hague, Allen Ginsberg), and portraits of those he admired (Jean-Luc Godard). The film resembles one of Gregory Corso's \"shuffle poems,\" as Frank muses, \"Together go words and images without sound. I have an obsession in my life for Fragments which reveal and hide truth.\" — Museum of Modern Art",0.3663,"1994-01-01","675ef09dde8f34e0b2588dc6",{"adult":97,"backdrop_path":113,"genre_ids":2022,"id":2023,"title":2024,"original_language":316,"original_title":2024,"overview":2025,"popularity":2026,"poster_path":2027,"release_date":570,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":2028,"order":192,"media_type":139},[],1407688,"The Making of Jean Luc Godard's 'One Plus One'","A short film Mike Dibb directed for the BBC in July 1968 in Cowdray Park, where Godard was shooting a sequence with the Rolling Stones for ONE PLUS ONE. It was broadcast on BBC2 within the framework of the arts magazine RELEASE on the 30 November 1968 to coincide with the screening (which has become famous…) of ONE PLUS ONE at the London Film Festival.",0.4562,"\u002Fwe75OIOty43Fdafjyt5BUXcnDVt.jpg","676cb63962ba310fc0127e1b",{"adult":97,"backdrop_path":2030,"genre_ids":2031,"id":2032,"title":2033,"original_language":128,"original_title":2033,"overview":2034,"popularity":2035,"poster_path":2036,"release_date":2037,"softcore":97,"video":97,"vote_average":1044,"vote_count":1045,"character":2038,"credit_id":2039,"order":256,"media_type":139},"\u002F3MyhpiRSeabVbSvaXLyZdX7ckMe.jpg",[15,24,57],111367,"For Ever Mozart","Episodic film that follows a theater troupe from France attempting to put on a play in Sarajevo. Along their journey they are captured and held in a POW camp, and they call for help from their friends and relations in France.",0.6518,"\u002F5TCe8LHpl8aZ9OvGvFkakAYyYlL.jpg","1996-11-27","Man Pretending to Play Soccer (uncredited)","6784a5cc90f42c32837b5dd5",{"adult":97,"backdrop_path":113,"genre_ids":2041,"id":2042,"title":2043,"original_language":128,"original_title":2044,"overview":2045,"popularity":2046,"poster_path":2047,"release_date":2048,"softcore":97,"video":97,"vote_average":879,"vote_count":299,"character":2049,"credit_id":2050,"order":192,"media_type":139},[51],227898,"To Alter the Image","Changer d'image : Lettre à la bien-aimée","1981: at the moment the left won power, French television commissioned Godard to make a film on the theme of change. Like Lettre à Freddy Buache, this film is born of the impossibility of carrying out the commission. For the space where change appears is not the image but the gap between images.",0.2421,"\u002FjAvUP1gniy6jL4sGhicouLHJX51.jpg","1982-05-01","The Idiot (uncredited)","679a456db4b6f91453a984e4",{"adult":97,"backdrop_path":113,"genre_ids":2052,"id":2053,"title":2054,"original_language":128,"original_title":2054,"overview":2055,"popularity":2056,"poster_path":2057,"release_date":2058,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":243,"credit_id":2059,"order":192,"media_type":139},[],293988,"Ecce Homo","A comparative study of the iconography of executioners and victims.",0.2852,"\u002FsBDjQ5C3RWNb4jq5iR3882kO6a5.jpg","2006-01-01","679cb16425b6f1b30dbdea14",{"adult":97,"backdrop_path":113,"genre_ids":2061,"id":2062,"title":2063,"original_language":128,"original_title":2063,"overview":2064,"popularity":2065,"poster_path":2066,"release_date":2067,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":2068,"order":192,"media_type":139},[21],383427,"Passion, le travail et l'amour: Introduction à un scénario","Notes on the movie Passion",0.5426,"\u002FvqLxYs7aWHd0xac5bR3ZWVslIPC.jpg","1982-05-05","67b610a79e32f72b4d88f37a",{"adult":97,"backdrop_path":2070,"genre_ids":2071,"id":2072,"title":2073,"original_language":316,"original_title":2073,"overview":2074,"popularity":2075,"poster_path":2076,"release_date":2077,"softcore":97,"video":97,"vote_average":299,"vote_count":177,"character":257,"credit_id":2078,"order":177,"media_type":139},"\u002FlFPL40xWm2j6ddng9humMr9GgFX.jpg",[21],1224757,"Full Metal Kuleshov Effect","The first of two two Videographic essays with critical reflections on representations of the Vietnam War. “Full Metal Kuleshov Effect,”  counterposes the work of Stanley Kubrick with that of Santiago Alvarez and the Vietnamese director Hai Ninh.