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Godard","JL Godard","JeanLuc Cinéma Godard","Monsieur Godard","JLG","Hans Lucas","장 뤽 고다르","장-뤽 고다르","جان لوك جودار","Jean-Luc Godard (Paris, 3 de dezembro de 1930) é um cineasta, roteirista e crítico de cinema franco-suíço. Ele ganhou destaque como pioneiro no movimento de filmes franceses da Nouvelle vague dos anos 1960. Como seus contemporâneos, Godard criticou a \"Tradição de Qualidade\" do cinema francês, que \"enfatizava o ofício sobre a inovação, privilegiava os diretores estabelecidos sobre os novos e preferia as grandes obras do passado à experimentação\". Como resultado de tal argumento, ele e críticos com a mesma opinião começaram a fazer seus próprios filmes.","1930-12-03","2022-09-13",2,null,3776,"nm0000419","Directing","Jean-Luc Godard","Paris, France",1.5754,"\u002FzP5EDY5MstfkdBmPXNCj8Y6v5KR.jpg",{"cast":122,"crew":2305},[123,140,155,167,178,190,201,209,218,225,239,252,267,277,290,301,313,323,332,342,356,366,381,389,402,409,418,427,439,448,454,460,469,482,496,504,514,525,533,545,555,565,576,584,593,604,613,624,635,646,654,662,671,680,687,696,704,712,720,729,739,747,755,763,773,783,793,805,812,823,836,844,853,863,876,889,900,908,916,926,936,945,957,967,980,992,1001,1012,1022,1034,1042,1049,1058,1065,1072,1081,1091,1100,1107,1120,1131,1140,1150,1159,1168,1177,1191,1199,1207,1216,1225,1235,1243,1257,1270,1278,1291,1298,1306,1317,1327,1335,1344,1357,1368,1379,1387,1395,1403,1415,1423,1436,1446,1456,1465,1474,1483,1491,1498,1505,1513,1522,1531,1540,1547,1556,1564,1573,1585,1594,1603,1614,1622,1635,1644,1654,1662,1669,1677,1686,1699,1707,1715,1724,1737,1748,1755,1762,1774,1782,1790,1799,1806,1814,1826,1834,1843,1850,1857,1869,1878,1886,1894,1903,1913,1922,1929,1938,1946,1954,1962,1971,1979,1990,1999,2008,2018,2028,2036,2044,2053,2062,2074,2082,2091,2099,2109,2117,2125,2132,2142,2150,2162,2171,2184,2192,2202,2212,2222,2233,2244,2255,2266,2278,2287,2297],{"adult":97,"backdrop_path":124,"genre_ids":125,"id":126,"title":127,"original_language":128,"original_title":129,"overview":130,"popularity":131,"poster_path":132,"release_date":133,"softcore":97,"video":97,"vote_average":134,"vote_count":135,"character":136,"credit_id":137,"order":138,"media_type":139},"\u002F3CPo0qqDm2nGUS276iDyNbEWhKQ.jpg",[24,45],266,"O Desprezo","fr","Le Mépris","Paul Javal é um roteirista que vai a Roma para trabalhar em uma adaptação da obra A Odisséia, que contará com a direção do cineasta alemão Fritz Lang. Enquanto decide os últimos detalhes para aceitar o trabalho, sua relação com a esposa, Camille, começa a desabar, em um jogo de paixão, ciúmes e desprezo.",2.5815,"\u002F4ePDVG6pf0I36a4YROGNu9aZ6Y3.jpg","1963-10-29",7.031,1016,"Lang's Assistant Director","52fe422fc3a36847f800a8dd",6,"movie",{"adult":97,"backdrop_path":141,"genre_ids":142,"id":143,"title":144,"original_language":128,"original_title":145,"overview":146,"popularity":147,"poster_path":148,"release_date":149,"softcore":97,"video":97,"vote_average":150,"vote_count":151,"character":152,"credit_id":153,"order":154,"media_type":139},"\u002F4WGuyWf1f94CsEeVIIqDKGw5rmO.jpg",[24,18,45],269,"Acossado","À bout de souffle","Após roubar um carro em Marselha, Michel Poiccard (Jean-Paul Belmondo) ruma para Paris. No caminho mata um policial, que tentou prendê-lo por excesso de velocidade, e em Paris persuade a relutante Patricia Franchisi (Jean Seberg), uma estudante americana com quem se envolveu, para escondê-lo até receber o dinheiro