​",0.3571,"\u002FosHAkTVzIb47JeiDqqzoGiIzQng.jpg","2023-01-01","67c4659e04b6b222cf4e1d6c",{"adult":97,"backdrop_path":2080,"genre_ids":2081,"id":2082,"title":2083,"original_language":128,"original_title":2084,"overview":2085,"popularity":2086,"poster_path":2087,"release_date":2088,"softcore":97,"video":97,"vote_average":366,"vote_count":112,"character":165,"credit_id":2089,"order":192,"media_type":139},"\u002F3gX8oKCPn2HCR27HGc5vhD5RHZ.jpg",[21],1477561,"The Story of \"Scénario\"","L'histoire de \"Scénario\"","A final meeting with Jean-Luc Godard. This documentary shows the filmmaker preparing Scénario, his unfinished testamentary film, before closing with a moving scene: the final appearance of a genius driven to the very end by a love of cinema. Consists of Exposé du film annonce du film “Scénario” and Scenarios combined together for TV.",0.5813,"\u002Fv7xPrRkwnXrP5du0H7O0ii1FI6J.jpg","2025-07-18","681c8a8efa53de5d8c6e36ff",{"adult":97,"backdrop_path":2091,"genre_ids":2092,"id":2093,"title":2094,"original_language":316,"original_title":2094,"overview":2095,"popularity":2096,"poster_path":2097,"release_date":2098,"softcore":97,"video":97,"vote_average":241,"vote_count":471,"character":1728,"credit_id":2099,"order":229,"media_type":139},"\u002FfklT7Ha0jqZOAVsWp1KjMDsyeeV.jpg",[21],1320482,"From Darkness to Light","Explores Jerry Lewis' unreleased 1972 film \"The Day the Clown Cried,\" its mysterious disappearance, and the search for footage. Includes interviews with Lewis' associates and previously unseen production content.",1.0327,"\u002F9WHK2hmkFAUOttK23fi7QOMMrlY.jpg","2025-04-20","682bbdd87c9d2798e9db303b",{"adult":97,"backdrop_path":113,"genre_ids":2101,"id":2102,"title":2103,"original_language":128,"original_title":2103,"overview":570,"popularity":2104,"poster_path":2105,"release_date":1980,"softcore":97,"video":97,"vote_average":1011,"vote_count":177,"character":257,"credit_id":2106,"order":471,"media_type":139},[21],1007603,"Jean Cocteau, cinéaste",0.4168,"\u002FxYkwHprwIeasiGetGF7w3NKnTAb.jpg","683212ae640e05b428b6af02",{"adult":97,"backdrop_path":2108,"genre_ids":2109,"id":2110,"title":2111,"original_language":316,"original_title":2111,"overview":2112,"popularity":2113,"poster_path":2114,"release_date":2115,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":2116,"order":192,"media_type":139},"\u002FnW3dC7at5ZfDKjWNyXwa4iyEFNS.jpg",[21],1493717,"A Weekend at the Beach","Godard to come to the University California, San Diego to give a lecture. He stayed at our house at the beach. Some filmmakers and creatives came to visit him. They all stayed at our house on the beach. Guests were Heiner Müller, Wim Wenders, Martin Milner, Jim Mc Bride, Tom Luddy and other.",0.6261,"\u002FdeNK0PvEfyqOu2EJ5wZVYN0P7IZ.jpg","2015-12-01","6842e8a71c6baae1417f5766",{"adult":97,"backdrop_path":113,"genre_ids":2118,"id":2119,"title":2120,"original_language":128,"original_title":2120,"overview":2121,"popularity":2122,"poster_path":2123,"release_date":2124,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":165,"credit_id":2125,"order":12,"media_type":139},[21],479988,"Mag Bodard, un destin","Mag Bodard, un destin is an archive documentary filmed for television by Anne Wiazemsky in 2005.",0.502,"\u002FfgMcd7CxvNOd1lUP5EXr1ZivdL5.jpg","2005-10-01","6859c88fb2c999b4ff08d601",{"adult":97,"backdrop_path":113,"genre_ids":2127,"id":2128,"title":2129,"original_language":128,"original_title":2129,"overview":2130,"popularity":2131,"poster_path":2132,"release_date":2133,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":165,"credit_id":2134,"order":471,"media_type":139},[51,21],666315,"Freddy Buache, le cinéma","A documentary film in which Fabrice Aragno assembles a range of footage from the archives of Radio Télévision Suisse, the Cinémathèque suisse and Cinéma en tête by Freddy Buache’s partner Marie-Magdeleine Brumagne.",0.5342,"\u002FzK50QvJ510VSrzzTWRt2ULRqyA.jpg","2012-11-29","687b0ffd01f7d024388a4156",{"adult":97,"backdrop_path":113,"genre_ids":2136,"id":2137,"title":2138,"original_language":316,"original_title":2139,"overview":2140,"popularity":2141,"poster_path":2142,"release_date":2143,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":570,"credit_id":2144,"order":192,"media_type":139},[21],1518512,"The Death of Jean-Luc Godard","A Morte de Jean-Luc Godard","On September 13, 2022, the death of filmmaker Jean-Luc Godard was reported by television news broadcasts.",0.5244,"\u002FyqzcSxwnkRv37kC6ofedYhL8D1q.jpg","2025-08-13","688288ae3628225df7d9a38f",{"adult":97,"backdrop_path":2146,"genre_ids":2147,"id":2148,"title":2149,"original_language":128,"original_title":2150,"overview":2151,"popularity":2152,"poster_path":2153,"release_date":2154,"softcore":97,"video":97,"vote_average":1011,"vote_count":112,"character":257,"credit_id":2155,"order":192,"media_type":139},"\u002FtNlWsNtlxMRHb4m3AbRneGf7GEK.jpg",[21],272747,"Fragments of Conversations with Jean-Luc Godard","Morceaux de conversations avec Jean-Luc Godard","In his meetings with various different people, Jean-Luc Godard develops his thinking about history, politics, the cinema, images and time, and this will lead to his exhibition as an artist at the Pompidou Centre. Jean-Luc Godard’s conversations with Dominique Païni, Jean Narboni, André S. Labarthe, Jean-Marie Straub, Danielle Huillet and Christophe Kantcheff were filmed at his home in Rolle, in his study, at the Fresnoy National Studio for the Contemporary Arts (in front of students) and in the exhibition rooms of the Pompidou Centre.",0.4722,"\u002FdKWffCEx4fA6o3hKU1pTZFPXnM4.jpg","2009-01-21","691504fe0eafacc8369c4e7f",{"adult":97,"backdrop_path":113,"genre_ids":2157,"id":2158,"title":2159,"original_language":128,"original_title":2159,"overview":2160,"popularity":2161,"poster_path":113,"release_date":2162,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":2163,"credit_id":2164,"order":192,"media_type":139},[21],1536705,"Carottage","The “Journal Annales” consists of almost 2.000 hours of video footage collected by filmmaker Lionel Soukaz since 1991. For “Carottage”, the idea was to take a random sample from this vast volume, like a geological core sample. The result is a condensed history of political struggles and radical cultural experimentation spanning two decades.",0.2247,"2013-01-01","self","69335e3368ea30ebba243366",{"adult":97,"backdrop_path":2166,"genre_ids":2167,"id":2168,"title":2169,"original_language":495,"original_title":2169,"overview":2170,"popularity":2171,"poster_path":2172,"release_date":2173,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":2174,"credit_id":2175,"order":284,"media_type":139},"\u002F2wYjHAvgUVWYh9Y46xXQ5RgM5BH.jpg",[24,15,21],1455712,"Identidade","During a screening of Oedipus Rex in a run-down movie theater in downtown Rio, three peculiar characters—a frustrated projectionist, his intern, and a wandering poet—decide to interrupt the film to discuss the death of cinema. The audience revolts. So does the film.",0.3888,"\u002Fj0zqTt7EABV3pYQ7Mw8w918v7Ij.jpg","2026-04-01","Jean-Luc Godard (Imagens de Arquivo)","6953320fc185755462d79ebd",{"adult":97,"backdrop_path":2177,"genre_ids":2178,"id":2179,"title":2180,"original_language":128,"original_title":2180,"overview":2181,"popularity":2182,"poster_path":2183,"release_date":2184,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":2185,"order":192,"media_type":139},"\u002Fhz5slkgQ8us4X7lbL5Y2Aj6WkXE.jpg",[21],1609339,"86 printemps, Jean-Luc Godard","Documentary film about (and featuring) Jean-Luc Godard, shot in Rolle, Switzerland, in January 2017.",0.4146,"\u002Fh3DLIexbJgFZeNoh1ej6MfYWTDG.jpg","2021-11-13","69597e51a00713496acc925b",{"adult":97,"backdrop_path":113,"genre_ids":2187,"id":2188,"title":2189,"original_language":128,"original_title":2189,"overview":2190,"popularity":2191,"poster_path":2192,"release_date":2193,"softcore":97,"video":97,"vote_average":366,"vote_count":138,"character":2194,"credit_id":2195,"order":192,"media_type":139},[21],194532,"The Old Place","Essay on the influence of arts at the end of the 20th century produced by the Museum of Modern Art.",0.4104,"\u002F19nSvCW1HbV9fPjy5ZqUH0tv9Ox.jpg","2000-05-19","Self \u002F Narrator (voice)","695985c8cfb9f33b757c7cf6",{"adult":97,"backdrop_path":2197,"genre_ids":2198,"id":2199,"title":2200,"original_language":2201,"original_title":2202,"overview":2203,"popularity":2204,"poster_path":2205,"release_date":2206,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":165,"credit_id":2207,"order":177,"media_type":139},"\u002FuVrSfKsmnnbpGhALctqyDean6l6.jpg",[21],1610960,"One Hero, The People","ar","Un seul héros le peuple","Adam Bensoltane takes us through the birth of Algerian cinema, in his native country, across the ages, exploring its evolution and its impact on the nation, politics, and the world.",0.8648,"\u002FxbBnskaRZIIacOhkLS7B1GG9niI.jpg","2026-01-07","695cf8f40bd69a05359f87da",{"adult":97,"backdrop_path":2209,"genre_ids":2210,"id":2211,"title":2212,"original_language":128,"original_title":2213,"overview":2214,"popularity":2215,"poster_path":2216,"release_date":2217,"softcore":97,"video":378,"vote_average":241,"vote_count":471,"character":165,"credit_id":2218,"order":2219,"media_type":139},"\u002Fw4TDiUVWIW8BGuV5epk7cl6OFU7.jpg",[21],393076,"Heart of the Festival","Histoires de festival","A short film containing some of the highlights of the Cannes Film Festival's storied history.",0.9075,"\u002FoOWpZ3SSwaN8KCWKrswmMRAhVZ7.jpg","2002-04-16","696d3b42ec86723d608fcc7d",47,{"adult":97,"backdrop_path":113,"genre_ids":2221,"id":2222,"title":2223,"original_language":128,"original_title":2224,"overview":2225,"popularity":2226,"poster_path":2227,"release_date":2228,"softcore":97,"video":97,"vote_average":164,"vote_count":471,"character":570,"credit_id":2229,"order":284,"media_type":139},[21,51],542915,"Bardot, The Misunderstanding","Bardot, la méprise","An intimate portrait of Brigitte Bardot, the great French actress of the 1960s and 1970s who worked with leading directors such as Henri-Georges Clouzot and Jean-Luc Godard. The artist shares her family archives with us.",0.4703,"\u002FliKou5FSviTMWC6bPkVbilPDKP0.jpg","2013-11-27","6988fecc2840a6584ff8122f",{"adult":97,"backdrop_path":113,"genre_ids":2231,"id":2232,"title":2233,"original_language":128,"original_title":2233,"overview":2234,"popularity":2235,"poster_path":2236,"release_date":2237,"softcore":97,"video":97,"vote_average":299,"vote_count":177,"character":257,"credit_id":2238,"order":471,"media_type":139},[21],1452508,"Paradjanov, le