que lhe devem. Michel promete a Patricia que irão juntos para a Itália. No entanto, o crime de Michel está nos jornais e agora não há opção. Ele fica escondido no apartamento de Patricia, onde conversam, namoram, ele fala sobre a morte e ela diz que quer ficar grávida dele. Ele perde a consciência da situação na qual se encontra e anda pela cidade cometendo pequenos delitos, mas quando é visto por um informante começa o final da sua trágica perseguição.",4.5792,"\u002FduTBwrPiJV75xGSzq1Xe68UCrdw.jpg","1960-03-16",7.478,2122,"The Snitch","52fe4230c3a36847f800aa99",10,{"adult":97,"backdrop_path":156,"genre_ids":157,"id":158,"title":159,"original_language":128,"original_title":159,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":97,"video":97,"vote_average":164,"vote_count":9,"character":165,"credit_id":166,"order":138,"media_type":139},"\u002F1rcdBRT7G50obmpfwOgenH9IrH2.jpg",[21],474791,"Belmondo, le magnifique","",0.456,"\u002Fo9NcWqNso6mfcNbvbCeqWxcvsrc.jpg","2017-09-03",7.3,"Self (archive footage)","6139948de323f30029efb360",{"adult":97,"backdrop_path":168,"genre_ids":169,"id":170,"title":171,"original_language":128,"original_title":171,"overview":160,"popularity":172,"poster_path":173,"release_date":174,"softcore":97,"video":97,"vote_average":175,"vote_count":176,"character":165,"credit_id":177,"order":112,"media_type":139},"\u002Fo7Xf3fK2penlysk6UGaxn9mv96O.jpg",[21],1089525,"Les cahiers du cinéma, la création d'une empreinte",0.372,"\u002F9aNv9Jr4wr8FG2Q1Hzm1ljCfddm.jpg","2021-05-10",8,1,"63f3da3b4a4bfc0079c62b3f",{"adult":97,"backdrop_path":179,"genre_ids":180,"id":181,"title":182,"original_language":128,"original_title":182,"overview":160,"popularity":183,"poster_path":184,"release_date":185,"softcore":97,"video":97,"vote_average":186,"vote_count":186,"character":187,"credit_id":188,"order":189,"media_type":139},"\u002F8Ic3ypqqBDT2NqXvB3hWKWKv0I1.jpg",[21],139243,"Moments choisis des Histoire(s) du cinéma",0.4137,"\u002F1ifpFq9FGPv3HxnP1rf74sz9PRy.jpg","2006-02-20",5,"Self - Filmmaker \u002F Narrator (voice)","61726fefbf09d10044629a0a",0,{"adult":97,"backdrop_path":113,"genre_ids":191,"id":192,"title":193,"original_language":128,"original_title":194,"overview":160,"popularity":195,"poster_path":196,"release_date":197,"softcore":97,"video":97,"vote_average":198,"vote_count":199,"character":187,"credit_id":200,"order":189,"media_type":139},[21],116393,"História(s) do Cinema - Todas as Histórias","Histoire(s) du cinéma 1a : toutes les histoires",0.6055,"\u002FoJ4z5rgiNcuA9gSiiLkhDwby4TP.jpg","1989-11-16",6.3,33,"617271d07e3483008d64006d",{"adult":97,"backdrop_path":113,"genre_ids":202,"id":203,"title":204,"original_language":128,"original_title":204,"overview":160,"popularity":205,"poster_path":206,"release_date":197,"softcore":97,"video":97,"vote_average":207,"vote_count":36,"character":187,"credit_id":208,"order":189,"media_type":139},[21],91296,"Histoire(s) du cinéma 1b : une histoire seule",0.6863,"\u002F1xOG2ejvdoAAmQhOsaj6gznMYle.jpg",6.6,"61735432894ed600646de762",{"adult":97,"backdrop_path":113,"genre_ids":210,"id":211,"title":212,"original_language":128,"original_title":212,"overview":160,"popularity":213,"poster_path":206,"release_date":214,"softcore":97,"video":97,"vote_average":215,"vote_count":216,"character":187,"credit_id":217,"order":189,"media_type":139},[21],116397,"Histoire(s) du cinéma 2b : fatale