dernier collage","Parajanov lifts the curtain on numerous unfinished scenes and fragments of unshot films. These are memories of his childhood, death, friends, Tiflis, Kyiv, Yerevan. Seven stories from the life of Parajanov and the close circle that shared his entire life path with him.",0.5691,"\u002FvseNqb9O9PsLUC2hIqo1o3e4Vm5.jpg","1995-01-01","698efb1d059065b795b68b32",{"adult":97,"backdrop_path":113,"genre_ids":2240,"id":2241,"title":2242,"original_language":495,"original_title":2242,"overview":2243,"popularity":2244,"poster_path":2245,"release_date":2246,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":2247,"credit_id":2248,"order":176,"media_type":139},[24],1584196,"Deuses de Mentira","Four ordinary teenagers living through the faded 90s. A lie will unite them in the name of adventure, envy, power... and, who knows, a girl with a fantastic smile!",0.3315,"\u002Fe8tn3QJjMn7Myi9sIk3WqrvsrLw.jpg","2009-11-13","(Archive Sound)","69be0a5c406b71d6499eea89",{"adult":97,"backdrop_path":113,"genre_ids":2250,"id":2251,"title":2252,"original_language":128,"original_title":2252,"overview":2253,"popularity":2254,"poster_path":2255,"release_date":2256,"softcore":97,"video":97,"vote_average":112,"vote_count":177,"character":570,"credit_id":2257,"order":2258,"media_type":139},[21],847138,"Morceaux de Cannes","We thought we'd seen, read, and heard everything there was to see about the Cannes Film Festival, from the glitz and gossip to the scandals and censorship. And yet, Emmanuel Barnault's \"Morceaux de Cannes\" (Pieces of Cannes), by this leading expert on Italian and French cinema, convinces us otherwise. The third largest event in the world (after the Olympic Games and the FIFA World Cup) reveals its secrets only sparingly, as this film attests. The result of passionate research in the INA archives, these 52 minutes, without interviews or voice-over narration, string together rare and sometimes previously unseen footage. Taken together, they tell a surprising, original, and heartwarming story of the Festival. On the beach, on a street corner, in a restaurant, or in the privacy of a hotel room, these forgotten archives summon the greatest filmmakers, actors, and actresses of the last seventy years, from Jean Cocteau to David Lynch, for an anthology of the Festival's history.",0.6482,"\u002Fas5HrR2xYEko9jY1QQHwKfJImy6.jpg","2021-07-02","69c57250b280bcda58833f86",46,{"adult":97,"backdrop_path":2260,"genre_ids":2261,"id":2262,"title":2263,"original_language":128,"original_title":2264,"overview":2265,"popularity":2266,"poster_path":2267,"release_date":2268,"softcore":97,"video":97,"vote_average":1563,"vote_count":138,"character":2269,"credit_id":2270,"order":395,"media_type":139},"\u002Fow5fF4tsBgdQVJb93T2gbYYrZo8.jpg",[21],469151,"Cinema Through the Eye of Magnum","Le cinéma dans l'oeil de Magnum","The film tells the story of the intimate and unprecedented encounter between the photojournalists of the Magnum Agency and the world of cinema. The confrontation of two seemingly opposite worlds – fiction and reality. For 70 years their paths crossed: a family of photographers, amongst them the biggest names in photography, and a family of actors and filmmakers who helped write the history of cinema, from John Huston to Marilyn Monroe to Orson Welles, Kate Winslet and Sean Penn.",0.7031,"\u002FaDKQdFrbK2zwbLyXfS7f9EnU6l1.jpg","2017-09-02","Self(archive footage)","69cac960f4148b5352ce3c70",{"adult":97,"backdrop_path":113,"genre_ids":2272,"id":2273,"title":2274,"original_language":128,"original_title":2275,"overview":2276,"popularity":2277,"poster_path":2278,"release_date":2279,"softcore":97,"video":97,"vote_average":154,"vote_count":177,"character":570,"credit_id":2280,"order":12,"media_type":139},[21],1135647,"The Bardot mystery","Le Mystère Bardot","Who hides behind Brigitte Bardot? Extraordinarily photogenic, a tumultuous love life, the ultimate sex symbol for the 1950s and 1960s, the actress, singer and animal rights activist left an indelible mark on her era. Despite over 30,000 photos published in the press, her true personality has long-remained in the shadows.",0.5847,"\u002F5U9ej00QxBNlTR0nYgHoT22sqAA.jpg","2012-01-01","69d8107d2c0c36f2cdbfed72",{"adult":97,"backdrop_path":113,"genre_ids":2282,"id":2283,"title":2284,"original_language":495,"original_title":2284,"overview":2285,"popularity":2286,"poster_path":2287,"release_date":2288,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":1728,"credit_id":2289,"order":594,"media_type":139},[21],1657395,"Proust Palimpsesto: Pastiches e Misturas","\"Proust Palimpsesto: Pastiches e Misturas\" (2026) is a Brazilian film essay directed by Carlos Adriano. The film, which explores the impossibility of filming Marcel Proust's \"In Search of Time That Flew\", is presented as a collage of archival images and theories.",0.6703,"\u002F9Om8JwozEfmulcF4Oe27tX8w8QO.jpg","2026-04-14","69defac6570616a5573941cc",{"adult":97,"backdrop_path":113,"genre_ids":2291,"id":2292,"title":2293,"original_language":128,"original_title":2293,"overview":2294,"popularity":2056,"poster_path":2295,"release_date":2296,"softcore":97,"video":97,"vote_average":154,"vote_count":177,"character":2297,"credit_id":2298,"order":284,"media_type":139},[51,21],685068,"Léaud l'unique","Documentary about the work of Nouvelle Vague actor Jean-Pierre Léaud, with interview clips, film clips and contributions from directors and actors he has worked with.","\u002F5IgCUOYgNo7C4wJjgS94RvWcBIe.jpg","2001-10-25","Self - filmmaker","6a217487564caed976e23ed1",{"adult":97,"backdrop_path":2300,"genre_ids":2301,"id":2302,"title":2303,"original_language":2304,"original_title":2305,"overview":2306,"popularity":2307,"poster_path":2308,"release_date":2309,"softcore":97,"video":97,"vote_average":176,"vote_count":112,"character":165,"credit_id":2310,"order":1082,"media_type":139},"\u002F8ZWRIEANRMFT0mPLya9f2zGSeAV.jpg",[21],1477121,"Being Bo Widerberg","sv","I huvudet på Bo","The documentary chronicles Bo Widerberg's journey from 1960s Malmö, where he worked as a writer and film critic, to his successes as a director in Stockholm and international adventures in Cannes and New York. The film also explores the personal costs of his artistic vision and how his pursuit of life and authenticity affected both himself and those around him.",1.1043,"\u002Fl4MVedAIjUbwNgNpasNKJy5Y87x.jpg","2025-07-02","6a2eec93342699803b95433e",{"adult":97,"backdrop_path":113,"genre_ids":2312,"id":2313,"title":2314,"original_language":839,"original_title":2314,"overview":2315,"popularity":2316,"poster_path":2317,"release_date":2318,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":570,"credit_id":2319,"order":192,"media_type":139},[21],521677,"Das ist nur der Anfang - der Kampf geht weiter","Claudia Alemann's film documents the general strike and student mass protests in Paris in 1968. As a participant in various film collectives, she also examines the role of the medium of film in times of political and social upheaval and the impact of changing cultural-political paradigms on artistic activity. Alemann allows workers, students, teachers and filmmakers to have their say.",0.5605,"\u002FeFVB7PocpFK7WO1opXg1lzw6ro1.jpg","1968-01-02","6a3a8c1bf6622a1ada4e4f09",{"adult":97,"backdrop_path":113,"genre_ids":2321,"id":2322,"title":2323,"original_language":128,"original_title":2323,"overview":2324,"popularity":2325,"poster_path":2326,"release_date":2327,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":257,"credit_id":2328,"order":177,"media_type":139},[21],1723641,"Notre musique \u002F Séquence 23","A fascinating glimpse of Godard at work during the filming of the celebrated interview sequence in Notre musique featuring the Palestinian poet Mahmoud Darwish.",0.4744,"\u002FmlhyvPPbhvRGMDtcwhZCwiEo9ZQ.jpg","2026-07-18","6a43cb113605142ee1d802fe",{"adult":97,"backdrop_path":113,"genre_ids":2330,"id":2331,"title":2332,"original_language":128,"original_title":2332,"overview":570,"popularity":2333,"poster_path":113,"release_date":2279,"softcore":97,"video":97,"vote_average":299,"vote_count":177,"character":2334,"credit_id":2335,"order":192,"media_type":139},[21],1726921,"JDP\u002FJLG 1963-2012",0.4029,"Himself","6a4b780611fc8f27fe8194d8",{"adult":97,"backdrop_path":2337,"genre_ids":2338,"id":2339,"title":2340,"original_language":128,"original_title":2340,"overview":2341,"popularity":2342,"poster_path":2343,"release_date":2344,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":2345,"credit_id":2346,"order":177,"media_type":139},"\u002FslRq5ZAaR5A8eBPXcGI88QWpnXb.jpg",[15],1729729,"Determination","An avant-garde exploration of the themes of high-art vs. low-art conflict. The film begins with the bleak slideshow of Almaty architecture with the robotic french voice narrating something in the background. After that, the director begins to dance while the texts suggests its own analysis and theories. Finally, the film closes with a visual collage blending footage from indie web series, french new wave films, archival footage of Cannes, and personal footage of milk being microwaved.",0.5296,"\u002Fd2Ck40tB65jAwOVB606xuwG26Om.jpg","2026-07-11","Self (archival footage)","6a51b75e118840739f452965",{"adult":97,"backdrop_path":113,"genre_ids":2348,"id":2349,"title":2350,"original_language":128,"original_title":2351,"overview":2352,"popularity":2353,"poster_path":2354,"release_date":2355,"softcore":97,"video":97,"vote_average":192,"vote_count":192,"character":243,"credit_id":2356,"order":192,"media_type":139},[21,33],660781,"The Bridge of Sighs","Le Pont des soupirs","In this short film that works as a segment of the collective film \"Les ponts de