beauté",0.6732,"2006-02-11",6.2,20,"61766641cf4b8b00623a1bbb",{"adult":97,"backdrop_path":113,"genre_ids":219,"id":220,"title":221,"original_language":128,"original_title":221,"overview":160,"popularity":222,"poster_path":206,"release_date":214,"softcore":97,"video":97,"vote_average":215,"vote_count":223,"character":187,"credit_id":224,"order":189,"media_type":139},[21],116396,"Histoire(s) du cinéma 2a : seul le cinéma",0.4628,23,"617503283f483300904b9182",{"adult":97,"backdrop_path":226,"genre_ids":227,"id":228,"title":229,"original_language":128,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":97,"video":97,"vote_average":235,"vote_count":236,"character":237,"credit_id":238,"order":189,"media_type":139},"\u002FysDodI3uMTo8K1ghlUU3kNFHkMr.jpg",[21],26298,"Aqui e em Qualquer Lugar","Ici et Ailleurs","A pedido da Liga Árabe para produzir um filme sobre a Revolução Palestina, os planos de Godard e Gorin foram arruinados pelo Setembro Negro. Agora trabalhando com Miéville, Godard transformou as filmagens originais em uma autocrítica, comparando as vidas de uma família francesa e outra palestina.",0.4693,"\u002FyxdBS1jF7HF1GryHwCZSvLPukpL.jpg","1976-09-15",6.7,30,"Narrator (voice)","52fe44f9c3a368484e04181f",{"adult":97,"backdrop_path":240,"genre_ids":241,"id":242,"title":243,"original_language":128,"original_title":244,"overview":160,"popularity":245,"poster_path":246,"release_date":247,"softcore":97,"video":97,"vote_average":248,"vote_count":249,"character":250,"credit_id":251,"order":175,"media_type":139},"\u002F5KWXtqlJZmjgEJCisDk49eCUE5g.jpg",[24],26347,"Nossa Música","Notre musique",0.8714,"\u002Fv0oUMY5oBuGxJEL7AZD3T7CUW9k.jpg","2004-05-19",6.774,43,"Self","52fe44fcc3a368484e0422b3",{"adult":97,"backdrop_path":253,"genre_ids":254,"id":255,"title":256,"original_language":128,"original_title":257,"overview":258,"popularity":259,"poster_path":260,"release_date":261,"softcore":97,"video":97,"vote_average":262,"vote_count":263,"character":264,"credit_id":265,"order":266,"media_type":139},"\u002F3Wm76b8SY47zqIU6pJRnYRzPPln.jpg",[18,24,15,45],32689,"Carmen de Godard","Prénom Carmen","Vencedor do Leão de Ouro no Festival de Veneza, Carmen faz parte de uma gangue terrorista e se apaixona por um oficial de polícia que faz a segurança de um banco que ela e seus companheiros planejam roubar. Ela o seduz, colocando-os cada vez mais próximos da destruição. Carmen é vivida por Maruschka Detmers, que cria o tão erotizado clima durante as comentadas cenas de nudez.",1.8087,"\u002FyQroYvORSK6t4YIC54R7P5t0Yei.jpg","1983-12-01",6.008,120,"Uncle Jeannot (uncredited)","52fe44e49251416c91020719",19,{"adult":97,"backdrop_path":113,"genre_ids":268,"id":269,"title":270,"original_language":128,"original_title":270,"overview":160,"popularity":271,"poster_path":272,"release_date":273,"softcore":97,"video":97,"vote_average":274,"vote_count":275,"character":237,"credit_id":276,"order":189,"media_type":139},[],386004,"Le monde comme il ne va pas",0.4353,"\u002F8LwcEWQXPgAgh1f07in29lyvlTx.jpg","1996-11-26",5.5,4,"618bbcbda313b80042dc9b50",{"adult":97,"backdrop_path":278,"genre_ids":279,"id":280,"title":281,"original_language":128,"original_title":282,"overview":160,"popularity":283,"poster_path":284,"release_date":285,"softcore":97,"video":97,"vote_average":286,"vote_count":6,"character":287,"credit_id":288,"order":289,"media_type":139},"\u002F2mxeQ0bvXQLp2dxCZ0VRcslSOzz.jpg",[21,57,24],36140,"Longe do Vietnã","Loin du Vietnam",0.7366,"\u002FcXry4OvXl2Pq1kL05opgIj8A89P.jpg","1967-10-18",7.2,"Self (segment \"Camera