Sarajevo\", Jean-Luc Godard reflects how images can conceal the truth, and what responsibility falls on those who produce them and those who watch them, by drawing a parallel with the Bosnian War.",0.5002,"\u002F25AmcjyDDhYAlb1GSuya7LJLGwt.jpg","2014-05-22","6a5a2ead5859dd73ca2b9dc4",{"adult":97,"backdrop_path":2358,"genre_ids":2359,"id":2360,"title":2361,"original_language":128,"original_title":2362,"overview":2363,"popularity":2364,"poster_path":2365,"release_date":2366,"softcore":97,"video":97,"vote_average":672,"vote_count":2367,"character":2368,"credit_id":2369,"order":192,"media_type":139},"\u002FhTXvJCi80HGHmADlgibAABsXDgs.jpg",[24],323563,"In the Darkness of Time","Dans le noir du temps","Conceived as a reflection on the theme of time at the turn of the millennium, \"Dans le noir du temps\" functions as a Pandora’s box which hides all the horrors of the world: the last moments of youth, fame, thoughts, memory, love, silence, history, fear, eternity and, of course, cinema.",0.7446,"\u002Fbdlbt1974FM1hfnDoVZBH3faUdv.jpg","2002-09-03",26,"(voice) (uncredited)","6aab2a2efa62ed8c76180aa6",{"adult":97,"backdrop_path":2371,"genre_ids":2372,"id":2373,"title":2374,"original_language":1244,"original_title":2375,"overview":2376,"popularity":2377,"poster_path":2378,"release_date":2379,"softcore":97,"video":97,"vote_average":176,"vote_count":112,"character":165,"credit_id":2380,"order":6,"media_type":139},"\u002FoHbOPbsKi1wZ1WuAOA2SfpliG9s.jpg",[21],1752134,"200 Lives, Paco Rabal","200 vidas, Paco Rabal","Through cassette recordings of his voice and the super8 films of his travels, film shoots and festivals he would attend despite his political engagement as a screen idol of the Franco era, Paco Rabal (Best Actor Award at the first Festival in 1953 and Donostia Award in 2001) looks back at his life, regrets and contradictions. An impressive list of films recalling the time of his death in Bordeaux, like Goya, the man he played several times. In San Sebastián, he enjoyed success alongside Rafael Gil, Lucas Demare, León Klimovsky, Pedro Olea and Jaime de Armiñán.",1.1957,"\u002FvTUbINw60fT4T8RoJb9agRHJusf.jpg","2026-10-24","6af824a4ae7d9814a026e53f",{"adult":97,"backdrop_path":2382,"genre_ids":2383,"id":2384,"origin_country":2385,"original_language":128,"original_name":2387,"overview":570,"popularity":2388,"poster_path":2389,"first_air_date":2390,"softcore":97,"name":2387,"vote_average":176,"vote_count":112,"character":257,"credit_id":2391,"episode_count":112,"first_credit_air_date":2392,"media_type":2393},"\u002F4KoONHc2UnQSOdk0veFIjX3hCr4.jpg",[21],27058,[2386],"FR","Dim Dam Dom",5.6021,"\u002FoxPTNSZJMu9XU82HV7kDnMYxiFa.jpg","1965-03-07","604ccfe689f749003c741ef4","1965-12-30","tv",{"adult":97,"backdrop_path":2395,"genre_ids":2396,"id":2397,"origin_country":2398,"original_language":128,"original_name":798,"overview":2399,"popularity":2400,"poster_path":113,"first_air_date":2401,"softcore":97,"name":798,"vote_average":164,"vote_count":299,"character":257,"credit_id":2402,"episode_count":9,"first_credit_air_date":2401,"media_type":2393},"\u002FxXHEezg8XUEtjYila37VwzP2uVZ.jpg",[21],59104,[2386],"In this radically unconventional television series, Godard and Miéville analyze the political economy of personal and mass media communications in relation to society, culture, family and the individual. Their inquiry focuses \"on and beneath\" communications in a provocative critique of the power of media images in contemporary culture and everyday life.\n\nEach of the six programs is constructed of two complementary segments: A discursive visual essay on one aspect of the production and consumption of images is paired with a related interview on labor and leisure with an individual — an amateur filmmaker, a dairy farmer, the mathematician René Thom, Godard himself. These extended interviews provide a subjective counterpoint to the theoretical essays on work, economics and mass cultural imagery.",1.772,"1976-07-25","582d03229251410951000e81",{"adult":97,"backdrop_path":113,"genre_ids":2404,"id":2405,"origin_country":2406,"original_language":128,"original_name":2407,"overview":2408,"popularity":2409,"poster_path":2410,"first_air_date":2411,"softcore":97,"name":2407,"vote_average":299,"vote_count":177,"character":405,"credit_id":2412,"episode_count":177,"first_credit_air_date":2413,"media_type":2393},[],194765,[2386],"Série noire","Série noire is a French crime television series created by Pierre Grimblat in 1984. The series was adapted from crime books by the publishing imprint of the same name. 36 episodes were filmed between 1984 and 1989, and were aired until 1991 on