Eye\")","52fe45cf9251416c9103f2b7",7,{"adult":97,"backdrop_path":291,"genre_ids":292,"id":293,"title":294,"original_language":128,"original_title":295,"overview":160,"popularity":296,"poster_path":297,"release_date":298,"softcore":97,"video":97,"vote_average":198,"vote_count":299,"character":250,"credit_id":300,"order":176,"media_type":139},"\u002FuGVsxEyLOmL5Fz7GuzRup7ByfIp.jpg",[21],61415,"Encontrando Woody Allen","Meetin' WA",0.616,"\u002FfMMmxO4Bk424jDwfm9D5u3sfWww.jpg","1986-05-19",51,"52fe4651c3a368484e08a2cf",{"adult":97,"backdrop_path":302,"genre_ids":303,"id":304,"title":305,"original_language":306,"original_title":305,"overview":160,"popularity":307,"poster_path":308,"release_date":309,"softcore":97,"video":97,"vote_average":310,"vote_count":175,"character":165,"credit_id":311,"order":312,"media_type":139},"\u002FfJ8wVcaYmAaCPekJKIuLk2JikKt.jpg",[21],84672,"Routine Pleasures","en",0.2624,"\u002FoU3YOr9Zok861TEZ0v2e9i48r45.jpg","1986-04-30",6.8,"61af26f7a2423200606b935e",15,{"adult":97,"backdrop_path":314,"genre_ids":315,"id":316,"title":317,"original_language":128,"original_title":317,"overview":318,"popularity":319,"poster_path":320,"release_date":321,"softcore":97,"video":97,"vote_average":138,"vote_count":176,"character":165,"credit_id":322,"order":6,"media_type":139},"\u002FqqyZlQpaS5sNsypIIxUm2G0VWkk.jpg",[51,21],918640,"Belmondo, il était une fois le beau monde","Um perfil de Jean-Paul Belmondo por seus pares. Além de fazer mais de oitenta filmes, o ator também brindou seu público com as cenas perigosas em que dispensou o dublê, seu riso, as brincadeiras, uma desenvoltura e impertinência refrescantes. 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Sua esposa toca regularmente “A Sonata a Kreutzer” com um violinista, da qual emerge uma nova paixão. A partir desse momento, o marido é consumido pelos ciúmes.",0.6695,"\u002F2zAixEsFiWarNKXRMv93xiAc40Z.jpg","1956-01-01","Ami Journaliste","53eabcfd0e0a265f42000451",{"adult":97,"backdrop_path":824,"genre_ids":825,"id":826,"title":827,"original_language":128,"original_title":828,"overview":829,"popularity":830,"poster_path":831,"release_date":832,"softcore":97,"video":97,"vote_average":833,"vote_count":834,"character":105,"credit_id":835,"order":380,"media_type":139},"\u002FbiJMHfwb1yaH2W9OwIt3n6RtVbS.jpg",[42,24,54],43026,"Paris nos pertence","Paris nous appartient","Anne Goupil é uma jovem parisiense estudante de literatura. Encontra-se por acaso com um grupo de teatro que ensaia arduamente Péricles, de Shakespeare, mesmo sem nenhum recurso financeiro. 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O apocalipse iminente desestabiliza todas as suas convicções.",1.3322,"\u002F15y4PbemsytUq36pgOVOQTZw5Qt.jpg","1961-12-13",6.578,83,"53eabd3c0e0a265f5000045c",{"adult":97,"backdrop_path":113,"genre_ids":837,"id":838,"title":839,"original_language":768,"original_title":839,"overview":160,"popularity":840,"poster_path":841,"release_date":842,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":165,"credit_id":843,"order":189,"media_type":139},[21],488940,"September September",0.2965,"\u002F7tJCWXNcpEmCkpos4vBr9N8EJms.jpg","1986-01-01","65721bb1172d7f014d206433",{"adult":97,"backdrop_path":113,"genre_ids":845,"id":846,"title":847,"original_language":128,"original_title":847,"overview":160,"popularity":848,"poster_path":849,"release_date":850,"softcore":97,"video":97,"vote_average":352,"vote_count":112,"character":851,"credit_id":852,"order":189,"media_type":139},[],293426,"Le Rapport Darty",0.4272,"\u002Fe8kQ2zDXGr0G7BZnvTW4OZaQ7wv.jpg","1989-01-01","Nathanael, the 2000 Year-Old Robot","541a4940c3a368511b001426",{"adult":97,"backdrop_path":854,"genre_ids":855,"id":856,"title":857,"original_language":128,"original_title":857,"overview":160,"popularity":858,"poster_path":859,"release_date":860,"softcore":97,"video":97,"vote_average":186,"vote_count":112,"character":861,"credit_id":862,"order":189,"media_type":139},"\u002Fc68ZQOjkYnfrXCj2KkwzlAaSkcc.jpg",[21],293990,"Vrai faux passeport",0.444,"\u002FkIZ2bgShX9WH59ReNG350YL6SmK.jpg","2006-04-26","Self - Narrator (voice)","541dfb83c3a368720d000495",{"adult":97,"backdrop_path":864,"genre_ids":865,"id":866,"title":867,"original_language":128,"original_title":868,"overview":869,"popularity":870,"poster_path":871,"release_date":872,"softcore":97,"video":97,"vote_average":791,"vote_count":873,"character":874,"credit_id":875,"order":289,"media_type":139},"\u002Fq53o3eyUorC2WTbdepCiuc2XSix.jpg",[24,45],50785,"O Pequeno Soldado","Le Petit Soldat","Em 1958, durante a Guerra da Argélia, Bruno Forestier, um jovem pertencente a um pequeno grupo de extrema direita que lutava contra a resistência argelina, chegou de França a Genebra. 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Esse retrato quer nos levar além dos clichês de um mito que às vezes se torna caricatural para encontrar um homem mais sentimental do que parece, um homem que vive sua arte, e às vezes é superado por ela. Porque, sim, Godard é humano. Não só uma máquina que pensa e cria imagens. 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Eles partem no caminhão fotográfico de JR, explorando as cidades da França rural para tirar retratos de seus residentes e ampliá-los em gigantescos murais.",1.6616,"\u002FAsb7x9HI1hERdVbk8iKX3TtDB25.jpg","2017-06-28",7.6,432,"65ff2212378062017c39de8f",{"adult":97,"backdrop_path":1121,"genre_ids":1122,"id":1123,"title":1124,"original_language":128,"original_title":1125,"overview":160,"popularity":1126,"poster_path":1127,"release_date":1128,"softcore":97,"video":97,"vote_average":563,"vote_count":223,"character":1129,"credit_id":1130,"order":6,"media_type":139},"\u002FciX59yAbr8LKu9wNLEIAL9bdSWU.jpg",[18,15],78786,"Os Maiores Vigaristas do Mundo","Les Plus Belles Escroqueries du monde",1.3644,"\u002Fx7p3Qfu7DqZEOX59xtRuAHMXvNg.jpg","1964-08-14","Man in Fez \u002F Narrator (segment \"Le Grand escroc\") (uncredited)","6604ff0e813cb6017b192a11",{"adult":97,"backdrop_path":113,"genre_ids":1132,"id":1133,"title":1134,"original_language":1135,"original_title":1134,"overview":160,"popularity":1136,"poster_path":1137,"release_date":1138,"softcore":97,"video":97,"vote_average":175,"vote_count":176,"character":250,"credit_id":1139,"order":189,"media_type":139},[21],363898,"Nouvelle Vague : El cine sin dogmas","es",0.5548,"\u002FgXamyK4tBLfD33qrL2UaGuJdHJS.jpg","2000-04-02","561eb653c3a3680e10000a24",{"adult":97,"backdrop_path":1141,"genre_ids":1142,"id":1143,"title":1144,"original_language":464,"original_title":1144,"overview":1145,"popularity":1146,"poster_path":1147,"release_date":160,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":1148,"credit_id":1149,"order":189,"media_type":139},"\u002F6ZjeFPgLAIE9smUgyoXmTRgWCWa.jpg",[],1073966,"MORTEM IMAGINIS.","Destruição linguística formal do cinema, cultura, tempo e