TF1.",2.0137,"\u002FnN4lqfIA5n1k8PxnmFDNSm10cLD.jpg","1984-01-28","62292861498ef9001a3b7544","1986-05-24",{"adult":97,"backdrop_path":2415,"genre_ids":2416,"id":2417,"origin_country":2418,"original_language":128,"original_name":2419,"overview":810,"popularity":2420,"poster_path":2421,"first_air_date":813,"softcore":97,"name":808,"vote_average":192,"vote_count":192,"character":2422,"credit_id":2423,"episode_count":9,"first_credit_air_date":813,"media_type":2393},"\u002Flh2q6004suO7VARrSXjiHNQGPi3.jpg",[21],198164,[2386],"France\u002Ftour\u002Fdétour\u002Fdeux\u002Fenfants",1.6656,"\u002FntiifGvyUZY0i8POAJDQzlmrxcw.jpg","Robert Linard (uncredited)","6262913ee61e6d0066286b4f",{"adult":97,"backdrop_path":2425,"genre_ids":2426,"id":2427,"origin_country":2428,"original_language":128,"original_name":2429,"overview":2430,"popularity":2431,"poster_path":2432,"first_air_date":2433,"softcore":97,"name":2429,"vote_average":379,"vote_count":112,"character":257,"credit_id":2434,"episode_count":299,"first_credit_air_date":1872,"media_type":2393},"\u002F4rJpvb0fi7Coh96e35WTRPrkods.jpg",[90],244224,[2386],"Spécial cinéma","Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.",37.2659,"\u002FjONImBKU4sK9mBcK5cx7a4R4h5v.jpg","1974-09-25","65b4eafa2faf4d017cdc34cc",{"adult":97,"backdrop_path":2436,"genre_ids":2437,"id":2438,"origin_country":2439,"original_language":128,"original_name":2440,"overview":2441,"popularity":2442,"poster_path":2443,"first_air_date":2444,"softcore":97,"name":2440,"vote_average":879,"vote_count":299,"character":257,"credit_id":2445,"episode_count":176,"first_credit_air_date":2444,"media_type":2393},"\u002FmBfnqnrA59IB87hsGSTu2A9pI8u.jpg",[21],206647,[2386],"Histoire(s) du cinéma","An 8-part essay film chronicling the history of cinema, examining the history of the concept of cinema and how both relates to the 20th century.",2.1716,"\u002FSXVg75BMV1bDMSnJmcbxq7EsXU.jpg","1988-05-07","63233ade511d09007f4efe2a",{"adult":97,"backdrop_path":113,"genre_ids":2447,"id":2448,"origin_country":2449,"original_language":839,"original_name":2451,"overview":2452,"popularity":2453,"poster_path":2454,"first_air_date":2455,"softcore":97,"name":2451,"vote_average":1024,"vote_count":177,"character":257,"credit_id":2456,"episode_count":112,"first_credit_air_date":2457,"media_type":2393},[81],89293,[2450],"DE","Bambi","The Bambi, often called the Bambi Award and stylised as BAMBI, is a German award presented annually by Hubert Burda Media to recognize excellence in international media and television to personalities in the media, arts, culture, sports, and other fields \"with vision and creativity who affected and inspired the German public that year\", both domestic and foreign. First held in 1948, it is the oldest media award in Germany. The trophy is named after Felix Salten's book Bambi, A Life in the Woods and its statuettes are in the shape of the novel's titular fawn character. They were originally made of porcelain until 1958, when the organizers switched to using gold, with the casting done by the art casting workshop of Ernst Strassacker in Süßen.",29.7524,"\u002F7Bc1fE5mKIYmhhgl0fVcw3nvDra.jpg","1948-01-01","5cd55ada92514170a53b0431","1968-01-19",{"adult":97,"backdrop_path":2459,"genre_ids":2460,"id":2461,"origin_country":2462,"original_language":128,"original_name":2463,"overview":2464,"popularity":2465,"poster_path":2466,"first_air_date":2467,"softcore":97,"name":2463,"vote_average":638,"vote_count":284,"character":257,"credit_id":2468,"episode_count":177,"first_credit_air_date":2469,"media_type":2393},"\u002Fwkmh7WClhfU7DQdti6lEFH0qLT3.jpg",[90],30243,[2386],"Apostrophes","Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. 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How else would you learn about pubic hairdressers, the Penis Olympics, or the latest Japanese sex toys?",11.5471,"\u002F6YCKrwzPSgCv0s6133379Ohzggy.jpg","1993-09-24","6a0b17c745d58af7baa15ede","1993-10-15",{"adult":97,"backdrop_path":113,"genre_ids":2495,"id":2496,"origin_country":2497,"original_language":128,"original_name":2498,"overview":570,"popularity":2499,"poster_path":2500,"first_air_date":2501,"softcore":97,"name":2498,"vote_average":192,"vote_count":192,"character":257,"credit_id":2502,"episode_count":112,"first_credit_air_date":660,"media_type":2393},[21],328500,[2386],"Pour le 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Chinoise","A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.",1.6788,"\u002FhfGzYErvwi8hB38kCsSNy6OjdPv.jpg","1967-08-30",253,"52fe4306c3a36847f8034b53","Writer",{"adult":97,"backdrop_path":2546,"genre_ids":2558,"id":2548,"title":2549,"original_language":128,"original_title":2549,"overview":2550,"popularity":2551,"poster_path":2552,"release_date":2553,"softcore":97,"video":97,"vote_average":299,"vote_count":2554,"credit_id":2559,"department":116,"job":2530,"media_type":139},[24,15],"52fe4306c3a36847f8034b4d",{"adult":97,"backdrop_path":2561,"genre_ids":2562,"id":2563,"title":2564,"original_language":128,"original_title":2565,"overview":2566,"popularity":2567,"poster_path":2568,"release_date":2569,"softcore":97,"video":97,"vote_average":2570,"vote_count":2571,"credit_id":2572,"department":116,"job":2530,"media_type":139},"\u002F4zJ9w3lZcZI3mBXcNiq6s8bqpDO.jpg",[24,45,18],2786,"Pierrot