morte.",0.6028,"\u002FbP4W7aQluIA2X8nCiToM1QdZGlp.jpg","Godard","63c2f151df857c00bc225462",{"adult":97,"backdrop_path":1151,"genre_ids":1152,"id":1153,"title":1154,"original_language":306,"original_title":1154,"overview":160,"popularity":1155,"poster_path":1156,"release_date":1157,"softcore":97,"video":97,"vote_average":924,"vote_count":112,"character":250,"credit_id":1158,"order":176,"media_type":139},"\u002FhxZ9IzGuvnyjr5vdSBGTLSX6H34.jpg",[21],378041,"Godard in America",0.4679,"\u002F3MhatxrcfaGSbWpY3WdVDtNvCVL.jpg","1970-01-01","569c1764c3a36858d2000bdc",{"adult":97,"backdrop_path":1160,"genre_ids":1161,"id":1162,"title":1163,"original_language":128,"original_title":1163,"overview":160,"popularity":1164,"poster_path":1165,"release_date":1166,"softcore":97,"video":97,"vote_average":935,"vote_count":176,"character":250,"credit_id":1167,"order":189,"media_type":139},"\u002FakOY23z3MxB6Gd974hsxkGWu2XJ.jpg",[21],1220338,"Scénarios",0.4906,"\u002FxkxeIpQMd4Ijgw6ONSbzsjWcEjH.jpg","2024-05-17","6639a4e7c9054f013091cf40",{"adult":97,"backdrop_path":113,"genre_ids":1169,"id":1170,"title":1171,"original_language":128,"original_title":1171,"overview":160,"popularity":1172,"poster_path":1173,"release_date":1174,"softcore":97,"video":97,"vote_average":953,"vote_count":553,"character":1175,"credit_id":1176,"order":189,"media_type":139},[21],188321,"Scénario du film Passion",0.6635,"\u002Fl1K6vRTgirdcGz8oQL1amYxTBUJ.jpg","1982-01-28","Narrator \u002F Self","56aa377dc3a36872cd0072d2",{"adult":97,"backdrop_path":1178,"genre_ids":1179,"id":1180,"title":1181,"original_language":128,"original_title":1182,"overview":1183,"popularity":1184,"poster_path":1185,"release_date":1186,"softcore":97,"video":97,"vote_average":1187,"vote_count":1188,"character":1189,"credit_id":1190,"order":935,"media_type":139},"\u002FsghiIicSkXstVJwzXhaFi2G0A9O.jpg",[24,45],40652,"Uma Mulher Casada","Une femme mariée: Suite de fragments d'un film tourné en 1964","Vinte e quatro horas na vida de Charlotte, uma mulher casada, em Paris, onde também tem um caso. Filme de fragmentos, que são também fragmentos da vida que vemos, numa sucessão de grandes planos, seja do rosto das personagens, seja de partes do seu corpo. Tudo quase sempre emoldurado por um cenário branco, o que parece demonstrar que este é mais do que um filme sobre uma dada mulher. Pelo contrário, é uma reflexão de caráter geral, marcada por uma depuração quase total.",1.673,"\u002Fi3KxuoQeuXxQeQuEj2twdEl2dhZ.jpg","1964-12-04",6.886,136,"The Narrator (voice) (uncredited)","57193e52c3a3687b8c0051a2",{"adult":97,"backdrop_path":113,"genre_ids":1192,"id":1193,"title":1194,"original_language":128,"original_title":1194,"overview":160,"popularity":1195,"poster_path":1196,"release_date":1197,"softcore":97,"video":97,"vote_average":138,"vote_count":176,"character":250,"credit_id":1198,"order":138,"media_type":139},[39,45],1303681,"Françoise et Udo...",0.4653,"\u002FgwlgJzzmHC0bubYnygm8eJekxBR.jpg","1968-11-01","66699f9f09ab865f5aaa1b34",{"adult":97,"backdrop_path":113,"genre_ids":1200,"id":1201,"title":1202,"original_language":306,"original_title":1202,"overview":160,"popularity":1203,"poster_path":1204,"release_date":1205,"softcore":97,"video":97,"vote_average":138,"vote_count":176,"character":250,"credit_id":1206,"order":189,"media_type":139},[21],402615,"Two American Audiences: La Chinoise - A Film in the