le Fou","Pierrot le fou","Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.",3.1403,"\u002Fi124H6iQB4CawrgFW9aZaZs7OBO.jpg","1965-11-05",7.302,983,"52fe436dc3a36847f80535d3",{"adult":97,"backdrop_path":113,"genre_ids":2574,"id":2575,"title":2576,"original_language":128,"original_title":2576,"overview":2577,"popularity":2578,"poster_path":2579,"release_date":1237,"softcore":97,"video":97,"vote_average":1563,"vote_count":471,"credit_id":2580,"department":116,"job":2530,"media_type":139},[],805746,"Le Grand Escroc","Patricia Leacock, reporter for an American television, is in Morocco on the trail of a counterfeiter-philanthropist. Based on a real story which Chaplin had already thought to adapt into a film.",0.4574,"\u002FgDaQOewplkXDwNDONYhKH6oGH6T.jpg","604dfc95d100b600288b3db4",{"adult":97,"backdrop_path":2582,"genre_ids":2583,"id":2584,"title":2585,"original_language":128,"original_title":2586,"overview":2587,"popularity":2588,"poster_path":2589,"release_date":2590,"softcore":97,"video":97,"vote_average":2591,"vote_count":2592,"credit_id":2593,"department":2525,"job":2556,"media_type":139},"\u002F83AMHdZU71x7U4aZ7QFGBRtdyxo.jpg",[24,45],4710,"Masculin Féminin","Masculin féminin","Paul, a young idealist trying to figure out what he wants to do with his life, takes a job interviewing people for a marketing research firm. He moves in with aspiring pop singer Madeleine. Paul, however, is disillusioned by the growing commercialism in society, while Madeleine just wants to be successful. The story is told in a series of 15 unrelated vignettes.",1.5904,"\u002FAroNQnZiqjJOWf32lLNZUzWlGvd.jpg","1966-03-22",7.202,439,"52fe43d5c3a36847f8072feb",{"adult":97,"backdrop_path":2582,"genre_ids":2595,"id":2584,"title":2585,"original_language":128,"original_title":2586,"overview":2587,"popularity":2588,"poster_path":2589,"release_date":2590,"softcore":97,"video":97,"vote_average":2591,"vote_count":2592,"credit_id":2596,"department":116,"job":2530,"media_type":139},[24,45],"52fe43d5c3a36847f8072ff7",{"adult":97,"backdrop_path":2598,"genre_ids":2599,"id":2600,"title":2601,"original_language":128,"original_title":2602,"overview":2603,"popularity":2604,"poster_path":2605,"release_date":2606,"softcore":97,"video":97,"vote_average":868,"vote_count":2607,"credit_id":2608,"department":116,"job":2530,"media_type":139},"\u002FiOUhnp01rP9Xr5QG66LMAKSDkYv.jpg",[24,48,42],8072,"Alphaville","Alphaville, une étrange aventure de Lemmy Caution","Lemmy Caution is on a mission to eliminate Professor Von Braun, the creator of a malevolent computer that rules the city of Alphaville. 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A drowning accident takes place and the drifter dies, but some time later he reappears in the woman’s life looking for a job. Or could it be the man’s twin brother?",0.769,"\u002FpFofqGMcfiIoDISZBjctw2qggla.jpg","1990-05-23","52fe44e59251416c9102079f",{"adult":97,"backdrop_path":2697,"genre_ids":2698,"id":2699,"title":2700,"original_language":128,"original_title":2701,"overview":2702,"popularity":2703,"poster_path":2704,"release_date":2705,"softcore":97,"video":97,"vote_average":2706,"vote_count":21,"credit_id":2707,"department":2525,"job":2556,"media_type":139},"\u002F9vSZmqmVIJOZY7sHKjAXqm2FqjZ.jpg",[24],32720,"Hail Mary","Je vous salue, Marie","A college student gets pregnant without having intercourse, affecting people close and unrelated to her in different 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Jean Luc Godard and Anne Marie Mieville's film concerns the plight of Thomas Wanggai, West Papuan activist who has since died in prison. The short films were commissioned by Amnesty International.",0.4712,"\u002F1PMobTJtMzOSBqNCHImiLAyPumH.jpg","1991-12-11","52fe4786c3a36847f813a9c3",{"adult":97,"backdrop_path":2792,"genre_ids":2793,"id":2794,"title":2795,"original_language":1499,"original_title":2796,"overview":2797,"popularity":2798,"poster_path":2799,"release_date":2800,"softcore":97,"video":97,"vote_average":2758,"vote_count":685,"credit_id":2801,"department":116,"job":2530,"media_type":139},"\u002FjPHswsCZzKyKRSJNCof7ULSLPYz.jpg",[24],49456,"Love and Anger","Amore e rabbia","Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. 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This project is to be told through three couples: young, adult and old. We do not know if the project is for a play, a film, a novel or an opera. The author of the project is always accompanied by a kind of servant. Meanwhile, two years earlier, an American civil servant meets with an elderly French couple who had fought in the Resistance during World War II, brokering a deal with a Hollywood director to buy the rights to tell their story. 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