Making",0.3685,"\u002Fe6b4ZiATtcxduBqePgBN6lfVOnh.jpg","1968-01-01","5764e5d792514168ef000851",{"adult":97,"backdrop_path":1208,"genre_ids":1209,"id":1210,"title":1211,"original_language":128,"original_title":1211,"overview":160,"popularity":1212,"poster_path":1213,"release_date":1214,"softcore":97,"video":97,"vote_average":289,"vote_count":154,"character":250,"credit_id":1215,"order":176,"media_type":139},"\u002FhRcDqAYjGKOaZjEnvVVUzwhqvET.jpg",[21],31323,"Reporters",0.8028,"\u002FmDdAb7E2ayhpwJfZr5EPTClGrbG.jpg","1981-06-10","577e4c12c3a3681f260003b0",{"adult":97,"backdrop_path":1217,"genre_ids":1218,"id":1219,"title":1220,"original_language":128,"original_title":1220,"overview":160,"popularity":1221,"poster_path":1222,"release_date":1223,"softcore":97,"video":97,"vote_average":352,"vote_count":216,"character":250,"credit_id":1224,"order":275,"media_type":139},"\u002F3KJScl1cvLsZrazeDWgqRyGMcVL.jpg",[21],254018,"Paparazzi",0.9791,"\u002Fe0cE3JZX2EXCfheB1LmLbJ8oC1t.jpg","1964-09-22","577e536bc3a3681e3e00080a",{"adult":97,"backdrop_path":1226,"genre_ids":1227,"id":1228,"title":1229,"original_language":128,"original_title":1229,"overview":160,"popularity":1230,"poster_path":1231,"release_date":1232,"softcore":97,"video":97,"vote_average":791,"vote_count":1233,"character":237,"credit_id":1234,"order":189,"media_type":139},"\u002F6gwoPdKOU6xyvIXZBhwspGN0LwP.jpg",[21],174473,"Je vous salue, Sarajevo",0.437,"\u002FmpB11iFrJhYM2DbkY4Cb9bxsaui.jpg","1993-04-13",70,"578e0c61c3a3681745002dbc",{"adult":97,"backdrop_path":113,"genre_ids":1236,"id":1237,"title":1238,"original_language":306,"original_title":1238,"overview":160,"popularity":1239,"poster_path":1240,"release_date":1241,"softcore":97,"video":97,"vote_average":189,"vote_count":189,"character":250,"credit_id":1242,"order":189,"media_type":139},[21],384931,"One to One: Jean-Luc Godard Speaks",0.6288,"\u002FgthPHaZpdiB7ZWnupAPsoEWPPWZ.jpg","1968-11-30","6678806ab90a373ac6732d1a",{"adult":97,"backdrop_path":1244,"genre_ids":1245,"id":1246,"title":1247,"original_language":128,"original_title":1248,"overview":1249,"popularity":1250,"poster_path":1251,"release_date":1252,"softcore":97,"video":97,"vote_average":1253,"vote_count":1254,"character":1255,"credit_id":1256,"order":954,"media_type":139},"\u002F68NGFE8zD2gaQVH6MqJeKzojFJM.jpg",[24],1626,"Viver a Vida","Vivre sa vie: film en douze tableaux","Doze contos episódicos na vida de uma mulher parisiense e sua lenta descida para a prostituição.  Os muitos rostos de uma mulher tentando encontrar-se em um mundo de homens. Este filme explora a descida de uma mulher parisiense na prostituição. O filme é composto por uma série de 12 \"tableaux\", cenas que são basicamente episódios desconectados, cada um apresentado com uma introdução de um curto texto.",3.1665,"\u002F2dP8bhgWg4myqlXRLK54PvusfZL.jpg","1962-09-20",7.699,731,"The Lover Reading Poe (voice) (uncredited)","57924b65c3a36867c30011c3",{"adult":97,"backdrop_path":1258,"genre_ids":1259,"id":1260,"title":1261,"original_language":128,"original_title":1262,"overview":1263,"popularity":1264,"poster_path":1265,"release_date":1266,"softcore":97,"video":97,"vote_average":1267,"vote_count":1268,"character":250,"credit_id":1269,"order":189,"media_type":139},"\u002F7XTfI78Iy5KVmUG1IR3pc9QCdQ1.jpg",[21],118257,"Quarto 666","Chambre 666","Durante o 35º Festival de Cannes em 1982, Wim Wenders pediu a vários diretores de cinema para entrar em um quarto de hotel, um de cada vez. 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Lá, ela descobre que ele está morto e decide investigar. Em seu quarto de hotel, ela mata um homem cujo corpo é encontrado mais tarde no apartamento do escritor David Goodis. 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